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5/10
Should have been darker
4 September 2020
Warning: Spoilers
A film with great potential turned into a teenage blockbuster. They could have done much better if the film was darker, in the tone of a psychological thriller and obviously R-rated. The last 30 minutes felt like the ending of Toy Story 3 when everyone was fighting a big bad bear. Anyway, at least we get to watch this during COVID. Better this than nothing I suppose!

Rate: 5.5/10

FJ Medina
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Tenet (2020)
8/10
Inception meets Memento
24 August 2020
Clever premise, well executed, thrilling and a bit meta. The only problem with Tenet is that even the characters struggle at times to know where this is going. Also, the film could have been reduced to 2 hours as it is heavily reliant on dialogue and can get tedious at times. Otherwise, great film to watch during COVID times. I wouldn't be surprised if this film becomes a game changer. However, an Oscar nomination for Best Picture seems unlikely.

FJ Medina Rate: 7.5/10
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10/10
This documentary changed my life
20 April 2020
Since I watched this I became a meat minimalist and have improved my health significantly. I believe we don't have to become necessarily vegan, but we definitely have to reduce our meat and diary consumption. It's not good to eat animal products on a daily basis. It's bad for your health and terrible for the environment. It really doesn't require much thinking, it's common sense. Forget about the math or science, this is about making responsible and congruent decisions. Well done to the filmmakers who put this together!

Score: 9.5/10

FJ Medina
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The Farewell (I) (2019)
9/10
Powerful and moving
7 October 2019
This is a movie to watch with the loved ones. It offers a relatable story, great performances and a bit of humour. This film gives relevant messages about family, culture, life and death. The Farewell is food for the soul, don't miss it!

Score: 8.5/10

FJ Medina
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Joker (I) (2019)
9/10
An honest Joker
5 October 2019
Whether you loved or hated this film, one thing is true: the Joker doesn't get any more real than this. This Joker is almost everything I was expecting: it's dark, honest and disturbing. Please note that this film is not intended for the average comic moviegoer. If you liked The Avengers, it's very likely that you won't get this film (no offence). The Joker is made for a more segmented (and clever) audience and is here to make a statement. In my opinion it could have been a bit darker and gory. However, it has definitely made an impact and will become the benchmark of many other comic-based dramas to come. Without a doubt, this film is one of the year's best.

Score: 9/10 FJ Medina
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6/10
Another forgettable horror film
3 May 2019
This film is 'The Nun' of 2019 and as many of us anticipated, it is just another big missed opportunity. The legend of La Llorona should have been explored further. I would have appreciated a bit more background on the original folk tale and perhaps the story should have developed in a different time/setting (e.g. Mexico in the early 1900s).

Rather than creating a generic and predictable story of an American family and their struggle with La Llorona, the screenwriters should have considered investing more time in proper research and creative writing. In summary, the films feels reductive, boring and silly, and cannot remember a single scary part on it.

Score: 5.5/10

FJ Medina
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Us (II) (2019)
8/10
Message could not be delivered
18 April 2019
Honestly, I wasn't expecting an amazing film as I was already a bit disappointed with 'Get Out'. I believe that 'Us' offers an original premise and is very intriguing at the beginning. Technical aspects are great. Some shots are amazingly well executed with eerie score and beautiful cinematographic work.

Just like Tony Collette in Hereditary, Lupita Nyong'o is the heart and soul of a film that without a female lead, wouldn't even be worth watching. I believe that Jordan Peele really overcooked this film, creating an exaggerated story that didn't get anywhere.

He tried to repeat the 'Get Out' formula, but luck wasn't on his side this time. More importantly, he saturated the film with so many unnecessary symbolic references, that created massive confusion and discomfort. I'm not sure the film is worth watching twice, but I may give it another chance...

Score: 7.5/10

FJ Medina
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8/10
Great movie with poor marketing
18 March 2019
This is probably one of the best sci-fi/action films I've seen recently. As anyone would expect from James Cameron, Alita is a game changer in visual effects. The film is very exciting, entertaining and visually innovative.

Alita is having trouble to succeed at the box office not because of the quality of the film as such, but rather due to its poor marketing and the unappealing title. "Alita" sounds way too weird. Maybe the name means something to Robert Rodriguez, but it really feels wrong. "Battle Angel" sounds even worse. If the intention was to evoke to anime, perhaps they should have chosen a title (name) more in line with that.

Regardless, I was quite surprised with this film. Many cyborg movies have already been made. However, Alita is genuine and heart-warming. I also liked the choice of a female cyborg as the hero (for a change). Given the box office reception and the critical response, I doubt Cameron will dare to produce a sequel... but you never know.

I would like to see more of Alita instead of three Avatar sequels no one cares about anymore. Also, I really hope this film gets recognised for its visual effects. An Oscar nomination/win would be a good consolation price undoubtedly.

Score: 8.5/10

FJ Medina
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Climax (I) (2018)
10/10
Electro-Dance Madness
1 March 2019
Climax is an intense and hallucinating experience. I watched this film at the Sydney Film Festival last year and still can't get over it. In my opinion, Climax must be the second or third best film I watched in 2018. Once again, Gaspar Noe has reinvented his very characteristic style to create another unconventional arthouse film. As most of Noe's films, Climax is disturbing, polarising and highly controversial. Meaning that it's not a film for everyone. Having said that, for the ones that appreciate experimental cinema, this is a must-see.

Climax is an absolute audio-visual feast. The dance sequences, beats and long shots are beautifully assembled, creating a hypnotising and electrifying spectacle. As the film unfolds, the characters all fall into a frightening atmosphere of tension and death. Climax represents the multiplicity of human emotions at the same time: euphoria, joy, sadness, surprise and fear. Every frame of this film is composed with amazing cinematography and perfect editing. This is a film to be watched on the big screen with the best audio system. Climax is an absolute masterpiece and I will never forget it.

Score: 10/10

FJ Medina
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8/10
Getting into Van Gogh's Mind
27 February 2019
As mentioned by Willem Dafoe during his interview at the Academy Awards ceremony, the intention of this film was never to be a crowd-pleaser, standard biopic. This aim of 'At Eternity's Gate' was to tell a story from a whole different perspective. The technique and point of view is supposed to make you see and feel just like Van Gogh did during his last days. If you really immerse yourself into the film, you'd realise it almost feels like a virtual reality experience. Maybe this film should have been made in a VR format.

I admit that 'Loving Vincent' is a far superior film about the artist. Nevertheless, I appreciated the unique style of this film as I was able to see the world through Van Gogh's eyes. The camera movements, open shots, vexatious music and cinematography really put me in a trance. Dafoe's characterisation is definitely Oscar-worthy. However, this is not a film for the faint-hearted. This film is melancholic, experimental and even psychedelic at times. So please avoid it if you enjoyed Bohemian Rhapsody and the like.

Score: 8/10

FJ Medina
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Vox Lux (2018)
10/10
A Beautiful Nightmare
17 February 2019
Vox Lux is a nerve racking, mindblowing, gem of a film. This is 21st century cinema at its best! Vox Lux has to be one of the most overlooked and misunderstood films of the year. This is a true cult film and definitely deserved more recognition. I admit that the film's intensity and multiplicity of simbolisms can be overwhelming for some audiences. Nevertheless, Vox Lux is an instant masterpiece and an original work of art.

Natalie Portman gives one of her best performances (if not the best) since Black Swan. She not only deserved to be nominated for every award, but also had to win every single accolade for best supporting performance by an actress. It is almost insulting not to recognise her extraordinary performance as a toxic pop diva. I really don't understand why she was left out of the conversation as a major awards contender, even when she campaigned for both leading and supporting actress.

Vox Lux is incredibly electrifying and it shines in the whole extent of the word. Brady Corbet has composed an electro pop spectacle, beautifully manufactured with a tremendously original script, breathtaking performances, catchy songs and great cinematography. Other standouts are editing, costume design, make up and hairstyling. 'Wrapped Up' has to be my second favourite song in a film after 'Shallow' in A Star Is Born. Well done Sia!

There is no doubt that Vox Lux is way ahead of its time and will find its audience in the future. Somehow, its limited release also kept this film out of the loop. Regardless, I am thrilled to see such a powerful and groundbreaking film. Vox Lux is, hands down, one of the top 5 films of the year. I'm getting ready to watch it for a second time on the big screen.

Score: 10/10

FJ Medina
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Vice (I) (2018)
8/10
Truth Hurts
22 January 2019
Vice has to be one of the best films of the year. If anyone doesn't agree with this it's probably because they live in denial. I admit that Vice can be hard to digest for some audiences. However, I find it quite enjoyable as it is very upfront and sarcastic. The style and acting are outstanding. Editing, score and screenplay are exceptional. Overall, a very entertaining and insightful experience not to be missed!

Score: 8.5/10

FJ Medina
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Eighth Grade (2018)
5/10
Truthful but boring movie
21 January 2019
Eight Grade gives an accurate and empathetic depiction of the Z generation in the American context, with particular focus on an introverted and insecure teenage girl. The film has unique style and develops a coherent narrative. However, I found it difficult to watch as it is very boring and predictable. I believe any teenager experiencing similar situations to the main character would find this film fun and even useful. The problem is that the dialogue in the film is so primitive, that is extremely difficult to remain interested in the story and the characters. I believe this is one of the most over-hyped films this year and don't see any resemblance to Lady Bird, which was also very overrated in my opinion. There are many good coming to age movies such as Love, Simon, Juno or The Age of Seventeen. However, Eighth Grade is not one of them.

Score: 5/10

FJ Medina
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Cold War (2018)
7/10
Not quite what I was expecting
14 January 2019
I have to admit that this film was extremely well marketed for what it really is. Honestly, Cold War is not the masterpiece one would expect. Acting and directing are exceptional. Also, the black and white cinematography gives great style to the film. However, the screenplay falls short and film editing, in my opinion, is flawed.

I think Cold War was very close to be an amazing film. The main issue is that the characters have no depth, therefore, the story feels empty and unrealistic. Even when many assumptions can be made throughout the film, the love story between the main characters seems hard to believe.

For an 88 minute film, Cold War feels very slow paced and boring. I felt there was no substance or emotion that could really captivate the audience. Finally, reusing the same song over and over got really annoying. I can't say I recommend this film, but acknowledge the effort of its creators. I haven't seen all the films in the race for the foreign film Oscar. However, I doubt Cold War deserves a nomination.

Score: 6.5/10

FJ Medina
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The Favourite (2018)
10/10
The Favourite is my favourite
11 January 2019
Let me begin by saying that this is the best film of the year. The Favourite is simply exquisite, mischievous and irreverent. I've followed Yorgos Lanthimos since The Lobster, and with this film he has proven to be one of the most original filmmakers today.

Everything about The Favourite is perfect. Since I saw the trailer, it was love at first sight. The acting ensemble is absolutely phenomenal. I refer not only to the trio of ladies, but also to Nicholas Hoult. I would nominate them all for their performances. However, the Oscar belongs to Olivia Colman. Her performance has to be one of the best I've seen in recent years.

The Favorite is a true masterpiece because it's unique, eccentric and politically incorrect. In my opinion, it's art in one of its most rare forms. I would easily give this film over 10 Academy Award nominations, with a total of 5 definite wins for Best Motion Picture, Best Director, Best Leading Actress (Colman), Original Screenplay and Production Design.

Nevertheless, I doubt The Favourite will win the Oscar for Best Picture as Green Book and Roma have swept most award shows. Regardless, The Favourite will stand the test of time as the cult film it is. The Favourite is one of the best examples why the seventh art is still alive.

Score: 10/10

FJ Medina
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Bird Box (2018)
8/10
Perfect Netflix film for a Sunday night
9 January 2019
For anyone interested in Bird Box, I suggest ignoring the bad comments and enjoying the film. I agree that there may be a bit of over hype, however, this film simply is what it is. It's one of Netflix's best selling products, it has Sandra Bullock and John Malkovich on it, and it must certainly deliver a sequel.

For those comparing this film to A Quiet Place, I would say that Bird Box is better. A Quiet Place is the one that is very much overrated! I agree that A Quiet Place is a good film, but can't deny it seems like a reboot to the Cloverfield franchise. Bird Box is a much better dystopian film and, in my opinion, is very well adapted from the novel. Bird Box might not have the technical qualities of A Quiet Place, but at least is much more fun and thrilling.

I admit that there may be some loose ends and clichés typical to the genre. However, let's all be realistic and acknowledge this film for what it is. If you really want to watch an outstanding apocalyptic thriller, please refer to Children of Men, Dark City, Blade Runner and the like.

Score: 7.5/10

FJ Medina
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Green Book (2018)
9/10
This film might steal the Oscars night
9 January 2019
Green Book is undoubtedly one of the year's best. This film ticks all the right boxes: exceptional performances, great story and powerful message. I believe this is one of the strongest contenders for the Oscar race and wouldn't be surprised if it wins Best Picture.

Both Viggo Mortensen and Mahershala Ali give their best performances to date, particularly Mortensen. However, Ali is the one that may take the Oscar as he is in the race for Supporting Actor. Other stand outs are direction, screenplay, score, cinematography, editing and production design. It might end up with 6 or 7 Academy Award nominations on top of the 3 Golden Globes that has already won.

I watched this film during the New Year's Eve premiere and had a terrific time. Overall, it's a very enjoyable and positive film, it touches many topics which are relevant today and that's why Green Book is magic.

Score: 10/10

FJ Medina
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10/10
Fantastically well documented!
20 December 2018
This has to be one of the best documentaries I've seen this year. This film really makes justice to one of the greatest artists of our time. The way Kusama's work is depicted on screen is absolutely incredible. At times, it almost feels like you've been absorbed by one of her paintings. This film also reveals key facts of her life and the art scene of the time. You'll be blown away! Definitely there should be more documentaries like this. A must-see on the big screen!

Score: 10/10

FJ Medina
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Roma (2018)
10/10
A must-see on the big screen!
12 December 2018
I watched 'Roma' at the cinema a few days before its Netflix release and it was the best idea ever! As a Mexican, I was naturally curious to watch the film everyone has been talking about. I have always admired Alfonso Cuaron's work, particularly films such as 'The Little Princess' and 'Y Tu Mama Tambien'. However, it wasn't until the 2010s when he consummated his career after the 'Children of Men' and 'Gravity'. It is evident that he has made an impact in recent years and I truly believe he is one of the most talented filmmakers today.

'Roma' is powerful in the whole extent of the word. It is not only different and captivating, but also very artistic and honest. It is a filming exercise that reminds us that style, narrative and emotion can be best achieved when excelling traditional cinematic language. The simplicity of this film was captured beautifully with highly skilled cinematography, which Cuaron developed himself. Every frame was methodically crafted in the form of a black and white portrait that perfectly reflects the nostalgia of a 1970s Mexico.

I am extremely amazed by Yalitza Aparicio, an Indigenous Mexican young actress, taking the lead in this film. Her performance is of such greatness that she carries the whole film by herself in an exceptional manner. She is absolutely natural, brave and unique. I do believe that she deserves an Academy Award nomination for Best Actress and hope she gets it.

The reason why this film has to be seen on the big screen is to fully appreciate the extent of Cuaron's cinematographic work. Moreover, sound mixing, production design and editing are also best experienced in cinemas. Obviously, this film needs to be rewatched on Netflix at home.

Without exaggerating, I believe this film will make history. I do not think Cuaron implements any new techniques or breaks any schemes. Nevertheless, he brings back the organic cinematic expression and therefore, 'Roma' will be remembered for long. 'Roma' is undoubtedly one of the best films of the year. It's the intimate work of an extraordinary filmmaker, and it's worth recognising this masterpiece as a genuine example of 'the seventh art'.

Score: 10/10

FJ Medina
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7/10
Fun but Inaccurate Biopic
16 November 2018
"Bohemian Rhapsody" is not as bad as critics say, but it is not Oscar-worthy either. Many of us are aware that this film was involved in numerous unconventional production delays. Therefore, the efforts are acknowledged given that the final product is more than acceptable. Nevertheless, the main issue with this film relies in the many inaccuracies of the story, which led to an incoherent (and even offensive) narrative for those who are truly familiarised with the always-known story of the rockstar in question.

Biopics are highly tricky, if not, risky. There are always going to be differing versions and opinions. People who knew Queen's story in detail are naturally in discomfort with a film that rather than paying tribute to the band's lead member, focuses on turning things around in favour of the "victims" (i.e. the other band members). It's no surprise that the screenplay was wrecked by a still-envious band, who portrayed Mercury not only as a middle-class bloke, but also (naively) attempted to lie to the audience by showing a weak-er, almost narcissistic Mercury, who does not relate intimately to the real persona. I have to admit that it is very interesting to see how film, as a mass media mechanism, can be used for some filthy purposes such as contentious advertising, political campaigning and false storytelling (-cough-).

For the sake of clarity, let's just review Mercury's origin. He came from a notorious, if not relatively wealthy family. He never had to work his way up as shown in the film. More importantly, Mercury never, ever had to beg for anything (as if!). In fact, others (including the less hot band members) were the ones always begging. By the way, this includes the fictitious dispute between Mercury and the other members regarding their participation in the Live Aid Concert. Given these reasons, the critics got it right.

In contrast, I think that critics overreacted with the so-called straightwashing of Mercury. I believe the film balanced very well Mercury's love and sex life, without falling into the nostalgic or bizarre. Mostly everyone knows how this character played and decayed. Therefore, the film did well by focusing on the artist rather than on the gay man. We will always love Mercury, no matter straight, bisexual or gay. In this case, the public's opinion prevails.

In a more technical note, the film does not have many cinematic qualities. It feels more like a TV-movie rather than a film aimed for the big screen. Aside from Rami Malek's exceptional characterisation, the only other highlights are sound mixing and make-up/costume design. However, for a film of this scale, editing and cinematography appeared amateurish, if not, mediocre. Screenwriting was hacked as noted above. Directing does not go too far either, hence, the reductive feel of the film.

In conclusion, "Bohemian Rhapsody" was a good attempt. It is entertaining and well-acted. More importantly, it is brave and controversial (as Queen itself). Future biopics could perhaps focus more on Mercury to try to repair the inaccuracies (or lies) set by this film. A good title for a more loyal version could just be "Freddie" or "Mercury". Anyway, we all know that Queen was all about him. I went to see the film with low expectations and had a fairly good time. It was inevitable not to spot the cracks, but the Live Aid Concert at the end redeems for most of the flaws. Malek should win almost every award as he saved this film. The rest of the discrepancies will probably be discussed until box-office closure, for which I anticipate a worldwide gross of half a billion minimum.

Score: 7.5/10

FJ Medina
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Halloween (I) (2018)
7/10
Halloween Nostalgia
25 October 2018
I have to begin by saying that this is a great horror film. It ticks all the right boxes: it's scary, entertaining, bloody and suspenseful. Compared to other sequels and reboots, this one really stands out. This film takes effective elements from other entries of the franchise: it's creepy like 'Halloween: The Curse of Michael Myers'. It takes some good fight/action scenes from 'Halloween H20'. Also, it is gory like Rob Zombie's 2007 reboot, but not too much to reach NC-17. The rest of the remaining entries, like 'Halloween: Resurrection", deserve to be dismissed.

Jamie Lee Curtis is a total knock-out this time! She probably has revived as many times as Michael Myers. Her comeback in this film reminds us why she's one of the ultimate scream queens. Even when the story isn't exceptional, it is exciting to go back to Haddonfield for a good 'last' scare. Fans will not be disappointed and new audiences will be surprised. This film is like a good roller coaster ride. It's intense, frightening and fun. So far, it is one of the best horror films of 2018. Totally worth watching.

Score: 7/10

FJ Medina
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10/10
A Star is Re-Born
18 October 2018
I haven't seen any of the previous versions of 'A Star Is Born' but I can say that this film pays great tribute to its predecessors. For a story that has been told in many ways and different eras, I believe that the power and authenticity of Bradley Cooper's remake is outstanding. His omnipresence in the development of this film demonstrates not only his remarkable creative and directorial capabilities, but also proves that he can make anything happen. Same thing with Lady Gaga.

I was always aware of Gaga's versatility as an artist and her passion for acting. However, her involvement and delivery in the film is absolutely breathtaking. Not only she is the queen of music, but also is one of the best actresses nowadays. I wouldn't be surprised if her career follows the same path as Cher or Streisand herself. Not to mention that the soundtrack (co-produced by Gaga) has already made history as a chart-topper. Every song in this film has been beautifully crafted to enhance every moment of this masterpiece. My personal favourites are "Shallow", "Always Remember Us This Way", "Is That Alright?", "Before I Cry" and "I'll Never Love Again". The last song already is the "I'll Always Love You" of today.

I had high expectations for this film given the critical acclaim and box-office reception. I can say that these expectations were met and surpassed. I was also impressed on the chemistry between Cooper and Gaga. They really converged magnificently. The only issue I perceived is that the story focuses too much on Jack's (Cooper) demise. Ally's (Gaga) character doesn't fully develop as it should. Nevertheless, Gaga's performance is of such greatness, that it's easy to notice how she progressively steals the film.

In summary, this is a beautiful film. As said before, acting is amazing. Cooper, Gaga and Sam Elliot will get tonnes of awards. Cooper did incredibly well for a directorial debut and production, but awards in these fields will come with further projects. Highlights are music, editing, cinematography, sound mixing and sound editing. I anticipate 10 Academy Award Nominations at the very least, including Best Motion Picture. It will win a handful of Golden Globes, including Best Picture. Hard to tell at this stage if it will win Best Picture at the Oscars, but will definitely win Best Original Song for "Shallow" or any of the aforementioned themes. Given the relatively low competition this year, I anticipate that it will grab 3 Oscars minimum.

The story of "A Star Is Born" deserves to be told over and over. If it is revisited in 30 or 40 years, it will have to surpass the high standards set by this film. I highly recommend watching this movie on the big screen, you will enjoy every second and it will stay with you for long.

Score: 9.5/10

FJ Medina
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Hereditary (2018)
8/10
An Awful Ending to a Terrific Film
14 September 2018
"Hereditary" is truly one of a kind. It's a dramatic thriller that stands out for its intriguing plot, powerful performances and well-achieved cinematographic elements. However, that ending... OMG! What the hell were they thinking with that nonsense twist at the end?? It even made me laugh! It felt like "Rosemary's Baby" was plagiarised for absolutely no reason. It's a shame considering how good most of the film is.

"Hereditary" is extremely effective as a tension-builder. It's depressing, intense and mysterious. Very few films can create authentic atmospheric horror while developing their characters so well. Toni Colette is simply amazing and even surpassed her previous roles, such as her acclaimed performance in the "Sixth Sense". She deserves, at the very least, an Academy Award nomination for Best Leading Actress. Other standouts are the score, production design, cinematography, sound mixing and screenplay (again, with the exclusion of that ridiculous ending). I can imagine this film having nominations in any of the abovementioned categories.

Nevertheless, it can be said that this film is (possibly) the biggest disappointment of the year. "Hereditary" should be used as an example on what to do (and particularly not to do) with a screenplay. Most importantly, it is fundamental not to betray the audience especially when it has been carried out such a long way! A film with such potential, regardless of any technical qualities it may have, must always seek coherence in narrative and originality from beginning to end. There really was no need to use so many (cheap) supernatural elements to give the movie a decent ending. This film, even surreal at times, was already more than terrifying before it reached climax. Even when the story is complex and dark-toned, prioritising simplicity throughout the whole plot will always be far more efficient than any "shocker" ending.

Score: 6.5/10

FJ Medina
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The Nun (2018)
6/10
The Nun-sense
7 September 2018
"The Nun" is entertaining and creepy (at times). However, it was not as scary as expected. It had great potential to be the most terrifying entry of "The Conjuring" franchise, but even "Annabelle" is more macabre.

The premise itself is dark and intriguing. The film makes efficient use of typical horror elements which quickly pull you into a truly frightening atmosphere. However, the film progresses toward a generic story which lacks of imagination and twist.

This movie, as many recent horror films, relies too much on CGI (e.g. "It"). Unlike sci-fi or action films, overusing visual effects simply does not work for horror! Especially when the aim is to create (or enhance) demonic representations. It this case, it felt a bit silly. Also, jump-scaring the audience the entire film can get a bit boring. It could have been better if the scares were a little more creative, or at least, gory.

"The Nun" could have had audiences petrified. Marketing efforts were fantastic and it will certainly do well at the box-office. Unfortunately, "The Nun" will not be as iconic as it should. Regardless, it's fun to watch on the big screen and will obviously bring many good costumes this Halloween!

Score: 5.5/10

FJ Medina
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McQueen (2018)
8/10
Where are Lady Gaga's outfits?
6 September 2018
Fantastic documentary about one of the most talented, groundbreaking designers of all times. I have to admit, however, that I was underwhelmed by not seeing Lady Gaga's outfits on the footage. These should have been included given that McQueen (through Lady Gaga) reinvented fashion in the music scene during the early 2010's. Just saying...

Score: 7.5/10

FJ Medina
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