We’ve had some bad weekends at the box office this year, but few worse than a weekend when the only new movie opens in fourth place and the #1 movie from a previous weekend loses so much business it drops all the way down to third. Read on for the weekend box office report.
That new movie was the R-Rated comedy “No Hard Feelings,” starring Jennifer Lawrence, and we’ll get to that in a bit, but first, we have to look at the movie that topped the box office. That was “Spider-Man: Across the Spider-Verse,” which made $19.3 million this weekend, down just 29% from last weekend, returning it to first place after weeks in second and third place. After crossing the $300 million mark on Friday, the animated sequel has grossed $317 million domestically. Overseas, “Spider-Verse” added another $22 million this weekend, bringing its global total to $560.3 million.
See ‘Drive-Away Dolls’ trailer: Love...
That new movie was the R-Rated comedy “No Hard Feelings,” starring Jennifer Lawrence, and we’ll get to that in a bit, but first, we have to look at the movie that topped the box office. That was “Spider-Man: Across the Spider-Verse,” which made $19.3 million this weekend, down just 29% from last weekend, returning it to first place after weeks in second and third place. After crossing the $300 million mark on Friday, the animated sequel has grossed $317 million domestically. Overseas, “Spider-Verse” added another $22 million this weekend, bringing its global total to $560.3 million.
See ‘Drive-Away Dolls’ trailer: Love...
- 6/25/2023
- by Edward Douglas
- Gold Derby
There are few things certain in this world, but we know this much: comedy remains, as always, the most subjective of genres. Also, Jennifer Lawrence’s status as a generational talent remains unchanged. Fresh off two straight-to-streaming efforts, Don’t Look Up, a wan sci-fi satire, and Causeway, a character-driven drama, Lawrence brings her supply of comedic talent, along with her often untapped dramatic range to No Hard Feelings, a middling raunch-com that works best, when it works at all, as a highlight reel for Lawrence’s fearless willingness to embrace her character, Maddie Barker, a directionless 30-something who can’t see beyond the childhood memories entombed in the family home left to her by her late mother. To be fair, it’s neither Lawrence’s nor co-writer and director Gene...
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[Read the whole post on screenanarchy.com...]...
- 6/22/2023
- Screen Anarchy
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