Glitter, fantasy, pink, unicorns. Check, check, check, check. Another film about staying true to who you are; having fun while doing it! Yes, there are plenty of predictable cliches here, but a fun watch for some distraction. As long as you are you expecting any in depth meaning with lasting emotional influence. Not to say there are not good lessons and themes played on throughout the film, but they are not presented in any way that we have not all seen before. It is based on characters in the book by Aaron Blabey, actually two books. Blabey also did The Bad Guys, highly recommended books + film. These illustrated children's books do indeed follow the same general truth for adult's books- namely, that books are almost always better than the film!
Reviews
283 Reviews
Summer Blooms
(2017)
Meandering through beauty, finding subtle truths along the way!
17 May 2024
About to be cliche, do what everyone else did, remember the quotes, because sometimes it is what everyone else did for a reason.
Dear Hatsumi, I have written many letters to you, but this will probably be my last. Someone once said that love letters shouldn't be about what you want to say, but rather about what makes the recipient smile. I always had that in mind, but looking back now, I think maybe I just wrote about what I wanted to say. This isn't anyone's fault. It's just the way things are. It's definitely not your fault, so don't believe what they say. Please forget me and be happy.
Kazama Kentaro
You are still young, so maybe you think life is all about what you have. That was what I thought until I got older. Now, I think, maybe life is really about the things we lose. Every time you lose something, you have to discover another piece of your true person.
Dear Hatsumi, I have written many letters to you, but this will probably be my last. Someone once said that love letters shouldn't be about what you want to say, but rather about what makes the recipient smile. I always had that in mind, but looking back now, I think maybe I just wrote about what I wanted to say. This isn't anyone's fault. It's just the way things are. It's definitely not your fault, so don't believe what they say. Please forget me and be happy.
Kazama Kentaro
You are still young, so maybe you think life is all about what you have. That was what I thought until I got older. Now, I think, maybe life is really about the things we lose. Every time you lose something, you have to discover another piece of your true person.
May the 12th Be with You
(2024)
Collect The Memes, Throw The Characters Together!
14 May 2024
Synopsis
It's Mother's Day and Marge Simpson takes the moms of Disney+ on a special holiday outing that turns into an epic galactic adventure filled with heroes, villains, and a surprising old friend.
For four minutes, viewers will be assaulted with a myriad of cheap Easter egg references and not funny but certainly a noble amateur awkward attempt laughs.
Alas, taking all the mother's from various Disney owned films, including Star Wars and playing on the Hulu + Disney Plus partnership, throwing them together and haphazardly adding one liners is not equivalent to something watchable, let alone a short film.
Try again, Disney. This time, maybe take at least a few minutes to develop an actual story.
For four minutes, viewers will be assaulted with a myriad of cheap Easter egg references and not funny but certainly a noble amateur awkward attempt laughs.
Alas, taking all the mother's from various Disney owned films, including Star Wars and playing on the Hulu + Disney Plus partnership, throwing them together and haphazardly adding one liners is not equivalent to something watchable, let alone a short film.
Try again, Disney. This time, maybe take at least a few minutes to develop an actual story.
The Inland Road
(2017)
Nuanced Grieving
18 April 2024
The little things; nuanced, subtle in its creation of an ambiance during the short but sweet runtime. Examination of grief in all its illogical and wild forms. Survivor's guilt. The aftermath.
Minor complaint with the "romance" scene(s) plus the backstory with Tia's tattoo, something revealed almost as an afterthought in the last few minutes of the film. Although, to van Beek's credit, it was done in a mature manner with credible performances, making it plausible enough, given the vulnerability of the characters. However, still feel like it was unnecessary, distracted from the depth and mood.
Excellent debut performance by the young Gloria Popata as 16 year old Tia. A unique coming of age film with her as a runaway, hitching a ride with two young guys which ends in a deadly accident. Fortunately, Tia and Will are only hurt, but left to deal with the gaping hole left by Matthew's death. Tia decides to move in with Will and his wife Donna after the funeral, lost and still not wanting to return home. Near strangers, they are bonded by the unspoken guilt, regrets, and repercussions of the accident. The new widow, May, is too distraught to look after their daughter, Lily, and she is taken to Aunt Donna's house to live for a while. Tia takes to looking after 6 year old girl, often as the adults are arguing, clearly one manifestation of their grieving.
In the softly lit, bokeh heavy scenes, viewers are reminded of why young children are so easy to love sometimes. Lily, impressively played by another unknown actress,Georgia Spillane, reveals an innocence and naivety in regards to her father's death that is simply heart wrenching. Even more so when that innocence must inevitably be eroded. We adults are reminded of a nostalgia tinged fantasy; the time before we were hardened by the trials and tribulations of the world, before the hardships and truths forced us to come to terms with the darker reality that is life.
A film that isn't very loud with anything, but quietly leaves viewers with an aching sadness, but redemption is close behind. Overall, a greater appreciation for life, for that is all we can do during our time on Earth- our best with whatever curveballs we are lucky enough to have thrown our way.
Minor complaint with the "romance" scene(s) plus the backstory with Tia's tattoo, something revealed almost as an afterthought in the last few minutes of the film. Although, to van Beek's credit, it was done in a mature manner with credible performances, making it plausible enough, given the vulnerability of the characters. However, still feel like it was unnecessary, distracted from the depth and mood.
Excellent debut performance by the young Gloria Popata as 16 year old Tia. A unique coming of age film with her as a runaway, hitching a ride with two young guys which ends in a deadly accident. Fortunately, Tia and Will are only hurt, but left to deal with the gaping hole left by Matthew's death. Tia decides to move in with Will and his wife Donna after the funeral, lost and still not wanting to return home. Near strangers, they are bonded by the unspoken guilt, regrets, and repercussions of the accident. The new widow, May, is too distraught to look after their daughter, Lily, and she is taken to Aunt Donna's house to live for a while. Tia takes to looking after 6 year old girl, often as the adults are arguing, clearly one manifestation of their grieving.
In the softly lit, bokeh heavy scenes, viewers are reminded of why young children are so easy to love sometimes. Lily, impressively played by another unknown actress,Georgia Spillane, reveals an innocence and naivety in regards to her father's death that is simply heart wrenching. Even more so when that innocence must inevitably be eroded. We adults are reminded of a nostalgia tinged fantasy; the time before we were hardened by the trials and tribulations of the world, before the hardships and truths forced us to come to terms with the darker reality that is life.
A film that isn't very loud with anything, but quietly leaves viewers with an aching sadness, but redemption is close behind. Overall, a greater appreciation for life, for that is all we can do during our time on Earth- our best with whatever curveballs we are lucky enough to have thrown our way.
Suzume
(2022)
Your Name once meant great things, Shinkai, but now please return to The Place Promised in Your Early Days!
8 April 2024
Ah, Makoto Shinkai. How you have disappointed me. I say that with the utmost respect for your art. But, you have officially sold out. How I wish you would return to the work Promised in Your Early Days. Although your two best masterpieces are still 5 Centimeters Per Second & The Garden of Words.
Far too long, no plausibility whatsoever on how Suzume fell in love with Souta. And, somebody correct me if I'm missing something. This entire catastrophe that has befallen the entire world that encompasses the entire film is her fault? Because she removed the keystone and left the door open on the first place?
A couple stars for kawaii talking cat versus anthropomorphic three legged chair. One for some genuinely heartfelt moments, another for the humorous moments. Another star for the gorgeous viewing experience. One for the soundtrack. As for everything else, including the characters, the pacing, the story, the takeaway value? Eh.
I hate to say it, Makoto, but Your Name once meant great things. Now it means nervous trepidation to see how much you have sold out.
Far too long, no plausibility whatsoever on how Suzume fell in love with Souta. And, somebody correct me if I'm missing something. This entire catastrophe that has befallen the entire world that encompasses the entire film is her fault? Because she removed the keystone and left the door open on the first place?
A couple stars for kawaii talking cat versus anthropomorphic three legged chair. One for some genuinely heartfelt moments, another for the humorous moments. Another star for the gorgeous viewing experience. One for the soundtrack. As for everything else, including the characters, the pacing, the story, the takeaway value? Eh.
I hate to say it, Makoto, but Your Name once meant great things. Now it means nervous trepidation to see how much you have sold out.
Has Cheline watched this yet? I mean Celine.
2 April 2024
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
Greed
(1924)
Usually the director's version is the best version.
31 March 2024
Had this been maybe 2.5 rather than 4 hours, I would likely be giving this a 9 rather than a 7. Provided the appropriate parts were edited out. Contrary to the consensus, I actually felt like the subplots were an asset to the film. It was the extremely uneven time spent in what felt like random aspects of the main story that caused me to struggle to get through it, thus preventing me from granting this am exemplary star rating. When it was good, it was really good. But when it was bad, I was very close to quitting. I did in fact, but came back to it eventually.
Loved the messages in this film, which there are many. The montage like still images mixed with action was both disconcerting and distracting as well as unique enough to add interest to the overall viewing experience. The decision to add the color pop utilizing gold tinting and stenciling was an innovative and laudable one. The deep focus use and various other cinematography and lighting choices were excellent and definitely warrants praise for director Erich von Stroheim. I genuinely wish he was able to let go on some of his stubbornness and allow for a competent editor to kill his darlings!
Yes, I am aware there is a video version that is pretty much exactly what was intimated would be desirable, 133 minutes long. Would I have rated that a 9? We will never know now. There is also the original 9+ hours ones. Would I rate that even lower? We definitely will never know now!
Loved the messages in this film, which there are many. The montage like still images mixed with action was both disconcerting and distracting as well as unique enough to add interest to the overall viewing experience. The decision to add the color pop utilizing gold tinting and stenciling was an innovative and laudable one. The deep focus use and various other cinematography and lighting choices were excellent and definitely warrants praise for director Erich von Stroheim. I genuinely wish he was able to let go on some of his stubbornness and allow for a competent editor to kill his darlings!
Yes, I am aware there is a video version that is pretty much exactly what was intimated would be desirable, 133 minutes long. Would I have rated that a 9? We will never know now. There is also the original 9+ hours ones. Would I rate that even lower? We definitely will never know now!
Eh.
25 March 2024
Yay for a baiting title. The Blue Mountains, or Unbelievable Story. Refers to one of the slightly chuckles inducing gag with the protagonist trying to get his script read that is never read. Another one is the Greenland painting that is surrounded by bureaucracy to get removed. Other thing is the irksome motoball league that is somehow always playing outside, supposedly the cause of the building falling apart from the vibrations.
When it comes to humor, am I difficult to impress or is this not my type of humor? You tell me. I chuckled in my head maybe a few times, but other than that it was nothing impressive to warrant the ridiculously high ratings, currently 8.7 & 4.0, IMDB & LetterBoxd, respectively. Used repetition, running gags, in a proficient manner that made for an entertaining enough couple hours, but nothing to write home about!
When it comes to humor, am I difficult to impress or is this not my type of humor? You tell me. I chuckled in my head maybe a few times, but other than that it was nothing impressive to warrant the ridiculously high ratings, currently 8.7 & 4.0, IMDB & LetterBoxd, respectively. Used repetition, running gags, in a proficient manner that made for an entertaining enough couple hours, but nothing to write home about!
Werner Herzog Eats His Shoe
(1980)
Insert "Talks About" & Replace "s" With "ing"!
17 March 2024
Werner Herzog Talks About Eating His Shoe
This is not a spoiler. It is a fair warning to minimize your expectations as far as the working title goes. They slyly edit out Werner ever actually consuming said leather. It is only alluded to, discussed, etcetera. As far as innovatively preparing a shoe to hypothetically be eaten, it is all here. As far as several wise philosophical quotes from the great German director, yes. As far as him waxing poetic regarding following your dreams and doing what it takes to overcome obstacles to pursue your goals in life, check. Plenty of cameras shutter clicking, interview questions being thrown his way to distract from any actual eating, check and check. Charlie Chaplain doing his version in black and white, got that.
At best we have something akin to a clever child supposedly eating his abhorred vegetables. The brush sprouts are pushed around the plate, tomatoes are patted flat, peas are rolled around, they make dinner table small talk, they point to the beautiful day or moon outside. But was anything actually digested?
Excessive amount of time is spent cutting the food into miniscule pieces. One might be slipped into the mouth. A great show of chewing. More chatter. The five hour slow roasted leather shoe looks like the same size, except now in pieces. We are distracted by his charm, though. Alas, dinnertime over. Showtime over. Did he eat even one miniscule piece? Probably? No matter, though, say most of the audience. We got his intellectual insight.
False advertising. Call me a stickler. I do not deal well with dashed expectations.
This is not a spoiler. It is a fair warning to minimize your expectations as far as the working title goes. They slyly edit out Werner ever actually consuming said leather. It is only alluded to, discussed, etcetera. As far as innovatively preparing a shoe to hypothetically be eaten, it is all here. As far as several wise philosophical quotes from the great German director, yes. As far as him waxing poetic regarding following your dreams and doing what it takes to overcome obstacles to pursue your goals in life, check. Plenty of cameras shutter clicking, interview questions being thrown his way to distract from any actual eating, check and check. Charlie Chaplain doing his version in black and white, got that.
At best we have something akin to a clever child supposedly eating his abhorred vegetables. The brush sprouts are pushed around the plate, tomatoes are patted flat, peas are rolled around, they make dinner table small talk, they point to the beautiful day or moon outside. But was anything actually digested?
Excessive amount of time is spent cutting the food into miniscule pieces. One might be slipped into the mouth. A great show of chewing. More chatter. The five hour slow roasted leather shoe looks like the same size, except now in pieces. We are distracted by his charm, though. Alas, dinnertime over. Showtime over. Did he eat even one miniscule piece? Probably? No matter, though, say most of the audience. We got his intellectual insight.
False advertising. Call me a stickler. I do not deal well with dashed expectations.
The Terror of Batignolles
(1931)
Humorous Little Prelude
5 March 2024
I adore Henri-Georges Clouzot. So glad his first short film did not disappoint, like so many other beginning works from the future prolific auteurs do. Impressive, in fact, for a short. Storytelling elements already impressive, with it's almost poetic ending. More comedic elements here proportionately than any later feature films. Limited dialogue; the first few minutes are played out like a silent film; a good one, actually, complete with some slapstick and cute kitties scaring the great "Terror". Obviously a low budget film, but excellent nonetheless!
Henri-Georges Clouzot's prelude to greatness.
Henri-Georges Clouzot's prelude to greatness.
Promising Young Woman
(2020)
Redemption Comedy Drama Thriller! Prepare To Be Assaulted.
4 March 2024
Warning: Spoilers
Redemption more than revenge. A heart wrenching portrayal by an ensemble cast of a lesser recognized tragedy known as survivor's guilt.
Phenomenal performance from Carey Mulligan, which should be nothing less than expected. Bo Burnham in one of his more serious roles is likewise excellent. "More" being the key word, because his sense of humor is what makes his character so endearing.
Where to begin? Starting with the "checking up on the drunk girl but really taking advantage" trope, walking away the next morning with red donut filling dripping down her arm, obviously a play on blood. The expertly matched soundtrack in minor and pivotal scenes alike. Dean Walker's psychological punishment scene in her office, revealing how different something appears when it is applied to a loved one versus a stranger. The lawyer scene where Cassandra might as well symbolize the Virgin Mary, an exemplary showcase of the fact that most things are forgivable, given true remorse. Gail's enviable friendship and support to the vulnerable Cassandra and the engaging banter the two have. The appealing pop of color palette and set design in both the coffee shop and her home- particularly when Madison pays her a visit. The hairstyles and costume choices throughout, most notably Cassandra's nurse costume for the climactic bachelor party with the bubblegum neon colored wig, of course perfectly matched with actual bubblegum. The symbolic and literal importance Cassandra and Nina's heart friendship necklaces play as they bring the film to its gratifying close.
Difficult choice, but Bo Burnham singing "Stars Are Blind" by Paris Hilton while playfully flirting with Carey Mulligan is probably the funnest scene, but even more so, the most anguishing, given the final realizations Cassandra- us as the audience through her- must come to terms with. Because watching that scene, Bo Burnham was the current reigning dream boyfriend in my book, Mark Ruffalo in "13 Going On 30" some serious competition.
That is, until the eleventh hour. My heart was torn to learn the truth about him, watching Ryan scramble to further cover up as he was confronted, then to finally turn from defensive to selfish pretend remorse, to giving up and lashing out at Cassandra. Alas, everyone makes mistakes, but the important thing is to feel remorse and learn from them and become better, which I so wanted to believe Ryan did. But then he kept letting the opportunities to truly show his remorse slip by. Yes, in the many years since medical school. Yes, even in the current time he spends with Cassandra. Alas, had he only ended his friendship with the guys; had he only had the guts to confess to this girl he claimed he was falling in love with; had he only come clean when the detective came to see him; had he only said something at the wedding!
The fact that long after the credits roll, we are tempted to rationalize Ryan's actions are not only a testament to Burnham's acting, Fennell's casting, directing, and writing, but also to the very real "nice guy" fallacy we do not recognize enough; the idea that the person timid enough to hide behind inaction might be deemed as bad and egregious as the person bold enough to do the crime, as much as our brains and society try to tell us otherwise.
Ending orchestrated beautifully. Enough hints to keep viewers on the edge, but the main twist was still unexpected. Poetic ending that leaves us feeling charged, even though it isn't what one would imagine it to be. No fairy tale ending here, but practically as satisfying.
Phenomenal performance from Carey Mulligan, which should be nothing less than expected. Bo Burnham in one of his more serious roles is likewise excellent. "More" being the key word, because his sense of humor is what makes his character so endearing.
Where to begin? Starting with the "checking up on the drunk girl but really taking advantage" trope, walking away the next morning with red donut filling dripping down her arm, obviously a play on blood. The expertly matched soundtrack in minor and pivotal scenes alike. Dean Walker's psychological punishment scene in her office, revealing how different something appears when it is applied to a loved one versus a stranger. The lawyer scene where Cassandra might as well symbolize the Virgin Mary, an exemplary showcase of the fact that most things are forgivable, given true remorse. Gail's enviable friendship and support to the vulnerable Cassandra and the engaging banter the two have. The appealing pop of color palette and set design in both the coffee shop and her home- particularly when Madison pays her a visit. The hairstyles and costume choices throughout, most notably Cassandra's nurse costume for the climactic bachelor party with the bubblegum neon colored wig, of course perfectly matched with actual bubblegum. The symbolic and literal importance Cassandra and Nina's heart friendship necklaces play as they bring the film to its gratifying close.
Difficult choice, but Bo Burnham singing "Stars Are Blind" by Paris Hilton while playfully flirting with Carey Mulligan is probably the funnest scene, but even more so, the most anguishing, given the final realizations Cassandra- us as the audience through her- must come to terms with. Because watching that scene, Bo Burnham was the current reigning dream boyfriend in my book, Mark Ruffalo in "13 Going On 30" some serious competition.
That is, until the eleventh hour. My heart was torn to learn the truth about him, watching Ryan scramble to further cover up as he was confronted, then to finally turn from defensive to selfish pretend remorse, to giving up and lashing out at Cassandra. Alas, everyone makes mistakes, but the important thing is to feel remorse and learn from them and become better, which I so wanted to believe Ryan did. But then he kept letting the opportunities to truly show his remorse slip by. Yes, in the many years since medical school. Yes, even in the current time he spends with Cassandra. Alas, had he only ended his friendship with the guys; had he only had the guts to confess to this girl he claimed he was falling in love with; had he only come clean when the detective came to see him; had he only said something at the wedding!
The fact that long after the credits roll, we are tempted to rationalize Ryan's actions are not only a testament to Burnham's acting, Fennell's casting, directing, and writing, but also to the very real "nice guy" fallacy we do not recognize enough; the idea that the person timid enough to hide behind inaction might be deemed as bad and egregious as the person bold enough to do the crime, as much as our brains and society try to tell us otherwise.
Ending orchestrated beautifully. Enough hints to keep viewers on the edge, but the main twist was still unexpected. Poetic ending that leaves us feeling charged, even though it isn't what one would imagine it to be. No fairy tale ending here, but practically as satisfying.
Family Romance, LLC
(2019)
Something To Adopt Here!
29 February 2024
"Family Romance is admirable. I think it's an incredible company. You create illusions to make life of your clients better. That should make you feel good. That's really praiseworthy, isn't it?"
"At Family Romance, we are not allowed to love or to be loved. So, I need to be more careful... this time, you should rent a death."
Google will tell you more regarding "Family Rental Service".
A most fascinating and thought provoking business model that I highly recommend we adopt in this country. I would love to work for a family rental service. The closest thing we have to it here is those third party matching websites like rent a friend and rent a date. Not quite the same thing as making a career out of an admirable business the way they show here.
Docudrama style but fictional, making it almost a mockumentary but not quite? Little slow in parts, compensated by beautiful cinematography, almost like a mini travelogue.
"At Family Romance, we are not allowed to love or to be loved. So, I need to be more careful... this time, you should rent a death."
Google will tell you more regarding "Family Rental Service".
A most fascinating and thought provoking business model that I highly recommend we adopt in this country. I would love to work for a family rental service. The closest thing we have to it here is those third party matching websites like rent a friend and rent a date. Not quite the same thing as making a career out of an admirable business the way they show here.
Docudrama style but fictional, making it almost a mockumentary but not quite? Little slow in parts, compensated by beautiful cinematography, almost like a mini travelogue.
Past Lives
(2023)
Excellent Introduction To Slow Cinema
3 February 2024
Decent performances, gorgeous cinematography. Nice interludes showcasing New York & Seoul. What galls me is that although this is an excellent South Korea film, it is getting far more acclaim than other often superior South Korean films, I would hypothesize because the director was able to distribute through the highly regarded A24 studios and features a few B-List American actors and actress. Yes, I understand this is technically an American film, but it has a large portion of the dialogue in Korean, is filmed in part in Korea, and shares the same character focused, not much action, contemplative cinema philosophies as found much more commonly in Asian films rather than its western counterparts. This demonstrates, to me, the unfortunate lack of exposure for said similar and sometimes superior foreign films that have no American actors and aren't able to afford distribution by a studio like A24.
What makes those other films superior? In other words, what was lacking here? Contrary to some opinions, the only character I could care about was Arthur. His performance was commendable, the subtle facial features and body language that showed his insecurities with Nora, despite an overall confidence in their marriage and knowing his wife. Na Young, Hae Sung, adult Nora Moon and Hae Sung, although fine enough performances, did not convey believable chemistry and I found it difficult sometimes to muster much empathy for their love tragedy. All the emotions induced so poetically by the film were centered on the idea of in-yun and a lost love that is not meant to be, not their specific story.
My greatest aspiration for this film is for it to draw attention to similar East Asian films and maybe even more ambitiously, foreign films as a whole where, yes, viewers might have to pay attention to subtitles and deal with not having Michael Bay superficial ADHD distractors, but will be rewarded will get more meaningful stories!
What makes those other films superior? In other words, what was lacking here? Contrary to some opinions, the only character I could care about was Arthur. His performance was commendable, the subtle facial features and body language that showed his insecurities with Nora, despite an overall confidence in their marriage and knowing his wife. Na Young, Hae Sung, adult Nora Moon and Hae Sung, although fine enough performances, did not convey believable chemistry and I found it difficult sometimes to muster much empathy for their love tragedy. All the emotions induced so poetically by the film were centered on the idea of in-yun and a lost love that is not meant to be, not their specific story.
My greatest aspiration for this film is for it to draw attention to similar East Asian films and maybe even more ambitiously, foreign films as a whole where, yes, viewers might have to pay attention to subtitles and deal with not having Michael Bay superficial ADHD distractors, but will be rewarded will get more meaningful stories!
Aria
(1987)
Opera Anthology
27 January 2024
Going to be unoriginal here with my comment, which is that this is a mixed bag. Music is great if you love opera. Otherwise, the pervasive vocalizing might border on torturous since it replaces most to all dialogue in the entire film, depending on the segment.
Going to be further unoriginal with my ranking of the ten segments, from worst to best.
Un ballo in maschera by Roeg: Zog looking like a teenage girl with a fake mustache further distracted from the already senseless amateur looking story.
Armide by Godard: Never been much of a fan of this supposed French New Wave "master"; this was no exception. Oh, wow, gay body builders can't be distracted by naked women. Who cares?
La vergine degli angeli by Sturridge: Black & White religious children's redemption? No idea, had to read an explanation to realize, nope, did not miss anything, did not understand because there was nothing to understand.
Nessun dorma by Russell: Surreal dreamlike nonsense, but there were some creative feeling moments with pretty gems with crystals. Sorta brought to mind some Xanadu? 80s?
Abaris ou les Boréades by Altman: We get to watch the audience rather than the stage. Novel approach, at least something different.
Liebestod by Roddam: Tristan und Isolde interpretation along with some childhood nostalgia for me with vintage Fremont Street & Las Vegas. Other than than, literally bloody senselessness.
Glück, das mir verblieb by Beresford: At least it was very pretty with the ornate set design in the desperate Bruges; young Elizabeth Hurley was also pretty.
Vesti la giubba by Brayden: Honestly, it won out because this segment was shown in small parts as intervals between the other nine. Made it much more bearable and allowed for more moments in quiet reflection on the sadness of the protagonist.
Depuis le jour by Jarman: Editing with the flashbacks was done well. The young Tilda Swinton successfully elicited an emotional response with respectable utilization of the music score.
Rigoletto by Temple: By a landslide, the best segment. The only one with a story that actually kept my interest. The only one that made me smile, even laugh a little. The only one that had true artistic merit that persisted throughout. Filmed on location in California's visually fascinating Madonna Inn. Seemed like only a few long shots; camera work was noticeably skillful. Would have given this segment a 7 on its own, maybe even an 8. Every other segment being a 0 to a very generous 5. Yes, the difference was that significant for me.
Going to be further unoriginal with my ranking of the ten segments, from worst to best.
Un ballo in maschera by Roeg: Zog looking like a teenage girl with a fake mustache further distracted from the already senseless amateur looking story.
Armide by Godard: Never been much of a fan of this supposed French New Wave "master"; this was no exception. Oh, wow, gay body builders can't be distracted by naked women. Who cares?
La vergine degli angeli by Sturridge: Black & White religious children's redemption? No idea, had to read an explanation to realize, nope, did not miss anything, did not understand because there was nothing to understand.
Nessun dorma by Russell: Surreal dreamlike nonsense, but there were some creative feeling moments with pretty gems with crystals. Sorta brought to mind some Xanadu? 80s?
Abaris ou les Boréades by Altman: We get to watch the audience rather than the stage. Novel approach, at least something different.
Liebestod by Roddam: Tristan und Isolde interpretation along with some childhood nostalgia for me with vintage Fremont Street & Las Vegas. Other than than, literally bloody senselessness.
Glück, das mir verblieb by Beresford: At least it was very pretty with the ornate set design in the desperate Bruges; young Elizabeth Hurley was also pretty.
Vesti la giubba by Brayden: Honestly, it won out because this segment was shown in small parts as intervals between the other nine. Made it much more bearable and allowed for more moments in quiet reflection on the sadness of the protagonist.
Depuis le jour by Jarman: Editing with the flashbacks was done well. The young Tilda Swinton successfully elicited an emotional response with respectable utilization of the music score.
Rigoletto by Temple: By a landslide, the best segment. The only one with a story that actually kept my interest. The only one that made me smile, even laugh a little. The only one that had true artistic merit that persisted throughout. Filmed on location in California's visually fascinating Madonna Inn. Seemed like only a few long shots; camera work was noticeably skillful. Would have given this segment a 7 on its own, maybe even an 8. Every other segment being a 0 to a very generous 5. Yes, the difference was that significant for me.
Background Buddhism
11 June 2023
Great to have on in the background. I am a great appreciator when it comes to slow cinema, but it needs to make enough sense for the viewer to have enough interest to continue viewing. There is slow beauty, there is slow provocative, there is slow whimsical, then there is slow simply for the sake of being slow. And when you add a confusing, meandering, and arguably nonexistent plot to the equation, the slowness because a flat rather than an artful asset.
Probably would have given this a 4 right after the film ends, mostly for the cinematography taken in remote nature. Approaching a 7 after a pondering examination of the Wikipedia plot summary, which explains what I struggled through, disoriented at times. The fact that I had to read a separate article to fully appreciate the film brings me to the 6 stars.
Yes, it presents Korean Buddhism in a creative way. Yes, the mise en scéne is lovely. Yes, the koans introduced by the master monk are fodder for deep philosophical ponderings. But. The slow motion scenes clashed with the overall mood, almost like the director was trying to compel the audience to meditate or be in a hallucinatory state while experiencing his work. The very limited dialogue, paired with the unfamiliar occasional music and things like cow crying or birds calling can be further alienating. Some parts made sense, others might be mesmerizing for someone in an altered mind state, whether that be from drugs or religion or both, others were artful, but the entire film has a slowing, maybe soothing effect. Soothing in a good way or soothing in a make you fall asleep way? I would say more often the latter. Unless you are multitasking and have this in the background! Case in point.
Title Meaning: "The question "Why has Bodhi-Dharma Left for the East" is echoed by the young boy's question, "Why have we all left the world?" The entire film can be seen as an answer to that question, so that the film could be said to be a koan.
Probably would have given this a 4 right after the film ends, mostly for the cinematography taken in remote nature. Approaching a 7 after a pondering examination of the Wikipedia plot summary, which explains what I struggled through, disoriented at times. The fact that I had to read a separate article to fully appreciate the film brings me to the 6 stars.
Yes, it presents Korean Buddhism in a creative way. Yes, the mise en scéne is lovely. Yes, the koans introduced by the master monk are fodder for deep philosophical ponderings. But. The slow motion scenes clashed with the overall mood, almost like the director was trying to compel the audience to meditate or be in a hallucinatory state while experiencing his work. The very limited dialogue, paired with the unfamiliar occasional music and things like cow crying or birds calling can be further alienating. Some parts made sense, others might be mesmerizing for someone in an altered mind state, whether that be from drugs or religion or both, others were artful, but the entire film has a slowing, maybe soothing effect. Soothing in a good way or soothing in a make you fall asleep way? I would say more often the latter. Unless you are multitasking and have this in the background! Case in point.
Title Meaning: "The question "Why has Bodhi-Dharma Left for the East" is echoed by the young boy's question, "Why have we all left the world?" The entire film can be seen as an answer to that question, so that the film could be said to be a koan.
Garfunkel and Oates
(II) (2012)
Brilliance is Born
22 May 2023
The beginning of something great. The full series, when eventually released, were amazing. Short songs were shown in full color, like "Pregnant Women Are Smug", the girls' awkward personality whimsies are fleshed out. Easily confused, the eventual show by the same name, but 8 episodes that were each almost 25 minutes each versus the 4 minutes here, made a significant difference. Released by The Independent Film Channel in 2014, but devastatingly only lasted one season until 2015, expands on the female answer to The Flight of the Conchords. While competitions to other stars might typically be avoided, in this case it is a compliment of the highest honor.
Digital shorts released by HBO, this 2012 series is an excellent demonstration of the power of more funding and artistic freedom to develop a promising concept. What was slightly quirky and cute, but lacking any lasting substance here becomes something great; two girls you will fall in love with. Watch this, but only as a prelude to the 2014 Garfunkel & Oates, starring the underappreciated Riki Lindhome and Kate Micucci, members of the titular musical duo!
Digital shorts released by HBO, this 2012 series is an excellent demonstration of the power of more funding and artistic freedom to develop a promising concept. What was slightly quirky and cute, but lacking any lasting substance here becomes something great; two girls you will fall in love with. Watch this, but only as a prelude to the 2014 Garfunkel & Oates, starring the underappreciated Riki Lindhome and Kate Micucci, members of the titular musical duo!
Match Me Abroad
(2023– )
Skewed Reality (International Version)
15 May 2023
Interesting enough show, but I know one of the contestants personally; therefore know without doubt that the editors and producers took a great deal of the comments viewers see out of context. To the point where the general impression is significantly skewed. Any quirks in contestants are emphasized to the point of making them seem like idiots; other times, small positive traits are made to look like they are saints.
Then again, that is general practice for reality television, right? Have to make it entertaining, have to make ratings, have to name the big money. These contestants were all paid to go abroad with free matchmaking services, paid to date and travel, so of course they had to sign to be alright with however they were portrayed.
Social media is cashing in, the producers even fabricated some scenarios. The line between fact and "reality" is blurred; scenarios might not be entirely fabricated, but they are strongly "nudged" in the direction the show producers want, not allowing for a very natural progression.
Again, this is a given in this day and age for reality shows, but that doesn't make it acceptable.
Then again, that is general practice for reality television, right? Have to make it entertaining, have to make ratings, have to name the big money. These contestants were all paid to go abroad with free matchmaking services, paid to date and travel, so of course they had to sign to be alright with however they were portrayed.
Social media is cashing in, the producers even fabricated some scenarios. The line between fact and "reality" is blurred; scenarios might not be entirely fabricated, but they are strongly "nudged" in the direction the show producers want, not allowing for a very natural progression.
Again, this is a given in this day and age for reality shows, but that doesn't make it acceptable.
Leaving Las Vegas
(1995)
Extra Stars For Realism
11 May 2023
An easy watch? Far from it. But this is reality. And I can tell you from experience that, for some of us, reality is no easy watch. Social media is a lie for us; what really goes on behind closed doors is this raw pain that any viewer with a heart would cringe to watch. Because, for us, life is not pretty.
Some viewers might have difficulty understanding the portrayal of love here. Although Sera briefly implored Ben to see a doctor, overall she allowed him to engage in his addiction; arguably, she enabled him. How is this love, one might wonder. Because it is much more complex than the lay person could ever understand. Within the depths of mental problems, although few and far between, they are situations in which the patient is hopeless. It isn't that they don't want to try getting better always; many times, they have tried many times. Sometimes, devastatingly, they cannot be cured. This is easy for society to see in physical ailments like cancer; terminal illnesses are far more easily determined as hopeless. We mental health sufferers Bear the impossible burden of proof to convince the world when we want to get better but cannot. Sera understood. And in exchange, Ben understood her. How rare that is, one fears that most individuals take for granted. Sera says it simply, but oh so eloquently in the film's closing lines: "I think the thing is, we both realized that we didn't have that much time. I accepted him for who he was. I didn't expect him to change. I think he felt that for me too. I liked his drama. And he needed me. I loved him. I really loved him."
(From NIAAA) Stages of the Addiction Cycle Addiction can be framed as a repeating cycle, with three stages. Each stage is linked to and feeds on the others. These stages primarily involve three domains: incentive salience, negative emotional states, and executive function. The domains are reflected in three key regions of the brain: the basal ganglia, the extended amygdala, and the prefrontal cortex, respectively. A person may go through this three-stage cycle over the course of weeks or months, or progress through it several times in a day.3,4,5 Note also that a person can enter the cycle of addiction at any one of the following stages:
1. Binge/Intoxication Stage: reward, incentive salience, and pathological habits
During this stage, a person experiences the rewarding effects of alcohol, such as euphoria, the reduction of anxiety, and the easing of social interactions.
Repeated activation of the basal ganglia's reward system reinforces alcohol drinking behavior, increasing the likelihood of repeated consumption. The basal ganglia play an important role in motivation as well as in the formation of habits and other routine behaviors.
This repeated activation of the basal ganglia also ultimately triggers changes in the way a person responds to stimuli associated with drinking alcohol, such as specific people, places, or alcohol-associated cues such as certain glassware or images or descriptions of drinking. Over time, these stimuli can trigger powerful urges to drink alcohol.
Repeated alcohol consumption also results in changes in the basal ganglia that lead to habit formation, ultimately contributing to compulsive use.
2. Negative Affect/Withdrawal Stage: reward deficits and stress surfeit
When a person who is addicted to alcohol stops drinking, they experience withdrawal symptoms-or symptoms that are opposite to the positive effects of alcohol that are experienced when drinking it. These symptoms can be physical (sleep disturbances, pain, feelings of illness) and emotional (dysphoria, irritability, anxiety, and emotional pain).
The negative feelings associated with alcohol withdrawal are thought to come from two sources. First, a diminished activation in the reward systems-or a reward deficit-of the basal ganglia makes it difficult for people to experience the pleasures of everyday living. Second, an increased activation of the brain's stress systems-or a stress surfeit-in the extended amygdala contributes to anxiety, irritability, and unease.
At this stage, the person no longer drinks alcohol for the pleasurable effects ("high"), but rather to escape the "low" feelings to which chronic alcohol misuse has contributed.
3. Preoccupation/Anticipation Stage: craving, impulsivity, and executive function
This is the stage at which an individual seeks alcohol again after a period of abstinence. A person becomes preoccupied with alcohol and how to get more of it, and looks forward to the next time he or she will consume it.
The prefrontal cortex-an area of the brain responsible for executive function, including the ability to organize thoughts and activities, prioritize tasks, manage time, and make decisions-is compromised in people experiencing alcohol addiction. As a result, this area of the brain plays a key role in this stage.
Some viewers might have difficulty understanding the portrayal of love here. Although Sera briefly implored Ben to see a doctor, overall she allowed him to engage in his addiction; arguably, she enabled him. How is this love, one might wonder. Because it is much more complex than the lay person could ever understand. Within the depths of mental problems, although few and far between, they are situations in which the patient is hopeless. It isn't that they don't want to try getting better always; many times, they have tried many times. Sometimes, devastatingly, they cannot be cured. This is easy for society to see in physical ailments like cancer; terminal illnesses are far more easily determined as hopeless. We mental health sufferers Bear the impossible burden of proof to convince the world when we want to get better but cannot. Sera understood. And in exchange, Ben understood her. How rare that is, one fears that most individuals take for granted. Sera says it simply, but oh so eloquently in the film's closing lines: "I think the thing is, we both realized that we didn't have that much time. I accepted him for who he was. I didn't expect him to change. I think he felt that for me too. I liked his drama. And he needed me. I loved him. I really loved him."
(From NIAAA) Stages of the Addiction Cycle Addiction can be framed as a repeating cycle, with three stages. Each stage is linked to and feeds on the others. These stages primarily involve three domains: incentive salience, negative emotional states, and executive function. The domains are reflected in three key regions of the brain: the basal ganglia, the extended amygdala, and the prefrontal cortex, respectively. A person may go through this three-stage cycle over the course of weeks or months, or progress through it several times in a day.3,4,5 Note also that a person can enter the cycle of addiction at any one of the following stages:
1. Binge/Intoxication Stage: reward, incentive salience, and pathological habits
During this stage, a person experiences the rewarding effects of alcohol, such as euphoria, the reduction of anxiety, and the easing of social interactions.
Repeated activation of the basal ganglia's reward system reinforces alcohol drinking behavior, increasing the likelihood of repeated consumption. The basal ganglia play an important role in motivation as well as in the formation of habits and other routine behaviors.
This repeated activation of the basal ganglia also ultimately triggers changes in the way a person responds to stimuli associated with drinking alcohol, such as specific people, places, or alcohol-associated cues such as certain glassware or images or descriptions of drinking. Over time, these stimuli can trigger powerful urges to drink alcohol.
Repeated alcohol consumption also results in changes in the basal ganglia that lead to habit formation, ultimately contributing to compulsive use.
2. Negative Affect/Withdrawal Stage: reward deficits and stress surfeit
When a person who is addicted to alcohol stops drinking, they experience withdrawal symptoms-or symptoms that are opposite to the positive effects of alcohol that are experienced when drinking it. These symptoms can be physical (sleep disturbances, pain, feelings of illness) and emotional (dysphoria, irritability, anxiety, and emotional pain).
The negative feelings associated with alcohol withdrawal are thought to come from two sources. First, a diminished activation in the reward systems-or a reward deficit-of the basal ganglia makes it difficult for people to experience the pleasures of everyday living. Second, an increased activation of the brain's stress systems-or a stress surfeit-in the extended amygdala contributes to anxiety, irritability, and unease.
At this stage, the person no longer drinks alcohol for the pleasurable effects ("high"), but rather to escape the "low" feelings to which chronic alcohol misuse has contributed.
3. Preoccupation/Anticipation Stage: craving, impulsivity, and executive function
This is the stage at which an individual seeks alcohol again after a period of abstinence. A person becomes preoccupied with alcohol and how to get more of it, and looks forward to the next time he or she will consume it.
The prefrontal cortex-an area of the brain responsible for executive function, including the ability to organize thoughts and activities, prioritize tasks, manage time, and make decisions-is compromised in people experiencing alcohol addiction. As a result, this area of the brain plays a key role in this stage.
Unique horror turned love story in a good way!
14 March 2023
Tied with Mar Adentro (2004) for the best film on disabilities ever made. Definitely on my list of the top ten films made this century!
A hidden gem that is by no means an easy watch, but certainly worth the short running time. And it shouldn't be an easy watch, given that we are watching this from the viewing of a blind man paralyzed from the waist down. We should be counting our blessings, as the director has allowed us to see colors, and vague shapes. What we see is blurry figures, other times we get to see clear titles and scenery; as opposed to our protagonist's true fate, black nothing.
Although there are many moments of comedy as well as grace, the disorienting sounds, very deliberate mise en scène, and confusticating cinematography make for quite the unpleasant viewing experience. Add to this the emotional difficulty of watching this brave man fight for something so simple and beautiful as a visit to the girlfriend he has yet to meet in real life, and you have the recipe for some heartwrenching tears. At the climax of the film, talk about anyone's worst nightmare! Aspects of this film would categorize this as horror; more frightening than any slasher film out there. Give me Freddy Krueger or Hannibal Lector any day over being so utterly mentally and physically trapped in such indeterminate circumstances! Kudos to the director for the courage to tackle disability from such an innovative, intimate viewpoint.
A unique vision from an underappreciated director (Teemu Nikki), carried to its full potential by an impressive actor that is both blind and paralyzed from multiple sclerosis in real life (Petri Poikolainen)!
A hidden gem that is by no means an easy watch, but certainly worth the short running time. And it shouldn't be an easy watch, given that we are watching this from the viewing of a blind man paralyzed from the waist down. We should be counting our blessings, as the director has allowed us to see colors, and vague shapes. What we see is blurry figures, other times we get to see clear titles and scenery; as opposed to our protagonist's true fate, black nothing.
Although there are many moments of comedy as well as grace, the disorienting sounds, very deliberate mise en scène, and confusticating cinematography make for quite the unpleasant viewing experience. Add to this the emotional difficulty of watching this brave man fight for something so simple and beautiful as a visit to the girlfriend he has yet to meet in real life, and you have the recipe for some heartwrenching tears. At the climax of the film, talk about anyone's worst nightmare! Aspects of this film would categorize this as horror; more frightening than any slasher film out there. Give me Freddy Krueger or Hannibal Lector any day over being so utterly mentally and physically trapped in such indeterminate circumstances! Kudos to the director for the courage to tackle disability from such an innovative, intimate viewpoint.
A unique vision from an underappreciated director (Teemu Nikki), carried to its full potential by an impressive actor that is both blind and paralyzed from multiple sclerosis in real life (Petri Poikolainen)!
I'd like the salt bagel instead!
28 February 2023
Everything Everywhere All at Once (2022)
Directors: Daniel Kwan & Daniel Scheinert
Watched: 12/19/22
Rating: 3/5 stars
Too much all at once Googly eyes, hot dogs, and rocks Absurd time travel Profound fun with keen acting But I'll take a salt bagel!
#tanka #reviewpoem #AcademyAwardsBestDirector #AcademyAwardsBestPicture #SAGAwards #A24 #AsianAmerican #assimilation #auteur #familysaga #LGBT #motherdaughter #multiverse #nihilism #philosophy #sciencefiction #styleoversubstance #timetravel
The tanka is a thirty-one-syllable poem, traditionally written in a single unbroken line. A form of waka, Japanese song or verse, tanka translates as "short song," and is better known in its five-line, 5/7/5/7/7 syllable count form.
Too much all at once Googly eyes, hot dogs, and rocks Absurd time travel Profound fun with keen acting But I'll take a salt bagel!
#tanka #reviewpoem #AcademyAwardsBestDirector #AcademyAwardsBestPicture #SAGAwards #A24 #AsianAmerican #assimilation #auteur #familysaga #LGBT #motherdaughter #multiverse #nihilism #philosophy #sciencefiction #styleoversubstance #timetravel
The tanka is a thirty-one-syllable poem, traditionally written in a single unbroken line. A form of waka, Japanese song or verse, tanka translates as "short song," and is better known in its five-line, 5/7/5/7/7 syllable count form.
The Menu
(2022)
A fine viewing experience for the fine dining enthusiast!
4 January 2023
What's on The Menu tonight? Why, a multiple Michelin Star worthy fine viewing experience! An example of a film that will successfully appeal to the masses, but for a select group is pure bliss. The select group here is foodies. Particularly foodies that have- quite literally- paid their dues sampling haute cuisine and run the gamut in fine dining experiences. "The Menu" finds every fine dining cliche and every foodie stereotype, turns them on their heads; even better, it manages to make them something hilarious, yet not offensive to any party. This is quite the feat. The general public might not fully understand all the over the top comments and scenarios (namely that they really are not much of an exaggeration at all in the ridiculous world of fiercely devoted gourmands), but they will still find "The Menu" to be quite the fun experience. Ralph Fiennes shines as the seriously demented tormenting master of ceremonies, Nicholas Hoult captures the essence of the illogically idolizing epicure, Anya Taylor as the realist get-a-grip-you-obsessive-people diner who "doesn't belong", and various other stars make up the magnificent supporting cast; but it is Hong Chau as the main front of house lady Elsa that really carries the show. You can't miss her; even when she isn't in the scene, you can practically feel her eyes on you.
Even though some parts ring as implausible and the ending might feel like a slight cop out, there are more than enough dips and twists, loops and inversions during this dinner to make this Experience well worth any diner's- or rider's time. And although the self-indulgence is evident and the horror aspects a little much, isn't "a little much" an essential ingredient when it comes to dark comedy satire?
Even though some parts ring as implausible and the ending might feel like a slight cop out, there are more than enough dips and twists, loops and inversions during this dinner to make this Experience well worth any diner's- or rider's time. And although the self-indulgence is evident and the horror aspects a little much, isn't "a little much" an essential ingredient when it comes to dark comedy satire?
In Another Country
(2012)
Better Than Most Hong Sang-Soo Films
12 December 2022
Apparently am in the minority here, but this is my 10th Hong Sang-Soo film, and it actually rates in the top 5. As a coherent narrative, it definitely isn't the best. But as an art film that can be experienced that cleverly overlaps 3 stories while incorporating meta fiction elements, ironic repetition, and creatively blurring the line between fact and fiction, "In Another Country" excels. Purposely nonlinear with its storytelling, this is the sorta film one could rewatch to catch the double meanings, hidden messages, and "spot the differences" between the always talented Isabelle Huppert as Anne #A, #B, + #C, in their respective stories. Same name, same actress, different characters? Or are they?
The Lonely Guy
(1984)
Even Steve Martin couldn't save the last 45 minutes.
1 January 2020
The Lonely Guy (1984)
Director: Arthur Hiller
Watched: 12/26/19
Rating: 3/5
"I don't like to take naps. I don't like to wake up more than once a day. 'Cause when I first wake up I get that shock of who I am and everything. I... I really don't like to do that more than once a day."
A favorite quote, which shows how this film managed to be funny although it did at times go maybe too far in minimizing or making light of suicide (other examples include the nonchalant freak show of falling bodies on the Manhattan Bridge, suicides reported casually on the radio after the weather announcements). But this is a black comedy after all and Steve Martin makes up for this with his hilarious shenanigans. Favorite shticks included: spotlight activated for a single diner; psychiatrist via apartment call box; automated chess machine friend; ferns as friends; fake sweat for possible running meet-cute; party cutouts from "The Lonely Guy Store"; renting a guy to talk to your girlfriend or wife so she won't wait for you alone in a bar; donating blood in order to lay in bed with a woman; and man on foot "pulled over" by a police officer who then"escorts" him on foot, all along regular traffic on the move!
Steve Martin is certainly in his element and is slowed down only by the subpar writing. Which makes sense as to why he usually writes and directs the films he stars in. I have no doubt that "The Lonely Guy" would have been much better received if this were the case. The first 45 minutes of this film were outstanding- Hubbard is a newly minted Lonely Guy, does his best to cope and find a new girl, and his antics keep us engaged and laughing. But the story quickly runs out of steam after he gets inexplicably hooked on Iris and the writing loses its wittiness.
Cameos by Merv Griffin and Doctor Joyce Brothers were a nice touch but not quite enough to save the latter half of the film.
#cameo #comedy #dog #loneliness #NewYork #meta #narration #onaboat #pagetoscreen #publishingindustry #romanticcomedy #rooftopscene #subway #suicide #wedding
"I don't like to take naps. I don't like to wake up more than once a day. 'Cause when I first wake up I get that shock of who I am and everything. I... I really don't like to do that more than once a day."
A favorite quote, which shows how this film managed to be funny although it did at times go maybe too far in minimizing or making light of suicide (other examples include the nonchalant freak show of falling bodies on the Manhattan Bridge, suicides reported casually on the radio after the weather announcements). But this is a black comedy after all and Steve Martin makes up for this with his hilarious shenanigans. Favorite shticks included: spotlight activated for a single diner; psychiatrist via apartment call box; automated chess machine friend; ferns as friends; fake sweat for possible running meet-cute; party cutouts from "The Lonely Guy Store"; renting a guy to talk to your girlfriend or wife so she won't wait for you alone in a bar; donating blood in order to lay in bed with a woman; and man on foot "pulled over" by a police officer who then"escorts" him on foot, all along regular traffic on the move!
Steve Martin is certainly in his element and is slowed down only by the subpar writing. Which makes sense as to why he usually writes and directs the films he stars in. I have no doubt that "The Lonely Guy" would have been much better received if this were the case. The first 45 minutes of this film were outstanding- Hubbard is a newly minted Lonely Guy, does his best to cope and find a new girl, and his antics keep us engaged and laughing. But the story quickly runs out of steam after he gets inexplicably hooked on Iris and the writing loses its wittiness.
Cameos by Merv Griffin and Doctor Joyce Brothers were a nice touch but not quite enough to save the latter half of the film.
#cameo #comedy #dog #loneliness #NewYork #meta #narration #onaboat #pagetoscreen #publishingindustry #romanticcomedy #rooftopscene #subway #suicide #wedding
I.Q.
(1994)
Einstein Sends Me Over The Moon!
28 December 2019
I.Q. (1994)
Director: Fred Schepisi
Watched: 10/29/19
Rating: 3.5/5
Written in the stars, Robbins/Ryan at their best- but it's Matthau as charming, eccentric Einstein that sends me over the moon!
Come back down to earth! No atom of likelihood in this far-fetched plot, nor chemistry between leads- An unbalanced equation!
#Somonka #ReviewPoem #50s #academia #astronomy #cars #conartistry #diner #elderly #groupoffriends #philosophy #President #romanticcomedy #scientist #space #Uncle #university
Written in the stars, Robbins/Ryan at their best- but it's Matthau as charming, eccentric Einstein that sends me over the moon!
Come back down to earth! No atom of likelihood in this far-fetched plot, nor chemistry between leads- An unbalanced equation!
#Somonka #ReviewPoem #50s #academia #astronomy #cars #conartistry #diner #elderly #groupoffriends #philosophy #President #romanticcomedy #scientist #space #Uncle #university
Touch of Evil
(1958)
Finally Released As Made!
21 October 2019
----
Touch of Evil (1958) (1998 re-edited version incorporating Welle's vision as he expressed in a 58 page memorandum)
Director: Orson Welles
Watched: 8/11/18
Rating: 4.5/5
"Ominous"
Orson Welles masterfully directs and stars in this classic film noir masterpiece- Original 1958 version was re-released in 1976 and again in 1998 (incorporating direction from Welles' 58 page memo). Opening long shot might not be the longest but likely the most visually compelling of its time; Outstanding cast includes several big stars appearing in minor roles, Obsession, passion, corruption, morality; abuse of power and loss of innocence- intense themes skillfully scrutinized; Otherworldly mise-en-scène and creative cinematography come together to create a compelling experience Overflowing with mesmerizing characters, palpable tension, and suspenseful thrills!
#PleiadesPoem #ReviewPoem #astrology #auteur #brothel #classic #controversy #corruption #crime #discrimination #doublecross #drugs #longshot #Mexico #morality #murder #NationalFilmRegistry #noir #pagetoscreen #policeofficer #suspense #surveillance #wronglyaccused ----
"Ominous"
Orson Welles masterfully directs and stars in this classic film noir masterpiece- Original 1958 version was re-released in 1976 and again in 1998 (incorporating direction from Welles' 58 page memo). Opening long shot might not be the longest but likely the most visually compelling of its time; Outstanding cast includes several big stars appearing in minor roles, Obsession, passion, corruption, morality; abuse of power and loss of innocence- intense themes skillfully scrutinized; Otherworldly mise-en-scène and creative cinematography come together to create a compelling experience Overflowing with mesmerizing characters, palpable tension, and suspenseful thrills!
#PleiadesPoem #ReviewPoem #astrology #auteur #brothel #classic #controversy #corruption #crime #discrimination #doublecross #drugs #longshot #Mexico #morality #murder #NationalFilmRegistry #noir #pagetoscreen #policeofficer #suspense #surveillance #wronglyaccused ----
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