Directed by
Niall Johnson |
Writing Credits (in alphabetical order)
St John Greene | ... | (based on the book by:) |
St John Greene | ... | (story consulyant) |
Niall Johnson | ... | (written for the screen) |
Rachel Murphy | ... | (based on the book by: ) |
Rachel Murphy | ... | (story consultant) |
Cast (in credits order)
Produced by
Kate Dain | ... | line producer (as Katie Dain) |
Mark Faulconbridge | ... | associate producer |
Nick Hamson | ... | producer |
Niall Johnson | ... | executive producer |
Gareth Jones | ... | executive producer |
Mark Malins | ... | associate producer |
Derek O'Neill | ... | co-executive producer |
Sarah Weatherstone | ... | executive producer |
Chris Wood | ... | executive producer |
Music by
Amelia Warner |
Cinematography by
Eben Bolter |
Editing by
Robin Sales |
Casting By
Gillian Hawser |
Production Design by
Kiera Tudway |
Art Direction by
Simon Walker |
Set Decoration by
Chloe James |
Costume Design by
Rebecca Duncan | ||
Victoria Russell |
Makeup Department
Robert Frampton | ... | hair / makeup designer |
Prisca Hofer | ... | hair & makeup artist |
Paula Mann | ... | key hair stylist |
Sara Raeburn | ... | makeup supervisor |
Production Management
Stephen Barker | ... | post-production supervisor |
Irina Henegar | ... | production supervisor |
Simon Roberts | ... | film unit manager |
Amy Sharman | ... | production manager |
Second Unit Director or Assistant Director
Marie Lacey | ... | third assistant director |
Erin Morris-Large | ... | second assistant director (as Erin Large) |
Toby Sherborne | ... | first assistant director |
Lydia Wheatley | ... | third assistant director |
Art Department
Annie Chapman | ... | props assistant |
Dave Crewdson | ... | standby art director |
Phoebe Tonks | ... | scenic painter |
Alice Webster | ... | art department assistant |
Sound Department
Ben Baird | ... | re-recording mixer / sound designer |
David Bekkevold | ... | production sound mixer |
John Fewell | ... | foley artist |
Joe McCall | ... | foley editor |
James McPhee | ... | sound effects editor |
Alexej Mungersdorff | ... | dialogue editor |
Sean O'Shea | ... | managing director |
Jay Radosavljevic | ... | boom operator |
Ruth Sullivan | ... | foley artist |
Pam Thompson | ... | audio post producer |
James Trusson | ... | foley artist / sound effects editor |
William Ward | ... | sound assistant |
Jack Wensley | ... | sound effects editor |
Visual Effects by
Anders Bundgaard | ... | titles and graphics |
Jorge Canada Escorihuela | ... | compositor |
Sam Williams | ... | compositor |
Rab Wilson | ... | visual effects editor |
Camera and Electrical Department
Doug Walshe Aco | ... | steadicam operator (as Doug Walshe) |
Matt Allsop | ... | steadicam operator |
Ky Brasey | ... | a camera trainee |
Rogan Brown | ... | key grip |
A.J. Golesworthy | ... | focus puller: "a" camera |
Russ Greening | ... | best boy (as Russell Greening) |
Mark Holownia | ... | gaffer |
Laurence Johnson | ... | a camera trainee |
Lauren Jones | ... | lighting technician |
Lauren Jones | ... | trainee electrician |
James Lincoln | ... | digital imaging technician |
Jonathan McLaughlin | ... | electrician (as Jonathan McLoughlin) |
Kiri Nicholetts | ... | Electrician/Gaffer |
James Powell | ... | grip |
George Pretty | ... | assistant grip |
Dom Santry | ... | epk / stills photographer |
Russel Torode | ... | a camera clapper loader |
Casting Department
Colin Murtagh | ... | extras casting |
Costume and Wardrobe Department
Catherine Pilsworth | ... | costume daily / crowd standby daily |
Rosalind Sinel | ... | costume stand-by |
Sinead Skinner | ... | wardrobe mistress |
Editorial Department
Tom Balkwill | ... | head of picture post production: Dirty Looks |
Gareth Bishop | ... | on-line editor |
Lee Clappison | ... | colourist |
Catherine Creed | ... | additional editing / theatrical trailer editor |
Fiona Crosby | ... | editor: Penguin Random House |
Mellissa Lo | ... | marketing: trailer editor |
Abigail McKenzie | ... | post producer: Dirty Looks |
Christo Pandit | ... | assistant editor |
Rab Wilson | ... | first assistant editor |
Location Management
Antony Dyer | ... | location assistant |
Giles Johnson | ... | location manager |
Simon Roberts | ... | location assistant |
Music Department
Lucie Avery | ... | head: of marketing, Globe/Universal Music |
Max Baillie | ... | viola |
Ann Beilby | ... | viola |
Anna Blackmur | ... | violin |
Martin Burgess | ... | violin |
Jamie Campbell | ... | violin |
Meghan Cassidy | ... | viola |
Hannah Dawson | ... | violin |
Matthew Denton | ... | violin |
Clarissa Farrán | ... | orchestrated and conducted by (as Clarissa Farran) |
Magdalena Filipczak | ... | violin |
David Fish | ... | co-music supervisor |
Olga FitzRoy | ... | recorded and mixed by |
Daniel Gadd | ... | additional programming |
Adam Gardiner | ... | head: of creative sync |
Ben Hancox | ... | orchestra leader |
Richard Harwood | ... | cello |
Rupert Hollier | ... | music supervisor |
Stuart King | ... | clarinet |
Ashok Klouda | ... | cello |
Marie Lloyd | ... | clarinet |
Annabelle Meare | ... | violin |
Helen Paterson | ... | violin |
Tom Poster | ... | piano |
Colin Rae | ... | music preparation |
Marc Robinson | ... | managing director: Globe/Universal Music |
Hilary Skewes | ... | score coordinator & contractor |
Stacey Watton | ... | double bass |
Kirsty Whalley | ... | music editor |
Mark Willsher | ... | music editor |
Script and Continuity Department
Amanda Nally | ... | script supervisor |
Transportation Department
Ian Clarke | ... | transportation captain |
Shaun Collins | ... | unit driver |
Antony Dyer | ... | unit driver |
Simon Kitchen | ... | unit driver |
Ian Laughlin | ... | unit driver |
Additional Crew
Rhona Alsworth | ... | insurance |
Reno Antoniades | ... | lawyer |
Lawrence Atkinson | ... | CEO: DDA 360 |
Neil Bhatt | ... | president: of film and TV, DDA 360 |
Julia Boccanera | ... | unit publicist: DDA 360 |
Chelsea Clark | ... | chaperone |
Claire Cool | ... | accountant |
Gemma Cox | ... | theatrical publicity: DDA 360 |
Sheena Drainer | ... | operations: Acres and Acres Ltd / production coordinator |
Nick Fenwick | ... | production assistant |
Katy Follain | ... | publisher: Penguin Random House |
Brad Hanson | ... | insurance |
Rachel Harris | ... | tutor |
Tolley Haycock | ... | director: DDA 360 (as Tolley Haycock Shields) |
Eddie Kane | ... | company secretary: Acres and Acres Ltd |
Teresa Kowalski | ... | director: DDA 360 |
Chris Kyffin-Walton | ... | accountant |
Amilia Matthews | ... | social media |
Colin Murtagh | ... | base production assistant |
Yas Potier | ... | production assistant |
James Matthews Read | ... | floor runner |
Dom Santry | ... | sales and marketing executive |
Julie Sayers | ... | operations: Acres and Acres Ltd |
Frank Smith | ... | Theatrical Consultant: Munro Films |
Jane Smith | ... | Theatrical Consultant: Munro Films |
James Stagg | ... | chaperone |
Verity Stagg | ... | chaperone |
Sebastian Strakowicz | ... | digital: social, DDA 360 |
Antony Swiatek | ... | lawyer |
Georgie Teboul | ... | accounts assistant |
Sarah Teboul | ... | production accountant |
Thanks
Christopher Broad | ... | special thanks to |
Simon A. Conder | ... | special thanks to |
Martin Crocombe | ... | special thanks to |
Stephen Davies | ... | special thanks to |
Matthew Goldsmith | ... | special thanks to (as Matt Goldsmith) |
Finn Greene | ... | special thanks to |
Reef Greene | ... | special thanks to |
David Hampson | ... | special thanks to |
Tim Jeffrey | ... | special thanks to |
Christine Johnson | ... | special thanks to |
Martin Johnson | ... | special thanks to |
Elaine Kobbeltveldt | ... | special thanks to |
Rolf Kobbeltveldt | ... | special thanks to |
Daniel Kraus | ... | special thanks to |
Michael Lyndon-Stafford | ... | special thanks to |
Joe Nixon | ... | special thanks to |
Peter Noakes | ... | special thanks to |
Sean O'Shea | ... | special thanks to |
Tim Santry | ... | special thanks to |
Nicholas Scott | ... | special thanks to |
Andrew Simmonds | ... | special thanks to |
Mike Spencer | ... | special thanks to |
Willy Stemp | ... | special thanks to |
George Tipper | ... | special thanks to |
Karen Williams | ... | special thanks to |
Carolyn Wood | ... | special thanks to |