Reviews

18 Reviews
Sort by:
Filter by Rating:
Buffy the Vampire Slayer: Helpless (1999)
Season 3, Episode 12
9/10
What's Scarier than a Misogynist Society?
16 December 2023
Warning: Spoilers
Taking away a hero's best pieces always makes for a good story.

It would be easy, so easy for this episode to make Buffy's loss of strength a punchline. But the tone is much darker.

One thing Buffy as a show often struggles with is convincing the viewer of *danger* -- it's a long running serial and most of us don't buy into bluffs of killing off major characters midseason. Some of the weaker Buffy episodes rely on knocking Giles unconscious (seriously, how doesn't he have major brain damage by now?) in attempt to establish peril, but this episode uses a much more effective trick. Buffy's vulnerability, while also a driving force to make her get more creative in slaying, is much more powerfully reflected in a more mundane arena: walking in public while woman.

I've mentioned in other reviews my favorite Buffy episodes are those that reflect horrors of our own world. Buffy's apprehension to walking home alone at night easily lends itself to the fear almost any woman feels. The simple act of it is cast as a frightening thing, and it's damn effective.

Let me be clear at this point that, while I find the above a scathing reflection of patriarchal evils, I don't believe Buffy is feminist media. A feminist piece would not just portray a society that is hostile to the average woman, place our protagonist in it, and pull her out, but would rather feature a hero who fights against the machinery of such a society. Buffy is there, Buffy is upset on her own behalf, but in the end she does nothing about it, and nobody else feels a need to either. Let's also not forget this show is in the middle of convincing us there is nothing wrong with a 1000 year old demon starting a relationship with a girl at 16 (sorry but we can't ignore it).

Nevertheless, bits of wisdom leak into this episode. What pushes it from an 8 to a 9 for me is Buffy's outrage with Giles -- a lesser show would've had her let him off the hook, but she quite rightfully is furious that he robbed her of autonomy, an act we shouldn't take lightly even in the face of his repentance.

The meddling of the council also is a stronger element in this episode -- the episode quite astutely posits that prestigious institutions that pride themselves on "impartiality" are usually in fact too far removed from the lives of the people they see fit to control. They insist on a cruel test in the name of tradition, believing what doesn't kill you makes you stronger, and they are more or less rebuked.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Gingerbread (1999)
Season 3, Episode 11
10/10
The One That Predicted Moms for Liberty
16 December 2023
Warning: Spoilers
Quite an underrated episode; this one is strong as an allegory for how and why fascist movements gain traction. Joyce starts a book barbecue and a disturbing invasion of students' privacy through the machinery of police, and she is driven to do so in the name of "protecting the children" of Sunnydale. Since this is Buffy, a supernatural element is added that allows Joyce to be redeemed, but the metaphor works seamlessly. Hansel and Gretal, who haunt Joyce and rob her of her ability to think rationally by dominating her emotions, are a fantastical reflection of far right propaganda operations that do the same. Perhaps that's not everyone's cup of tea. I admit that I, perhaps more so than the average Buffy viewer, am deeply fond of the episodes where supernatural demons work so well as allegories for evil in the real world.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
FX 18 (1964)
1/10
Bafflingly Awful
16 September 2023
Did these guys know editing had been invented when they shot this? Some euro spy bond knockoffs can be quite fun, but this is one of the worst. Worse than bond not just at the things bond is good at but even at the things bond is bad at. It manages to make explosions of all things feel dull. I've also never seen a movie so fond of finding excuses to slap women, and I've watched plenty of the more misogynist films of this era. FX-18 finds a way to tick just about every box of being weird about women- portraying as childlike, enjoying touching them without consent, mocking the idea of any sort of agency or role beyond the man's love interest.
0 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Barbie (I) (2023)
7/10
A Stellar First Two Acts Followed by a Relatively Disappointing Third
26 July 2023
Barbie is agonizingly close to being a masterpiece. Imagine your run of the mill 2020s high budget film. Now let's go through it with a fine comb and add a bunch of brilliant tiny details to the first two acts, but then let's have a third act that fits the modern trend of overstaying its welcome and failing to provide satisfactory answers to its own questions and lacks all those fun little bits that made you love the first two thirds of the movie.

Without spoiling plot, Barbie much like Game of Thrones and Hunger Games hints at complex understanding of social and political issues but ultimately settles on the safest most vanilla possible answers to those problems. It also, in modern fashion, wastes time going off on tangents.

I feel, much like Margot Robbie, pulled in two directions. A part of me wants to praise the film for shedding on light on feminist issues while another wishes to tear it to shreds for copping out in the end.

The further one gets into Barbie, the less its complexities feel like they are there to make a point, and the more it feels they are there to fill time.

If you're like me you'll leave in a disappointed but forgiving mood. Even if the ending fumbles what was set up, I can't forget my enjoyment of the setting up itself.
11 out of 23 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Shockingly Little to Care About in the Finale of a Previously Strong Series
13 July 2023
Warning: Spoilers
Mockingjay part 2 confirms what we feared in part 1: that splitting a 390 page novel into 2 films is to the detriment of the viewer.

More baffling than the cash grab choice of 2 films is the runtime of this installment. It's a 137 minute film loaded with scenes that are so low on substance it makes one wonder if nothing was cut. As many have pointed out, the pacing is poor. It starts incredibly slow before jarringly accelerating. Two thirds of this movie will have you banging your head against a desk wanting the scene to just end already, while the remaining third is so rushed that it's difficult to feel much of anything.

Beyond adaptation issues, this installment is less politically literate than it gives itself credit for. While I enjoyed the PR maneuvering in Hunger Games and Catching Fire, it had started to get repetitive in Mockingjay Part 1, and by Part 2 it feels outright stale. The televised cat and mouse between Snow and the rebels is never explored more deeply; an issue that -- to beat a dead horse-- may have been easier to forgive if Mockingjay were one film. Outside of exploring the tactics of propaganda, it has precious little to say about ideology or ethics. Snow remains a rather generic tyrant to the end, and his counterpart, President Coin, goes from generic rebel leader to generic opportunist. We never explore the nature of the political economy; we never get into *why* figures like Snow and Coin are created; the series is content to simply say that tyrants are a thing that happens because someone somewhere is very good at scheming.

It is perhaps fitting that the story ends with Katniss completely checking out from politics and retreating to live her cozy, upper middle class life with Peeta, trying to forget the harder days. In the end Katniss, just like Collins, settles for "damn that's messed up" as her response to the pressing social questions of our time.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
weirdly casual about a pedophilic relationship
2 January 2023
Really weird episode in the sense that we learn about a teacher getting romantically involved with a student and every character is just OK with that for some reason. Not so much as a single comment about grooming.

There's also a little airtime for spike, dru, and angel, but they mostly just spin their wheels during it -- Yet another scene where Spike is annoyed, Dru is horny, and Angel is trolling. The actors all clearly have strong chemistry and it would've be nice for the writers to find them to find new beats.

It's not the *worst* episode of Buffy. It has some fairly strong horror elements and the original mystery builds intrigue. But in the end it's a weak filler episode.
3 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Innocence (1998)
Season 2, Episode 14
9/10
Love Bites
29 December 2022
Warning: Spoilers
I felt my heart breaking for Buffy in this episode. Maybe it's something about the way Sarah Michelle Gellar collapsed, crying, into her bed, that reminded me of my first real heartbreak.

We're at what feels like the greatest obstacle yet for the Slayer, so of course it's going to be a gripping episode. We know Buffy had real feelings for Angel, hell the first half of the season was practically shouting it at us about 5 minutes per episode. We know she's gone a step further and placed greater trust in him. So his betrayal stings.

But before soulless Angel there was with-a-soul Angel, and we need to address the elephant in the room: statutory rape. Buffy is a minor! It is disappointing that this aspect is not handled with care; it is entirely ignored and the focus is instead cast on the *general* risk of being heartbroken by sex or abused after the fact. And while the latter lands and hurts, there's a missing context there that I think keeps this at a 9/10 and not a 10/10. The fact is that even before the curse was lifted, Buffy and Angel did not have what we can call a healthy or even acceptable relationship.

Further, there's a lack of examination on the abuse itself, as we mostly focus on heartbreak. Angel didn't part ways like a normal adult, he was deliberately cruel to her. The experience of which leaves her shaken and in need of support that her friends, for the most part, fail to deliver. Only Giles is there to offer it, and only quite briefly. It would be a better series if we got a stronger sense of camaraderie between the Scooby Gang.

Speaking of which, Willow's reaction to Xander and Cordelia is unlikeable. And I say that as someone who maintained she is criminally mistreated by Xander earlier in the show. Yes there is obvious baggage there, but Willow ought to mature up and support her friend. It's what we expect from heroes, even teenage heroes.

And yet... I can't resist liking this episode so much in spite of my above complaints. There's a fantastically vulnerable performance from Sarah Michelle Gellar that elevates this to something greater than what was simply scribbled on paper by whedon. There's yet another outing of delightful chemistry between Charisma Carpenter and Nicolas Brendan. And a new fun dynamic between our three villains, who somehow are able to all take up oodles of space without the room ever seeming overcrowded.

And there's of course the moment where Buffy *nearly* kills Angel, but opts to give him the good ol' groin kick instead. A sense of her holding back. It's an intriguing moment, but will there be consequences for her lack of conviction? Later episodes will show if this was simply a cheap way to set up angel recovering, or if it really is part of a well-crafted fantasy hero's arc.

Extra points: -"Do you wanna make out with me?" is delivered so likably by Alyson Hanigan that I felt personally wronged when it didn't succeed for her.

-buffy really launched a hecking RPG in a mall. I think it's just the right level of goofy for the show, I love it.

-"curse him again". Even after everything I just said about Angel... that's cruel, Buffy.

-i hope this is the end of miss calendar's kind-of-racist-caricatures of relatives -r.i.p. Judge. You had a lot of hype going but let's face it, you were the least interesting person in the room.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
"Don't try it Again!"
21 December 2022
Warning: Spoilers
Buffy meeting another slayer was intriguing, but gets messy fast and not really in a good way. The story goes one direction (Buffy wants to quit and let this talented Slayer 2 take over!) and then without any transition whatsoever immediately jerks over in another direction (Buffy wants to prove she's better at this than Slayer 2!). There's also some weird casual racism at various points that subtracts from enjoyment of the episode.

But it's easier to complain than praise. Stronger points of the episode are the Willow getting hit on be a cute boy, Dru's revival, and above all else, Xander and Cordelia.

The chemistry between Charisma Carpenter and Nicolas Brendan had long been strong up to this point, and their personal bottle episode here culiminates in one of the funniest kissing scenes in television history. It feels weird scoring this episode so highly primarily for a comedic element, but here we are. I loved it.

Side note: Was I alone in thinking "he kind of deserves this" when Dru tortured Angel? Let's face it, he did exponentially worse to her.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Halloween (1997)
Season 2, Episode 6
9/10
strong in both fantasy elements and character elements
20 December 2022
Aside from Buffy's weird tendency to see competition in every woman Angel breathes in the vicinity of, it's a very fun episode, strong in both emotional stakes and breezy action.

The fantasy element is stronger than in early episodes of season 2, arguably it's the strongest we've seen it all season at this point. A costume store that makes people turn into their halloween costumes? Hell yes. Giles coming face to face with someone from his past and showing a new power level out of desperation? Hell yes. Willow becoming a literal ghost? Hell to the yes!

But we don't just want to watch anyone go through this, and the cast all give us strong reasons to care about their plights in this episode. Buffy's transformation into a brainless medieval woman is a fairly satisfying exercise in be-careful-what-you-wish-for.

But the real reason I love this episode is it finally gives Willow the moment she deserves. She is a beautiful, brave, smart, and funny young woman who up until this point had spent a season and a half unfairly being the butt of others' jokes. Here she is shining, leading essentially all of the heroes' actions and coming out of her shell with full confidence. Here's to hoping it's a sign of things to come.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Reptile Boy (1997)
Season 2, Episode 5
6/10
least predatory frat party lol
19 December 2022
If it were just any show, I'd say Buffy's actions in the episode are sympathetic, understandable even. Frustrations with existing social connections lead her to take risks in another. Angel and Giles both infantalize her.

The problem is very little of what occurs is within the bounds of where each character is at. I don't mean Angel, who acts as usual. But Giles's behavior, and Buffy's response to it seem amnesiac. Apparently Buffy has been mentally checking out of her sessions (why? We are not told. Whatever drove her there occurred offscreen), so Giles stresses importance of training. Buffy gets unusually upset about this and decides to go to a frat party behind his back.

I just don't buy it. Giles and Buffy have regularly done this dance, with Giles stressing the need to stay at the top of her game as a slayer and Buffy advocating for the existence of her own social life, and in all previous cases both characters have found ways to be more mature and understanding about it. Buffy generally makes a point of showing Giles she cares and Giles tends to concede that she does deserve some semblance of a normal life. But in this episode all of that nuance and mutual respect that has defined their relationship has suddenly been washed away, and they both act extremely immature and hostile towards one another.

Stronger points of the episode are the portrayal of the antagonists (frat guys are predators, it's true, even the "nice" ones like Tom) and a good recurring gag with Cordelia. Overall, Reptile Boy is an improvement over the disaster that was the Inca episode, but still pretty weak by Buffy standards.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Inca Mummy Girl (1997)
Season 2, Episode 4
1/10
one of the worst episodes of buffy in existence
19 December 2022
I just can't with this exaltation of xander, the most mediocre man in existence. He spends the entire episode being an idiot and gets redeemed at the end by being in the right place at the right time (just like always). The fact Willow has the unrequited crush on *him* and not vice versa is just ridiculous at this point. In one corner you have an intelligent, attractive funny girl and in the other you have a guy who thinks making chandler bing style one liners constitutes a personality. Xander up to this point has become incredibly annoying in that he spends 90% of his screen time being cruel to people for his own laughs, and the other 10% crash-landing into a spot where he's able to do something heroic. And this really just feels like the worst version of that.

The episode is also made difficult to enjoy by all the weird, terribly aged casual racism. I know cordelia isn't supposed to be the most likable character but she's flat out an unpalatable level of disgusting in this episode.
5 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: When She Was Bad (1997)
Season 2, Episode 1
7/10
Middling Depiction of Consequences
17 December 2022
Warning: Spoilers
It's good to see Buffy hasn't simply bounced back instantly from a near death experience and is actually dealing with trauma, even if the episode's emotional reach sort of exceeds its grasp here.

As someone who has experienced trauma, Buffy spends much of this episode in what we'd call survival mode. She's fixated on making sure another vampire doesn't best her, and her experience plays over and over again in her head against her will.

Some of Buffy's behavior is simply cold, which makes sense for a 16 year old navigating these types of emotions. The idea of shutting down socially, only trusting oneself, is an easy trap to fall into.

She does pull a weird stunt with Xander. A person who is shutting down socially as a consequence of being in survival mode doesn't usually pull that kind of attention-seeking nonsense. I can pass it off as simply teenage immaturity, but it feels like a stretch.

But the larger issue is the FAKE RESOLUTION. Buffy's friends know she has trauma, but they do nothing about it. Buffy at no point comes to grips with her trauma or examines what she must do to grow past it. Instead she smashes the Master's body with a sledgehammer, an outlet of emotions that, while cathartic in the moment, is not something that healing comes from.

The closest we get is simply Buffy's decision at the end of the episode to start paying attention to her friends again. While part of healing IS connecting with social bonds, we're never really shown HOW Buffy reaches the point where she once again feels comfortable speaking with them.

Again, it's not the worst depiction of trauma I've seen -- it gets a lot of things correct, especially for being written in 1999-- but it's certainly not the best either.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: School Hard (1997)
Season 2, Episode 3
5/10
falls flat as an attempt to escalate stakes
17 December 2022
Warning: Spoilers
Spike is introduced as an unrestrained, uber-powerful new addition to the vampire population. In his first scene beats up another vampire and, we're told, has killed two slayers in the past. It's clear he's supposed to be special.

But as intriguing as it is to see a new antagonist, he does not, at least in this episode, manage to live up to the hype. Mostly because he never manages to convince us he's a real threat to Buffy. Even with the element of surprise on Spike's side, Buffy does not suffer any consequences. And perhaps the weakest aspect of this episode is the ham-fisted, cheesy last minute rescue by buffy's mother. Spike remarks he didn't expect the slayer to have family and friends which... is weird honestly.
1 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Engaging Character Development and Conflicts
16 December 2022
Warning: Spoilers
Some of the strongest episodes in S1 of Buffy are those which tackle the conflict inherent in her juggling act of heroic-vampire-slaying and ambitious-social-life-maintaining.

This is an enjoyable episode because it feels like most of it actually matters. Weaker episodes of Buffy are filled with pointless exposition about antagonists but this one is more tightly focused on character issues a viewer actually cares about. And as a result it's a lot easier to get and stay invested.

The question posed of whether Buffy can have a boyfriend is explored from more than one angle. Does she have time for it? Is it safe for the boyfriend? For her? For her friends? And what will a potential lover think if he sees that side of her?

And to his credit, Owen is rather cute. A strong, soft spoken boy who's into poetry. I think anyone attracted to men has had a crush at some point who was not unlike Owen.

In any case, the irony is, Buffy fears alienating a boy with that side of her, but instead excites her love interest with that side of her, and it's the latter that causes her to break things off.

Buffy's logic for opting out isn't necessarily sound (after all, Xander and Willow were also once civilians from the outside), but it doesn't *have* to be. If she finds that a romantic relationship with someone outside the world of vampires is soured by her dragging them into that world, that's enough valid reason for her to break things off.

Side note: it didn't affect my score or anything but Buffy thinking Owen was dead after he hit his head (not very hard) was pretty hilarious.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Teacher's Pet (1997)
Season 1, Episode 4
6/10
...could've handled the sexual misconduct better than it did (or a lot worse)
16 December 2022
Warning: Spoilers
There's room to be generous to this episode, but I struggle to. It feeds into the idea that it must be a teenage boy's dream to bed his teacher... and while there may be some who no doubt fantasize in such a matter, there needs to be care exercised in works of fiction that tackle this topic because a teacher having sex with a high school student is, simply put, rape. The gender of each participant doesn't have any bearing on that. It's always rape.

While this episode, to its credit, does ultimately end up being a bit of a cautionary tale-- as the substitute teacher turns out to be a quite literal predator, I don't think the episode does enough to make obvious the parallel between this and a *human* teacher who inappropriately invites a boy over to her home. That's just my two cents, people may have different reads here but I thought the episode pulls its punches a bit much.

As far as the rest of the episode goes, bit of a mixed bag. The teacher who takes Buffy under his wing at the beginning in particular is a nice touch. The clawed vampire, on the other hand, feels like an exercise in time wasting.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The Slayer
15 December 2022
Buffy spends her pilot episode following the arc of the reluctant prophesied hero. The choice of starting point for this series is interesting. Buffy clearly has clearly already done much fighting and vampire-slaying before the first time we see her, so why *is* this the first time we see her? What's so special about a new school?

This is the beginning--not just of a transfer to a new school-- but of Buffy facing and answering the question of whether to embrace her destiny as Slayer full-time (as accelerated by her meeting Giles). This sets up a conflict between two aspects of Buffy, engagingly developing both of them. Buffy's initial opposition to her responsibility strongly establishes her desire to live some semblance of a normal life while simultaneously showcasing her fantastical abilities. It's this that convinced me not only to continue to episode 2, but that I had to watch the rest of the series. Two things are abundantly clear from this episode. 1. Buffy is a force to be reckoned with; killing vampires already comes easily to her and she can clearly handle herself in a fight. 2. Buffy is not contained by (1); she has concerns about things like school, friendships, romances, fashion, beauty, and her mother. She wants what most girls want; to be seen simultaneously as strong, beautiful, and kind in a world that all too often tells us we have to pick one out of three. And she fights for it.

Put briefly: this pilot is brilliant because the protagonist is established as both real-world-person and epic hero, strongly, in the course of forty-five minutes. That we can both sympathize with Buffy and sit in awe of her should not be undervalued; too many fantasy and action heroes lack the former which weakens the effects of the latter.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Buffy the Vampire Slayer: Witch (1997)
Season 1, Episode 3
10/10
Nothing Scarier Than an Abusive Parent Who Peaked in High School
15 December 2022
Warning: Spoilers
We are taught about stranger danger, but over 90% of child abuse is parental.

This is the strongest episode of season 1. The lengths to which Catherine will go to relive her glory days feel all too reminiscent of many a toxic parent. The double-twist works beautifully here as it shows how easily abusers can cast suspicion onto their victims. In this case there are supernatural causes but the real world allegory is consistent and frightening.

Catherine isolates her daughter Amy away from friends and alternative authority figures; she forces her into a situation where it is difficult for anyone to believe a word Amy says. It is how most abusers operate in the real world. This is 10/10 beautiful stuff complete with a strong ending and final curse bestowed on the villain.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Bigots are Big Mad
31 July 2022
Love the conservative meltdown about this movie 😂😂😂 more than enough reason to watch it honestly. Like it or not, trans people are here to stay. You can be a decent human being to us or you can cope and seethe.
27 out of 36 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed