The second episode features:María Alché (Argentina), actress, director and screenwriter. She made her film acting debut as the protagonist of Lucrecia Martel's The Holy Girl (La niña santa). She directed the short films Noelia and Gulliver, which was selected for the Zinebi and Locarno competitions. In 2018, she released her debut feature A Family Submerged (Familia sumergida), which premiered at Locarno and won the Horizontes Latinos Award at the San Sebastian Film Festival. At the same festival, she also won the Best Screenplay Award for her second feature film, Puan, co-directed with Benjamín Naishtat.Marcelo Martinessi (Paraguay), director and screenwriter, whose work has interrogated inequality and conservatism in his country. He directed the short films Karai Norte, Calle última and La voz perdida, for which he won the Best Short Film award in the Orrizonti Competition at the Venice Film Festival. In 2018, his first feature film, The Heiresses (Las...
- 11/16/2023
- MUBI
This column's obsession with neon continues with the key art for Brazilian drama and Sundance entry, Divino Amor. The design feels like those ubiquitous paperback novels of the 1980s, dealing more in iconography than 'description.' Even the tagline here, "True Love Shares." is left to the imagination. This is a somewhat radical departure for Mexican designer Dan Petris who usualy favours close-ups or stylized renditions of faces. Now one could go to the IMDb, and find out that it is a movie about, "a deeply religious woman uses her position in a notary's office to try to prevent couples from divorcing." But it is better to bask...
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- 2/22/2019
- Screen Anarchy
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