I'm officially starting a petition to ask for a TED with Mia Hansen-Løve and Richard Linklater, both to talk about how to make great coming-of-age films, and I want Greta Gerwig to sit on the front row so maybe she could learn something from them instead of Noah Baumbach, from whom she seemed to get all the wrong things about the subject: a completely naive understanding of generations gap; characters are written as goofy caricatures (are you all serious that none of you got bothered with that "uglier-fatter-loser-best friend" trope? At least in Super Bad Jonah Hill got Emma Stone), a script that struggles to deliver lines that feel truthful; and it constantly confuses honesty with superficiality. Nothing really resonate, nothing really cuts deep. It ends up feeling generic and the same old cute-indie-vibe wannabe we've seen so many times before (and got so annoying these days).
Saoirse Ronan is definitely destined to greatness. I don't think it's the case for Greta Gerwig behind the cameras.
The hypes of award season are such a strange thing.
Saoirse Ronan is definitely destined to greatness. I don't think it's the case for Greta Gerwig behind the cameras.
The hypes of award season are such a strange thing.
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