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Luke Cage (2016–2018)
10/10
Easily Marvel's Best Netflix Outing Yet
2 October 2016
There are some reviews about Luke Cage where you get the impression that the person likes to troll their own post to get a rise! The typical comments of that it should've been 6 not 13 episodes...I strongly disagree. At no point did anything feel drawn out and as with all of Netflix shows, every character gets to shine. One could say CW's DC stable is pushing it with 22 episodes every year, but they have more money and suited execs to please.

Mike Colter gets to flex (no pun intended) his acting muscles and really shines all the way through; and very happy that Rosario Dawson is given more time on-screen as Night Nurse Claire Temple. In fact, every cast member is memorable in their own way (Simone Missick, Alfre Woodard, Theo Rossi, Mahershala Ali and Erik LaRay Harvey).

I cannot believe that some people felt the music score was distracting (the same approach is used in War on Everyone where a 70s-style riff is played in certain scenes, even though it's set in the present day. I'm guessing some reviewers aren't intelligent to get it's meant to be anachronistic). And hey, if it reminds you of Black Dynamite, even better because I love that film!

Unlike the MCU where the villains tend to be the weakest part of those films, DD, JJ and now LC have strong antagonists who pull many strings. Don't go looking for plot holes, sit back and be mesmerised at the acting, writing, social commentary and bone-crunching action. Over to you, Punisher!
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10/10
Marvel's Best Film (so far) Some Spoilers
1 May 2016
Warning: Spoilers
When Joss Whedon directed The Avengers he proved he could handle all the voices, but wasn't adept with delivering out-of-this-world action (partly his fault as co-writer). Don't get me wrong, I absolutely love the film as it was fan service for Marvel's elite but compare it to Winter Soldier and Civil War, two things separate the men from the boy (those darn Russo brothers). Pacing in Civil War is on-point, character beats are pitch-perfect and everyone gets to do something! If you felt letdown by Olsen's Wanda in Ultron (Whedon claims to champion strong women but they were sorely lacking) she makes up for it here, as does the heavenly VanCamp reprising Agent 13/Sharon Carter. I've said in the past how I thought Emily Blunt was the better choice for Black Widow (and has since gone onto award-winning fare with Huntsman 2) but Johansson has nailed that part of Romanoff. She's hot, funny and more importantly, a deadly assassin who could betray you in a heartbeat.

A lot has been said regarding Brühl's casting as Zemo and it's okay to express that opinion. However, the Russo brothers want to remind the audience they're not just watching a superhero film, but also a thriller and Brühl is another strand in a movie with so many elements. You're not going to have him appear for a few minutes and bugger off; he's a tremendous talent and hoping we might see Baron Zemo in a future Cap movie. ​

A huge smile came across my face when we turn to a different part of town (New York to be precise) and our first look at Tom Holland as Peter Parker/Spidey. I gotta tell you, he is a lot of fun! He looks and dresses like a typical teenager (still the best time of anyone's life; adulthood just stinks). Don't even get me started on Aunt May (one of my all-time favourite actresses) who happens to be incredibly hot (great casting choice Sony! Let's forget dowdy Sally Field who by rights, hated being in the Garfield-emo vehicles). This is one of the movie's most endearing and iconic highlights and perfectly illustrates that Marvel knows how to deliver drama. Holland is already a star in the making and loved him in The Impossible. I hope Sony hits a homerun with Homecoming in 2017 and thank God the Russos knew who they wanted because CW wouldn't be the same without his presence. And boy, Spider-man is used to amazing effect (pun very much intended). It's whetted my appetite and if Holland is given a decent script/story and incorporates Easter eggs from the 70s/80s, I'll be one happy Jazzy! Still, Tony Stark will pop in and I for one cannot wait.

Two towering performances from acting stalwarts, Downey Jr. and Evans - I could watch these guys all day. Their dialogue in previous films has been solid and here it's notched-up to a ten. Not since Redford and Newman have I seen such flawless chemistry which rarely gets mentioned. Yes, wearing a superhero costume and spouting meaningful text may seem redundant to those who despise these movies, but let's hark back to Shakespeare (still pausing for thought, dear? Okay). Evans IS Captain America and has made that role his own (sorry Jensen Ackles). Not only is Evans a fine physical specimen to behold but he's also a damn great actor who brings command and presence for a character whose popularity was in doubt. But watching The First Avenger again and its superior sequel, it's hard not to love the big guy and rooting for him all the way. But thank the Russos and writers for elevating Steve Rogers status and blending him with politics/corruption, the perfect vehicle. Tony Stark does have his moments to be funny in Civil War, but also gets to be an entirely different beast (had this been a Hack Snyder project Iron Man would be on a killer rampage by the third act). DC can sort out their hasty business decisions and critical fallout, but Marvel know their (bleep) and why casting has been paramount in the success of the MCU.

I guarantee by the end of it all, you'll be sucker-punched through the heart. RDJ isn't just a great actor, he's a force and I love him for that and never phones in a performance; if anything he owes his second chance in life to Iron Man and Marvel and that is evident (hell, he even owns the Avengers logo which sits in his office!) I'm not ashamed to admit it but I man-cried in Act 3. Kudos to the writers who deserve an Oscar each.

The airport or as rival fanhards called it "car park scene" is the template on how such a grand action set-piece is executed with beauty and precision. Hack Snyder should take notes and watch his mess with BvS's final showdown which makes Michael Bay look (almost) like Martin Scorsese. The action scenes are easily 10/10 and makes you forget you're watching a PG-13 movie. Unlike DC, Marvel assumes you've watched all of their films before arriving at this juncture and doesn't hold your hand in doing so.

Love Deadpool which I need to rate jointly with Civil War as my favourite movies of 2016.
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The Interview (II) (2014)
10/10
Funny and James Franco's Performance is Comedy Genius
25 December 2014
So, the bottom line on The Interview: It's a not a political satire; it's a dirty screwball comedy that pokes fun at many home truths against the US and North Korea. It may not be everyone's cuppa tea (if you're looking for sophistication, try Woody Allen) but wouldn't expect anything less-than-great from Evan Goldberg and Seth Rogen. Movie goers in the States will enjoy this and will laugh out loads. James Franco steals the show as Dave Skylark and props to Randall Park as Kim Jong Un, who somehow manages to humanise the Dictator. If America can't point WoMD at NK, then why not do it through entertainment in a fictional scenario? Like it or not, it's a piece of history to own. 9½ out of 10.
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Not Bad, Not Great.
31 October 2013
After seeing Thor: The Dark World, I'm puzzled as to how it's scored 8.0 on IMDb, when the far superior prequel gained only a 7.0? What's noticeably missing is Kenneth Branagh's Shakespearean touch, the whole grandiose spectacle of it all. Everything which made Thor charming is missing from this and even cast changes (Zachary Levi as a replacement for Josh Dallas and surprisingly, quite a forgettable Fandral, seeing as he was the original choice.) Poor Ray Stevenson doesn't have much to do, and Jaimie Alexander casts a bitchy stare at Jane Foster, but nothing else ever comes out of it.

Whereas in the first movie, we all gawped at Chris Hemsworth's magnificent physique, we now get a Loaded Weapon 1 moment, where I half expected to see one of those "unmotivated butt-in-the-moonbeam walks." Chris Eccleston isn't used to full villainy advantage as Malekith and wasn't really sure what his true motives were (nor did I actually care.) The first half is OK, while the second is more entertaining, if very far-fetched. Alan Taylor may have directed outstanding episodes for Game of Thrones, but here, he's delivered an uneven package with lacklustre action and forced, hammy dialogue for actors who deserve better. That said, Tom Hiddleston does have fun and seems to be the only one. Kat Dennings routine as Darcy should be getting stale by now, but does provide some comedic highlights.

If Marvel wants to rival the greatest film franchise in history (James Bond of course) it had better pull its socks up. Sure, 007 has had its misses but it also knew how to reboot itself and stay fresh. I'm not convinced neither Stan Lee or Kevin Fiege have a game plan and this could be their downfall. This was a kiddies outing, but when you look at the richness of The Avengers and Joss Whedon's literary prowess, they need that kind of impetus to stay afloat.

I'm now convinced that Captain America: The Winter Soldier, will be my most anticipated superhero sequel (as it's a surefire bet that Singer will mess up Days of Future Past and turn it into Wolverine 6.)

More fun than kickass (with a great cameo in the middle) this gets 7/10.
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