Denis Villeneuve delivers nothing short of a monumental achievement in science-fiction filmmaking, and the best adaption of Frank Herbert's Dune up to date. The world is captivating, the visual effects and the production design are flawless. Greig Fraser's breath taking Cinematography, accompanied by Zimmer's sumptuous musical score bring you into the story of the madness of conquest and the power of belief.
Filled with breathtaking images, stunning action, it's a story that transcends it's genre. A story that is dense as the world of Dune remains intriguingly complex, full of characters whose roles shift and evolve. And even if it may take five and a half hours for his character to truly come to life, two films in, Chalamet's evolution as Paul gives everything a center. His subdued yet compelling performance serves the thematic ambiguity of Paul's character well. Zendaya gets more screen time then in the first film, but for me the standout performance came from Rebecca Ferguson. During this film I truly understood why she was best cast for this role. Javier Bardem further enriches the ensemble cast.
The best new addition to the crew is Austin Butler as the baron's bald-pated, hyper vicious nephew. As for Florence Pugh, even if her character is only getting a certain amount of screen time amidst Dune: Part Two's cast of returning characters, her impact could not be seen as minimal, setting the scene for further character development. Other newer characters like Lady Margot remain a bit more unexplored.
In our age of ever-increasing runtimes, it's a rare achievement that the film's 166-minute length feels really earned. But I do wish it had even more EVEN MORE run time, to allow more time for the most uncomfortable emotions to linger on in some scenes.
Ultimately, Dune: Part Two is a grand entertainment that also sustains the main ideas of Frank Herbert's novel, exploring the dark aspects around religion, politics, power and violence. Absolute sensory overload. This must be seen on the biggest screen possible, with IMAX being almost like a chief's kiss. If Dune: Part 1 didn't make you a believer; Part 2 just might.
Cannot wait for Dune Messiah for us to have the complete trilogy, in the vison of the masterful director Denis Villeneuve.
Filled with breathtaking images, stunning action, it's a story that transcends it's genre. A story that is dense as the world of Dune remains intriguingly complex, full of characters whose roles shift and evolve. And even if it may take five and a half hours for his character to truly come to life, two films in, Chalamet's evolution as Paul gives everything a center. His subdued yet compelling performance serves the thematic ambiguity of Paul's character well. Zendaya gets more screen time then in the first film, but for me the standout performance came from Rebecca Ferguson. During this film I truly understood why she was best cast for this role. Javier Bardem further enriches the ensemble cast.
The best new addition to the crew is Austin Butler as the baron's bald-pated, hyper vicious nephew. As for Florence Pugh, even if her character is only getting a certain amount of screen time amidst Dune: Part Two's cast of returning characters, her impact could not be seen as minimal, setting the scene for further character development. Other newer characters like Lady Margot remain a bit more unexplored.
In our age of ever-increasing runtimes, it's a rare achievement that the film's 166-minute length feels really earned. But I do wish it had even more EVEN MORE run time, to allow more time for the most uncomfortable emotions to linger on in some scenes.
Ultimately, Dune: Part Two is a grand entertainment that also sustains the main ideas of Frank Herbert's novel, exploring the dark aspects around religion, politics, power and violence. Absolute sensory overload. This must be seen on the biggest screen possible, with IMAX being almost like a chief's kiss. If Dune: Part 1 didn't make you a believer; Part 2 just might.
Cannot wait for Dune Messiah for us to have the complete trilogy, in the vison of the masterful director Denis Villeneuve.
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