9/10
Hayworth is Fine, but This is Tony Martin's Film from Beginning to End
10 June 2021
Back around 1958 or 1959, this film was shown on either The Late Show or The Late Late Show. I had only recently gotten a tape recorder, and I recorded all the musical numbers, and then played them over and over again for about the next ten years. Although Martin had some pretty good opportunities in movies over a few decades, this is the one that catches him, and especially that glorious voice, at his absolute best throughout. Although he never sang opera (except a couple of "doctored" pieces in later films), I've always thought that this was a voice that, with a change in the direction of his voice training, could have served very well in opera, and as a tenor, not a baritone! (I have an unpublished Victor of him doing "E lucevan le stelle" from TOSCA, and he sings it very well indeed.) Anyway, he is showcased here in several very good numbers - "It's a Blue World" (an Academy Award nominated song), "Poor Punchinello" (which would be heard in the background, especially in carnival settings, of many more Columbia films of the 1940s), and most especially the title song of the film, "Music in My Heart", which he sings in the closing moments of the film and which is downright thrilling in its vocal freedom, so much so that although I collected his records at least through the mid-1950s (there's a great DESERT SONG on Victor with Kathryn Grayson who had just filmed the Romberg operetta with Gordon MacRae), I never heard him sound any better than in this film's concluding moments; indeed, I can't think of a single non-classical singer who ever sounded as good in a movie as does Tony Martin here. And the film itself is really an enjoyable piece of fluff from beginning to end, and maybe your only chance to ever see Andre Kostelanetz on the screen. (If you don't remember him, in addition to his huge classical output, he was issuing albums of "Opera for Orchestra" and loads and loads of top-selling LPs devoted to the great American songwriters from the late 1940s into the mid-1960s, all for Columbia Records, and was also married to diva Lily Pons for about two decades.)
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