Reviews

3 Reviews
Sort by:
Filter by Rating:
The Dancer (2016)
2/10
Kristeva meets Busby Berkley but clichéd homophobic plot
2 October 2017
Warning: Spoilers
The dance sequences were wonderful - all credit to Soko who did her own dancing, Fanny Sage who was body double to the delightful Lily Depp, and dance adviser US artist Jody Sperling a major dancer and innovative performer in her own right, whose work is excellently showcased here. I loved the intelligent and exciting re-staging of Fuller's dances and the more conceptual scene of Duncan's overtly erotic lap dance rapidly clearing multiple rooms of elderly fearful conservative white males - Kristeva meets Busby Berkley. Go to see the film for these breathtaking sequences alone

It was good to see a female director tackling a female subject

However the plot was inaccurate and ridiculous and clichéd in a manner that would be expected of Hollywood say in the 1950s. about 95% of the story apart from the dancing was made up. The decadent male junkie significant other and sponsor/art fund-er was an invention, the Montana/Wyoming childhood - possibly filmed in the Czech Republic was totally made up - although its nods in styling and lighting to those Europhile fantasies of the wild west - Heaven's Gate and the Hateful Eight were nice Easter eggs, the weird puritan temperance colony in New York where Fuller's on screen mother lived - adorned with a surprising amount of Catholic kitsch for a fundamentalist protestant cult - totally invented, the ignoring of Fuller's primary same-same lifestyle and the casting of Isadora Duncan as a duplicitous ambitious lesbian - All About Eve rang they wanted their plot line - makes the film down right homophobic And let's not mention the modernist myth of the outsider misunderstood genius battling through with courage and persistence ... yawn yawn yawn
7 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
The Swindle (1997)
10/10
Charming and captivating tale of two lovable rogues that never fails to please
18 November 2006
Warning: Spoilers
I have seen this film on several occasions and its wry, slightly surreal humour never fails to captivate. It survives multiple viewings. Each time that I see it, I notice (even in subtitling) more of the wonderful asides and throwaway lines in the dialogue, often by characters just passing out of the camera, that cover references to current affairs, history and even intertextual references to a wide range of other films. The film also hovers delicately on a tightrope between realism and wish fulfillment fantasy. It even treads delicately into a milieu that is more associated with the James Bond films, when the central couple tangle with a global Mr Big in the Carribbean, and again points to the fantasy elements in the Bond films and renders them even more fearie-like and magical. It also has a lightness of touch that is sometimes missing in modern French language cinema's earnestness and search for a non-conventional, bohemian, non bourgeois, non commercial positioning. The only time that it jolts out of its unified and deftly handled aesthetic is in the execution of the courier. The starkness of this scene indicates its non-Hollywood origins. Plotwise, Victor and Betty don't miss a beat despite this confronting warning. We all cheer when Victor with Betty still handcuffed to him is knocked out by the minders on the beach. There is of course a great final twist.

Whilst there are many affectionate cinematic tributes to conpeople with hearts of gold or lovable criminals, this is one of the very best. There is a great charm in this tale about two small time criminals with their somewhat principled crimes seeking to enter the big time. Rien Ne Vas Plus should be far better known to a general audience
9 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
A Broken Drum (1949)
8/10
Father Does not Know Best!
3 June 2005
Warning: Spoilers
Fascinating film thematically - considering its date of production.

On the one hand there is clear historic resonance with the recent Japanese experience of the war in this story of the younger generation rebelling against an authoritarian father - perhaps a sign of repudiation of the war-time ethos.

On the other hand how few films were there from any nation in the family centric post war era that critiqued the authority of the father and the ethos in which the father's firm but wise hand ruled the home an explosive and seditious theme for the era - with also a thoughtful conclusion.

Stylistically - I don't know enough about Japanese cinema of this era - but I found it charming in its stilted and stagey settings yet which were not unsophisticated and the fabulous stylish western clothes - remarkable considering it was so soon after the war

The actors were all clearly skilled professionals with a strong sense of "classical" theatrical technique which assisted in a strong delivery of plot and characterisation
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed