It is the same old story again: the world of Transformers doesn't know the word, 'peace' (or pace), and this time social ecosystem of Michael Bay's robots is intimidated by a possibly underestimated ancient threat, which has possibly been implanted into the humans' culture. this fifth incarnation of the Hasbro toy franchise is probably the most powerful mix of action sequences and clamorous special effects, which, interestingly, could strike with a decent dose of drowsiness. it lasts two and a half hours, and watching it in IMAX 3D was a total hit for my eyes. however, it was still a traumatizing experience at the same time, because it faces the issue of reanimating the series for the fifth time with the inability of creating a narrative story, which is compensated by eye-catching explosions.
Mixing the elements of human history and the mythology of the Transformers might be a cliché of the saga today, but in this sequel we are kind of pushed to the boundaries of surrealism: Merlin, Arthur and the Knights of the Round Table signifying the base of the main story (not if there was any other thread), by revoking an ancient legend which could signal serious threats to the humans and the Autobots altogether. surprisingly, this issue will be handled by Mark Wahlberg and the beautiful, ever-vulgar Laura Haddock. As the movie aspires to project a coherent picture front of our eyes, it, instead, succeeds to be lost in the introduction of too many characters. It is accompanied by action scenes so amazing which almost reach uncharted peaks, but it would still be more effective if they were a little bit more condensed in a shorter time.
In sum, the movie is visually powerful, a vortex of palpitating and impacting action, which smashes your retina. From the direction point of view, this flick has, again, managed to be admired by the fans of beautifully depicted destruction. If we didn't get enough splinters flying right into our eyes in the 4th chapter, this time we should definitely wear more defensive head gears. However, if you were hungering for more, than one-hour narration of a story which can be concluded in two sentences, followed by a 90 minutes incessant sequence of action blast, then this blockbuster will not be your cup of tea, since it doesn't offer much more, compared to the previous three installments.
Rating: 4/10
Mixing the elements of human history and the mythology of the Transformers might be a cliché of the saga today, but in this sequel we are kind of pushed to the boundaries of surrealism: Merlin, Arthur and the Knights of the Round Table signifying the base of the main story (not if there was any other thread), by revoking an ancient legend which could signal serious threats to the humans and the Autobots altogether. surprisingly, this issue will be handled by Mark Wahlberg and the beautiful, ever-vulgar Laura Haddock. As the movie aspires to project a coherent picture front of our eyes, it, instead, succeeds to be lost in the introduction of too many characters. It is accompanied by action scenes so amazing which almost reach uncharted peaks, but it would still be more effective if they were a little bit more condensed in a shorter time.
In sum, the movie is visually powerful, a vortex of palpitating and impacting action, which smashes your retina. From the direction point of view, this flick has, again, managed to be admired by the fans of beautifully depicted destruction. If we didn't get enough splinters flying right into our eyes in the 4th chapter, this time we should definitely wear more defensive head gears. However, if you were hungering for more, than one-hour narration of a story which can be concluded in two sentences, followed by a 90 minutes incessant sequence of action blast, then this blockbuster will not be your cup of tea, since it doesn't offer much more, compared to the previous three installments.
Rating: 4/10
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