Beim französischen Filmfestival FIDMarseille, das am 25. Juni seine 35. Ausgabe startet, feiern auch zwei deutsche Koproduktionen Weltpremiere. Aus Österreich ist die Panama-Film-Produktion „Bluish“ von Lilith Kraxner und Milena Czernovsky dabei.
„Bluish” (Credit: FIDMarseille/Panama Film)
Im Internationalen Wettbewerb des Filmfestivals FIDMarseille feierte der österreichische Beitrag „Bluish“ von Lilith Kraxner und Milena Czernovsky Weltpremiere. Produziert wurde der Film von Lixi Frank und David Bohun (Panama Film), die bereits Sandra Wollners „The Trouble With Being Born“ und Timm Krögers „Die Theorie von Allem“ mitproduzierten. In „Bluish“ stehen Errol und Sasha im Mittelpunkt, zwei etwas orientierungslose Figuren in ihren Zwanzigern, treiben ziellos durch die trüben Wintertage einer Stadt. Während sie einen sanften Blick auf Fragmente ihres Alltagslebens werfen, beginnen sich Menschen, Geschichten, Orte und Realitäten zu überlagern und zu verflechten. „Bluish“ beschreibt laut Produktionsfirma einen fragilen Seinszustand, einen Zustand oder vielmehr eine Atmosphäre der Mehrdeutigkeit und Sehnsucht.
Ebenfalls aus Österreich eingeladen wurde Constanze Ruhms...
„Bluish” (Credit: FIDMarseille/Panama Film)
Im Internationalen Wettbewerb des Filmfestivals FIDMarseille feierte der österreichische Beitrag „Bluish“ von Lilith Kraxner und Milena Czernovsky Weltpremiere. Produziert wurde der Film von Lixi Frank und David Bohun (Panama Film), die bereits Sandra Wollners „The Trouble With Being Born“ und Timm Krögers „Die Theorie von Allem“ mitproduzierten. In „Bluish“ stehen Errol und Sasha im Mittelpunkt, zwei etwas orientierungslose Figuren in ihren Zwanzigern, treiben ziellos durch die trüben Wintertage einer Stadt. Während sie einen sanften Blick auf Fragmente ihres Alltagslebens werfen, beginnen sich Menschen, Geschichten, Orte und Realitäten zu überlagern und zu verflechten. „Bluish“ beschreibt laut Produktionsfirma einen fragilen Seinszustand, einen Zustand oder vielmehr eine Atmosphäre der Mehrdeutigkeit und Sehnsucht.
Ebenfalls aus Österreich eingeladen wurde Constanze Ruhms...
- 6/7/2024
- by Barbara Schuster
- Spot - Media & Film
Magnify, formerly Magnolia Pictures International, has announced multiple territories out of EFM on Veni Vidi Vici, the provocative Sundance premiere from Austrian filmmakers Daniel Hoesl And Julia Niemann.
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
- 2/28/2024
- ScreenDaily
Magnify, which was formally known as Magnolia Pictures International, has acquired global and U.S. sales rights to “Veni Vedi Vici,” an Australian social satire from directors’ Daniel Hoesl and Julia Niemann. Written by Hoesl, the film will debut in the World Dramatic Competition section of the 2024 Sundance Film Festival. It marks the first title acquired for sales under the newly rebranded Magnify label.
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
- 12/13/2023
- by Brent Lang
- Variety Film + TV
The solipsism of artists and influencers offers infinite variations on self-lacerating lampoon, and Sebastian Silva’s new film Rotting in the Sun comes up with a dandy. Here Silva, the Chilean filmmaker best known in the States for the Michael Cera psychedelic quest movie Crystal Fairy & the Magic Cactus, creates a suicidal, ketamine-crazed Mexico City filmmaker, named for and played by Silva, and a comically, brutally self-absorbed internet personality, named for and played by the comedian (and internet personality) Jordan Firstman. Jordan wants Sebastian to collaborate on a happier variation on Curb Your Enthusiasm,...
- 9/9/2023
- by Chris Vognar
- Rollingstone.com
John Waters muse Jean Hill once said that she was well-known for “shaking hands with the dick,” and in Sebastián Silva’s Rotting in the Sun, influencer Jordan Firstman certainly takes the baton. At once an excoriating satire of the performativity of homosexuality within a social media-addled community as well as a seemingly earnest lament for the total loss of collectivity, the film minces neither words nor bodily appendages.
Silva plants tongue deep in cheek as a hopelessly depressed caricature of himself, dodging promotional commitments, slapping his shit-eating dog across the face in full view of horrified passersby, watching people watch him page through E.M. Cioran’s The Trouble with Being Born, and getting lost in a K-hole as often as he can manage. It’s not that Silva’s on-screen alter ego is out of ideas—in fact, he spends much of his time slashing away at his...
Silva plants tongue deep in cheek as a hopelessly depressed caricature of himself, dodging promotional commitments, slapping his shit-eating dog across the face in full view of horrified passersby, watching people watch him page through E.M. Cioran’s The Trouble with Being Born, and getting lost in a K-hole as often as he can manage. It’s not that Silva’s on-screen alter ego is out of ideas—in fact, he spends much of his time slashing away at his...
- 9/6/2023
- by Eric Henderson
- Slant Magazine
Have you heard of a movie about a brilliant quantum physicist who travels to a remote location so he can test a groundbreaking theory that could change the world forever? It’s shot in breathtaking black-and-white, and features Nazis and a doomed romance.
If you’re thinking of Oppenheimer, you’re wrong by a good two decades (in terms of the time setting), as well as a good hundred million dollars (in terms of budget). And yet, like a smaller, distant cousin to the Christopher Nolan blockbuster, German director Timm Kröger’s The Theory of Everything (Die Theorie Von Allem) is also an artfully made, ambitious period piece where reality sometimes bends to the laws of modern physics.
However, the similarities end there. Nolan’s movie was science-fact, remaining as close to historic events as technically possible. Kröger’s second feature is more of a genre-jumping experiment, combining Hollywood sci-fi...
If you’re thinking of Oppenheimer, you’re wrong by a good two decades (in terms of the time setting), as well as a good hundred million dollars (in terms of budget). And yet, like a smaller, distant cousin to the Christopher Nolan blockbuster, German director Timm Kröger’s The Theory of Everything (Die Theorie Von Allem) is also an artfully made, ambitious period piece where reality sometimes bends to the laws of modern physics.
However, the similarities end there. Nolan’s movie was science-fact, remaining as close to historic events as technically possible. Kröger’s second feature is more of a genre-jumping experiment, combining Hollywood sci-fi...
- 9/3/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
For all the major films from established, auteur directors in the 2023 Venice Film Festival’s main competition (David Fincher’s The Killer, Yorgos Lanthimos’ Poor Things, Sofia Coppela’s Priscilla and Michael Mann’s Ferrari, to name just a few), when he made the official lineup announcement on July 31, festival director Alberto Barbera reserved his lengthiest praise for a small film from Germany.
So enthused was Barbera for Timm Kröger’s second feature The Theory of Everything — a black-and-white Hitchcockian melodrama set in a 5-star hotel in the Swiss Alps (and a “kind of” sequel to his 2014 debut The Council of Birds) — that he claimed it was one of the very first films selected to compete for this year’s Golden Lion.
“It was really wonderful what he said, and he really described the film in a lovely way,” says Kröger, speaking ahead of The Theory of Everything’s world...
So enthused was Barbera for Timm Kröger’s second feature The Theory of Everything — a black-and-white Hitchcockian melodrama set in a 5-star hotel in the Swiss Alps (and a “kind of” sequel to his 2014 debut The Council of Birds) — that he claimed it was one of the very first films selected to compete for this year’s Golden Lion.
“It was really wonderful what he said, and he really described the film in a lovely way,” says Kröger, speaking ahead of The Theory of Everything’s world...
- 9/3/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Twenty emerging producers from across Europe have been selected to take part in European Film Promotion’s promotion and networking platform Producers on the Move before and during the Cannes Film Festival.
The producers who were selected for the program from nominations submitted by Efp’s member organizations are Gentian Koçi (Albania), David Bohun (Austria), Julie Esparbes (Belgium), Vanya Rainova (Bulgaria), Miljenka Čogelja (Croatia), Stelana Kliris (Cyprus), Alice Tabery (Czech Republic), Emile Hertling Péronard (Denmark), Emilia Haukka (Finland), Silvana Santamaria (Germany), Vicky Miha (Greece), Júlia Berkes (Hungary), Kathryn Kennedy (Ireland), Valon Bajgora (Kosovo), Dominiks Jarmakovičs (Latvia), Erik Glijnis (The Netherlands), Elisa Fernanda Pirir (Norway), Radu Stancu (Romania), Juraj Krasnohorský (Slovak Republic), and Julia Gebauer (Sweden).
They will take part in a tailor-made program to foster international co-productions, increase the exchange of experiences, and help create new professional networks. The pre-festival online program, which started yesterday and runs until May 4, includes 1:1 speed meetings,...
The producers who were selected for the program from nominations submitted by Efp’s member organizations are Gentian Koçi (Albania), David Bohun (Austria), Julie Esparbes (Belgium), Vanya Rainova (Bulgaria), Miljenka Čogelja (Croatia), Stelana Kliris (Cyprus), Alice Tabery (Czech Republic), Emile Hertling Péronard (Denmark), Emilia Haukka (Finland), Silvana Santamaria (Germany), Vicky Miha (Greece), Júlia Berkes (Hungary), Kathryn Kennedy (Ireland), Valon Bajgora (Kosovo), Dominiks Jarmakovičs (Latvia), Erik Glijnis (The Netherlands), Elisa Fernanda Pirir (Norway), Radu Stancu (Romania), Juraj Krasnohorský (Slovak Republic), and Julia Gebauer (Sweden).
They will take part in a tailor-made program to foster international co-productions, increase the exchange of experiences, and help create new professional networks. The pre-festival online program, which started yesterday and runs until May 4, includes 1:1 speed meetings,...
- 5/3/2023
- by Leo Barraclough
- Variety Film + TV
European Film Promotion (Efp) has unveiled its 2023 Producers on the Move, the 20 up-and-coming film producers from 20 European countries picked to take part in the Efp’s networking event at the Cannes Film Festival this year.
The list of 2023 Producers on the Move includes Gentian Koçi (Albania), David Bohun (Austria), Julie Esparbes (Belgium), Vanya Rainova (Bulgaria), Miljenka Čogelja (Croatia), Stelana Kliris (Cyprus), Alice Tabery (Czech Republic), Emile Hertling Péronard (Denmark), Emilia Haukka (Finland), Silvana Santamaria (Germany), Vicky Miha (Greece), Júlia Berkes (Hungary), Kathryn Kennedy (Ireland), Valon Bajgora (Kosovo*), Dominiks Jarmakovičs (The Netherlands), Elisa Fernanda Pirir (Norway), Radu Stancu (Romania), Juraj Krasnohorský (Slovak Republic) and Julia Gebauer (Sweden).
The group will take part in a tailor-made program that runs May 18-22 during the festival intended to improve collaboration and foster international co-productions, between European film professionals. To help kick-start the effort, the Efp has begun a series of pre-festival events, including one-on-one speed meetings,...
The list of 2023 Producers on the Move includes Gentian Koçi (Albania), David Bohun (Austria), Julie Esparbes (Belgium), Vanya Rainova (Bulgaria), Miljenka Čogelja (Croatia), Stelana Kliris (Cyprus), Alice Tabery (Czech Republic), Emile Hertling Péronard (Denmark), Emilia Haukka (Finland), Silvana Santamaria (Germany), Vicky Miha (Greece), Júlia Berkes (Hungary), Kathryn Kennedy (Ireland), Valon Bajgora (Kosovo*), Dominiks Jarmakovičs (The Netherlands), Elisa Fernanda Pirir (Norway), Radu Stancu (Romania), Juraj Krasnohorský (Slovak Republic) and Julia Gebauer (Sweden).
The group will take part in a tailor-made program that runs May 18-22 during the festival intended to improve collaboration and foster international co-productions, between European film professionals. To help kick-start the effort, the Efp has begun a series of pre-festival events, including one-on-one speed meetings,...
- 5/3/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Berlinale and Locarno prize winners also among this year’s cohort.
The producers of Cannes titles Lost In The Night and The (Ex)perience Of Love are among those selected for European Film Promotion’s (Efp) Producers On The Move programme, which promotes rising talent and fosters international co-productions.
The 20 producers have already begun a pre-festival online programme (May 2-4), which includes speed meetings, roundtables and pitching sessions. They will then meet during the Cannes Film Festival from May 18-22, taking part in a programme that will include case studies, social events and an extensive promotional campaign. More than half of the selection are women.
The producers of Cannes titles Lost In The Night and The (Ex)perience Of Love are among those selected for European Film Promotion’s (Efp) Producers On The Move programme, which promotes rising talent and fosters international co-productions.
The 20 producers have already begun a pre-festival online programme (May 2-4), which includes speed meetings, roundtables and pitching sessions. They will then meet during the Cannes Film Festival from May 18-22, taking part in a programme that will include case studies, social events and an extensive promotional campaign. More than half of the selection are women.
- 5/3/2023
- by Michael Rosser
- ScreenDaily
After a hugely successful year for domestic films, Austria’s movie industry is looking forward to another impressive crop of titles, including many international co-productions that reflect not only cultural and historical ties with neighboring countries but also the sector’s strong cross-border partnerships.
Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.
Forthcoming releases include works from established directors and young filmmakers, says Anne Laurent-Delage, executive director of promotional organization Austrian Films. This year’s strong showing follows...
Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.
Forthcoming releases include works from established directors and young filmmakers, says Anne Laurent-Delage, executive director of promotional organization Austrian Films. This year’s strong showing follows...
- 2/18/2023
- by Ed Meza
- Variety Film + TV
Berlin-based sales agent Rise and Shine has acquired worldwide rights (except Austria) for Austrian director Bernhard Braunstein’s feature documentary “Stams.” The film will have its world premiere as part of Berlinale’s Panorama strand in February. The deal was negotiated between Panama Film producers Lixi Frank and David Bohun, Rise and Shine world sales CEO Stefan Kloos and Peter Jaeger as sales/distribution consultant from Jaeger Creative.
In the film, Braunstein takes a look behind the scenes of Stams, one of the most successful – and elite – ski boarding schools in the world, located in the Alps. The students go there to follow their dreams, but are all too aware that only 2 of them will make it to the top.
Braunstein meticulously shows the timed daily routine of extreme physical training, not-so-ordinary school classes, sparse free time, and everyday boarding-school life. How do these young people deal with the constant pressure to perform,...
In the film, Braunstein takes a look behind the scenes of Stams, one of the most successful – and elite – ski boarding schools in the world, located in the Alps. The students go there to follow their dreams, but are all too aware that only 2 of them will make it to the top.
Braunstein meticulously shows the timed daily routine of extreme physical training, not-so-ordinary school classes, sparse free time, and everyday boarding-school life. How do these young people deal with the constant pressure to perform,...
- 1/31/2023
- by Leo Barraclough
- Variety Film + TV
From its hilarious use of social media montages to the oversized white Telfar bag that seems to almost swallow one of its characters whole, Sebastián Silva’s Rotting in the Sun is the kind of film that would be best served by a review comprised entirely of emojis. And I mean that as the highest of compliments. There isn’t a single frame in the film that hasn’t been meticulously manicured in order to achieve what social media tries to do: create a vision of uniqueness while relishing in manufactured mundanity. That Silva achieves to both criticize the overuse of online personas (particularly in the white gay world) while becoming a piece meant to be meme-d and TikTok-ed into oblivion is truly remarkable.
The Chilean director, best known for his psychedelic dramedies like Crystal Fairy and the Magical Cactus and The Maid, plays a spiritually oversized version of himself,...
The Chilean director, best known for his psychedelic dramedies like Crystal Fairy and the Magical Cactus and The Maid, plays a spiritually oversized version of himself,...
- 1/31/2023
- by Jose Solís
- The Film Stage
If Sebastián Silva hadn’t called his first feature Life Kills Me, it might be an apt title for his latest, Rotting in the Sun. The Chilean director’s work, as always, is an acquired taste, but his no-frills, scrappy aesthetic is particularly well suited to this slippery shot of meta-misanthropy, graphic gay sex and mordant farce. The filmmaker plays a despondent version of himself, subsisting in Mexico City on ketamine and poppers, contemplating suicide until a chance encounter with a brash American influencer and professional party boy kind of derails his plans.
Raunchy, rude and frequently incisive in its targeting of both self-pitying artists and social media celebs, the film revisits many of the director’s customary fixations — eroticism, despair, class conflict, the fragility of life and the allure of death, all of it embroidered with a mischievous thread of absurdist humor.
Its appeal to Silva fans will be...
Raunchy, rude and frequently incisive in its targeting of both self-pitying artists and social media celebs, the film revisits many of the director’s customary fixations — eroticism, despair, class conflict, the fragility of life and the allure of death, all of it embroidered with a mischievous thread of absurdist humor.
Its appeal to Silva fans will be...
- 1/31/2023
- by David Rooney
- The Hollywood Reporter - Movie News
‘Rotting in the Sun’ Review: Sebastián Silva Gets Sexually Explicit About the Trouble with Being Gay
Editor’s note: This review was originally published at the 2023 Sundance Film Festival. Mubi releases the film in theaters on Friday, September 8.
Sebastián Silva has suicide on the brain in “Rotting in the Sun,” his eighth directorial feature and one in which he also plays himself. Sebastián is living in Mexico City, running out of money, addicted to ketamine, and bereft of creative ideas. But he faces a new, potentially soul-eroding opportunity when flippant gay internet persona and content creator Jordan Firstman enters the frame. Firstman also plays himself in a performance that interrogates his image as a contemporary queer icon while also mocking it — in ways self-aware and also not — in this raunchy, sexually explicit lambasting of gay male life whose target audience will both revile and revere this film.
“Rotting in the Sun” begins with Sebastián sitting at a public fountain in the Plaza Rio de Janeiro, googling...
Sebastián Silva has suicide on the brain in “Rotting in the Sun,” his eighth directorial feature and one in which he also plays himself. Sebastián is living in Mexico City, running out of money, addicted to ketamine, and bereft of creative ideas. But he faces a new, potentially soul-eroding opportunity when flippant gay internet persona and content creator Jordan Firstman enters the frame. Firstman also plays himself in a performance that interrogates his image as a contemporary queer icon while also mocking it — in ways self-aware and also not — in this raunchy, sexually explicit lambasting of gay male life whose target audience will both revile and revere this film.
“Rotting in the Sun” begins with Sebastián sitting at a public fountain in the Plaza Rio de Janeiro, googling...
- 1/23/2023
- by Ryan Lattanzio
- Indiewire
The aptly titled “Rotting in the Sun” is a misanthropic comedy-mystery that pits writer-director-actor Sebastián Silva against Instagram influencer–comedian Jordan Firstman, both of whom are playing themselves or versions of themselves. Silva and Firstman both come across very poorly on screen, but it is difficult to ascertain just how intentional that is.
Silva is first seen in the Plaza Río de Janeiro in Mexico City reading Emil Cioran’s “The Trouble with Being Born,” and he googles his own name and then immediately googles “How to commit suicide in Mexico” before going home to a large studio where he lives and paints. Catalina Saavedra, who played the lead in Silva’s breakout feature “The Maid,” here plays Silva’s real-life maid Vero while Silva’s friend Mateo, who owns the building he is living in, plays himself.
Silva is seen snorting cocaine and listlessly feeling sorry for himself, and he asks Mateo,...
Silva is first seen in the Plaza Río de Janeiro in Mexico City reading Emil Cioran’s “The Trouble with Being Born,” and he googles his own name and then immediately googles “How to commit suicide in Mexico” before going home to a large studio where he lives and paints. Catalina Saavedra, who played the lead in Silva’s breakout feature “The Maid,” here plays Silva’s real-life maid Vero while Silva’s friend Mateo, who owns the building he is living in, plays himself.
Silva is seen snorting cocaine and listlessly feeling sorry for himself, and he asks Mateo,...
- 1/23/2023
- by Dan Callahan
- The Wrap
German director Timm Kröger’s mystery thriller “The Universal Theory” has started shooting at the ski resort of St. Jakob in Defereggen, Austria. The film’s first image has been released.
The cast is led by Jan Bülow, who starred in “Lindenberg! Mach dein Ding,” and Olivia Ross, a Paris-born, British actress whose credits include History’s “Knightfall,” Netflix’s “The Old Guard,” and the BBC’s “War and Peace” and “Killing Eve.”
Kröger previously directed Venice Critics Week entry “The Council of Birds.” The screenplay was written by Roderick Warich (“The Trouble with Being Born”) and Kröger.
Shot in Cinemascope, in black and white, the 1960s set story unfolds against the backdrop of the Alps. Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets his femme fatale, Karin, a jazz pianist...
The cast is led by Jan Bülow, who starred in “Lindenberg! Mach dein Ding,” and Olivia Ross, a Paris-born, British actress whose credits include History’s “Knightfall,” Netflix’s “The Old Guard,” and the BBC’s “War and Peace” and “Killing Eve.”
Kröger previously directed Venice Critics Week entry “The Council of Birds.” The screenplay was written by Roderick Warich (“The Trouble with Being Born”) and Kröger.
Shot in Cinemascope, in black and white, the 1960s set story unfolds against the backdrop of the Alps. Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets his femme fatale, Karin, a jazz pianist...
- 1/21/2022
- by Leo Barraclough
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Steve McQueen and his installation "Year 3" at Tate Britain. Steve McQueen will be unveiling a new installation, “Sunshine State,” at the International film festival Rotterdam as part of its Art Directions section, which is dedicated to "daring films, installations, exhibitions and live performance." This is McQueen's first major commission since "Year 3," which was exhibited at Tate Britain in 2019. Martin Scorsese has set his eyes on his next project with Apple: a biopic about the Grateful Dead, starring Jonah Hill as frontman Jerry Garcia. As Variety points out, Scorsese did executive produce a 2017 documentary series about the band entitled Long Strange Trip. For that series, he described the Grateful Dead as "more than just a band." Hill and Scorsese previously worked together on Wolf of Wall Street (2013), and a Coca-Cola ad for last year's Super Bowl.
- 11/26/2021
- MUBI
Sandra Wollner's The Trouble with Being Born is exclusively showing on Mubi in most countries starting November 24, 2021 in the series The New Auteurs.The initial idea of this setting, of a man living with a childlike android, came from my co-author Roderick Warich, and I immediately jumped onto that because I had been looking to tell a story from a non-human perspective for some time. The story I was writing back then was about a girl that did not want to grow up, nor did it even want to be human.“As she was playing, as she was running with the other kids, she suddenly felt it and stopped. All at once it was as if an incredible emptiness spread within her and around her, as if she could suddenly see the impenetrable black that had always been behind that blue sky, which she had just not noticed until now.
- 11/18/2021
- MUBI
Following the announcement of their new curated theatrical venture Mubi Go, next month’s U.S. streaming lineup at Mubi has now been unveiled. Highlights include Terrence Malick’s heartbreakingly raw romantic drama To the Wonder and its Javier Bardem-focused counterpart, Eugene Richards’ Thy Kingdom Come.
Also in the lineup is Julian Faraut’s terrifically entertaining documentary Witches of the Orient, the Werner Herzog double bill of Grizzly Man and Lo and Behold, John Carpenter’s Escape From New York, Apichatpong Weerasethakul’s Blue, Sandra Wollner’s controversial feature The Trouble With Being Born, Alexandre Rockwell’s latest film Sweet Thing, and much more.
See the full lineup below and get 30 days of Mubi free here.
November 1 | The First Lap New | Kim Dae-hwan | South Korean Cinema
November 2 | L’innocente | Luchino Visconti
November 3 | 80,000 Years Old | Christelle Lheureux
November 4 | Liebelei | Max Ophüls
November 5 | Maelström | Denis Villeneuve | A Cosmic Trajectory: Early Films by...
Also in the lineup is Julian Faraut’s terrifically entertaining documentary Witches of the Orient, the Werner Herzog double bill of Grizzly Man and Lo and Behold, John Carpenter’s Escape From New York, Apichatpong Weerasethakul’s Blue, Sandra Wollner’s controversial feature The Trouble With Being Born, Alexandre Rockwell’s latest film Sweet Thing, and much more.
See the full lineup below and get 30 days of Mubi free here.
November 1 | The First Lap New | Kim Dae-hwan | South Korean Cinema
November 2 | L’innocente | Luchino Visconti
November 3 | 80,000 Years Old | Christelle Lheureux
November 4 | Liebelei | Max Ophüls
November 5 | Maelström | Denis Villeneuve | A Cosmic Trajectory: Early Films by...
- 10/20/2021
- by Jordan Raup
- The Film Stage
To mark the release of We Children from Bahnhof Zoo on 14th June, we’ve been given 2 copies to give away on DVD.
We Children From Bahnhof Zoo follows the life of Christiane and her tight-knit group of like-minded souls who are trying to find out who they are, what they want to do with their lives and where the next party’s at.
We follow their rough ride into adulthood that sees Christiane’s gradual descent into heroin addiction while Benno’s habit drives him to lengths he never imagined while paranoid Axel’s heartbreaking adoration of Christiane persists and Michi, secretly in love with Benno competes with Christiane for his affection. Will they be able to overcome their addictions or will they be consumed by them?
Please note: This competition is open to UK residents only
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Open to UK residents only The...
We Children From Bahnhof Zoo follows the life of Christiane and her tight-knit group of like-minded souls who are trying to find out who they are, what they want to do with their lives and where the next party’s at.
We follow their rough ride into adulthood that sees Christiane’s gradual descent into heroin addiction while Benno’s habit drives him to lengths he never imagined while paranoid Axel’s heartbreaking adoration of Christiane persists and Michi, secretly in love with Benno competes with Christiane for his affection. Will they be able to overcome their addictions or will they be consumed by them?
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- 6/13/2021
- by Competitions
- HeyUGuys.co.uk
When Jane Fonda opened that envelope and called Bong Joon-ho and his team to the stage, we really should have known. The Oscars were not supposed to get it right, it was too perfect. From a moment like that there was nowhere to go but down, way down.
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
- 1/3/2021
- by Zhuo-Ning Su
- The Film Stage
The physical experience of the cinema in 2020 has been a fragmented stop and start scenario. Not being able to visit the cinema has been discouraging, but in putting this mix together I was reminded, pandemic aside, there have been new movies worth getting excited about and distinctive music and sounds to accompany them. Over the 1 hour, 39 minute run time this mix stops and starts in different mood zones, symmetrical to the year it represents. Between pieces of original score and soundtrack are voices and sounds, sometimes of hope, sometimes more sinister. Meandering in pace, this mix is a snapshot of feelings, as quickly as they come they move into different territory. We open with extracts from Garrett Bradely’s Time, these echoes of childhood and family swirl forward years as if inside a sonic time capsule. We hear voices weave in and out, “lots of things changed since the beginning of this tape.
- 12/28/2020
- MUBI
The 10th edition of U.S. In Progress Wroclaw, the industry wing of the American Film Festival in Poland which was held online this year, wrapped over the weekend and presented a variety of awards to the participating American film projects.
The awards range from post-production services to travel bursaries and cash. A $10,000 cash prize to be put towards post-production in Poland was awarded to the film To The Moon from director Scott Friend and producers Cate Smierciak, Everett Hendler, Stephanie Randall, and Gabe Wilson. The full list of awards is below.
In addition to the U.S. projects, a group of U.S. experts including Sony Pictures Classics’ Dylan Leiner and CAA execs Maren Olson and Kat Moncrief took part in pitching and one-on-one sessions with Polish projects seeking U.S. partners. The non-competitive event is designed to foster potential co-productions and was hosted by Deadline.
In the wider festival,...
The awards range from post-production services to travel bursaries and cash. A $10,000 cash prize to be put towards post-production in Poland was awarded to the film To The Moon from director Scott Friend and producers Cate Smierciak, Everett Hendler, Stephanie Randall, and Gabe Wilson. The full list of awards is below.
In addition to the U.S. projects, a group of U.S. experts including Sony Pictures Classics’ Dylan Leiner and CAA execs Maren Olson and Kat Moncrief took part in pitching and one-on-one sessions with Polish projects seeking U.S. partners. The non-competitive event is designed to foster potential co-productions and was hosted by Deadline.
In the wider festival,...
- 11/16/2020
- by Tom Grater
- Deadline Film + TV
In today’s Global Bulletin, the Zurich festival opens with “My Wonderful Wanda,” Philip Garrel, Tsai Ming-liang and Hong Sang-soo are contenders at San Sebastian, a new talent agency launches with “The Crown” actor Emma Corrin, WaZabi picks up Toronto title “Beans,” and the U.K. celebrates returning to cinemas.
Bettina Oberli’s “My Wonderful Wanda” will open the 16th Zurich film festival on Sept. 24, the first time the event is opening with a film by a female director.
The film was supposed to bow at Tribeca, until the coronavirus pandemic forced its postponement to 2021. Consequently, it will have its world premiere at Zurich.
“My Wonderful Wanda” tells the story of Polish-born Wanda who looks after patriarch and post-stroke patient Josef at his lakeside family villa. The work is poorly paid, but Wanda needs the money to support her own family back in Poland. As a live-in caregiver, she gains...
Bettina Oberli’s “My Wonderful Wanda” will open the 16th Zurich film festival on Sept. 24, the first time the event is opening with a film by a female director.
The film was supposed to bow at Tribeca, until the coronavirus pandemic forced its postponement to 2021. Consequently, it will have its world premiere at Zurich.
“My Wonderful Wanda” tells the story of Polish-born Wanda who looks after patriarch and post-stroke patient Josef at his lakeside family villa. The work is poorly paid, but Wanda needs the money to support her own family back in Poland. As a live-in caregiver, she gains...
- 8/21/2020
- by Naman Ramachandran
- Variety Film + TV
Hong Sang-soo’s ‘The Woman Who Ran’ previously won a Berlinale Silver Bear.
Source: G. Ferrandis 2019/Rectangle Productions Close Up Films - Arte France Cinéma Rts Radio Télévision Sui
New features by Philippe Garrel and Hong Sang-soo are among those set to compete for the Zabaltegi-Tabakalera Award – a strand at the San Sebastian Film Festival free of style or length constraints.
The section will comprise 10 features and nine shorts, which include a six-minute film by UK filmmaker Peter Strickland titled Cold Meridian.
Several selected features were previously seen at the Berlinale in February, including The Woman Who Ran from South Korean filmmaker Hong Sang-soo,...
Source: G. Ferrandis 2019/Rectangle Productions Close Up Films - Arte France Cinéma Rts Radio Télévision Sui
New features by Philippe Garrel and Hong Sang-soo are among those set to compete for the Zabaltegi-Tabakalera Award – a strand at the San Sebastian Film Festival free of style or length constraints.
The section will comprise 10 features and nine shorts, which include a six-minute film by UK filmmaker Peter Strickland titled Cold Meridian.
Several selected features were previously seen at the Berlinale in February, including The Woman Who Ran from South Korean filmmaker Hong Sang-soo,...
- 8/20/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Pressing on with plans to hold its physical edition September 18-26, Spain’s San Sebastian Film Festival has unveiled the line-up for its Zabaltegi-Tabakalera section, the competitive strand that does not mandate any style or length standards.
There are 10 features and nine shorts present this year. The feature length projects include South Korean filmmaker Hong Sang-soo’s The Woman Who Ran, which arrives having premiered at Berlinale earlier this year where it picked up the Silver Bear for Best Director.
Also arriving from the 2020 Berlinale selection are Philippe Garrel’s The Salt Of Tears, Tsai Ming-Liang’s Rizi I Days, Catarina Vasconcelos’s The Metamorphosis Of Birds, Sandra Wollner’s The Trouble With Being Born, Song Fang’s The Calming and Camilo Restrepo’s Los Conductos.
Arriving from elsewhere are Nicolás Pereda’s Fauna, which will have its international premiere in San Seb after debuting in Toronto, and Adilkhan Yerzhanov’s Yellow Cat,...
There are 10 features and nine shorts present this year. The feature length projects include South Korean filmmaker Hong Sang-soo’s The Woman Who Ran, which arrives having premiered at Berlinale earlier this year where it picked up the Silver Bear for Best Director.
Also arriving from the 2020 Berlinale selection are Philippe Garrel’s The Salt Of Tears, Tsai Ming-Liang’s Rizi I Days, Catarina Vasconcelos’s The Metamorphosis Of Birds, Sandra Wollner’s The Trouble With Being Born, Song Fang’s The Calming and Camilo Restrepo’s Los Conductos.
Arriving from elsewhere are Nicolás Pereda’s Fauna, which will have its international premiere in San Seb after debuting in Toronto, and Adilkhan Yerzhanov’s Yellow Cat,...
- 8/20/2020
- by Tom Grater
- Deadline Film + TV
The festival will run from September 17-27.
Finland’s Helsinki International Film Festival (Hiff) has confirmed September 17-27 as dates for its 2020 edition, which it confirmed will take place as a physical event for both the festival and industry section.
The event is sticking with its original dates, with cinemas in Finland having been able to reopen since June 1. New safety guidelines will be introduced in the 11 cinemas used by the festival, which has a full title of Hiff – Love & Anarchy.Finnish Film Affair (Ffa), the industry strand, will run from September 23-25, with all of its content also available...
Finland’s Helsinki International Film Festival (Hiff) has confirmed September 17-27 as dates for its 2020 edition, which it confirmed will take place as a physical event for both the festival and industry section.
The event is sticking with its original dates, with cinemas in Finland having been able to reopen since June 1. New safety guidelines will be introduced in the 11 cinemas used by the festival, which has a full title of Hiff – Love & Anarchy.Finnish Film Affair (Ffa), the industry strand, will run from September 23-25, with all of its content also available...
- 6/17/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Awards: Golden Bear for Mohammad Rasoulof's There Is No EvilTOP Picksdaniel KASMAN1. The Salt of Tears (Philippe Garrel)2. Days (Tsai Ming-liang)3. Corporate Accountability (Jonathan Perel)4. Voices in the Wind (Nobuhiro Suwa)5. Undine (Christian Petzold)6. Generations (Lynne Siefert)7. Blue Eyes and Colorful My Dress (Polina Gumiela)8. Siberia (Abel Ferrara)9. The Woman Who Ran (Hong Sang-soo)10. Chronicle of Space (Akshay Indikar)Ela BITTENCOURT1. First Cow (Kelly Reichardt)2. Letter to a Friend (Emily Jacir)3. Days (Tsai Ming-liang)4. Malmkrog (Cristi Puiu)5. Dau6. The Trouble with Being Born (Sandra Wollner)7. Kill It and Leave This Town (Mateusz Wilczyński)8. Orphea9. The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)10. Tango of the Widower and Its Distorning MirrorCoveragedaniel KASMANFirst Encounters of the 70th YearPhilippe Garrel's Portrait of the Cad as a Young ManChristian Petzold's Fairy Tale BerlinHong Sang-soo's Options for WomanhoodPolitical LandscapesChild's PlayELA BITTENCOURTHighlights from Forum and Forum ExpandedDreaming the Impossible CinemaDau and the...
- 3/22/2020
- MUBI
It’s a strange feeling to be among the earliest audiences — and who can tell just how many more such a disturbing, hard-sell film will reach — for a project destined for notoriety. But then Sandra Wollner’s “The Trouble With Being Born” inspires nothing but strange feelings, from unnerving horror to shocked admiration to visceral disgust to that specific type of disorienting nausea that comes from the fractional delay between your eye processing a well-composed image, and your brain comprehending the implications of the actions so coolly depicted.
That gap is just one of the many conceptual fissures into which Wollner’s desperately creepy, queasy, thought-provoking film gnaws: image vs. implication; human vs. non-human; real vs. unreal. If “The Trouble With Being Born” lives anywhere, it is in a house in a forest on the deepest, most sunless lower slopes of the uncanny valley.
Indecipherable, abstract, staticky images flicker and jiggle,...
That gap is just one of the many conceptual fissures into which Wollner’s desperately creepy, queasy, thought-provoking film gnaws: image vs. implication; human vs. non-human; real vs. unreal. If “The Trouble With Being Born” lives anywhere, it is in a house in a forest on the deepest, most sunless lower slopes of the uncanny valley.
Indecipherable, abstract, staticky images flicker and jiggle,...
- 3/1/2020
- by Jessica Kiang
- Variety Film + TV
Update, writethru: The 70th Berlin Film Festival, and the first under new leadership team Mariette Rissenbeek and Carlo Chatrian, drew to a close this evening with the Golden Bear awarded to Mohammad Rasoulof’s There Is No Evil. Rasoulof is currently banned from leaving Iran for participation in social and political activity. This is the second time in five years that Berlin’s top prize has gone to an Iranian filmmaker unable to travel outside their home country — the last time was in 2015 when Jafar Panahi scooped the honor for Taxi.
Along with Panahi and Asghar Farhadi, Rasoulof, whose credits also include Manuscripts Don’t Burn, is among the best-known Iranian filmmakers on the international stage. His last picture, A Man Of Integrity, won Cannes’ Un Certain Regard prize in 2017, but his passport was confiscated that same year. Yesterday, the director issued a statement of regret over his inability to...
Along with Panahi and Asghar Farhadi, Rasoulof, whose credits also include Manuscripts Don’t Burn, is among the best-known Iranian filmmakers on the international stage. His last picture, A Man Of Integrity, won Cannes’ Un Certain Regard prize in 2017, but his passport was confiscated that same year. Yesterday, the director issued a statement of regret over his inability to...
- 2/29/2020
- by Nancy Tartaglione
- Deadline Film + TV
Eliza Hittman’s ’Never Rarely Sometimes Always’ wins Silver Bear Grand Jury Prize.
Mohammad Rasoulof’s There Is No Evil has become the latest film from Iran to win the Berlinale’s top honour, the Golden Bear, following Asghar Farhadi’s A Separation in 2012 and Jafar Panahi’s Taxi Tehran in 2015.
Rasoulof was not able to attend this year’s festival because he is banned from leaving Iran following his arrest last year. The film’s producers Farzad Pak and Kaveh Farnam, and the director’s daughter Baran Rasoulof (an actress who lives in Hamburg) collected the award on his...
Mohammad Rasoulof’s There Is No Evil has become the latest film from Iran to win the Berlinale’s top honour, the Golden Bear, following Asghar Farhadi’s A Separation in 2012 and Jafar Panahi’s Taxi Tehran in 2015.
Rasoulof was not able to attend this year’s festival because he is banned from leaving Iran following his arrest last year. The film’s producers Farzad Pak and Kaveh Farnam, and the director’s daughter Baran Rasoulof (an actress who lives in Hamburg) collected the award on his...
- 2/29/2020
- by 158¦Martin Blaney¦40¦
- ScreenDaily
“Sheytan vojud nadarad” (“There Is No Evil”) has won the Golden Bear Award at the 2020 Berlin International Film Festival, the Berlin jury announced at a ceremony on Saturday.
The film by director Mohammad Rasoulof consists of four different stories about military men in Iran who are asked to perform executions. It won in a competition lineup that consisted of 18 movies and also included Kelly Reichardt’s “First Cow,” Sally Potter’s “‘The Roads Not Taken,” Philippe Garrel’s “The Salt of Tears,” Abel Ferrara’s “Siberia” and Christian Petzold’s “Undine.”
Eliza Hittman’s “Never Rarely Sometimes Always,” the story of two teenage girls traveling from Pennsylvania to New York City for an abortion, won the Grand Jury Prize, the festival’s second-place award.
Also Read: 'Never Rarely Sometimes Always' Director Explains Why Her Stars Auditioned in a Bathroom (Video)
Acting awards went to Elio Germano for “Volevo nascondermi” (“Hidden Away...
The film by director Mohammad Rasoulof consists of four different stories about military men in Iran who are asked to perform executions. It won in a competition lineup that consisted of 18 movies and also included Kelly Reichardt’s “First Cow,” Sally Potter’s “‘The Roads Not Taken,” Philippe Garrel’s “The Salt of Tears,” Abel Ferrara’s “Siberia” and Christian Petzold’s “Undine.”
Eliza Hittman’s “Never Rarely Sometimes Always,” the story of two teenage girls traveling from Pennsylvania to New York City for an abortion, won the Grand Jury Prize, the festival’s second-place award.
Also Read: 'Never Rarely Sometimes Always' Director Explains Why Her Stars Auditioned in a Bathroom (Video)
Acting awards went to Elio Germano for “Volevo nascondermi” (“Hidden Away...
- 2/29/2020
- by Steve Pond
- The Wrap
The 2020 Berlin Film Festival, which kicked off on February 20, handed out its top prizes today as the fest comes to a close in Germany. The night’s top winner, Iranian filmmaker Mohammad Rasoulof for “There Is No Evil,” could not attend the ceremony due to an Iran-sanctioned travel ban and possible prison sentence for his politically charged film (read IndieWire’s review here). See all this year’s winners below.
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
- 2/29/2020
- by Ryan Lattanzio
- Indiewire
Iranian filmmaker Mohammad Rasoulof’s “There Is No Evil,” a drama about the impact of capital punishment on society and the human condition, won the Golden Bear at this year’s Berlin Film Festival on Saturday.
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
- 2/29/2020
- by Ed Meza
- Variety Film + TV
At first glance Elli appears to be a normal young girl living with her single father, spending idle afternoons lazing by a sunlit pool. But a disturbing reality is soon revealed: Elli is actually an android whose memories were programmed by the man she lovingly calls “Daddy.” Before long the true nature of their relationship becomes apparent, until the night Elli sets off to follow a ghostly echo into the woods.
“The Trouble With Being Born” is the unsettling second feature from Austrian director Susan Wollner, who won the German Film Critics’ Award in 2019 for “The Impossible Picture.” An eerie, metaphysical exploration of the identities we create for ourselves, and how they can come unraveled, pic plays in the Encounters section of the Berlin Film Festival.
Wollner spoke to Variety the morning after the world premiere about the isolation of living in a world that’s growing increasingly virtual. She...
“The Trouble With Being Born” is the unsettling second feature from Austrian director Susan Wollner, who won the German Film Critics’ Award in 2019 for “The Impossible Picture.” An eerie, metaphysical exploration of the identities we create for ourselves, and how they can come unraveled, pic plays in the Encounters section of the Berlin Film Festival.
Wollner spoke to Variety the morning after the world premiere about the isolation of living in a world that’s growing increasingly virtual. She...
- 2/26/2020
- by Christopher Vourlias
- Variety Film + TV
Landing under the auspices of the Berlinale's newly introduced Encounters strand aimed at fostering "aesthetically and structurally daring works," The Trouble With Being Born, having its world premiere Thursday, could well end up being the most daring — not to mention divisive — film in a festival not known for holding back on provocation.
The second feature from Austrian director Sandra Wollner, the drama — which was already named one of the Berlinale 2020's weirdest films based on the synopsis alone — begins gently enough, with a young girl lazing by a pool under the summer sun,...
The second feature from Austrian director Sandra Wollner, the drama — which was already named one of the Berlinale 2020's weirdest films based on the synopsis alone — begins gently enough, with a young girl lazing by a pool under the summer sun,...
- 2/25/2020
- The Hollywood Reporter - Film + TV
Landing under the auspices of the Berlinale's newly introduced Encounters strand aimed at fostering "aesthetically and structurally daring works," The Trouble With Being Born, having its world premiere Thursday, could well end up being the most daring — not to mention divisive — film in a festival not known for holding back on provocation.
The second feature from Austrian director Sandra Wollner, the drama — which was already named one of the Berlinale 2020's weirdest films based on the synopsis alone — begins gently enough, with a young girl lazing by a pool under the summer sun,...
The second feature from Austrian director Sandra Wollner, the drama — which was already named one of the Berlinale 2020's weirdest films based on the synopsis alone — begins gently enough, with a young girl lazing by a pool under the summer sun,...
- 2/25/2020
- The Hollywood Reporter - Movie News
L.A. and Berlin-based producer Gabriela Bacher, CEO of media company Film House Germany, is attached to executive produce Witcraft Filmproduktion’s mystery drama project “Snow,” selected for this year’s Co-Pro Series at the Berlinale Co-Production Market.
Bacher, a former Fox International Productions executive and principal of Studio Babelsberg, joined the company in 2011 as both CEO of Film House Germany and managing director at Fhg’s subsid Summerstorm Ent..
Set-up at Witcraft, a company co-founded by Ursula Wolschlager, “Snow” is a mystery drama created by Michaela Taschek, and co-directed by distinguished Austrian cineaste Barbara Albert (“Mademoiselle Paradis”) and Sandra Wollner (“The Impossible Picture.”)
Aimed to start principal photography in fall 2021 in Italy’s South Tyrol, the German language project is currently in treatments for all six episodes of Season One.
With Elisabeth Moss-starrer TV series “Top of the Lake” as a reference, “Snow” is set in the mountain village of Rotten,...
Bacher, a former Fox International Productions executive and principal of Studio Babelsberg, joined the company in 2011 as both CEO of Film House Germany and managing director at Fhg’s subsid Summerstorm Ent..
Set-up at Witcraft, a company co-founded by Ursula Wolschlager, “Snow” is a mystery drama created by Michaela Taschek, and co-directed by distinguished Austrian cineaste Barbara Albert (“Mademoiselle Paradis”) and Sandra Wollner (“The Impossible Picture.”)
Aimed to start principal photography in fall 2021 in Italy’s South Tyrol, the German language project is currently in treatments for all six episodes of Season One.
With Elisabeth Moss-starrer TV series “Top of the Lake” as a reference, “Snow” is set in the mountain village of Rotten,...
- 2/25/2020
- by Emiliano De Pablos
- Variety Film + TV
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