Sorry, this movie abandoned the viewers. Loose ends? How many were there? Too many to count. I watched Lonesome Dove, too, and didn't really have any expectations for this movie, but I'd have to say it wasn't about the thread between movies or characters; how much Garner was like Jones, etc. It was, for me, about the lack of point of view. There are so many threads that do not get drawn together in a good way. Who really is the narrator? Why was Hardin's character in the movie? Why don't we see or learn more about Pea Eye whose close relationship with Call is given to us at the beginning? Why the guy who burns people down? So much time was spent on extraneous characters who perhaps in the book are interesting to the story but in a screen play become burdensome to the main story. I wished for more clarity, more development of the main characters. And, the movie did not really take place on The Street of Laredo.
Reviews
2 Reviews
Counterpoint
(1967)
good flick
10 February 2006
Counterpoint remains one of my favorite movies mainly because of the interesting interplay between Schell's and Heston's characters. It is good movie making to set up a psychological tug-of-war with life at stake. Schell does an excellent job portraying a conflicted authoritarian who has stumbled upon a small bit of beauty in the midst of chaos. Schell exudes his character's charm and ultimate control over the situation when he comments on the orchestra's performance list - "Something Wagnerian perhaps..." I always have the feeling watching this movie that it would translate very well to the stage. Your eye is never distracted by other things. The premise, though a bit unrealistic, is still compelling enough to make the movie a good watch.
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