Next time someone wistfully insists, “They don’t make ’em like they used to,” why not point that nostalgic cinephile to the work of Dominique Abel and Fiona Gordon? The Belgium-based creative couple are almost single-handedly keeping the classic burlesque tradition alive on-screen — if the word “single-handedly” can fairly be used to describe a near-silent comic duo with four hands between them, plus a growing company of collaborators (including dancer Kaori Ito) and a prosthetic arm with a mind of its own.
In “The Falling Star,” Abel and Gordon bring their old-school comedic sensibility to what could loosely be described as a detective story, told in a film noir style punctuated with flashes of color: a red dress, a tiny green car, a bright yellow scooter. Centered on a tiny Brussels bar, the pair’s relatively minor new project features a missing persons investigation, a sorta-kinda kidnapping, a fugitive couple...
In “The Falling Star,” Abel and Gordon bring their old-school comedic sensibility to what could loosely be described as a detective story, told in a film noir style punctuated with flashes of color: a red dress, a tiny green car, a bright yellow scooter. Centered on a tiny Brussels bar, the pair’s relatively minor new project features a missing persons investigation, a sorta-kinda kidnapping, a fugitive couple...
- 8/3/2023
- by Peter Debruge
- Variety Film + TV
“Lost in Paris” directing duo Dominique Abel and Fiona Gordon have shared a first look at their new film “The Falling Star,” which premieres at this year’s Locarno Film Festival.
Abel and Gordon also star in the film, which follows Boris (Abel), a former activist who works at a bartender at the Falling Star. According to the film’s official synopsis, Boris’ “guilty past resurfaces when a victim finds him and wants revenge. The appearance of a double, the depressed and solitary Dom (Abel), provides Boris, his resourceful partner Kayoko and their faithful friend Tim with the perfect escape plan. But they haven’t accounted for Dom’s ex-wife (Gordon), a suspicious detective on their trail.”
The new clip sees Gordon, as Dom’s ex-wife Fiona, going to great lengths to transport a tall sunflower stalk. She arrives at a graveyard and, after delivering the sunflower to a particular grave,...
Abel and Gordon also star in the film, which follows Boris (Abel), a former activist who works at a bartender at the Falling Star. According to the film’s official synopsis, Boris’ “guilty past resurfaces when a victim finds him and wants revenge. The appearance of a double, the depressed and solitary Dom (Abel), provides Boris, his resourceful partner Kayoko and their faithful friend Tim with the perfect escape plan. But they haven’t accounted for Dom’s ex-wife (Gordon), a suspicious detective on their trail.”
The new clip sees Gordon, as Dom’s ex-wife Fiona, going to great lengths to transport a tall sunflower stalk. She arrives at a graveyard and, after delivering the sunflower to a particular grave,...
- 8/3/2023
- by Ellise Shafer
- Variety Film + TV
For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety.
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
- 7/6/2023
- by Nick Vivarelli
- Variety Film + TV
MK2 Films, which is at Venice with “Love Life” playing in competition, is reteaming with Fiona Gordon and Dominique Abel on “The Falling Star,” a darkly comic mystery thriller.
The directing duo is rolling off “Lost in Paris,” their international breakout film, which had a buzzy premiere at Telluride in 2016. The film was also a commercial success, grossing nearly 3 million outside of France, with strong performances in the U.S., Italy, Germany, Brazil and Australia/New Zealand.
“The Falling Star” tells the story of Boris, a former activist who’s been a fugitive for 35 years, and works as a bartender. Boris’ past finally catches up with him when a mysterious stranger appears at the bar, armed and wanting revenge. The appearance of a double, the depressed and solitary Dom, provides Boris’ cunning partner Kayoko and their faithful friend Tim with the perfect escape plan, but they haven’t accounted for Dom’s ex-wife,...
The directing duo is rolling off “Lost in Paris,” their international breakout film, which had a buzzy premiere at Telluride in 2016. The film was also a commercial success, grossing nearly 3 million outside of France, with strong performances in the U.S., Italy, Germany, Brazil and Australia/New Zealand.
“The Falling Star” tells the story of Boris, a former activist who’s been a fugitive for 35 years, and works as a bartender. Boris’ past finally catches up with him when a mysterious stranger appears at the bar, armed and wanting revenge. The appearance of a double, the depressed and solitary Dom, provides Boris’ cunning partner Kayoko and their faithful friend Tim with the perfect escape plan, but they haven’t accounted for Dom’s ex-wife,...
- 9/2/2022
- by Elsa Keslassy
- Variety Film + TV
A simple listing, duplicated from the in cinemas Us and Canada page, of new releases and other stuff currently available, for the benefit of those playing along by RSS or keeping up via the Daily Digest emails (sign up here).
opening this week The Killing of a Sacred Deer Only the Brave Wonderstruck The Snowman Same Kind of Different as Me Tyler Perry’s Boo 2! A Madea Halloween I’m planning to see… Geostorm A Silent Voice The Work expanding Breathe The Florida Project Goodbye Christopher Robin
2017’s films, ranked by maryann
all reviews, 1997–today
now in cinemas Battle of the Sexes The Big Sick Brigsby Bear California Typewriter Captain Underpants: The First Epic Movie Detroit Dolores Dunkirk Faces Places The Glass Castle Ingrid Goes West Lady Macbeth Lost in Paris (Paris pieds nus) Loving Vincent Lucky Maudie Patti Cake$ Polina Professor Marston & the Wonder Women School Life Spider-Man: Homecoming Step Stronger Take My Nose…...
opening this week The Killing of a Sacred Deer Only the Brave Wonderstruck The Snowman Same Kind of Different as Me Tyler Perry’s Boo 2! A Madea Halloween I’m planning to see… Geostorm A Silent Voice The Work expanding Breathe The Florida Project Goodbye Christopher Robin
2017’s films, ranked by maryann
all reviews, 1997–today
now in cinemas Battle of the Sexes The Big Sick Brigsby Bear California Typewriter Captain Underpants: The First Epic Movie Detroit Dolores Dunkirk Faces Places The Glass Castle Ingrid Goes West Lady Macbeth Lost in Paris (Paris pieds nus) Loving Vincent Lucky Maudie Patti Cake$ Polina Professor Marston & the Wonder Women School Life Spider-Man: Homecoming Step Stronger Take My Nose…...
- 10/20/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
MaryAnn’s quick take… An exquisite miniature puzzle-box pop-up-book of a movie. All is color and light and exhilaration here, a fantastical lark that is sheer mischievous joy. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
When we think of summer movies, we usually think big: action and explosions, superheroes and supervillains. But here’s another kind of perfect — absolutely perfect — summer movie: the exquisite miniature puzzle-box pop-up book that is Lost in Paris. This fourth film from the Belgian clown duo of Dominique Abel and Fiona Gordon (who wrote and directed as well as star) pits her hapless Canadian visitor against his insouciant tramp in the City of Lights as she tries to find the elderly aunt (Emmanuelle Riva: Amour) who has run away in order to avoid the social workers who want to plant her in a nursing home.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
When we think of summer movies, we usually think big: action and explosions, superheroes and supervillains. But here’s another kind of perfect — absolutely perfect — summer movie: the exquisite miniature puzzle-box pop-up book that is Lost in Paris. This fourth film from the Belgian clown duo of Dominique Abel and Fiona Gordon (who wrote and directed as well as star) pits her hapless Canadian visitor against his insouciant tramp in the City of Lights as she tries to find the elderly aunt (Emmanuelle Riva: Amour) who has run away in order to avoid the social workers who want to plant her in a nursing home.
- 6/22/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
No modern comedy group has shown as much commitment to resurrecting the spirit of classic slapstick than Brussels-based husband-and-wife comedy duo Dominique Abel and Fiona Gordon. They have performed for decades, but only brought their talents into feature-length filmmaking in the last 10 years, with films like the wordless “Rumba” and “The Fairy” showcasing their commitment to a humor otherwise absent from contemporary cinema. Their lanky figures are ideal vessels for deadpan visuals that mine territory ranging from Charlie Chaplin to Jacques Tati. “Lost in Paris,” their fourth effort (and first without co-director Bruno Romy), continues that earnest commitment to the genre by tapping into the material’s appeal without reinventing it.
Abel and Gordon have yet to produce a full-bodied work with more originality than references, and “Lost in Paris” doesn’t move the needle in that regard. But it’s another charming doodle that does justice to their brand of studied humor.
Abel and Gordon have yet to produce a full-bodied work with more originality than references, and “Lost in Paris” doesn’t move the needle in that regard. But it’s another charming doodle that does justice to their brand of studied humor.
- 9/3/2016
- by Eric Kohn
- Indiewire
Kenneth Lonergan’s Sundance hit, Denis Villeneuve’s Venice selection, and Pablo Larrain’s acclaimed Chilean biopic are among select titles heading to Colorado this weekend.
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
- 9/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Buoyed by its worldwide premiere at the ongoing Venice Film Festival – early reviews are praising the musical as an audacious, deeply romantic feature – Damien Chazelle’s Whiplash follow-up La La Land has booked its place at Telluride 2016.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
- 9/1/2016
- by Michael Briers
- We Got This Covered
One of the last question marks of the early fall film festival onslaught was Telluride Film Festival, who announces their line-up just a day before the event kicks off. Today now brings the slate for the 43rd edition of the festival, which runs from Friday through Monday.
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
- 9/1/2016
- by Jordan Raup
- The Film Stage
Oscilloscope Laboratories has picked up Us rights from MK2 Films to Dominique Abel and Fiona Gordon’s fourth feature.
Lost In Paris will open theatrically in 2017 and stars the filmmakers as a small-town Canadian librarian and a seductive vagabond who find love when the former rushes to Paris to attend to her ailing aunt. Emmanuelle Riva also stars.
Abel and Gordon’s credits include L’iceberg, Rumba and The Fairy.
“Lost In Paris has been found by Oscilloscope,” said the film-makers. “We are thrilled to see our new film in such caring hands and proud to be part of Oscilloscope’s beautiful collection of films. We are looking forward to working with the O-Scope team and meeting our American audience!”
“We live in an unpredictable and often sad world,” said O-Scope’s Dan Berger. “In addition to its copious other merits and beautiful execution, Lost In Paris is foremost such a joyful and heartening film to watch...
Lost In Paris will open theatrically in 2017 and stars the filmmakers as a small-town Canadian librarian and a seductive vagabond who find love when the former rushes to Paris to attend to her ailing aunt. Emmanuelle Riva also stars.
Abel and Gordon’s credits include L’iceberg, Rumba and The Fairy.
“Lost In Paris has been found by Oscilloscope,” said the film-makers. “We are thrilled to see our new film in such caring hands and proud to be part of Oscilloscope’s beautiful collection of films. We are looking forward to working with the O-Scope team and meeting our American audience!”
“We live in an unpredictable and often sad world,” said O-Scope’s Dan Berger. “In addition to its copious other merits and beautiful execution, Lost In Paris is foremost such a joyful and heartening film to watch...
- 8/29/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Screen rounds up the films from across the globe that could launch at Cannes…
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
- 3/21/2016
- ScreenDaily
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