What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind the Candelabra that put Michael Douglas in a 16ft fox fur cape and white brocade jumpsuit.
With just so many memorable movies and TV shows to cover, Clothes on Film asked some respected contributors to the site for their opinions on the best,...
With just so many memorable movies and TV shows to cover, Clothes on Film asked some respected contributors to the site for their opinions on the best,...
- 12/28/2013
- by Lord Christopher Laverty
- Clothes on Film
The Museum of Modern Art and the Film Society of Lincoln Center will present the 42nd edition of New Directors/New Films from March 20-31 in New York. The festival will screen 25 features (19 narrative, six documentary) and 17 short films, representing 24 countries.
Matías Piñeiro's Viola, Shane Carruth's Upstream Color, Shannon Plumb's Towheads, Sarah Polley's Stories We Tell, Daniel Hoesl's Soldate Jeannette and Rachid Djaïdani's Rengaine are films to look out for on the conflicts from within and the contentions from without.
Alexandre Moors’ Blue Caprice will open the festival at MoMA on March 20. A new component this year is a mid-festival screening at the Vw Performance Dome at MoMA PS1, in Long Island City, on March 26, of Sophie Letourneur’s Les Coquillettes. Found-footage documentary, Our Nixon, directed by Penny Lane will close the film festival at the Film Society’s Walter Reade Theater on March 31.
Here are six standouts.
Matías Piñeiro's Viola, Shane Carruth's Upstream Color, Shannon Plumb's Towheads, Sarah Polley's Stories We Tell, Daniel Hoesl's Soldate Jeannette and Rachid Djaïdani's Rengaine are films to look out for on the conflicts from within and the contentions from without.
Alexandre Moors’ Blue Caprice will open the festival at MoMA on March 20. A new component this year is a mid-festival screening at the Vw Performance Dome at MoMA PS1, in Long Island City, on March 26, of Sophie Letourneur’s Les Coquillettes. Found-footage documentary, Our Nixon, directed by Penny Lane will close the film festival at the Film Society’s Walter Reade Theater on March 31.
Here are six standouts.
- 3/17/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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