After seeing this film yesterday, in a scrabby cinema in Budapest, I am confused.
Before the film started I was a clear opponent of the death penalty. In the first part of the movie this was supported by the scenes about the inhumanity of the death penalty. This was probably the idea of the film makers. After that, they probably decided not to make a regular 'I oppose to death penalty' film, so they also showed the other side. So fas so good.
But then, there is this sudden shift to a religious perspective, which takes the solid ground away under my feet. For some reason, the murderer seems to be set equal with Jesus Christ, because of the similarity in their lifes' end. Meanwhile our vilain starts announcing his faith in Hitler and terrorists and at the end it seems that the bad guy has turned into the good guy again by confessing his sins.
The role in these very quick shifts on the scale from good to bad, are probably owed to the nun starring in this film. Towards the end it seems that she is doing the right thing by assisting this 'evil man', but because
of the constant biblical discussion it is really difficult to make up your mind.
What is the meaning of this film? That death penalty is wrong? That there is some good in every person? That you have to look your sins in the face? What is the right opinion of the church, or, who judges correctly: the nun, the families of the murdered children, or the prison's reverend maybe?
If the filmmakers intended to give a clear vision of their views of a trial they failed, but if the plan is to control the publics' thought for a week or so, the succeeded. Unfortunately, I am not sure if the latter goal was the case.
I still oppose the death penalty, after all.
By, the way: a very fine soundtrack, with Indian music, Bruce Springsteen, Eddie Vedder and Tom Waits.
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