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Kumo no mukô, yakusoku no basho (2004)
A stunning accomplishment
The first thing to emphasize is that, regardless of what the plot summary may sound like, this is not and should not be regarded as true science fiction. While there are definitely sci-fi elements in the show, the approach that the director takes uses them more as a backdrop for the main plot line than as an actual focus to the show. As a result, a lot of criticism is generated because the anime doesn't "explain enough," when in fact they're missing the point entirely. The science-fiction is used to aid a story of love and friendship, not the other way round.
The second thing to bring out into the open is that truly appreciating the storyline requires both a tolerance of a deliberate pace and an appreciation for what at heart is a rather simplistic story. Both of these elements seem to have turned more than a few people off, but for me they only added to the film's elegance.
Unfortunately, the narrative admittedly falters when the anime wanders into superfluous details that distract from the main focus of the show. Although such moments are thankfully rare, the times that they occur feel messy and muddled. These flaws in the story can most likely be attributed to the extra length of the movie; in Voices of a Distant Star, the limited running time forced the director to focus on what was most important. Here, however, he feels free (or even obligated) to diverge into places not relevant to his main plot line, and the result is never helpful.
However, barring each of these points, the anime offers a truly moving experience. Essentially, the basic storyline can be distilled to three characters learning the importance of their childhood promises and feelings. While the story is simple, the director is able to give immense depth and power to it. The message is also relatively straightforward, but at the same time thought-provoking and moving. The storyline is aided considerably by some absolutely beautiful animation, which sparkles with light, color and detail.
As a whole, Beyond the Clouds is a soaring work, a stunning accomplishment that is basically a must-see for this year. As Makoto Shinkai's debut into the world of film, this is a landmark achievement, and I dream of the day he surpasses this work. No other anime released in 2004 has resonated with me more.
Juuni Kokuki (2002)
A fantastic fantasy epic
What particular qualities make a human being worthy of power? What particular qualities make a human being worthy of life? Can a person who is morally righteous and good be at the same time incompetent in leadership?
One of the many strengths of Juuni Kokki is how it spends much of its time answering these questions. Throughout the show, these questions are not only addressed, but are tackled with exuberance. The end result is a philosophical commentary that is unexpectedly perceptive and interesting in its analysis.
Another major point in Juuni Kokki's favor lies in its absolutely fantastic character development. At the beginning of the show, Youko (no, not "Yoko" like many people here are spelling it) is almost irritatingly pathetic. Self-centered and vulnerable, one has trouble finding any redeeming characteristics whatsoever. Gradually, however, this changes completely. By the end of the show, Youko has transformed into a wonderful human being, a person qualified to rule an entire country. Other characters, as well, undergo a similar metamorphosis. Though initially selfish, unworthy and detestable, all of them are eventually tempered into superior beings. Seeing these characters find their courage, wisdom and morality in the face of overwhelming adversity is one of the most rewarding processes that I have ever experienced.
Finally, there is a lot to be said about Juuni Kokki's overarching storyline. Though the plot initially appears to be very similar to Inu Yasha or Fushigi Yuugi, it soon changes into something completely different from either of the other two. The plot then grows and grows in complexity and depth, and ultimately achieves truly epic proportions. Not since Crest of the Stars have I seen a narrative so satisfyingly intricate and intelligent.
Though admittedly not as good as its story and characters, Juuni Kokki's animation and sound are nonetheless quite commendable. The animation hosts a very nice and fluid feel, resembling the animation styles of Record of Lodoss War and 3x3 Eyes. The character designs are all definitely above average; I especially liked Youko's design change early on in the series. In terms of music, the traditional arrangement of violins and wind pipes really works well with the overall mood of the show.
In fact, the only perceivable weakness of the anime lies in the fact that it will be a very, very long time before the U.S can see the entirety of the show. Production has ceased at episode 45, and doesn't look like it will continue for some time. However, this is less of a fault then one would think. Episode 39 is a very nice place to stop; nearly all of the plot lines are resolved at that point.
Still, whether you decide to watch Juuni Kokki now or later, make SURE that you eventually see it. With its practically unsurpassed storyline and characters, Juuni Kokki stands as one of my favorite animes of all time.