Having been requested to view and review this work by the film maker, I jumped at the chance. Hesitant, as similar requests are often disappointing, I gave it a fair view. I was pleasantly surprised, and taken aback by the profound vision of this young film maker.
Poetic, as another reviewer mentioned, yes. However this is much more than that. It is surreal. It is profound. It is simple. It is heartfelt. The subtle nuances in the characters brought out by the director and the actors are the entire film. Forget the meaningful lighting by the cinematographer who enhances the vision with precise yet artistic lighting choices. Forget the visual effects and makeup which are done slightly and not abruptly. Forget the Oscar associated crew. Forget the editor who was able to capture specific looks and expressions in a specific order to tell a meaningful story. The controlled performances, subtle expressions, looks, reaches, movement specific to every moment of this story were brilliantly brought out by the director and realized by the actors.
Pacing and tempo of this film were key to truly understanding and appreciating this film. The score helped create that tempo, and the pacing of the film and the cuts enhanced it. If I were to add any criticism of this work it would be that there were perhaps too many cuts. The pacing did not need to be sped up, as is the tendency in recent years. The shots had enough to captivate and as such could be held longer, but that is less a criticism of this film and more a criticism of film in general since the dawn of the video era which relies on quick cuts and fast action.
Every part of this film shows a vision beyond that of many experienced film makers. It is a breath of fresh air to see a young director following his passion, his art, and his own voice and not giving in to formulaic crap pumped out by the studio system.
Poetic, as another reviewer mentioned, yes. However this is much more than that. It is surreal. It is profound. It is simple. It is heartfelt. The subtle nuances in the characters brought out by the director and the actors are the entire film. Forget the meaningful lighting by the cinematographer who enhances the vision with precise yet artistic lighting choices. Forget the visual effects and makeup which are done slightly and not abruptly. Forget the Oscar associated crew. Forget the editor who was able to capture specific looks and expressions in a specific order to tell a meaningful story. The controlled performances, subtle expressions, looks, reaches, movement specific to every moment of this story were brilliantly brought out by the director and realized by the actors.
Pacing and tempo of this film were key to truly understanding and appreciating this film. The score helped create that tempo, and the pacing of the film and the cuts enhanced it. If I were to add any criticism of this work it would be that there were perhaps too many cuts. The pacing did not need to be sped up, as is the tendency in recent years. The shots had enough to captivate and as such could be held longer, but that is less a criticism of this film and more a criticism of film in general since the dawn of the video era which relies on quick cuts and fast action.
Every part of this film shows a vision beyond that of many experienced film makers. It is a breath of fresh air to see a young director following his passion, his art, and his own voice and not giving in to formulaic crap pumped out by the studio system.
Tell Your Friends