But that's a good thing. I actually had to record this to watch it because I wasn't "available" for TV at the time. Now, I'm happy that I did so. I love this film!
I don't know why this tanked so badly at the box office. If you think about it as you watch it, it's very interesting. Of course, many people at the time had probably only heard the names of the actors in the film for the first time, with the exception of James Caan, so it may not have been a star attractor. Maybe that explains it? All I know is that I wanted to watch this again after the first view because it was that good.
Dignan, played by Owen Wilson, is now a film icon for me. His name is not only the coolest name ever, but it alone spells out his dignity, passion, and aggressive will to hang on whatever he can get. Even though Anthony (Luke Wilson) makes a good main character, the film focuses on Dignan, for his actions motivate the other characters and keep the film going. Wilson's performance of this character was probably at his best and it is one of those very rare acts where the actor doesn't become the character, but actually is the character.
As I said, it is the simplest complex films I've ever watched because the scenes are rather mellow and easy, not emotional and touching like most friendship comedy-drama films, but they still leave the audience with feelings. That's why the script is brilliant. It spares intensity from the screen and lets the audience find it for each person itself. It's very hard to achieve that, but Wes Anderson and Wilson do so.
Each character is so well formed. Like Anderson's other movie, The Royal Tenenbaums, you can see the essence of each character just from their appearance, voice, and movement. Only for this one, I cannot quite describe how. The only way to know what I'm talking about is to actually see these characters for yourself.
Almost like a Shakespearean play, every character shown plays a role. Even those who seem minor have an important part, so their appearances aren't wasted. An example is Grace (Shea Fowler), Anthony's caring but cynical kid sister who is deeply disappointed at her brother's chosen destination in life. At first, Anthony's happy to see her, to see that someone understands and knows him like the person he really is. But he sees that, over time, Grace has become unlike that, that her childish deceit has come in the way. She becomes a hard spot in Anthony's life and mind, which becomes resolved for a time by Inez (Lumi Cavalos).
This may be a mere cult hit now, but I have a feeling that it will become something bigger in the future. It's become one of my favorite films and it has a special place in my mind. It's a landmark in comedy-drama and much more. Well done, Anderson.
I don't know why this tanked so badly at the box office. If you think about it as you watch it, it's very interesting. Of course, many people at the time had probably only heard the names of the actors in the film for the first time, with the exception of James Caan, so it may not have been a star attractor. Maybe that explains it? All I know is that I wanted to watch this again after the first view because it was that good.
Dignan, played by Owen Wilson, is now a film icon for me. His name is not only the coolest name ever, but it alone spells out his dignity, passion, and aggressive will to hang on whatever he can get. Even though Anthony (Luke Wilson) makes a good main character, the film focuses on Dignan, for his actions motivate the other characters and keep the film going. Wilson's performance of this character was probably at his best and it is one of those very rare acts where the actor doesn't become the character, but actually is the character.
As I said, it is the simplest complex films I've ever watched because the scenes are rather mellow and easy, not emotional and touching like most friendship comedy-drama films, but they still leave the audience with feelings. That's why the script is brilliant. It spares intensity from the screen and lets the audience find it for each person itself. It's very hard to achieve that, but Wes Anderson and Wilson do so.
Each character is so well formed. Like Anderson's other movie, The Royal Tenenbaums, you can see the essence of each character just from their appearance, voice, and movement. Only for this one, I cannot quite describe how. The only way to know what I'm talking about is to actually see these characters for yourself.
Almost like a Shakespearean play, every character shown plays a role. Even those who seem minor have an important part, so their appearances aren't wasted. An example is Grace (Shea Fowler), Anthony's caring but cynical kid sister who is deeply disappointed at her brother's chosen destination in life. At first, Anthony's happy to see her, to see that someone understands and knows him like the person he really is. But he sees that, over time, Grace has become unlike that, that her childish deceit has come in the way. She becomes a hard spot in Anthony's life and mind, which becomes resolved for a time by Inez (Lumi Cavalos).
This may be a mere cult hit now, but I have a feeling that it will become something bigger in the future. It's become one of my favorite films and it has a special place in my mind. It's a landmark in comedy-drama and much more. Well done, Anderson.
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