StonedCritic Reviews

Yu Yu Hakusho (2023)

Another Step Forward For Anime Adaptations

[7/10 · 4 January 2024]

The Netflix adaptation of "Yu Yu Hakusho" wasn't perfect but wasn't bad. Those new to the anime might find it a bit confusing initially, but overall, it should still be entertaining. On the other hand, fans of the anime and manga might feel that it rushes through the storyline and doesn't stay entirely true to the source material, by cramming nearly 70 episodes of the anime into five live-action episodes, creating a feature length experience if seen in one sitting. And though it keeps out many aspects from the original. It manages to retain the fundamental essence of "Yu Yu Hakusho."

The decision to exclude certain elements was interesting as animes often involve lengthy story arcs and characters that don't easily transition to live action and instead of prolonging fights across many episodes, the series combines different story elements into one cohesive storyline, which works effectively, but feels rushed. But, with only 5 episodes there's isn't much room for more.

Visually the show is quite good, although there's a moment where the CGI reminded me of the fight scene between Neo and Agent Smith in "The Matrix," giving off a video game cutscene vibe. But, it still manages to be really cool. The "One Piece" live-action adaptation was a significant improvement in bringing some eccentric anime characters and fights into live action and "Yu Yu Hakusho" is no different. The characters, especially the villains, are well-designed, and the fight sequences are very well executed and choreographed. But, like many anime adaptations, it still carries a certain cringe factor that seems to be inevitable.

Overall, despite deviating from the source material, the live-action adaptation of "Yu Yu Hakusho" offers a pretty enjoyable experience for both newcomers and fans seeking a nostalgic journey. However, it's possible that more hardcore fans might not fully embrace the adaptation due to its differences. Either way, it's a step forward for anime adaptations!

Leave the World Behind (2023)

Leave the World Behind - Why I Thought The Ending Was Fitting

[8/10 · 11 December 2023]

Directed by Sam Esmail creator of 'Mr. Robot', 'Leave the World Behind' is an apocalyptic thriller that follows a family's impromptu getaway to Long Island, seeking an escape from city life. Unbeknownst to them, an ominous event looms on the horizon, creating an eerie sense of impending chaos as the film subtly hints at a collapsing technological infrastructure.

Julia Roberts, Ethan Hawke, and Mahershala Ali all deliver fantastic performances, while their kids also excel in their roles standing as the typical teenagers being apathetic to everything and everyone around them. Even in supporting roles, the characters greatly contribute to the narrative, with Kevin Bacon's brief appearance proving to be remarkably effective.

Mahershala Ali is a truly brilliant actor; I recall his performance in the 4400, and there's a mysterious quality about him that's undeniably intriguing, and this film captures that perfectly. And Its always interesting to see Julia Roberts playing a character who isn't inherently good; she embodies a mean and prejudiced demeanor, occasionally exhibiting hints of racism. Her role as an uptight, affluent white mother contrasts with Ethan Hawke's portrayal of a more laid-back character, willingly following her lead.

Sam Esmail's talents as a writer and director are truly remarkable. While there are occasional moments that feel a bit slow, I find it forgivable because the deliberate pacing serves a purpose in building tension and intrigue throughout the film. It's a thought-provoking piece that prompts discussions about our reliance on technology and the potential consequences if our entire technological infrastructure were to collapse.

The conclusion feels fitting as it brings the girl's arc to a full circle. Her story centers on her obsession with watching the last episode of 'Friends,' illustrating the typical dependence of a teenager on technology. When faced with the loss of access to the show, she frantically seeks a solution, highlighting her reliance on it for a dopamine rush, much like an addict seeking their next fix, but in her case, it's about knowing how it all ends and what happens to the characters. This parallels our own desire as viewers, reflecting our need to see a conclusion we will never witness. Similar to the girl in the movie, we're left with a sense of unease because we're denied closure, we don't get to see how it ends for our characters, and we end up mirroring her emotions and desires, feeling how she felt throughout the film and asking ourselves the same question. "What Happens At The End?"

The Continental (2023)

Style Over Substance

[7/10 · 4 December 2023]

I've got to say the fight choreography on the opening of the first episode is impressively executed, and the recreation of 1970s New York City has sort of a Frank Miller Comic Book aesthetic, reminiscent of Sin City. It effectively captures the gritty atmosphere of a 1970s New York and the music selection complements this atmosphere with a thoughtfully curated choice of music, spanning from James Brown to Pink Floyd, enhancing the 70s vibe.

However, it's disappointing that the following episodes don't quite maintain the level of excitement established by the outstanding opening sequence of the first. There is a missed opportunity to fuse elements of "Smoking Aces" (2006) and "The Raid" (2011) to create a show known for some high octane action.

I mean, let's be honest, raiding a hotel full of assassins should lead to some seriously interesting and eccentric characters. It would have been great to see them tackle a variety of formidable adversaries on each floor before facing the final boss. It's a missed opportunity for some thrilling showdowns.

It opens strongly with a thrilling intro, some fantastic musical choices, and some pretty well-executed fight choreography. However, it struggles to maintain this momentum in subsequent episodes. While it remains an enjoyable watch, it doesn't capture the distinctive magic that made the John Wick franchise a sensation.

In the Land of Saints and Sinners (2023)

There's No Stopping Liam Neeson!

[6/10 · 4 December 2023]

The movie mostly shines in capturing the essence of a 70s Ireland by showcasing some vintage cars and presenting beautiful visuals of the Irish countryside. It introduces compelling thematic elements that spark interest but frustratingly remain unexplored throughout the narrative.

Despite its unique and independent storyline, the film's delivery falls short. The story feels a bit shallow and the motives behind the antagonists actions at times seem unclear.

Condon as the villain is the standout performance of the film, and the involvement of Jack Gleeson is intriguing, but largely due to his nearly unrecognizable appearance due to his mustache. The film has a tremendous cast but it doesn't really seem to know what to do with them.

The thick Irish accents occasionally pose a challenge in understanding the dialogue, but it's a refreshing change to witness Neeson embracing his natural accent.

Nonetheless, Liam Neeson, at 71, continues to impress, adding another film to his impressive roster of action movies. Though this one feels much smaller than the rest, it goes without saying that he's showing no signs of slowing down.