Directed by
Alex Georges |
Writing Credits (in alphabetical order)
Mike Cahill | ||
Alex Georges |
Cast
Gary Beal | ... | Guy with Gun | |
Rene Bennett | ... | Crew in Bar #4 | |
Janet Berzins | ... | Laura's Mother | |
Rod Blades | ... | Archer Leland | |
David Folwell | ... | Crew in Bar #3 | |
Alex Georges | ... | Alec Baylor | |
Louis Gusemano | ... | Teddy Ingram | |
Mark Kirchner | ... | Jack Yates | |
Jon Todd Koenig | ... | Video Store Clerk | |
Curtis Koller | ... | Crew in Bar #1 | |
Pamela Lane | ... | 1st A.D. | |
Eden Lange | ... | Sultry Woman | |
Alex Morris | ... | Howard | |
Dick O'Dell | ... | Laura's Father | |
John Pitts | ... | Preacher | |
David Sanders | ... | Stutter | |
Scott Sandlin | ... | Jilted Lover | |
Stephanie Schonfeld | ... | Laura | |
Shelley Stolaroff Segal | ... | Video Store Clerk (as Shelly Stolaroff) | |
Dayna Steele | ... | Sandy Salinger | |
John Swasey | ... | Crew in Bar #2 | |
Emily Weisgerber | ... | Poppi Salinger |
Produced by
Alex Georges | ... | producer |
David W. Green | ... | associate producer |
Pamela Lane | ... | producer |
Richard Marzo | ... | associate producer |
Bill Moore | ... | associate producer |
Music by
Scott Szabo |
Cinematography by
Jaroslav Vodehnal |
Editing by
Bill Moore |
Casting By
Caryn Gorme |
Art Direction by
Tracy McCandless |
Set Decoration by
Amanda Anderson |
Makeup Department
Victor Esparza | ... | makeup artist |
Michael Snodgrove | ... | hairdresser |
Production Management
Pamela Lane | ... | production manager |
Second Unit Director or Assistant Director
Traci Caillouet | ... | first assistant director |
Mary Ciambotti | ... | second assistant director |
Art Department
Julie Fischer | ... | props / vehicles |
J.P. Hamilton | ... | art department |
Tony LoPresti | ... | props |
Tod Waters | ... | art department |
Sound Department
Mike Cahill | ... | boom operator |
Julie Fischer | ... | boom operator |
Bill Moore | ... | location sound / sound mixer |
Scott Szabo | ... | location sound |
Scott Szabo | ... | sound mixer |
Special Effects by
Gary Beal | ... | special effects |
Scott Prescott | ... | special effects |
Stunts
David Sanders | ... | stunt coordinator |
Camera and Electrical Department
Richard Ball | ... | g&e Intern |
Gordon Cooper III | ... | g&e Intern |
Brian Kinzey | ... | gaffer |
Brad Rushing | ... | first assistant camera |
Fujio Watanabe | ... | key grip |
Sharon Winkler | ... | second assistant camera |
Costume and Wardrobe Department
Bonnie Hurliman | ... | wardrobe mistress |
Editorial Department
Matthew Kregor | ... | assistant editor (as Matt Kregor) |
Amy Needham | ... | assistant editor |
Nerissa Oden | ... | assistant editor |
Script and Continuity Department
Rene Bennett | ... | script supervisor |
Additional Crew
Eulanda Bailey | ... | craft service |
Beckett Baker | ... | assistant to Ms. Lane |
David W. Green | ... | production coordinator |
Lucy Herring | ... | publicist |
Ellen Peoples | ... | title design |
Thanks
Don Brawner | ... | special thanks |
Jeannie Brawner | ... | special thanks |
Daryl Buchanan | ... | special thanks |
Joseph Dispenza | ... | special thanks |
Basil Georges | ... | special thanks |
Marilyn Georges | ... | special thanks |
Laura Groppe | ... | special thanks |
Sam Havens | ... | special thanks |
Jeannie Linam | ... | special thanks |
Craig Massey | ... | special thanks |
Mrs. Craig Massey | ... | special thanks |
Kelly Moore | ... | special thanks |
Tricia Moore | ... | special thanks |
Frank Patterson | ... | special thanks |
Reid Slaughter | ... | special thanks |
Charles Youngblood | ... | special thanks |
Cindy Youngblood | ... | special thanks |