AFI Fest top brass unveiled on Tuesday the New Auteurs, Shorts, American Independents and Midnight sections.
New Auteurs showcases first- and second-time feature directors and the ten films include AFI Fest alumni Sophia Takal with Always Shine and Sarah Adina Smith with Buster’s Mal Heart.
American Independents is designed to promote what the programmers regard as the best independent cinema.
Selections includes Tim Sutton’s Dark Night, Nicolas Pesce’s The Eyes Of My Mother and Dash Shaw’s My Entire High School Sinking Into The Sea.
Midnight programme features Alice Lowe’s Prevenge (pictured), Charlie Lyne’s Fear Itself, and Agnieszka Smoczyńska’s The Lure.
The Shorts section presents 39 films from 17 countries including nine animations.
As Previously Announced Warren Beatty’s Rules Don’t Apply will open the festival on November 10.
Paul Verhoeven’s Elle and Mike Mill’s 20th Century Women are centrepiece galas on November 13 and 16, respectively.
Click here for...
New Auteurs showcases first- and second-time feature directors and the ten films include AFI Fest alumni Sophia Takal with Always Shine and Sarah Adina Smith with Buster’s Mal Heart.
American Independents is designed to promote what the programmers regard as the best independent cinema.
Selections includes Tim Sutton’s Dark Night, Nicolas Pesce’s The Eyes Of My Mother and Dash Shaw’s My Entire High School Sinking Into The Sea.
Midnight programme features Alice Lowe’s Prevenge (pictured), Charlie Lyne’s Fear Itself, and Agnieszka Smoczyńska’s The Lure.
The Shorts section presents 39 films from 17 countries including nine animations.
As Previously Announced Warren Beatty’s Rules Don’t Apply will open the festival on November 10.
Paul Verhoeven’s Elle and Mike Mill’s 20th Century Women are centrepiece galas on November 13 and 16, respectively.
Click here for...
- 10/18/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
AFI Fest top brass unveiled on Tuesday the New Auteurs, Shorts, American Independents and Midnight sections.
New Auteurs showcases first- and second-time feature directors and the ten films include AFI Fest alumni Sophia Takal with Always Shine and Sarah Adina Smith with Buster’s Mal Heart.
American Independents is designed to promote what the programmers regard as the best independent cinema.
Selections includes Tim Sutton’s Dark Night, Nicolas Pesce’s The Eyes Of My Mother and Dash Shaw’s My Entire High School Sinking Into The Sea.
Midnight programme features Alice Lowe’s Prevenge (pictured), Charlie Lyne’s Fear Itself, and Agnieszka Smoczyńska’s The Lure.
The Shorts section presents 39 films from 17 countries including nine animations.
As Previously Announced Warren Beatty’s Rules Don’t Apply will open the festival on November 10.
Paul Verhoeven’s Elle and Mike Mill’s 20th Century Women are centrepiece galas on November 13 and 16, respectively.
Click here for...
New Auteurs showcases first- and second-time feature directors and the ten films include AFI Fest alumni Sophia Takal with Always Shine and Sarah Adina Smith with Buster’s Mal Heart.
American Independents is designed to promote what the programmers regard as the best independent cinema.
Selections includes Tim Sutton’s Dark Night, Nicolas Pesce’s The Eyes Of My Mother and Dash Shaw’s My Entire High School Sinking Into The Sea.
Midnight programme features Alice Lowe’s Prevenge (pictured), Charlie Lyne’s Fear Itself, and Agnieszka Smoczyńska’s The Lure.
The Shorts section presents 39 films from 17 countries including nine animations.
As Previously Announced Warren Beatty’s Rules Don’t Apply will open the festival on November 10.
Paul Verhoeven’s Elle and Mike Mill’s 20th Century Women are centrepiece galas on November 13 and 16, respectively.
Click here for...
- 10/18/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
AFI Fest has announced the selections for its New Auteurs, American Independents, Midnights and Shorts sections. Already announced as part of the weeklong festival, which runs in Hollywood from November 10 – 17, are “Elle,” “20th Century Women” and the world premieres of both “The Comedian” and “Rules Don’t Apply.” Read the full announcement here, and see the New Auteurs, American Independents and Midnight selections below.
Read More: Warren Beatty’s ‘Rules Don’t Apply’ Will Open AFI Fest 2016
New Auteurs
“Always Shine” (dir. Sophia Takal)
“Buster’s Mal Heart” (dir. Sarah Adina Smith)
“Divines” (dir. Houda Benyamina)
“The Future Perfect” (dir. Nele Wohlatz)
“Godless” (dir. Ralitza Petrova)
“Kati Kati” (dir. Mbithi Masya)
“Kill Me Please” (dir. Anita Rocha da Silveira)
“One Week and a Day” (dir. Asaph Polonsky)
“Oscuro Animal” (dir. Felipe Guerrero)
“Still Life” (dir. Maud Alpi)
Read More: Watch: Lola Kirke Takes Us Inside the Mind of an Epileptic...
Read More: Warren Beatty’s ‘Rules Don’t Apply’ Will Open AFI Fest 2016
New Auteurs
“Always Shine” (dir. Sophia Takal)
“Buster’s Mal Heart” (dir. Sarah Adina Smith)
“Divines” (dir. Houda Benyamina)
“The Future Perfect” (dir. Nele Wohlatz)
“Godless” (dir. Ralitza Petrova)
“Kati Kati” (dir. Mbithi Masya)
“Kill Me Please” (dir. Anita Rocha da Silveira)
“One Week and a Day” (dir. Asaph Polonsky)
“Oscuro Animal” (dir. Felipe Guerrero)
“Still Life” (dir. Maud Alpi)
Read More: Watch: Lola Kirke Takes Us Inside the Mind of an Epileptic...
- 10/18/2016
- by Michael Nordine
- Indiewire
Shock reviews horror movie doc Fear Itself. Fear Itself is a documentary by British filmmaker and Guardian columnist Charlie Lyne, a three-time Hot Docs and SXSW presenter. At the recent Hot Docs premiere in Toronto, when Charlie took the stage, looking all of his 20 something years of age, I was taken aback by how…
The post Review: Horror Film Documentary Fear Itself appeared first on Shock Till You Drop.
The post Review: Horror Film Documentary Fear Itself appeared first on Shock Till You Drop.
- 5/9/2016
- by Chris Alexander
- shocktillyoudrop.com
British director Charlie Lyne has provoked a debate in the UK about censorship and the inner workings of the BBFC with his film/provocation, Paint Drying.
Paint Drying fully lives up to its title. Around 10 hours long, this experimental epic was crowd funded. Its length was determined by the amount of money Lyne raised (£5,936 before Kickstarter took its fee).
The director wanted the public to know that the British Board Of Film Classification (BBFC) charges per minute for each movie it rates. Indie filmmakers have to pay the same as big Us studio movies.
“Unlike, say, the Us ratings board which has a sliding scale cost system based on budget, the BBFC charges the same to Disney as it would to you or I,” said Lyne.
The movie was shot in 4K digital video and originally lasted 13 hours. Lyne edited it down to a trim 607 minutes - and this is the version that two BBFC examiners sat through...
Paint Drying fully lives up to its title. Around 10 hours long, this experimental epic was crowd funded. Its length was determined by the amount of money Lyne raised (£5,936 before Kickstarter took its fee).
The director wanted the public to know that the British Board Of Film Classification (BBFC) charges per minute for each movie it rates. Indie filmmakers have to pay the same as big Us studio movies.
“Unlike, say, the Us ratings board which has a sliding scale cost system based on budget, the BBFC charges the same to Disney as it would to you or I,” said Lyne.
The movie was shot in 4K digital video and originally lasted 13 hours. Lyne edited it down to a trim 607 minutes - and this is the version that two BBFC examiners sat through...
- 2/1/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
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