The season finale to Daredevil is nothing less of an exhilarating final chapter in this sprawling, grisly vigilante saga. And the best part is, it's more of a beginning than an ending.
Now there were a million ways a show like this that exists in the Cinematic Universe, could've gone wrong. Daredevil could've just been an OK, above-average show, with a lot of fan-service-filled writing and watered-down violence and profanity. A byproduct at the most.
What we got was truly something much, much more. A mature, gritty look at Marvel's New York. And though the show has quite a lot of profanity and blood, it is never gratuitous. It fits the intensity in wherever and whenever it appears. This is a truly grown-up Marvel product.
Vigilante shows have been done before. DC does it all the time, their most obvious example being Arrow. But I can honestly say that they have never been done quite like this. Much like Batman Begins revitalized comic-book movies, it's completely safe to say that Daredevil does the same for comic-book shows.
Daredevil himself, in this episode, finally gets the red armored suit, which obviously looks very cool. The effects in the climactic fight scene are a balance between realistic and stylish. Which, by the way, is a balance the series kept throughout. Among the more memorable, chilling, brutal scenes and the incredible one-shot fight scenes in this first season, there are a handful more scenes that I can pick that I loved. My favorite scene from the entire series is the impeccable, flawless use of Pavarotti's 'Neesun Dorma' in this episode. I won't spoil much, it really has to seen to be believed. It's masterful. One of the best conceived and directed scenes in the entire Marvel Cinematic Universe.
Overall, the show ends on a high note. Daredevil makes his first blow to crime in Hell's Kitchen, and begins his next war on street crime. The characters are strong and the acting is even stronger. D'Onofrio as Wilson Fisk is obviously the best of the bunch, but there is some good acting from Cox, Henson, Ann-Woll and especially Curtis-Hall as Ben Urich. A lot of other supporting actors and characters absolutely deserve credit as well.
The series is a true testament, not only to Daredevil as a hero, but Marvel Studios' ability of storytelling diversity. A crime boss who murdered his own father with a hammer exists in the same universe as Iron Man, Norse mythology, and Groot. And for Marvel Studios to expand that much in their scope, perspective and tone, is their single greatest achievement. This show is glowing proof of that, and this finale is just the beginning of a newer, expanded area, a darker and more serious and mature one, in Marvel's Cinematic Universe.
Now there were a million ways a show like this that exists in the Cinematic Universe, could've gone wrong. Daredevil could've just been an OK, above-average show, with a lot of fan-service-filled writing and watered-down violence and profanity. A byproduct at the most.
What we got was truly something much, much more. A mature, gritty look at Marvel's New York. And though the show has quite a lot of profanity and blood, it is never gratuitous. It fits the intensity in wherever and whenever it appears. This is a truly grown-up Marvel product.
Vigilante shows have been done before. DC does it all the time, their most obvious example being Arrow. But I can honestly say that they have never been done quite like this. Much like Batman Begins revitalized comic-book movies, it's completely safe to say that Daredevil does the same for comic-book shows.
Daredevil himself, in this episode, finally gets the red armored suit, which obviously looks very cool. The effects in the climactic fight scene are a balance between realistic and stylish. Which, by the way, is a balance the series kept throughout. Among the more memorable, chilling, brutal scenes and the incredible one-shot fight scenes in this first season, there are a handful more scenes that I can pick that I loved. My favorite scene from the entire series is the impeccable, flawless use of Pavarotti's 'Neesun Dorma' in this episode. I won't spoil much, it really has to seen to be believed. It's masterful. One of the best conceived and directed scenes in the entire Marvel Cinematic Universe.
Overall, the show ends on a high note. Daredevil makes his first blow to crime in Hell's Kitchen, and begins his next war on street crime. The characters are strong and the acting is even stronger. D'Onofrio as Wilson Fisk is obviously the best of the bunch, but there is some good acting from Cox, Henson, Ann-Woll and especially Curtis-Hall as Ben Urich. A lot of other supporting actors and characters absolutely deserve credit as well.
The series is a true testament, not only to Daredevil as a hero, but Marvel Studios' ability of storytelling diversity. A crime boss who murdered his own father with a hammer exists in the same universe as Iron Man, Norse mythology, and Groot. And for Marvel Studios to expand that much in their scope, perspective and tone, is their single greatest achievement. This show is glowing proof of that, and this finale is just the beginning of a newer, expanded area, a darker and more serious and mature one, in Marvel's Cinematic Universe.