- Junkanno Goddess Angelique McKay and The Genesis Warhawks navigate Junkanoo for the first time in 2 years as Christopher Davis introduces us to the story of Ahanta warrior Jan Kwaw aka John Canoe in a true display of black culture and its African Diaspora connections.
- Coming off the heels of sister film "Big Chief, Black Hawk," "Who In Da Mornin'" will be the second film in a twelve-part series that aims to serve as a love letter to all African descendants living in the diaspora.
This documentary project delves into the rich cultural, historical, political, and social context surrounding Junkanoo, a vibrant festival celebrated in the Caribbean, Florida, Jamaica, and the Carolinas, uncovering the origins of Junkanoo, its cultural and scientific connections to West African traditions, and the complex relationship between European, Africa, and Caribbean countries from the inception of slavery, to the emergence of Junkanoo, arriving at the modern day celebrations. Additionally, the story explores the contemporary challenges of communicating the value of the celebration and impact of the COVID-19 pandemic on the Junkanoo Festival.
Culturally, Junkanoo is a manifestation of African roots and heritage. Thus the documentary dives into the communication and preservation of these enduring traditions across generations, demonstrating how the festival acts as a vibrant link between the past and present. This exploration emphasizes the resilience and adaptability of these cultural practices, which have stood the test of time.
Historically, Junkanoo is believed to have originated several centuries ago when enslaved Africans on Bahamian plantations were given three days off to celebrate during the Christmas holiday. One theory suggests that the festival was established in honor of John Canoe, or Jan Kwaw, an Akan warrior from Axim, Ghana, who fought multiple wars against European traders and became a folk hero. After emancipation, the tradition of Junkanoo continued and evolved from its humble beginnings to a formal, organized parade.
Politically, Junkanoo emerged from the quest for freedom and self-identity during the period of slavery. The festival stands as a symbol of defiance and cultural pride for the descendants of enslaved Africans, reflecting their enduring spirit and resilience. As such, it serves as a powerful reminder of the historical struggles and the ongoing pursuit of empowerment and autonomy for the people who continue to celebrate this vibrant tradition.
Socially, Junkanoo plays a significant role in fostering a sense of belonging and celebrating shared heritage. The film will examine the efforts and sacrifices made by Bahamians to keep this tradition alive, as well as the impact of COVID-19 on the festival. Additionally, the film will underscore the value of community involvement and cooperation in safeguarding the cultural heritage and maintaining the enduring presence of this lively embodiment of Bahamian identity.
The four themes are: tradition, interruption, history, and re-connection. Tradition is the transmission and preservation of cultural practices from Africa to the present. Interruption shows the challenges and adjustments brought about by the pandemic. History marks the journey from slavery to emancipation and the transformation of Junkanoo into an organized parade. Reconnection embodies joy and the understanding of the past and where your family comes from. - Sarah Daggett
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