Do not be fooled. This film is a historical nonsense, no lack of rigor and truth. a historical figure is used to invent a story that has nothing to do with historical reality or staff Amadeo: never lived in a Catalan farmhouse, but in the Royal Palace of Madrid. It was not homosexual, but was He married twice and had three children and a good collection of lovers female, including Adela Larra, of which seems never They learned who have made this film. The psychological portrait character is a grotesque caricature. Moreover, the film includes one allegedly forced references want to see Spain parallels the nineteenth with the current, either by approximation succeeds. It's crazy! This film does not serve to meet the history of the country, at the time, nor to know anything real one historical character who apparently know nothing neither the director nor the screenwriter and actor. The movie just goes to show until point cinema is an instrument for the lie (as Godard said) and pure invention. This movie makes me ashamed!