While season 1 of the Handmaid's Tale was excellent and season 2 still quite good, season 3 has unfortunately lost all of its appeal. And if I had to translate this appreciation in ratings, I would certainly give 9 stars to season 1, 8 to season 2 but only 5 stars to season 3.
Spoiler alert!
The episodes in season 3 have become slow and even boring at times. But what mostly disturbs me is the lack of consistence in some key characters like Commander Lawrence whose motivations are difficult to assess: as a founding father of Gilead, why does he help these girls? Why does Aunt Lydia's character seem suddenly to show more compassion, only to return to her initial cruelty? Why do the handmaids in Washington have their mouths sealed with ring piercings but not in New York?
While the end of season 2 and the trailer for season 3 were preparing us for a more confrontational plot, all seems to be back to square 1.
I am not entirely surprised by this loss in quality, we have seen it too often on television: take a good book/story, turn it into a great TV show for season 1, leave the scriptwriters create the sequels following the network's instructions: let's milk this plot as much as we can, even if it means dropping the show in some seasons because it will have become so bad no one will want to watch it. This is what unfortunately is happening with the Handmaids' Tale I am afraid.
Spoiler alert!
The episodes in season 3 have become slow and even boring at times. But what mostly disturbs me is the lack of consistence in some key characters like Commander Lawrence whose motivations are difficult to assess: as a founding father of Gilead, why does he help these girls? Why does Aunt Lydia's character seem suddenly to show more compassion, only to return to her initial cruelty? Why do the handmaids in Washington have their mouths sealed with ring piercings but not in New York?
While the end of season 2 and the trailer for season 3 were preparing us for a more confrontational plot, all seems to be back to square 1.
I am not entirely surprised by this loss in quality, we have seen it too often on television: take a good book/story, turn it into a great TV show for season 1, leave the scriptwriters create the sequels following the network's instructions: let's milk this plot as much as we can, even if it means dropping the show in some seasons because it will have become so bad no one will want to watch it. This is what unfortunately is happening with the Handmaids' Tale I am afraid.
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