The world premiere of Ritesh Batra’s adaptation of the Julian Barnes novel starring Jim Broadbent and Charlotte Rampling will kick off proceedings at the 28th annual Palm Springs International Film Festival on January 5.
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
- 12/15/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The roles have been reversed for Julia Brystygier (Maria Mamona), the once powerful colonel in the Ussr’s Ministry. She interrogated countless enemies of the state, namely Catholics who rejected the communist concepts ruling them. The human body was her canvas, torture her paintbrush — nothing was out of bounds as far as acquiring the information she sought. But that was years ago. Now she’s a private citizen like the masses trying to survive. A lucky one too considering many of her superiors during that period are now in jail or dead for the crimes they committed. Julia’s prison is therefore self-imposed. Where confidence and control used to reside is now only fear, guilt, and regret. Her solitary hope for salvation becomes forgiveness from a God she doesn’t believe exists.
Ryszard Bugajski‘s Zacma: Blindness opens on an empty apartment, phone incessantly ringing to cut through the silence.
Ryszard Bugajski‘s Zacma: Blindness opens on an empty apartment, phone incessantly ringing to cut through the silence.
- 9/9/2016
- by Jared Mobarak
- The Film Stage
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