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300 (2006)
9/10
300 Kills
6 March 2007
300 is a visceral adaptation of legendary comic book writer Frank Miller's graphic novel loosely based on The Battle of Thermopylae in 480 B.C. when Sparta King Leonidas led 300 Spartans against insurmountable numbers in a fight to the last man. The film was produced over 60 days and shot almost entirely on a blue screen with 11 effects houses adding the visual movie magic culminating in what some are calling "the future of film-making".

When I watch a movie there's nothing that takes me out of the experience more than some really poor Computer Generated Imaging (think Gollum) and as the technology has advanced it's become more and more tolerable. 300 relies heavily on the tool as it creates floored battle sequences and astonishing visuals. But when that blood splatters a little too cartoony, don't forget; you've walked into a comic book come to life much like Robert Rodriguez' collaboration with Miller on Sin City... only there's more violence.

Ahead of it's time, 300 employs editing techniques that shouldn't work but are nothing short of masterful. Jarring the audience with long shots that don't cut but jump from fast forward to slow motion and back again. Somehow this results in pure poetry more than once in the film.

On the creative side of the film there's a solid ensemble cast led by a very strong Gerard Butler. The weak link is probably the campy narrator saved only by the fact that the voice belongs to a character classified as "the storyteller" brought to the screen with sincerity by David Wenham. Smartly, the filmmakers didn't waste time creating tightly woven character relationships. This movie is about a 3 day long kick-ass fight and Zach Snyder's direction doesn't let you forget it.

Honestly, if you don't see this movie you suck.

A+ Matt Watterworth http://www.theweal.com
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Factory Girl (2006)
4/10
Factory Girl Mass Produced
6 March 2007
"The Factory" was the entire fifth floor studio of 231 East 47th Street in Midtown Manhattan serving as artistic sanctuary for Andy Warhol and the place for artsy types in the mid to late 60's. It's also where Edie Sedgwick spent most of her time as Warhol turned her into a starlet on his silver screen and as the original Paris Hilton she became famous for being famous, complete with trust fund and a nasty drug habit courtesy of Andy and his "Warhol Superstars".

Andy Warhol dove into most things artistic; shaping Pop Art, producing The Velvet Underground, and making his own films. Factory Girl took great advantage of the justification for using all manner of film-making formats cutting to point-of-view shots through grainy black and white 8 MM film camera viewfinders. Ask your grandparents... or SAIT instructor Philip Letourneau.

The cameras take you through a real life tragedy as Sienna Miller portrays a charming and naive Edie Sedgwick. Conflicted, she's seduced into fame by a chilling Guy Pearce as Warhol while a painfully dull Hayden Christensen as "The Musician" attempts to rescue her. Denying a relationship with Sedgwick, Bob Dylan's lawyers refused his inclusion in the film but he represents the possible redemption for the spiraling "Poor Little Rich Girl".

Overall, Factory Girl has trouble navigating it's plot shifting to and from Edie as the art that Andy creates, her personal journey, and the people around them both, all topped by a future Miss Sedgwick revealing the story to a psychiatrist in rehab.

There's a great movie in here somewhere but Factory Girl is not it.

C Matt Watterworth http://www.theweal.com
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5/10
Fragmented Iraq
6 March 2007
Iraq in Fragments is James Longley's "fly on the wall" documentary looking at the in transition Iraqi society broken into three parts and three points of view. 11 year old orphan Mohammed in working class Baghdad; fanatical Shias led to attacks on the mainly Christian liquor sellers by an Islamic cleric; and a Kurdish point of view around Arbil.

Aptly titled, the documentary has no familiar cohesive structure that audiences are used to seeing. We're in the midst of a great uprising of the documentary and many of the "rules" of genre are being thrown out the window. This has been, for the most part successful. But for Iraq In Fragments the filmmaker's goal may have been as simple as "Let's go to Iraq, and then just roll tape". Unfortunately this means leads to the same end; a scramble of confused parts that while sometimes breathtaking and always eye opening are simply detrimentally flawed when attempting to convey a clear picture of the situation in Iraq.

The big redeeming quality here is the unique and jaw-dropping photography of the state of Iraq which fully immerses it's audience at the street level. Helicopters above, soldiers beside. Sadly, with the exception of a few short sequences, the subtitles draw your eye from the image to the bottom of the frame and keep you worried you're missing something important.

The overall feeling that does come across is that to the Iraqi -no matter Shiite, Sunni, or Kurd- the opinion of the occupation is summed in a quote from the film; "They took away one Saddam and brought us one hundred".

Iraq In Fragments is now playing at the Uptown Stage & Screen.

C Matt Watterworth http://www.theweal.com
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