Gyeongseong Creature attempts and largely succeeds in merging a missing person drama, a romance, a horror story, with a dash of martial arts all with a strong theme of occupation and possession. The story is clearly about the brutality of the Japanese occupation of Korea. It also uses the creature as a metaphor. Maybe I'm reading too much into it, but the creature is the product of the brutality of the occupation. As such it is clearly set up to be an a purveyor of vengeful justice. I haven't got to the end yet, so we'll see how that pans out.
Prompted by another review here, I did go and do a bit of reading on the Japanese occupation and Japan's human experimentation program. I never knew. The really horrifying thing about Gyeongseong Creature is that it is disturbingly close to what actually happened. The creature is a fantasy of course and one that appears to be destined to be a monstrous saviour of the Korean people. To borrow from Jewish folklore, it is a Golem - a monster manufactured to protect an oppressed people. Only in this case it is manufactured by mistake by the oppressors.
If I'm right, or half right, then the criticism I would have is that there's not enough separation between the portrayal of things that did happen in some form, from the monster doing fantastical and monstrous things. The whole thing feels fantastical, not just the monster bits, and it's perhaps a little too easy to watch as a just a fun monster movie and tale of daring do. It would be better if it managed to do what Pan's Labyrinth did. Pan's Labyrinth is a fantasy yes, but it simultaneously doesn't shy away from showing the very real horrors on the Spanish Civil war. As I say, I haven't seen it to the end yet so maybe my criticism will be answered.
In the end I think Gyeongseong Creature doesn't quite make the serious point it's trying to. I'm sure the Korean audience will get it but will the international audience?
That said, it is entertaining, a great watch and looks amazing.
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