It’s been an interesting run-up to the Toronto International Film Festival, and in terms of the survival of the species, the good ol’ U.S.A. has been something of a race to the bottom. What would do us in first: violent neo-Nazis whose activities are almost explicitly condoned by the Klansman In Chief? Or a 1,000-year weather event on the Gulf Coast whose magnitude surely owes something to global climate change, and whose aftermath of collapsing dams and exploding chemical factories has everything to do with systematic neglect?Given the state of things down here, who wouldn’t want to repair to Canada for some challenging cinema? As always, the Toronto International Film Festival (Tiff) is the place to be in September, and Wavelengths once again features the best of the fest. This is because the films selected for Wavelengths are the opposite of escapism. Whether they tackle...
- 9/7/2017
- MUBI
“Krisha” was the big winner at the inaugural American Independent Film Awards, taking home the prizes for Best Film, Director (Trey Edward Shults), Original Screenplay (Shults) and Lead Performance (Krisha Fairchild). Anna Rose Holmer’s “The Fits” was the Best Film runner-up and was nominated in 12 different categories, while Robert Greene won two different awards for “Kate Plays Christine.”
The Aifa’s voting body consists of festival programmers and film critics, who cast their ballots in 14 different categories online. Full results below.
Read More: ‘It Comes at Night’ Teaser Trailer: The Director of ‘Krisha’ Returns with More Psychological Madness
Best Film
10) “White Girl” (Elizabeth Wood)
09) “Always Shine” (Sophia Takal)
08) “The Other Side” (Roberto Minervini)
07) “Henry Gamble’s Birthday Party” (Stephen Cone)
06) “The Eyes of My Mother” (Nicolas Pesce)
05) “Little Sister” (Zach Clark)
04) “The Invitation” (Karyn Kusama)
03) “Kate Plays Christine” (Robert Greene)
02) “The Fits” (Anna Rose Holmer)
01) “Krisha” (Trey Edward Shults)
Best Director
Trey Edward Shults,...
The Aifa’s voting body consists of festival programmers and film critics, who cast their ballots in 14 different categories online. Full results below.
Read More: ‘It Comes at Night’ Teaser Trailer: The Director of ‘Krisha’ Returns with More Psychological Madness
Best Film
10) “White Girl” (Elizabeth Wood)
09) “Always Shine” (Sophia Takal)
08) “The Other Side” (Roberto Minervini)
07) “Henry Gamble’s Birthday Party” (Stephen Cone)
06) “The Eyes of My Mother” (Nicolas Pesce)
05) “Little Sister” (Zach Clark)
04) “The Invitation” (Karyn Kusama)
03) “Kate Plays Christine” (Robert Greene)
02) “The Fits” (Anna Rose Holmer)
01) “Krisha” (Trey Edward Shults)
Best Director
Trey Edward Shults,...
- 2/20/2017
- by Michael Nordine
- Indiewire
As the definition of an independent film has shifted with the ever-expanding budget divide in American filmmaking — particularly Hollywood cutting back on its mid-range projects — when it comes time for awards season, it’s often only the highest profile of “indie films” that get recognized. While we do our best to recognize the films that often get unfortunately, a new awards has launched that honors the best of truly independent American cinema, featuring films all under a $1 million budget.
Aptly titled the American Independent Film Awards (aka AIFAs), they were voted on by international film festival programmers, U.S. based film festival programmers, and North American film critics (including yours truly.) “First and foremost, we would like to thank all film producers and distribution companies who helped us identify qualifying films and outline the categories. We’d also like to thank the international and American based film festival programmers, and...
Aptly titled the American Independent Film Awards (aka AIFAs), they were voted on by international film festival programmers, U.S. based film festival programmers, and North American film critics (including yours truly.) “First and foremost, we would like to thank all film producers and distribution companies who helped us identify qualifying films and outline the categories. We’d also like to thank the international and American based film festival programmers, and...
- 2/20/2017
- by Jordan Raup
- The Film Stage
Mubi has partnered with New York's Film Society of Lincoln center to bring online audiences part of their February series, "Friends with Benefits: An Anthology of Four New American Filmmakers," programmed by Dennis Lim and Dan Sullivan. In less than a decade of activity, the four friends and polymorphously promiscuous collaborators Gabriel Abrantes, Alexander Carver, Benjamin Crotty, and Daniel Schmidt have made some of the most ravishing and least classifiable films in recent memory—and established themselves as a school of filmmaking unlike any other. These uncompromising young visionaries share a penchant for provocation, a taste for transgression, and a host of strategies and obsessions all their own. At once lyrical and perverse, by turns hilarious and delirious, their films obliterate distinctions—between high- and low-brow, between sensual and cerebral, between art cinema and the avant-garde—while remaining sharply attuned to the byproducts of globalization and the fluctuations of post-internet pop culture.
- 2/18/2016
- by Notebook
- MUBI
Taprobana“These poets are so intelligent,” notes King Philip II of Spain toward the end of Gabriel Abrantes’ Taprobana (2014). “They put a sex scene in the end, and I forget I didn’t understand the rest. Such sophisticated engineering.” He’s talking about the Portuguese national epic Os Lusíadas, but he could as well be describing Abrantes’ eclectic body of work. The Lisbon-based filmmaker's steady output of avant-garde shorts holds together a chain of idiosyncratic filmmakers currently being feted by the Film Society of Lincoln Center's "Friends with Benefits" series. Since 2007, Abrantes has matched an affinity for abstruse, looping narrative with a bawdy sense of humor. Although his work frequently draws on sources like Manet or Aristophanes, it’s never hindered by the dictates of good taste. Ribald slapstick abounds, for example, in the Shakespeare-derived frolic Fratelli (2011), which he co-directed with Alexandre Melo. The characters are earthy, their jokes puerile,...
- 2/11/2016
- by Alice Stoehr
- MUBI
"Friends with Benefits: An Anthology of Four New American Filmmakers," a series opening on Friday and running through February 11 at the Film Society of Lincoln Center in New York, highlights the work of Benjamin Crotty, Gabriel Abrantes, and Brooklyn residents Daniel Schmidt and Alexander Carver. Sarah Savolaara in Brooklyn Magazine: "Amid colonial, literary and scatological pursuits, the directors mine situational satire through deadpan dialogue, locked-off camerawork and anachronistic aesthetics to varying degrees of success. With a weeklong run as the series centerpiece, it is perhaps fitting that Crotty’s Fort Buchanan is the most effective and cohesive offering across the six programs." We're gathering all the coverage of this eclectic series in one place. » - David Hudson...
- 2/3/2016
- Keyframe
"Friends with Benefits: An Anthology of Four New American Filmmakers," a series opening on Friday and running through February 11 at the Film Society of Lincoln Center in New York, highlights the work of Benjamin Crotty, Gabriel Abrantes, and Brooklyn residents Daniel Schmidt and Alexander Carver. Sarah Savolaara in Brooklyn Magazine: "Amid colonial, literary and scatological pursuits, the directors mine situational satire through deadpan dialogue, locked-off camerawork and anachronistic aesthetics to varying degrees of success. With a weeklong run as the series centerpiece, it is perhaps fitting that Crotty’s Fort Buchanan is the most effective and cohesive offering across the six programs." We're gathering all the coverage of this eclectic series in one place. » - David Hudson...
- 2/3/2016
- Fandor: Keyframe
A truly original oddity, Benjamin Crotty’s Fort Buchanan melds disparate tropes of American television, queer cinema, and French arthouse to comic and dazzling effect. Buchanan unfolds at the titular army base, where husbands and wives lay in waiting for their men overseas, though the wives tend to occupy their time by attempting to seduce the gay husbands, or the temperamental daughter of the film’s most lovelorn protagonist, Roger (Andy Gillet). If something is askew in the characters’ roving dialogue, that’s because the script is entirely adapted from American TV shows, an off-kilter choice that finds a counterpart in Crotty’s cinematic language, in which seasonal set changes are ushered in […]...
- 3/24/2015
- by Sarah Salovaara
- Filmmaker Magazine - Blog
A truly original oddity, Benjamin Crotty’s Fort Buchanan melds disparate tropes of American television, queer cinema, and French arthouse to comic and dazzling effect. Buchanan unfolds at the titular army base, where husbands and wives lay in waiting for their men overseas, though the wives tend to occupy their time by attempting to seduce the gay husbands, or the temperamental daughter of the film’s most lovelorn protagonist, Roger (Andy Gillet). If something is askew in the characters’ roving dialogue, that’s because the script is entirely adapted from American TV shows, an off-kilter choice that finds a counterpart in Crotty’s cinematic language, in which seasonal set changes are ushered in […]...
- 3/24/2015
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
New Directors/New Films opens today with Marielle Heller's The Diary of a Teenage Girl and closes on March 29 with Rick Alverson's Entertainment. We're tracking some of the most notable writing on the 26 features and 16 shorts screening in this 44th edition, and so far, we've collected reviews of Benjamin Crotty's Fort Buchanan; Charles Poekel’s Christmas, Again with Kentucker Audley; Simone Rapisarda Casanova’s hybrid of documentary and fiction The Creation of Meaning; and Bas Devos's Violet. » - David Hudson...
- 3/18/2015
- Keyframe
New Directors/New Films opens today with Marielle Heller's The Diary of a Teenage Girl and closes on March 29 with Rick Alverson's Entertainment. We're tracking some of the most notable writing on the 26 features and 16 shorts screening in this 44th edition, and so far, we've collected reviews of Benjamin Crotty's Fort Buchanan; Charles Poekel’s Christmas, Again with Kentucker Audley; Simone Rapisarda Casanova’s hybrid of documentary and fiction The Creation of Meaning; and Bas Devos's Violet. » - David Hudson...
- 3/18/2015
- Fandor: Keyframe
New Directors/New Films opens today with Marielle Heller's The Diary of a Teenage Girl and closes on March 29 with Rick Alverson's Entertainment. We're tracking some of the most notable writing on the 26 features and 16 shorts screening in this 44th edition, and so far, we've collected reviews of Benjamin Crotty's Fort Buchanan; Charles Poekel’s Christmas, Again with Kentucker Audley; Simone Rapisarda Casanova’s hybrid of documentary and fiction The Creation of Meaning; and Bas Devos's Violet. » - David Hudson...
- 3/18/2015
- Fandor: Keyframe
New Directors/New Films opens today with Marielle Heller's The Diary of a Teenage Girl and closes on March 29 with Rick Alverson's Entertainment. We're tracking some of the most notable writing on the 26 features and 16 shorts screening in this 44th edition, and so far, we've collected reviews of Benjamin Crotty's Fort Buchanan; Charles Poekel’s Christmas, Again with Kentucker Audley; Simone Rapisarda Casanova’s hybrid of documentary and fiction The Creation of Meaning; and Bas Devos's Violet. » - David Hudson...
- 3/18/2015
- Keyframe
Alexander Skarsgård and Kristen Wiig in Marielle Heller's The Diary Of A Teenage Girl
Stevan Riley's Listen To Me Marlon, Simone Rapisarda Casanova's The Creation Of Meaning (La Creazione Di Significato), Lukas Valenta Rinner's Parabellum, and Goodnight Mommy directed by Severin Fiala and Veronika Franz are films to look out for.
Bas Devos (Violet); Stéphane Lafleur (Tu Dors Nicole); Shim Sung-bo (Haemoo); Kornél Mundruczó (White God); Britni West (Tired Moonlight); Darhad Erdenibulag (K); Naji Abu Nowar (Theeb); Bill Ross and Turner Ross (Western); Yohei Suzuki (Ow); Nadav Lapid (The Kindergarten Teacher); Benjamin Crotty (Fort Buchanan); Laura Citarella and Verónica Llinás (Dog Lady); Salomé Alexi (Line Of Credit); Chaitanya Tamhane (Court); Sarah Leonor (The Great Man); Charles Poekel (Christmas, Again); Oscar Ruiz Navia (Los Hongos) are filmmakers scheduled to participate in post-screening Q&As.
The Museum of Modern Art and the Film Society of Lincoln Center's 44th...
Stevan Riley's Listen To Me Marlon, Simone Rapisarda Casanova's The Creation Of Meaning (La Creazione Di Significato), Lukas Valenta Rinner's Parabellum, and Goodnight Mommy directed by Severin Fiala and Veronika Franz are films to look out for.
Bas Devos (Violet); Stéphane Lafleur (Tu Dors Nicole); Shim Sung-bo (Haemoo); Kornél Mundruczó (White God); Britni West (Tired Moonlight); Darhad Erdenibulag (K); Naji Abu Nowar (Theeb); Bill Ross and Turner Ross (Western); Yohei Suzuki (Ow); Nadav Lapid (The Kindergarten Teacher); Benjamin Crotty (Fort Buchanan); Laura Citarella and Verónica Llinás (Dog Lady); Salomé Alexi (Line Of Credit); Chaitanya Tamhane (Court); Sarah Leonor (The Great Man); Charles Poekel (Christmas, Again); Oscar Ruiz Navia (Los Hongos) are filmmakers scheduled to participate in post-screening Q&As.
The Museum of Modern Art and the Film Society of Lincoln Center's 44th...
- 3/15/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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