The film was originally set to feature two vintage Volkswagen buses. On the first day of shooting, one of the buses refused to start, so the production rented a 1965 Mustang convertible for the shoot.
This film is the 3rd collaboration between Writer/Producer April Manor, Writer/Director Liz Hewes, and Cinematographer/Editor Koby Mendoza.
Assistant Director Genesis Frontino stepped into the role of Sarah the day before shooting began due to scheduling and location conflicts. She received a Best Supporting Actress nomination at the 168 Film Festival.