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A Christmas Movie Christmas (2019)
Cute and fun and Christmassy
Two sisters. Eve and Lacy, who are having a miserable Christmas season wind up living in a Christmas movie as all the cliches (mean boss, sweet grandma, handsome small-town guys, a Christmas festival that needs to be saved, romantic problems involving nasty ex-girlfriends) are rolled out to be gently mocked. I loved this cute holiday movie satire, which manages to be quite funny and also avoids being too snarky. Though it originally aired on UpTV, it's harmless enough that it could easily play on the Hallmark Channel. There are some story glitches but the actors, especially the real-life husband-and-wife team of Kimberly and Brant Daugherty, seem to be having fun and make the movie a delight. Brant Daugherty is especially good, walking a tightrope edge, balancing charm, whimsy, and non-threatening small-town masculinity. The sparkle in his eye helps to keep the slightly stalkery aspect of his love for Lacy in check. Some IMDb reviewers downgrade this for its "stupid" plot, but that's the point. The plot is silly and exposes the silliness of the more traditional Christmas romance movies. I had a smile on my face for almost the entire film and I recommend it wholeheartedly.
A Mermaid for Christmas (2019)
A cute change of pace from Hallmark
The title would indicate that a snowy cityscape and a jaunty Christmas carol should open this film, but instead, we get some rather ominous music and shots of folks in togas looking anguished against an ancient Greek seascape. In the 12th century, Daphne spurns the hunky Pericles, and his mom puts Daphne under a curse to become a mermaid until she can return to land, find the reborn Pericles and perform a selfless act. In the present day, she finds Pericles (as a depressed widower named Travis who is about to lose his Florida beach town bar) and tries to redeem herself with him.
This isn't a traditional Hallmark Christmas movie. Its holiday tropes are more inspired by Dickens than by Hallmark. But that winds up being a good thing. I wasn't familiar with the actors, but it turns out that most of them are soap opera stars .In terms of talent, they can generally hold their own against Hallmark regulars. Arianne Zucker is particularly good, having fun with the villain role. At one point, someone says to her, "You sound like a character on a soap opera" and later when she's asked why she's being so mean to Travis, she replies, "Because I'm the bad guy!" Jessica Morris as Daphne is fine; Kyle Lowder as Travis is a little less so, but I'm shallow enough not to care because he's pretty darn hot. The Christmas elements aren't played up very much and It also has a hard time keeping the balance between serious and humorous from tipping occasionally. But as a change of pace from the usual holiday fare, this was kind of refreshing.
Angels and Ornaments (2014)
A notch above the typical Hallmark holiday movie
Corrine is a musician who works in a music store; her boss Dave is an old friend of hers, and is sweet on her but would never show it because she has never seen him as boyfriend material. However, Christmas is coming up and she is fresh off a break-up with Tim, who keeps calling her hoping for a second chance. We know a bit about Corrine's background: her grandfather, overseas during WWII, sent her grandmother songs instead of traditional letters. The last one she got was on a Christmas Eve before he was reported killed, and when she died, she gave the song to Corrine as a keepsake, which she treasures. Her favorite ornament, also from her grandmother, is of a group of carolers, and one night, when some carolers come to her door, she notices that the front-and-center singer, Harold, is wearing the same snowflake scarf that one of the ornament carolers is wearing. Wouldn't you know that, a couple days later, Harold winds up as a seasonal worker at the music store. This is when the movie takes a "Wonderful Life" twist: Harold is actually an angel who has been assigned to get Corrine and Dave together. If he succeeds, he'll win his wings. But Harold has his hands full since Dave is a little gun-shy because of his own failed romances, and just as it looks like Corrine is starting to see Dave in a romantic light, that rat bastard Tim comes back in the picture. Can Harold get everything straight before midnight on Christmas Eve?
I give this Hallmark holiday movie a few extra points for its somewhat original plot. Yes, it's stolen from It's a Wonderful Life but it does have a couple of nice variations, and in its plot point involving an old song written by a dead loved one, even borrows a bit from the climax of The Bishop's Wife. The mostly Canadian cast, none of whom I remember seeing before, is fine. I like that Dave (Graham Abbey) is a little rougher-looking than the usual shiny bland romantic leads, and Sergio Di Zio, as the angel, gives an almost eccentric performance that ends up working well. I had some problems with plot loopholes that I can't discuss here, but I recommend this as something just a little different from the Hallmark Christmas Factory.
Mayday (2013)
Interesting but overlong mystery which needed some script work
As others have noted, this has a Twin Peaks vibe, which is a good thing, but it also has big script problems. After taking four hours to build up the story and cast suspicion on everyone, the final hour wraps things up by introducing at least two major plot points that came rather unfairly out of the blue (the villains's motive and a supernatural bent in the finale). Had the story played fairer with the viewer, I would have liked this more. There are virtually no likable characters, and even the ones who might seem to be moral centers are not, and spending five hours with people you don't really care about is a real test of the viewer's constitution. Decent acting, certainly, and a nice mood is set throughout, but overall not satisfying.
Marcelino pan y vino (1955)
Interesting and strange, yes, but heartwarming?
During a time of war in Spain, an orphaned infant is left at the door of a monastery. The monks are charged with finding a permanent home for him, but because they want to keep him, they don't try very hard. Finally they reject the mayor's demand that he be given the boy—even when the mayor threatens to evict the monks—and so they wind up raising him, calling him Marcelino. He grows into a rambunctious but likable lad who wonders why he doesn't have a mother like his village buddy Manuel. Though he's been forbidden from wandering up to the monastery attic, one day he does; there he finds a life-sized damaged wooden crucifix. At first, Marcelino is scared of it, but soon he begins talking to Jesus, going so far as to being bread and wine to the figure on the cross because he looks hungry. Suddenly, we see (from a vantage point behind the crucifix) the wooden arm of Jesus become human, taking the food and drink from the boy. The two share meals and chat, and when Marcelino tells Jesus that his fondest wish is to be reunited with his mother, Jesus makes it happen.
SPOILER: Most reviewers of this film, especially ones of the Catholic persuasion, like it and find it heartwarming. As a former Catholic, I do have a soft spot for mystical religious fantasies (like THE BISHOP'S WIFE) and even the occasional non-mystical non-fantasies (GOING MY WAY). But this one, though well-made, comes off like a creepy Twilight Zone episode: Marcelino gets his wish because he dies. Off the top of my head (and aside from versions of LITTLE WOMEN in which the doomed child is more a supporting than starring role) I can only think of one other classic-era movie in which a central child character dies, the 1939 fantasy ON BORROWED TIME. I have to say that killing off a child whom you assume will live is an effective way to stun a viewer, and it works well in ON BORROWED TIME, but here, it just seems unsavory. The boy in BORROWED seems unhappy with his life on earth, but Marcelino does not—Jesus couldn't think of a better way to handle this kid's wish? I didn't dislike this movie—indeed, I would commend it for being different—but I think the people on IMDb who call it tender-hearted or inspiring or sensible either saw a different movie or need a dictionary.
Love at the Thanksgiving Day Parade (2012)
Predictable but satisfying
Emily (Autumn Reeser) is in charge of Chicago's traditional Thanksgiving parade—think Macy's but on State Street in downtown Chicago. This year, she's worried when Henry, a rather aloof consultant (Antonio Cupo), arrives to potentially overhaul the parade and, in her eyes, ruin it or even halt it completely. Both are having relationship troubles: Emily has been with Brian, a slightly nerdy marine biologist (Ben Cotton; think Richard Dreyfuss in JAWS but less cute and funny) for years and assumes that when he returns from his latest trip that he will propose to her; Henry has drifted apart from his girlfriend Gretchen, accused of not understanding how to work at keeping a relationship alive. Of course, after a rough few days, Emily and Henry hit it off and smooth out each other's rough spots—but what about Brian and Gretchen?
The movie looks colorful and shiny, and it helps that there is a fair amount of footage shot on location on the streets of Chicago. The two leads are attractive, and after all, that's what really counts in these cable TV romances, and I was pleased that Cupo's "bad guy" personality was a bit more rounded than usual. Cotton was fine as the clueless biologist; poor Gretchen gets almost no characterization at all, only present near the end to provide one more speed bump on the way to the happy ending, and Ali Liebert is quite likable as Reeser's best friend— more of her would have been welcome. The script could have used another draft; once it gets to the last 15 minutes, things are rushed and plot holes are exposed—I'm still not sure how on earth Cupo wind up in a Santa suit??—but given the genre, it's fairly satisfying.
And to "conleytgwinn," another reviewer, the song Reeser sings is Blondie's "Heart of Glass."