The first rule of filmmaking -- and good storytelling in general -- is:
Show, don't tell.
Showing is what draws the viewer in and allows him to become involved with the characters.
In TWSHS, Wes Anderson makes the bold choice to throw the "Show, don't tell" rule out the window. The entire thing is narrated with thick, heavy, dull dialogue, and this utterly spoils the experience.
This, in general, is why I don't watch Wes Anderson films. The man is so egotistical that his heavy-handed style gets in the way of everything and generally makes the story unwatchable.
Wes Anderson managed to take one of my favorite childhood stories, a fantastic, plausible, yet magical tale, and transform it into something utterly dull and irritating.
This man should be interior decorating for New England BNB's, not making movies.
Show, don't tell.
Showing is what draws the viewer in and allows him to become involved with the characters.
In TWSHS, Wes Anderson makes the bold choice to throw the "Show, don't tell" rule out the window. The entire thing is narrated with thick, heavy, dull dialogue, and this utterly spoils the experience.
This, in general, is why I don't watch Wes Anderson films. The man is so egotistical that his heavy-handed style gets in the way of everything and generally makes the story unwatchable.
Wes Anderson managed to take one of my favorite childhood stories, a fantastic, plausible, yet magical tale, and transform it into something utterly dull and irritating.
This man should be interior decorating for New England BNB's, not making movies.
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