Outside of a few memorable camera placements and the frequent great uses of vignettes, the camera itself contributes very little to the visual composition. Instead, the unorthodox set design does most of the lighting and composition for them. Distorted architecture, painted shadows, and freeform lines are all highly effectual at creating the right cinematic tone for each scene; far beyond the simple old trust that "triangles are the most dynamic shape".
On top of the unique way of creating a visual atmosphere, I found a similar style in the new soundtrack by Timothy Brock. The score continuously evolves to suit the moment. It is minimalistic, but also very irregular, as though the various instruments are playing to the emotions of their respective elements in the scene. The resulting lack of coherent unity conforms to the horror genre while still giving Brock precise control of audience emotion.
The striking visuals and unsettling soundtrack create a feeling of great paranoia and mysteriousness, but I feel that the story is just as important in making the film as compelling as it is. What makes the film work as a mystery is not just the supernatural unknown, it's also how even the characters are hiding things from the audience. The most intriguing elements are Cesare and the murderer. The questions surrounding these figures are the driving force of the movie, but smaller questions found throughout also add to the drama. The answers that are eventually provided are unexpectedly crafty, leading to many memorable plot developments and twists. The writing is concise - it's a complex plot shown in a way that's easy to understand- and the film moves through great scene after great scene in a brisk, lively manner.
The writing is sophisticated for movies of that era. Occasionally there are even two separate plot threads developing at the same time. Both of them are equally important, and both of them affect our interpretation of the other. This is best seen at the climax of the movie, when Cesare kidnaps Jane despite Franzis simultaneously watching Cesare sleep in his bed.
The story is also able to get our emotional involvement in a myriad of ways. The rare few scenes in Jane's house are given a special pink hue. This makes Jane seem precious and is someone that needs to be protected and kept pure. Jane's kidnapping thus becomes especially distressing. Another example is Alan, whose innocence and optimism makes his inevitable death all the more heartbreaking. Another rousing technique is the use of kite-shaped vignettes to show the tumultuous feelings hidden inside the subject, whereas circular vignettes are used to show them as lonely or secretive.
On top of the unique way of creating a visual atmosphere, I found a similar style in the new soundtrack by Timothy Brock. The score continuously evolves to suit the moment. It is minimalistic, but also very irregular, as though the various instruments are playing to the emotions of their respective elements in the scene. The resulting lack of coherent unity conforms to the horror genre while still giving Brock precise control of audience emotion.
The striking visuals and unsettling soundtrack create a feeling of great paranoia and mysteriousness, but I feel that the story is just as important in making the film as compelling as it is. What makes the film work as a mystery is not just the supernatural unknown, it's also how even the characters are hiding things from the audience. The most intriguing elements are Cesare and the murderer. The questions surrounding these figures are the driving force of the movie, but smaller questions found throughout also add to the drama. The answers that are eventually provided are unexpectedly crafty, leading to many memorable plot developments and twists. The writing is concise - it's a complex plot shown in a way that's easy to understand- and the film moves through great scene after great scene in a brisk, lively manner.
The writing is sophisticated for movies of that era. Occasionally there are even two separate plot threads developing at the same time. Both of them are equally important, and both of them affect our interpretation of the other. This is best seen at the climax of the movie, when Cesare kidnaps Jane despite Franzis simultaneously watching Cesare sleep in his bed.
The story is also able to get our emotional involvement in a myriad of ways. The rare few scenes in Jane's house are given a special pink hue. This makes Jane seem precious and is someone that needs to be protected and kept pure. Jane's kidnapping thus becomes especially distressing. Another example is Alan, whose innocence and optimism makes his inevitable death all the more heartbreaking. Another rousing technique is the use of kite-shaped vignettes to show the tumultuous feelings hidden inside the subject, whereas circular vignettes are used to show them as lonely or secretive.
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