Actress Kristen Dunst is all set to return to the big screen with Alex Garland’s dystopian war drama Civil War. The actress has been making the rounds on the Internet due to her honest and matter-of-fact tone of answering questions during the press tour, where she has been lauded for having these qualities that are rarely seen during interviews.
Dunst gained worldwide fame for her role as Mary Jane Watson in Sam Raimi’s Spider-Man trilogy. She shared screen space with Tobey Maguire, who played Peter Parker a.k.a Spider-Man in the acclaimed trilogy. While fans are excited for another Spider-Man film from Raimi and Maguire ever since their return to the MCU, Dunst reportedly opined that good things need to be left alone.
Kirsten Dunst Wants The Spider-Man Trilogy to Be Left Alone A still from Spider-Man
For many, Tobey Maguire’s Spider-Man films were the defining...
Dunst gained worldwide fame for her role as Mary Jane Watson in Sam Raimi’s Spider-Man trilogy. She shared screen space with Tobey Maguire, who played Peter Parker a.k.a Spider-Man in the acclaimed trilogy. While fans are excited for another Spider-Man film from Raimi and Maguire ever since their return to the MCU, Dunst reportedly opined that good things need to be left alone.
Kirsten Dunst Wants The Spider-Man Trilogy to Be Left Alone A still from Spider-Man
For many, Tobey Maguire’s Spider-Man films were the defining...
- 4/12/2024
- by Nishanth A
- FandomWire
Kirsten Dunst’s latest onscreen avatar, a hardened war photographer named after the iconic Lee Miller, doesn’t have much time to waste. In Alex Garland’s heart-pounding actioner “Civil War,” Dunst and her Lee are at the center of a fractured America that isn’t quite done combusting just yet, as she head through a bombed-out, terrifying Un-United States in a bid to get to Washington, D.C. before everything really falls apart. There’s not a lot of time for artifice or florid conversation or icing over the tough stuff.
As the Oscar nominee recently explained to IndieWire, the film isn’t exactly what people might be expecting, and while that kind of chatter might sound like standard press tour fare meant to drum up audience interest, Dunst is so straightforward in her interviews — so free of artifice, of saying stuff just to say it — that the message feels even more resonant.
As the Oscar nominee recently explained to IndieWire, the film isn’t exactly what people might be expecting, and while that kind of chatter might sound like standard press tour fare meant to drum up audience interest, Dunst is so straightforward in her interviews — so free of artifice, of saying stuff just to say it — that the message feels even more resonant.
- 4/10/2024
- by Kate Erbland
- Indiewire
Possibly the greatest collection of films for a modern classic showcase is about to take place at the TCM Classic Film Festival. The Wrap has revealed that the channel Turner Classic Movies, which is dedicated to unaltered, unedited film broadcasts of renowned movies in the history of cinema, has revealed the list of titles and guest appearances that will be featured at this year’s festival. The festival this year will be commemorating the 30th anniversary of the network. The TCM Classic Festival will be taking place in Los Angeles on April 18-21.
The event will screen the world premiere of a brand-new restoration of the 1995 film Se7en, the dark crime thriller starring Brad Pitt and Morgan Freeman. Director David Fincher will be there personally to unveil the film in IMAX. Another big screening will be the director’s cut of Close Encounters of the Third Kind, which will play...
The event will screen the world premiere of a brand-new restoration of the 1995 film Se7en, the dark crime thriller starring Brad Pitt and Morgan Freeman. Director David Fincher will be there personally to unveil the film in IMAX. Another big screening will be the director’s cut of Close Encounters of the Third Kind, which will play...
- 3/22/2024
- by EJ Tangonan
- JoBlo.com
Those attending the 15th annual TCM Classic Film Festival in Hollywood next month will have an opportunity to engage with Mel Brooks and Vitaphone, both born in 1926. One’s extinct, the other’s still going strong.
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
- 3/21/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Ron Nyswaner will soon be traveling to New York to reunite with his Writers Guild of America East fellows for a grand occasion. The Oscar-nominated screenwriter, producer and showrunner has been selected to receive the Walter Bernstein Award at the 76th Writers Guild Awards at New York’s Edison Ballroom on April 14.
The honor — named after the late screenwriter who was blacklisted for his political views only to persevere and get his career back on track with such credits as Fail-Safe, Semi-Tough and Yanks — is presented to writers “who have demonstrated with creativity, grace and bravery a willingness to confront social injustice in the face of adversity,” per the organization.
Nyswaner has been doing that for pretty much his entire career. A prime example is Jonathan Demme’s 1993 film Philadelphia. Penned by Nyswaner, the Tom Hanks and Denzel Washington-starrer was the first major Hollywood film to dramatize the real-world...
The honor — named after the late screenwriter who was blacklisted for his political views only to persevere and get his career back on track with such credits as Fail-Safe, Semi-Tough and Yanks — is presented to writers “who have demonstrated with creativity, grace and bravery a willingness to confront social injustice in the face of adversity,” per the organization.
Nyswaner has been doing that for pretty much his entire career. A prime example is Jonathan Demme’s 1993 film Philadelphia. Penned by Nyswaner, the Tom Hanks and Denzel Washington-starrer was the first major Hollywood film to dramatize the real-world...
- 3/14/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Guy Pearce has recently wrapped production on “Inside,” an Australian crime thriller and coming of age drama film. The picture is the debut feature of Charles Williams, whose short film “All These Creatures” won the Palme d’Or at the 2018 Cannes Film Festival.
The story sees after a young man transferred from juvenile to adult prison, where he is taken under the wing of both Australia’s most despised criminal, and a soon-to-be-a-paroled inmate. A paternal triangle grows between them, suggesting that even the worst of men may have a little bit of good inside them — that will be their eventual undoing.
The cast is headed by Pearce, Cosmo Jarvis and newcomer Vincent Miller. Supporting actors include Toby Wallace, Tara Morice, Chloé Hayden (“Heartbreak High”) and Michael Logo (“Colin From Accounts”).
“Inside” is being produced by Marian Macgowan for Macgowan Films and Kate Glover for Never Sleep Pictures, with Thomas M. Wright...
The story sees after a young man transferred from juvenile to adult prison, where he is taken under the wing of both Australia’s most despised criminal, and a soon-to-be-a-paroled inmate. A paternal triangle grows between them, suggesting that even the worst of men may have a little bit of good inside them — that will be their eventual undoing.
The cast is headed by Pearce, Cosmo Jarvis and newcomer Vincent Miller. Supporting actors include Toby Wallace, Tara Morice, Chloé Hayden (“Heartbreak High”) and Michael Logo (“Colin From Accounts”).
“Inside” is being produced by Marian Macgowan for Macgowan Films and Kate Glover for Never Sleep Pictures, with Thomas M. Wright...
- 12/17/2023
- by Patrick Frater
- Variety Film + TV
Australian and New Zealand indie distributor Umbrella Entertainment will launch Brollie, a free of charge, ad-supported streaming service later this month. It will lean on Umbrella’s library of classic content and claims to be the first free streaming platform specializing in Australian film and TV content.
Brollie will launch on Nov. 23 with over 300 titles including: “Babadook”; “Two Hands” (dir. Gregor Jordan, 1999); cult classics “Sweat”; “Erskineville Kings”; and “Cut” starring Kylie Minogue.
Brollie will also have a section for Indigenous Australia, including a collection of films starring Aboriginal screen legend David Gulpilil. These include “Walkabout”; “Storm Boy”; and “The Last Wave”.
A documentary slate includes “Servant or Slave” and “Ablaze”.
Subscribers will be invited to be part of the Brollie Film Club, where Brollie’s in-house team handpicks the best of the catalogue twice a month. Members can terrify themselves with the ‘Australian Nightmares’ collection exploring the best of Aussie...
Brollie will launch on Nov. 23 with over 300 titles including: “Babadook”; “Two Hands” (dir. Gregor Jordan, 1999); cult classics “Sweat”; “Erskineville Kings”; and “Cut” starring Kylie Minogue.
Brollie will also have a section for Indigenous Australia, including a collection of films starring Aboriginal screen legend David Gulpilil. These include “Walkabout”; “Storm Boy”; and “The Last Wave”.
A documentary slate includes “Servant or Slave” and “Ablaze”.
Subscribers will be invited to be part of the Brollie Film Club, where Brollie’s in-house team handpicks the best of the catalogue twice a month. Members can terrify themselves with the ‘Australian Nightmares’ collection exploring the best of Aussie...
- 11/14/2023
- by Patrick Frater
- Variety Film + TV
Has any young actress ever had a year Katharine Hepburn experienced in 1933? After making her film debut in 1932’s “Bill of Divorcement” with John Barrymore, the 26-year-old with the preternatural cheekbones demonstrated her versatility in three exceptional motion pictures 90 years ago. The great Kate soared high as famed aviatrix who has a tragic affair with a married member of Parliament in Dorothy Arzner’s daring pre-code romantic drama “Christopher Strong.” Next up was “Morning Glory,” for which she won her first of four best actress Oscars-and of course was a no-show at the ceremony- as an eager young actress. And Hepburn ended the year with “Little Women,” the acclaimed box office hit which made $100,000 during its first week at Radio City Music Hall, based on Louisa May Alcott’s beloved novel.
Most “little women” have read Alcott’s autobiographical coming-of-age novel that was published in two volumes in 1868 and 1869. Set...
Most “little women” have read Alcott’s autobiographical coming-of-age novel that was published in two volumes in 1868 and 1869. Set...
- 10/2/2023
- by Susan King
- Gold Derby
Christian Bale starred in the 1994 film Little Women during his rise to mega stardom. The movie starred a predominantly female cast, which Bale once quipped he felt a male possessiveness over.
Why Christian Bale said he felt very possessive on the set of ‘Little Women’ Christian Bale | Axelle/Bauer-Griffin/FilmMagic
Little Women was a 1994 film adaptation of the Louisa May Alcott novel of the same name. The movie featured an ensemble cast that included the film’s star Winona Ryder, Kirsten Dunst, and Susan Sarandon. Bale was soon cast as Ryder’s neighbor and potential love interest in the feature.
A much younger Bale first became vaguely aware of the project after a meeting with the film’s director Gillian Armstrong. But at the time of the meeting, Bale confided that he understood very little about the details of Armstrong’s movie.
“First night in Vancouver–it was summertime, the...
Why Christian Bale said he felt very possessive on the set of ‘Little Women’ Christian Bale | Axelle/Bauer-Griffin/FilmMagic
Little Women was a 1994 film adaptation of the Louisa May Alcott novel of the same name. The movie featured an ensemble cast that included the film’s star Winona Ryder, Kirsten Dunst, and Susan Sarandon. Bale was soon cast as Ryder’s neighbor and potential love interest in the feature.
A much younger Bale first became vaguely aware of the project after a meeting with the film’s director Gillian Armstrong. But at the time of the meeting, Bale confided that he understood very little about the details of Armstrong’s movie.
“First night in Vancouver–it was summertime, the...
- 5/23/2023
- by Antonio Stallings
- Showbiz Cheat Sheet
George Miller's "Mad Max" was a wild undertaking. The dystopian action flick, which envisioned an Australia verging on lawlessness due to a worldwide oil shortage, became a box office sensation on the strength of its calamitous, perilously practical high-speed car chases and fiery crashes. U.S. cinema was hardly lacking for such entertainment, but there was a breakneck, open-road fury to Miller's film that set it apart from its stateside counterparts.
Set safety regulations were not quite what they are today in the 1970s; in fact, they were practically non-existent in Australia. Though the country's cinema was in the midst of a "New Wave" of its own as the 1980s approached, the films being made by Peter Weir, Gillian Armstrong, and Bruce Beresford were atmospheric dramas that asked viewers to soak in the eerie beauty of the land down under. They were not stunt-heavy affairs. "Mad Max" was,...
Set safety regulations were not quite what they are today in the 1970s; in fact, they were practically non-existent in Australia. Though the country's cinema was in the midst of a "New Wave" of its own as the 1980s approached, the films being made by Peter Weir, Gillian Armstrong, and Bruce Beresford were atmospheric dramas that asked viewers to soak in the eerie beauty of the land down under. They were not stunt-heavy affairs. "Mad Max" was,...
- 5/20/2023
- by Jeremy Smith
- Slash Film
From The Video Archives Podcast, writer/director Roger Avary and writer/producer Gala Avary discuss a few of their favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
- 2/28/2023
- by Kris Millsap
- Trailers from Hell
It is my experience that one gets a far richer, stranger cinema education in pursuing the careers of actors, that group defined first by (assuming luck shines upon them) two or three era-defining films and then so much that dictates their industry—pet projects, contractual obligations, called-in favors alimony payments, auteur one-offs, and on and on. Few embody that deluge of circumstance better than Michelle Yeoh and Isabelle Huppert, both of whom are receiving spotlights in March. The former’s is a who’s-who of Hong Kong talent, new favorites (The Heroic Trio), items we can at least say are of interest (Trio‘s not-great sequel Executioners), etc.
Huppert’s series runs longer, and notwithstanding certain standards that have long sat on the channel it adds some heavy hitters: Hong’s In Another Country, Cimino’s Heaven’s Gate, Breillat’s Abuse of Weakness, Hansen-Løve’s Things to Come. And, of course,...
Huppert’s series runs longer, and notwithstanding certain standards that have long sat on the channel it adds some heavy hitters: Hong’s In Another Country, Cimino’s Heaven’s Gate, Breillat’s Abuse of Weakness, Hansen-Løve’s Things to Come. And, of course,...
- 2/22/2023
- by Nick Newman
- The Film Stage
The clichéd view of genius-level artists dictates that brilliance comes with the heaviest of tolls. The greats, the pioneers — these people are tortured from the crib and grow up unloved or abused. Some can feign happiness, but, deep down, they're driven by grievance and frequently undone by inner demons. Worst case, they bounce from marriage to marriage and neglect their children, who subsequently hate them and wind up writing a tell-all memoir. Best case, they're miserable jerks who can't enjoy the riches and plaudits bestowed upon them.
Except for Cate Blanchett. If everything I've read about Blanchett is to be trusted, the two-time Academy Award-winning actor is an absolute joy to work with and know. She is completely unguarded in interviews. There is no mystery to her. She is, by her own admission, a happily married mother of four whose greatest personal tragedy is that she cannot carve out the...
Except for Cate Blanchett. If everything I've read about Blanchett is to be trusted, the two-time Academy Award-winning actor is an absolute joy to work with and know. She is completely unguarded in interviews. There is no mystery to her. She is, by her own admission, a happily married mother of four whose greatest personal tragedy is that she cannot carve out the...
- 2/3/2023
- by Jeremy Smith
- Slash Film
"Is that you, John Wayne? Is this me?"
It's a recurring line in "Full Metal Jacket," Stanley Kubrick's intense 1987 war meditation as famous for its colorful language and memorable characters as it is for its scrutiny of the Vietnam conflict. The line is first uttered by Matthew Modine's J.T. Davis, a new Marine recruit at Parris Island. Delivered within a full-throated impersonation of the Golden Age movie star, the cheeky statement lands Davis on the radar of sadistic drill instructor Gunnery Sergeant Hartman (R. Lee Ermey), earning the quipster the nickname "Pvt. Joker" for the bulk of the movie. See the moment here, and enjoy the subsequent cornucopia of curses that flows from the D.I.'s lips.
Speaking to The Hollywood Reporter, the "Pacific Heights" star unearths the story behind Private Joker's drawling John Wayne impression which, it turns out, was cultivated three years before stepping onto Kubrick's set.
It's a recurring line in "Full Metal Jacket," Stanley Kubrick's intense 1987 war meditation as famous for its colorful language and memorable characters as it is for its scrutiny of the Vietnam conflict. The line is first uttered by Matthew Modine's J.T. Davis, a new Marine recruit at Parris Island. Delivered within a full-throated impersonation of the Golden Age movie star, the cheeky statement lands Davis on the radar of sadistic drill instructor Gunnery Sergeant Hartman (R. Lee Ermey), earning the quipster the nickname "Pvt. Joker" for the bulk of the movie. See the moment here, and enjoy the subsequent cornucopia of curses that flows from the D.I.'s lips.
Speaking to The Hollywood Reporter, the "Pacific Heights" star unearths the story behind Private Joker's drawling John Wayne impression which, it turns out, was cultivated three years before stepping onto Kubrick's set.
- 11/28/2022
- by Anya Stanley
- Slash Film
This story about the best international film schools first appeared in the College Issue of TheWrap’s awards magazine.
Australian Film, Television And Radio School
Sydney, Australia
“Aftrs was perfect because it was…practical,” says songwriter Christine Kirkwood, who graduated from Australia’s national screen and broadcast school after a six-month government program to train women in filmmaking. Her fellow alums include Gillian Armstrong and Phillip Noyce, who were in the school’s first graduating class in 1973, as well as Jane Campion, Cate Shortland and cinematographer Andrew Lesnie. Located near the Fox Studios in Sydney, the campus includes studios, post-production facilities and an extensive library.
Aftrs has a robust First Nations and Outreach program for indigenous students, and in early 2023 a new partnership with Industrial Light & Magic will allow the school to begin offering a two-semester Graduate Diploma in Visual Effects program. Other new offerings include a Screen Warriors program that will recruit,...
Australian Film, Television And Radio School
Sydney, Australia
“Aftrs was perfect because it was…practical,” says songwriter Christine Kirkwood, who graduated from Australia’s national screen and broadcast school after a six-month government program to train women in filmmaking. Her fellow alums include Gillian Armstrong and Phillip Noyce, who were in the school’s first graduating class in 1973, as well as Jane Campion, Cate Shortland and cinematographer Andrew Lesnie. Located near the Fox Studios in Sydney, the campus includes studios, post-production facilities and an extensive library.
Aftrs has a robust First Nations and Outreach program for indigenous students, and in early 2023 a new partnership with Industrial Light & Magic will allow the school to begin offering a two-semester Graduate Diploma in Visual Effects program. Other new offerings include a Screen Warriors program that will recruit,...
- 11/2/2022
- by TheWrap Staff
- The Wrap
Photo: ‘Little Women’ It’s been nearly three years since the release of 2019’s ‘Little Women,’ based on the classic novel of the same name, and directed and adapted by Greta Gerwig (who is also known for her work ‘Ladybird’ and the upcoming ‘Barbie’ movie). This was far from the first adaptation of the story, as it has been manufactured for the screen time and time again. Most notably, we have the 1994 version, directed by Gillian Armstrong, and starring Winona Ryder as Jo March. Looking further back, we also have the 1933 version, directed by George Cukor, and starring Katharine Hepburn as Jo March. The most recent 2019 depiction makes a name for itself through Gerwig’s attentive writing, its two-timeline structure, and its brilliant cast. This ‘Little Women’ has brought the story to a modern audience and has skyrocketed in popularity amongst young girls, as they have been able to find...
- 10/26/2022
- by Rachel Beltowski
- Hollywood Insider - Substance & Meaningful Entertainment
Hilary Linstead, casting director, agent and film and stage producer died on Aug. 6 after contracting a form of leukaemia. She was 83.
Described as a “force of nature” by her friends and colleagues, Linstead nurtured and promoted some of Australia’s most famous artistic talents, including directors such as John Bell, Baz Luhrmann, Gillian Armstrong, Jim Sharman, Jane Campion and Neil Armfield, and many writers, designers, composers, cinematographers, choreographers, comedians and performers.
Born in London in 1938, and educated at Cheltenham Ladies College, Linstead went to Australia as a professional actor, as a member of an English touring company. After realizing that acting was not for her, Linstead found her metier as a casting director and worked in an advertising company and at International Casting Services representing actresses. In 1962 she married Leon Stemler.
The turning point in her career came when she joined Liz Mullinar to found M&l Casting Consultants, which became...
Described as a “force of nature” by her friends and colleagues, Linstead nurtured and promoted some of Australia’s most famous artistic talents, including directors such as John Bell, Baz Luhrmann, Gillian Armstrong, Jim Sharman, Jane Campion and Neil Armfield, and many writers, designers, composers, cinematographers, choreographers, comedians and performers.
Born in London in 1938, and educated at Cheltenham Ladies College, Linstead went to Australia as a professional actor, as a member of an English touring company. After realizing that acting was not for her, Linstead found her metier as a casting director and worked in an advertising company and at International Casting Services representing actresses. In 1962 she married Leon Stemler.
The turning point in her career came when she joined Liz Mullinar to found M&l Casting Consultants, which became...
- 8/18/2022
- by Naman Ramachandran
- Variety Film + TV
Hilary Linstead, the agent, casting director and film producer who launched Australia’s first talent agency, has died aged 83.
Talked of as a “force of nature” by industry friends, Linstead is considered to have nurtured many of Australia’s most successful stage, film and TV talents, and is known for discovering Rome and Juliet director Baz Luhrmann among others, representing him and the likes of Power of the Dog director Jane Campion, Gillian Armstrong (Little Women) and Adelaide festival joint artistic director Neil Armfield.
Linstead was born in London in 1938 but moved to Australia to become an actress. However, she soon switched to become a casting director and worked at International Casting Services representing actresses. She then teamed with Liz Mullinar to form M&l Casting Consultants, which led casting on productions such as Rocky Horror Show and Jesus Christ Superstar and Australian film classics such as Picnic at Hanging Rock.
Talked of as a “force of nature” by industry friends, Linstead is considered to have nurtured many of Australia’s most successful stage, film and TV talents, and is known for discovering Rome and Juliet director Baz Luhrmann among others, representing him and the likes of Power of the Dog director Jane Campion, Gillian Armstrong (Little Women) and Adelaide festival joint artistic director Neil Armfield.
Linstead was born in London in 1938 but moved to Australia to become an actress. However, she soon switched to become a casting director and worked at International Casting Services representing actresses. She then teamed with Liz Mullinar to form M&l Casting Consultants, which led casting on productions such as Rocky Horror Show and Jesus Christ Superstar and Australian film classics such as Picnic at Hanging Rock.
- 8/18/2022
- by Jesse Whittock
- Deadline Film + TV
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "The Secret Garden" (1993)
Where You Can Stream It: HBO Max
The Pitch: Young Mary Lennox (Kate Maberly) is an orphan. She was born in British-occupied India, where she was raised by her exceptionally wealthy and thoroughly ineffectual parents who were killed during an earthquake. Mary was always doted on by servants, never wanting for anything ... except basic affection from her mom and dad. In the aftermath of their death, she's sent to live with her estranged uncle, Lord Archibald Craven (John Lynch), in his enormous mansion in the English countryside. The Yorkshire estate, Misselthwaite Manor, is dark and brooding, teeming with her family's long-held secrets of sorrow and loss.
After arriving, Mary is warned by the manor's stern housekeeper,...
The Movie: "The Secret Garden" (1993)
Where You Can Stream It: HBO Max
The Pitch: Young Mary Lennox (Kate Maberly) is an orphan. She was born in British-occupied India, where she was raised by her exceptionally wealthy and thoroughly ineffectual parents who were killed during an earthquake. Mary was always doted on by servants, never wanting for anything ... except basic affection from her mom and dad. In the aftermath of their death, she's sent to live with her estranged uncle, Lord Archibald Craven (John Lynch), in his enormous mansion in the English countryside. The Yorkshire estate, Misselthwaite Manor, is dark and brooding, teeming with her family's long-held secrets of sorrow and loss.
After arriving, Mary is warned by the manor's stern housekeeper,...
- 8/18/2022
- by Ariel Fisher
- Slash Film
During the first half of the 1980s, the announcement of every new James Bond film was met with speculation about whether then-current 007 Roger Moore would continue in the role. At that point, Moore did not have a long term contract but negotiated his deal on a film-by-film basis, which sometimes resulted in producer Albert Broccoli’s Eon Productions auditioning new actors for the part as a means of leveraging their position with Moore.
However, by the time of his seventh Bond effort, 1985’s A View to a Kill, it was clear that the 57-year-old Moore was simply aging out of the role. Moore stepped down, and auditions began in earnest for a new Bond to take over in what would become 1987’s The Living Daylights. One of the actors under serious consideration, and who was reportedly the frontrunner with some members of Eon, was New Zealand-based Sam Neill.
Neill, who...
However, by the time of his seventh Bond effort, 1985’s A View to a Kill, it was clear that the 57-year-old Moore was simply aging out of the role. Moore stepped down, and auditions began in earnest for a new Bond to take over in what would become 1987’s The Living Daylights. One of the actors under serious consideration, and who was reportedly the frontrunner with some members of Eon, was New Zealand-based Sam Neill.
Neill, who...
- 6/14/2022
- by Don Kaye
- Den of Geek
Glittering in flowing black sequins, two-time Oscar-winner Cate Blanchett, the second-youngest recipient of Film at Lincoln Center’s coveted 47th Chaplin Award, was ushered to her seat at Alice Tully Hall to resounding applause.
As Film at Lincoln Center president Daniel H. Stern intoned the usual litany of praise and tribute to “one of the most versatile and talented actresses working today,” he eventually had to inform the crowd that the two starry presenters of the night, “Carol” filmmaker Todd Haynes and “Nightmare Alley” star Bradley Cooper, couldn’t make the event due to a direct Covid hit, in Haynes’ case. Cooper was under the weather, he said. (A Searchlight source said Cooper’s daughter had Covid.)
But a voice pierced the darkness. “I’m here!,” cried Blanchett. The audience cheered.
Over the course of the night, between videos of former winners and Blanchett stans like fellow-Aussie Hugh Jackman, Martin Scorsese...
As Film at Lincoln Center president Daniel H. Stern intoned the usual litany of praise and tribute to “one of the most versatile and talented actresses working today,” he eventually had to inform the crowd that the two starry presenters of the night, “Carol” filmmaker Todd Haynes and “Nightmare Alley” star Bradley Cooper, couldn’t make the event due to a direct Covid hit, in Haynes’ case. Cooper was under the weather, he said. (A Searchlight source said Cooper’s daughter had Covid.)
But a voice pierced the darkness. “I’m here!,” cried Blanchett. The audience cheered.
Over the course of the night, between videos of former winners and Blanchett stans like fellow-Aussie Hugh Jackman, Martin Scorsese...
- 4/26/2022
- by Anne Thompson
- Indiewire
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And sometimes we’re lucky enough to talk to them directly!
Today is one of those glorious days. Conor and I are joined by Guy Pearce, the incomparable actor who’s got a new film coming out in theaters – Memory (April 29th!) – and plenty of accomplished past work to dig into as well.
We focus on The Count of Monte Cristo, The Hard Word, and Lockout (a.k.a. Space Jail). Plenty more is touched on in our 25 minutes of Guy Talk. Pearce explains his disappointment in Gillian Armstrong’s Death Defying Acts getting buried by Harvey Weinstein fifteen years ago, gets honest about certain movies he deems his “divorce films,” and highlights other B-Sides he’d...
Today is one of those glorious days. Conor and I are joined by Guy Pearce, the incomparable actor who’s got a new film coming out in theaters – Memory (April 29th!) – and plenty of accomplished past work to dig into as well.
We focus on The Count of Monte Cristo, The Hard Word, and Lockout (a.k.a. Space Jail). Plenty more is touched on in our 25 minutes of Guy Talk. Pearce explains his disappointment in Gillian Armstrong’s Death Defying Acts getting buried by Harvey Weinstein fifteen years ago, gets honest about certain movies he deems his “divorce films,” and highlights other B-Sides he’d...
- 4/21/2022
- by Dan Mecca
- The Film Stage
Have you ever been mesmerized by a magician on the big screen? Magic has always been a popular topic for movies, and there have been some great ones.
Hollywood has always been fascinated by the world of magic and illusion. From the early days of cinema, magicians have been appearing on the silver screen, performing their tricks for the amusement of moviegoers.
13 Movies About Twins You Can’t Miss
In recent years, there has been a renewed interest in magic in movies, with several films exploring the theme of magic and its place in the modern world.
These movies offer a unique perspective on the world of magic and provide audiences with an insight into the fascinating world of magicians.
They are also entertaining and often humorous, providing viewers with an enjoyable way to escape from the everyday world. Whether you are interested in the history of magic or want...
Hollywood has always been fascinated by the world of magic and illusion. From the early days of cinema, magicians have been appearing on the silver screen, performing their tricks for the amusement of moviegoers.
13 Movies About Twins You Can’t Miss
In recent years, there has been a renewed interest in magic in movies, with several films exploring the theme of magic and its place in the modern world.
These movies offer a unique perspective on the world of magic and provide audiences with an insight into the fascinating world of magicians.
They are also entertaining and often humorous, providing viewers with an enjoyable way to escape from the everyday world. Whether you are interested in the history of magic or want...
- 4/4/2022
- by Israr
- buddytv.com
A striking number of Oscar-nominated acting talent from 2021 got their start at a young age, with the power and excitement of performing for the screen grabbing them early and never letting go. Kristen Stewart began acting at age 8, and just received her first Oscar nomination for her portrayal of Princess Diana in “Spencer.” She recently spoke to Nicole Kidman, who landed her fifth nomination with her portrayal of Lucille Ball in “Being the Ricardos” for Variety’s “Actors on Actors,” about their youthful careers. Stewart spoke of discovering fame with “Twilight.” “When I started doing that movie, I was 17 and I was just a little inside-out person,” Stewart said. “I was walking around with all my blood on the outside of my body.”
Kidman replied: “I was 14. I remember Anthony Minghella saying to me, ‘You are skinless.’ I think that’s what you’re describing. Vulnerable, exposed, everything you are going through is for consumption.
Kidman replied: “I was 14. I remember Anthony Minghella saying to me, ‘You are skinless.’ I think that’s what you’re describing. Vulnerable, exposed, everything you are going through is for consumption.
- 3/11/2022
- by Nick Clement
- Variety Film + TV
America has officially celebrated Women’s History month since the 1980s when a feminist surge for equal job opportunities and education blossomed out of local celebrations and the International Women’s Day holiday, as well as Women’s History Week. And for the entire month of March, the streaming service HBO Max is celebrating Women’s History Month with programming devoted entirely to stories about women.
HBO Max is stacked with movies and shows that show complex female leads, and along with their spotlight page offerings, HBO is offering a first ever in-app trivia experience to celebrate the event. The HBO Max Women’s History Month Trivia tray allows fans to discover entertainment milestones that all involve women. To reveal the answer, viewers can simply click or tap the tile.
HBO Max has curated a list of films, TV shows and documentaries that reflect empowering and challenging female characters, overlooked and underrated performances,...
HBO Max is stacked with movies and shows that show complex female leads, and along with their spotlight page offerings, HBO is offering a first ever in-app trivia experience to celebrate the event. The HBO Max Women’s History Month Trivia tray allows fans to discover entertainment milestones that all involve women. To reveal the answer, viewers can simply click or tap the tile.
HBO Max has curated a list of films, TV shows and documentaries that reflect empowering and challenging female characters, overlooked and underrated performances,...
- 3/2/2022
- by Dessi Gomez
- The Wrap
A new documentary examines Mia Farrow’s father, a prolific film-maker from Marrickville with a backstory stranger than fiction
History has largely ignored John Farrow. Despite the Marrickville-born film-maker carving out a staggering body of work – directing about 50 features for major US studios and working with stars including John Wayne and Bette Davis – it’s as though he barely even existed, beyond his name appearing in credits.
The story of cinema is punctuated by those who rise to fame while countless others are relegated to the ash heap of history. John Farrow: Hollywood’s Man in the Shadows is a new documentary that shines a light on the Australian artist who was once a mover and shaker in Tinseltown, but whose legacy went the way of the dodo – similar to Gillian Armstrong’s 2015 film Women He’s Undressed, which examines the life of Australian-born costume designer Orry-Kelly.
History has largely ignored John Farrow. Despite the Marrickville-born film-maker carving out a staggering body of work – directing about 50 features for major US studios and working with stars including John Wayne and Bette Davis – it’s as though he barely even existed, beyond his name appearing in credits.
The story of cinema is punctuated by those who rise to fame while countless others are relegated to the ash heap of history. John Farrow: Hollywood’s Man in the Shadows is a new documentary that shines a light on the Australian artist who was once a mover and shaker in Tinseltown, but whose legacy went the way of the dodo – similar to Gillian Armstrong’s 2015 film Women He’s Undressed, which examines the life of Australian-born costume designer Orry-Kelly.
- 11/8/2021
- by Luke Buckmaster
- The Guardian - Film News
Team Experience is celebrating Winona Ryder this week for her 50th birthday
by Timothy Lyons
1994 was a watershed year for a young Winona Ryder. It started with her first Oscar nomination (and a Golden Globe win) for her performance in Martin Scorsese’s The Age of Innocence and would come to a close with the Christmas release of Gillian Armstrong’s superior adaptation of Little Women with Ryder’s performance as Jo leading to her second Oscar nomination in as many years (more on that tomorrow). Sandwiched between this diptych of heavily-costumed prestige pics was the release of Ben Stiller’s Reality Bites. Here was a film that would come to define a generation (Generation X) and featured the best, most natural, and luminescent performance of Ryder’s career.
I am a huge Winona Ryder fan - let me get that out of the way before we go further. She...
by Timothy Lyons
1994 was a watershed year for a young Winona Ryder. It started with her first Oscar nomination (and a Golden Globe win) for her performance in Martin Scorsese’s The Age of Innocence and would come to a close with the Christmas release of Gillian Armstrong’s superior adaptation of Little Women with Ryder’s performance as Jo leading to her second Oscar nomination in as many years (more on that tomorrow). Sandwiched between this diptych of heavily-costumed prestige pics was the release of Ben Stiller’s Reality Bites. Here was a film that would come to define a generation (Generation X) and featured the best, most natural, and luminescent performance of Ryder’s career.
I am a huge Winona Ryder fan - let me get that out of the way before we go further. She...
- 10/27/2021
- by Timothy Lyons
- FilmExperience
Members of the Australian Directors’ Guild have had the chance to hear from some of the country’s most established filmmakers over the past five months as part of the Adg-40 ‘First-Hand’ sessions.
Consisting of 40 weekly one-hour webinars fronted by industry mentors, the initiative is due to start again this week following a short break, with Claire McCarthy (The Turning) to share insights from her career on Thursday.
It comes after contributions from Gillian Armstrong, Rachel Perkins, Rolf de Heer, Samantha Lang, Corrie Chen, Ben Lawrence, Ana Kokkinos, Megan Riakos, Josephine Mackerras, Robert Connolly, Garth Davis, Sally Aitken, Jub Clerc, Kriv Stenders, Tom Zubrycki, Anna Broinowski, Peter Andrikidis, Jasmin Tarasin, and Glendyn Ivin.
The sessions are moderated by Adg strategy and development executive Ana Tiwary who is responsible for collating questions from those tuning in.
She has tried to focus on topics covering the practical aspects of directing that cannot be learned from a book,...
Consisting of 40 weekly one-hour webinars fronted by industry mentors, the initiative is due to start again this week following a short break, with Claire McCarthy (The Turning) to share insights from her career on Thursday.
It comes after contributions from Gillian Armstrong, Rachel Perkins, Rolf de Heer, Samantha Lang, Corrie Chen, Ben Lawrence, Ana Kokkinos, Megan Riakos, Josephine Mackerras, Robert Connolly, Garth Davis, Sally Aitken, Jub Clerc, Kriv Stenders, Tom Zubrycki, Anna Broinowski, Peter Andrikidis, Jasmin Tarasin, and Glendyn Ivin.
The sessions are moderated by Adg strategy and development executive Ana Tiwary who is responsible for collating questions from those tuning in.
She has tried to focus on topics covering the practical aspects of directing that cannot be learned from a book,...
- 9/6/2021
- by Sean Slatter
- IF.com.au
CinefestOZ Film Festival has awarded actress Isla Fisher its Screen Legend prize for 2021.
The award recognises an Australian actor or filmmaker of international repute and their role in supporting excellence in Australian filmmaking.
Fisher, who was born in Oman and grew up in Perth, has been a fixture of Australian screens since she was nine, when she started in TV commercials before being cast as Shannon Reed in Home & Away, a role she played for three years.
Her career internationally took off with The Wedding Crashers, followed by a range of roles in films such as Rango, The Great Gatsby, Nocturnal Animals, Definitely, Maybe , Now You See Me, Hot Rod, The Brothers Grimsby alongside her husband Sacha Baron Cohen, and Blithe Spirit. Her most recent role is in Stan/Peacock’s upcoming series Wolf Like Me, opposite Josh Gad.
Fisher studied commedia dell’arte in Paris at the renowned L’école Jacques Lecoq performance school,...
The award recognises an Australian actor or filmmaker of international repute and their role in supporting excellence in Australian filmmaking.
Fisher, who was born in Oman and grew up in Perth, has been a fixture of Australian screens since she was nine, when she started in TV commercials before being cast as Shannon Reed in Home & Away, a role she played for three years.
Her career internationally took off with The Wedding Crashers, followed by a range of roles in films such as Rango, The Great Gatsby, Nocturnal Animals, Definitely, Maybe , Now You See Me, Hot Rod, The Brothers Grimsby alongside her husband Sacha Baron Cohen, and Blithe Spirit. Her most recent role is in Stan/Peacock’s upcoming series Wolf Like Me, opposite Josh Gad.
Fisher studied commedia dell’arte in Paris at the renowned L’école Jacques Lecoq performance school,...
- 8/26/2021
- by Staff Writer
- IF.com.au
Marcia Nasatir was never someone to be ignored, from her days as a young woman in New York publishing in the ’60s through her run as a top Hollywood production executive and her independent producing years. She set a path for many women to follow, and they did. She knew her worth and demanded equal treatment. She died Tuesday at age 95, after moving into the Motion Picture Home.
Even as a young woman, Nasatir was a forceful personality. Critic Joe Morgenstern first met her through their mutual friend Pauline Kael in the mid-1960s, he wrote in an email, “when Marcia was still a literary agent and before she became a studio executive at United Artists and rose to fill the position, with passion and distinction, that prompted her to use ‘firstmogulette’ as her email address. She knew books and loved them, but movies were her greater love, and as...
Even as a young woman, Nasatir was a forceful personality. Critic Joe Morgenstern first met her through their mutual friend Pauline Kael in the mid-1960s, he wrote in an email, “when Marcia was still a literary agent and before she became a studio executive at United Artists and rose to fill the position, with passion and distinction, that prompted her to use ‘firstmogulette’ as her email address. She knew books and loved them, but movies were her greater love, and as...
- 8/4/2021
- by Anne Thompson
- Thompson on Hollywood
Marcia Nasatir was never someone to be ignored, from her days as a young woman in New York publishing in the ’60s through her run as a top Hollywood production executive and her independent producing years. She set a path for many women to follow, and they did. She knew her worth and demanded equal treatment. She died Tuesday at age 95, after moving into the Motion Picture Home.
Even as a young woman, Nasatir was a forceful personality. Critic Joe Morgenstern first met her through their mutual friend Pauline Kael in the mid-1960s, he wrote in an email, “when Marcia was still a literary agent and before she became a studio executive at United Artists and rose to fill the position, with passion and distinction, that prompted her to use ‘firstmogulette’ as her email address. She knew books and loved them, but movies were her greater love, and as...
Even as a young woman, Nasatir was a forceful personality. Critic Joe Morgenstern first met her through their mutual friend Pauline Kael in the mid-1960s, he wrote in an email, “when Marcia was still a literary agent and before she became a studio executive at United Artists and rose to fill the position, with passion and distinction, that prompted her to use ‘firstmogulette’ as her email address. She knew books and loved them, but movies were her greater love, and as...
- 8/4/2021
- by Anne Thompson
- Indiewire
To celebrate the 40 years since its inception, the Australian Directors’ Guild (Adg) will launch a series of mentoring sessions from some of its most high profile members, starting this week.
Adg-40 ‘First-Hand’ consists of 40 60-minute Zoom forums in a moderated Q&a format that will be held each Tuesday and Thursday from April 8.
Each Adg-40 ‘First-Hand’ webinar will be provided free-of-charge to Adg members across Australia and will include on-notice and ‘from the floor’ questions.
Adg strategy and development executive Ana Tiwary will moderate the forums, with president Samantha Lang to introduce the inaugural session mentor – Adg’s first president, Gillian Armstrong.
Armstrong said she was “delighted” to have the opportunity to “hopefully assist and inspire” the next generation of director members.
“It’s hard to believe it’s 40 years since a passionate and noisy group of us gathered around my kitchen table to form some sort of guild to protect Australian directors,...
Adg-40 ‘First-Hand’ consists of 40 60-minute Zoom forums in a moderated Q&a format that will be held each Tuesday and Thursday from April 8.
Each Adg-40 ‘First-Hand’ webinar will be provided free-of-charge to Adg members across Australia and will include on-notice and ‘from the floor’ questions.
Adg strategy and development executive Ana Tiwary will moderate the forums, with president Samantha Lang to introduce the inaugural session mentor – Adg’s first president, Gillian Armstrong.
Armstrong said she was “delighted” to have the opportunity to “hopefully assist and inspire” the next generation of director members.
“It’s hard to believe it’s 40 years since a passionate and noisy group of us gathered around my kitchen table to form some sort of guild to protect Australian directors,...
- 4/5/2021
- by Sean Slatter
- IF.com.au
Despite the proliferation of streaming services, it’s becoming increasingly clear that any cinephile only needs subscriptions to a few to survive. Among the top of our list are The Criterion Channel and Mubi and now they’ve each unveiled their stellar April line-ups.
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
- 3/26/2021
- by Jordan Raup
- The Film Stage
Don’t let the name fool you: Turner Classic Movies is redefining the parameters for “classic” films. The Ted Turner-created network, known for bringing the world of Old Hollywood filmmaking into viewers’ homes for over 25 years, has long been the perfect place to catch a 1940s film noir or see an Oscar-winning feature from 1933. But now it’s becoming a launchpad for showcasing diverse cinema — in what’s it’s always been and what it can be.
After diving into the world of African American cinema and directors, as well as devoting time to showcasing disability in movies, TCM is casting an eye toward female directors. Their series “Women Make Film” is their most ambitious project yet: a three-month event aimed at promoting the work of women directors. Programming won’t just highlight directors from America and Europe, but worldwide filmmakers, as well.
The series will include a lengthy...
After diving into the world of African American cinema and directors, as well as devoting time to showcasing disability in movies, TCM is casting an eye toward female directors. Their series “Women Make Film” is their most ambitious project yet: a three-month event aimed at promoting the work of women directors. Programming won’t just highlight directors from America and Europe, but worldwide filmmakers, as well.
The series will include a lengthy...
- 8/31/2020
- by Kristen Lopez
- Indiewire
By Glenn Dunks
The Criterion Channel recently added a whole bunch of Australian movies from well-known directors like Peter Weir, Gillian Armstrong and Phillip Noyce onto their service. While some titles from the “Australian New Wave” series were (I think?) already on there, there are many that are not only new to the service but new to American streaming full stop.
The series features 21 titles that range from 1971 to 1982, several of which are stone cold masterpieces. In a funny little merging of cinematic timelines, a few of these movies have more historically been ignored by the prestigious banner of the new wave era as their genre elements meant they often get lumped less nobly into the “Ozploitation” sidebar of exploitation, sex comedies and horror movies. Whatever it took, however, I’m happy to see some of my favourites find a streaming home internationally.
Now if only Criterion would add more...
The Criterion Channel recently added a whole bunch of Australian movies from well-known directors like Peter Weir, Gillian Armstrong and Phillip Noyce onto their service. While some titles from the “Australian New Wave” series were (I think?) already on there, there are many that are not only new to the service but new to American streaming full stop.
The series features 21 titles that range from 1971 to 1982, several of which are stone cold masterpieces. In a funny little merging of cinematic timelines, a few of these movies have more historically been ignored by the prestigious banner of the new wave era as their genre elements meant they often get lumped less nobly into the “Ozploitation” sidebar of exploitation, sex comedies and horror movies. Whatever it took, however, I’m happy to see some of my favourites find a streaming home internationally.
Now if only Criterion would add more...
- 8/9/2020
- by Glenn Dunks
- FilmExperience
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
An American Pickle (Brandon Trost)
Seth Rogen plays dual roles in his latest comedy, American Pickle follows Seth Rogen both as Herschel Greenbaum, an immigrant who falls in a vat of pickled is brined for 100 years, and his great-grandson Ben Greenbaum, who is a computer coder and lives a very different life, to say the least. While there are certainly humorous sequences (a Brooklyn hipster couple’s first impressions of Greenbaum’s pickle stand comes foremost to mind), Rogen is far more interested in the definitions of family and loyalty, themes that are not explored with a great deal of emotional impact, but do add some heart to what...
An American Pickle (Brandon Trost)
Seth Rogen plays dual roles in his latest comedy, American Pickle follows Seth Rogen both as Herschel Greenbaum, an immigrant who falls in a vat of pickled is brined for 100 years, and his great-grandson Ben Greenbaum, who is a computer coder and lives a very different life, to say the least. While there are certainly humorous sequences (a Brooklyn hipster couple’s first impressions of Greenbaum’s pickle stand comes foremost to mind), Rogen is far more interested in the definitions of family and loyalty, themes that are not explored with a great deal of emotional impact, but do add some heart to what...
- 8/7/2020
- by Jordan Raup
- The Film Stage
Harry Clein, 82, co-founder of Hollywood PR agencies Clein + Feldman and Clein + White, died June 18 in Atlanta. He suffered from chronic obstructive pulmonary disorder.
I first met Clein in Manhattan in 1978 when I worked in the United Artists publicity bullpen at 729 Seventh Ave. He represented Alan J. Pakula on the western “Comes a Horseman,” starring James Caan and Jane Fonda. He admired my Annie Hall vests and fedoras; we bonded over his encyclopedic knowledge of film and Broadway musicals, and remained friends as he founded bicoastal press agency Clein + Feldman in 1981 with Bruce Feldman. Their first client, Pakula’s “Sophie’s Choice,” won Meryl Streep her second acting Oscar.
When I first moved to Los Angeles as the West Coast Editor of Film Comment, Clein + Feldman hired me to be the unit publicist on what would turn out to be Sam Peckinpah’s last movie, “The Osterman Weekend” (1983), starring Rutger Hauer, Dennis Hopper,...
I first met Clein in Manhattan in 1978 when I worked in the United Artists publicity bullpen at 729 Seventh Ave. He represented Alan J. Pakula on the western “Comes a Horseman,” starring James Caan and Jane Fonda. He admired my Annie Hall vests and fedoras; we bonded over his encyclopedic knowledge of film and Broadway musicals, and remained friends as he founded bicoastal press agency Clein + Feldman in 1981 with Bruce Feldman. Their first client, Pakula’s “Sophie’s Choice,” won Meryl Streep her second acting Oscar.
When I first moved to Los Angeles as the West Coast Editor of Film Comment, Clein + Feldman hired me to be the unit publicist on what would turn out to be Sam Peckinpah’s last movie, “The Osterman Weekend” (1983), starring Rutger Hauer, Dennis Hopper,...
- 7/24/2020
- by Anne Thompson
- Thompson on Hollywood
Harry Clein, 82, co-founder of Hollywood PR agencies Clein + Feldman and Clein + White, died June 18 in Atlanta. He suffered from chronic obstructive pulmonary disorder.
I first met Clein in Manhattan in 1978 when I worked in the United Artists publicity bullpen at 729 Seventh Ave. He represented Alan J. Pakula on the western “Comes a Horseman,” starring James Caan and Jane Fonda. He admired my Annie Hall vests and fedoras; we bonded over his encyclopedic knowledge of film and Broadway musicals, and remained friends as he founded bicoastal press agency Clein + Feldman in 1981 with Bruce Feldman. Their first client, Pakula’s “Sophie’s Choice,” won Meryl Streep her second Best Actress Oscar.
When I first moved to Los Angeles as the West Coast Editor of Film Comment, Clein + Feldman hired me to be the unit publicist on what would turn out to be Sam Peckinpah’s last movie, “The Osterman Weekend” (1983), starring Rutger Hauer,...
I first met Clein in Manhattan in 1978 when I worked in the United Artists publicity bullpen at 729 Seventh Ave. He represented Alan J. Pakula on the western “Comes a Horseman,” starring James Caan and Jane Fonda. He admired my Annie Hall vests and fedoras; we bonded over his encyclopedic knowledge of film and Broadway musicals, and remained friends as he founded bicoastal press agency Clein + Feldman in 1981 with Bruce Feldman. Their first client, Pakula’s “Sophie’s Choice,” won Meryl Streep her second Best Actress Oscar.
When I first moved to Los Angeles as the West Coast Editor of Film Comment, Clein + Feldman hired me to be the unit publicist on what would turn out to be Sam Peckinpah’s last movie, “The Osterman Weekend” (1983), starring Rutger Hauer,...
- 7/24/2020
- by Anne Thompson
- Indiewire
Harry Clein, a veteran film publicist who wrote the original press notes for Star Wars and helped develop the innovative internet campaign for The Blair Witch Project, died June 18 of chronic obstructive pulmonary disorder in Atlanta. He was 82.
His death was announced by spokesperson Mark Pogachefsky.
Clein, along with Bruce Feldman, cofounded the Clein + Feldman agency in 1981. Their first client was director Alan J. Pakula and his film Sophie’s Choice.
With offices on both coasts and quickly developing a reputation as an innovative shop for independent distributors, producers and filmmakers, the agency became Clein + White in 1989, with the addition of Cara White as a partner and the departure of Feldman for a studio career. Clein + White closed in 2000, with Clein focusing on producing and marketing consultation. He also taught at the Los Angeles Film School.
Earlier in his career, Clein was a unit publicist on such films as All the President’s Men,...
His death was announced by spokesperson Mark Pogachefsky.
Clein, along with Bruce Feldman, cofounded the Clein + Feldman agency in 1981. Their first client was director Alan J. Pakula and his film Sophie’s Choice.
With offices on both coasts and quickly developing a reputation as an innovative shop for independent distributors, producers and filmmakers, the agency became Clein + White in 1989, with the addition of Cara White as a partner and the departure of Feldman for a studio career. Clein + White closed in 2000, with Clein focusing on producing and marketing consultation. He also taught at the Los Angeles Film School.
Earlier in his career, Clein was a unit publicist on such films as All the President’s Men,...
- 7/24/2020
- by Greg Evans
- Deadline Film + TV
If you’re looking to dive into the best of independent and foreign filmmaking, The Criterion Channel has announced their August 2020 lineup. The impressive slate includes retrospectives dedicated to Mia Hansen-Løve, Bill Gunn, Stephen Cone, Terry Gilliam, Wim Wenders, Alain Delon, Bill Plympton, Les Blank, and more.
In terms of new releases, they also have Kleber Mendonça Filho and Juliano Dornelles’ Bacurau, the fascinating documentary John McEnroe: In the Realm of Perfection, the Kenyan LGBTQ drama Rafiki, and more. There’s also a series on Australian New Wave with films by Gillian Armstrong, Bruce Beresford, David Gulpilil, and Peter Weir, as well as one on bad vacations with Joanna Hogg’s Unrelated, Ben Wheatley’s Sightseers, and more.
See the lineup below and explore more on their platform. One can also see our weekly streaming picks here.
25 Ways to Quit Smoking, Bill Plympton, 1989
The 5,000 Fingers of Dr. T, Roy Rowland,...
In terms of new releases, they also have Kleber Mendonça Filho and Juliano Dornelles’ Bacurau, the fascinating documentary John McEnroe: In the Realm of Perfection, the Kenyan LGBTQ drama Rafiki, and more. There’s also a series on Australian New Wave with films by Gillian Armstrong, Bruce Beresford, David Gulpilil, and Peter Weir, as well as one on bad vacations with Joanna Hogg’s Unrelated, Ben Wheatley’s Sightseers, and more.
See the lineup below and explore more on their platform. One can also see our weekly streaming picks here.
25 Ways to Quit Smoking, Bill Plympton, 1989
The 5,000 Fingers of Dr. T, Roy Rowland,...
- 7/24/2020
- by Jordan Raup
- The Film Stage
Steven Oliver in ‘Looky Looky Here Comes Cooky’.
Local films from directors Jo-Anne Brechin and Steven McGregor are among the 12 world premieres to feature on the line-up for Miff 68½ – Melbourne International Film Festival’s upcoming digital-only iteration.
To run August 6-23, the event will encompass some 69 features and 44 shorts from 56 countries – an impressive number given the rights complications inherent in putting together an online showcase. Forty-nine per cent of films are from a female director, and all films are available to stream across Australia.
Miff artistic director Al Cossar said: “I’m delighted to say that, despite the extraordinary circumstances of 2020, Miff’s ‘radical act’ is to keep going and continue on our mission to bring you the world through unforgettable screen experiences. At Miff, we are driven by a deep understanding that film has the ability to entertain, inspire, illuminate and empower audiences in a way that few other...
Local films from directors Jo-Anne Brechin and Steven McGregor are among the 12 world premieres to feature on the line-up for Miff 68½ – Melbourne International Film Festival’s upcoming digital-only iteration.
To run August 6-23, the event will encompass some 69 features and 44 shorts from 56 countries – an impressive number given the rights complications inherent in putting together an online showcase. Forty-nine per cent of films are from a female director, and all films are available to stream across Australia.
Miff artistic director Al Cossar said: “I’m delighted to say that, despite the extraordinary circumstances of 2020, Miff’s ‘radical act’ is to keep going and continue on our mission to bring you the world through unforgettable screen experiences. At Miff, we are driven by a deep understanding that film has the ability to entertain, inspire, illuminate and empower audiences in a way that few other...
- 7/15/2020
- by jkeast
- IF.com.au
Kriv Stenders on the set of ‘Slim & I.’
Amid the Covid-19 crisis filmmaker Kriv Stenders alternates between feeling terrified, depressed and positive – but, on balance, he is extremely optimistic.
The writer-director believes the Australian screen industry will be forever changed by the pandemic – mostly for the better.
In a webinar today with Screen Producers Australia CEO Matt Deaner, Stenders said he was “future-proofing” his development slate even before the virus erupted because he expected the industry to re-set.
That includes a ‘four quadrant’ film designed for wide cinema release, a genre feature and two documentaries, one of which can be filmed remotely.
This crisis will “galvanise all of us us; it’s a battle call,” says the director of Danger Close: The Battle of Long Tan, Doctor Doctor, Jack Irish and The Pacific: In the Wake of Captain Cook with Sam Neill.
“It will completely change the way I make films on every level.
Amid the Covid-19 crisis filmmaker Kriv Stenders alternates between feeling terrified, depressed and positive – but, on balance, he is extremely optimistic.
The writer-director believes the Australian screen industry will be forever changed by the pandemic – mostly for the better.
In a webinar today with Screen Producers Australia CEO Matt Deaner, Stenders said he was “future-proofing” his development slate even before the virus erupted because he expected the industry to re-set.
That includes a ‘four quadrant’ film designed for wide cinema release, a genre feature and two documentaries, one of which can be filmed remotely.
This crisis will “galvanise all of us us; it’s a battle call,” says the director of Danger Close: The Battle of Long Tan, Doctor Doctor, Jack Irish and The Pacific: In the Wake of Captain Cook with Sam Neill.
“It will completely change the way I make films on every level.
- 5/4/2020
- by The IF Team
- IF.com.au
It’s a very thin line to walk between comedy and horror. Yet filmmaker Mary Harron skipped over it so perfectly with American Psycho that, 20 years later, people are still talking about it. Indeed, we recently unpacked the subversive feminism Harron brought to Patrick Bateman, a yuppie serial killer in Armani suits as realized by author Bret Easton Ellis, and Harron herself is now making the press rounds to talk about the film—including how she almost didn’t make it when Lionsgate fired her and her early choice for Bateman: Christian Bale.
As hard as it is to imagine now, there was once a time where Bale was not a movie star, and even though he had done sterling work in Steven Spielberg’s Empire of the Sun and Gillian Armstrong’s definitive adaptation of Little Women, he remained a mystery to studios who were eager to cast bankable...
As hard as it is to imagine now, there was once a time where Bale was not a movie star, and even though he had done sterling work in Steven Spielberg’s Empire of the Sun and Gillian Armstrong’s definitive adaptation of Little Women, he remained a mystery to studios who were eager to cast bankable...
- 4/15/2020
- by David Crow
- Den of Geek
Celeste Franklin.
Emerging Western Australian screenwriter Celeste Franklin has been awarded the Australian Film Television and Radio School’s 2020 Storytelling Scholarship, which supports Aftrs’ mission to discover and support writers from under-represented groups.
A former primary school teacher, Franklin worked in costume departments for more than 20 years on numerous productions including Paper Planes, Lockie Leonard, Last Train to Freo and Water Rats.
This year she began a Masters of Arts Screen: Screenwriting so the scholarship will cover her tuition fees for the two-year course.
Her maternal grandfather was a Kalkatung man who fought in Jimmy Sharman’s boxing tents. Her maternal great, great, grandfather was blackbirded from the South Sea Islands to be a kanaka on the northern Queensland cane fields.
She won the scholarship based on her creative response to the story provocations in the Aftrs brand campaign Storytellers Wanted, which was developed by the agency 72andSunny and directed...
Emerging Western Australian screenwriter Celeste Franklin has been awarded the Australian Film Television and Radio School’s 2020 Storytelling Scholarship, which supports Aftrs’ mission to discover and support writers from under-represented groups.
A former primary school teacher, Franklin worked in costume departments for more than 20 years on numerous productions including Paper Planes, Lockie Leonard, Last Train to Freo and Water Rats.
This year she began a Masters of Arts Screen: Screenwriting so the scholarship will cover her tuition fees for the two-year course.
Her maternal grandfather was a Kalkatung man who fought in Jimmy Sharman’s boxing tents. Her maternal great, great, grandfather was blackbirded from the South Sea Islands to be a kanaka on the northern Queensland cane fields.
She won the scholarship based on her creative response to the story provocations in the Aftrs brand campaign Storytellers Wanted, which was developed by the agency 72andSunny and directed...
- 3/2/2020
- by The IF Team
- IF.com.au
Little Women movie review is here. The coming of age period drama written and directed by Greta Gerwig is said to be the seventh film adaptation of the 1868 novel of the same name by Louisa May Alcott.
Nominated in six categories at the 92nd Academy Awards that includes best picture, best actress (Ronan), best supporting actress (Pugh), and best-adapted screenplay, The movie stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timoth?e Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper, and Meryl Streep. Does it fulfills the expectations and stays true with the hype?. Let?s find out in the movie review of Little Women.
Immediate reaction when the end credits roll
Every generation deserves Little Women and Greta Gerwig?s retelling of this 1868 classic by Louisa May Alcott may be non-linear but it?s preciously seamless.
The Story of Little Women
It?s...
Nominated in six categories at the 92nd Academy Awards that includes best picture, best actress (Ronan), best supporting actress (Pugh), and best-adapted screenplay, The movie stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timoth?e Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper, and Meryl Streep. Does it fulfills the expectations and stays true with the hype?. Let?s find out in the movie review of Little Women.
Immediate reaction when the end credits roll
Every generation deserves Little Women and Greta Gerwig?s retelling of this 1868 classic by Louisa May Alcott may be non-linear but it?s preciously seamless.
The Story of Little Women
It?s...
- 2/5/2020
- GlamSham
In the early 1990s, Amy Pascal was the Sony production executive in charge of developing the latest big-screen adaptation of Little Women. That version, directed by Gillian Armstrong, starred Winona Ryder as Jo (earning her a second Oscar nomination) and Christian Bale as Laurie, as well as Susan Sarandon, Kirsten Dunst and Claire Danes.
A decade later, when Pascal was running Sony's film studio, she was approached by another adoring fan of Louisa May Alcott's iconic 1868 novel about four sisters who march to their own drumbeat in a patriarchal world: Greta Gerwig, an actress and then-emerging filmmaker who ...
A decade later, when Pascal was running Sony's film studio, she was approached by another adoring fan of Louisa May Alcott's iconic 1868 novel about four sisters who march to their own drumbeat in a patriarchal world: Greta Gerwig, an actress and then-emerging filmmaker who ...
- 1/26/2020
- The Hollywood Reporter - Movie News
In the early 1990s, Amy Pascal was the Sony production executive in charge of developing the latest big-screen adaptation of Little Women. That version, directed by Gillian Armstrong, starred Winona Ryder as Jo (earning her a second Oscar nomination) and Christian Bale as Laurie, as well as Susan Sarandon, Kirsten Dunst and Claire Danes.
A decade later, when Pascal was running Sony's film studio, she was approached by another adoring fan of Louisa May Alcott's iconic 1868 novel about four sisters who march to their own drumbeat in a patriarchal world: Greta Gerwig, an actress and then-emerging filmmaker who ...
A decade later, when Pascal was running Sony's film studio, she was approached by another adoring fan of Louisa May Alcott's iconic 1868 novel about four sisters who march to their own drumbeat in a patriarchal world: Greta Gerwig, an actress and then-emerging filmmaker who ...
- 1/26/2020
- The Hollywood Reporter - Film + TV
Illustration by Alessandra GenualdoLet’s talk about dances of friendship, not of courtship. Of the dance that is not a prelude or background to something else, that’s beat-deaf and brassy, unnecessary and rude. The dance that takes center stage without a stage, that is more whoop and prance than swan. Let’s talk of romps, because that is what these dances are. Let’s talk of girls romping. That wildness for women has rules.If you read or see Little Women, you encounter the romp. In Greta Gerwig’s treatment, Jo March bumps into a dark-haired rich boy, Laurie, in a side room at a party. He asks her to dance, and she laughs and takes him in as a confidant: she’s scorched the back of her dress by the fire. She’s been told to keep still so that no one will see her. He nods. “I...
- 1/22/2020
- MUBI
David Crow Jan 13, 2020
Friends of Greta Gerwig, including Saoirse Ronan and Florence Pugh, draw a line between Little Women's themes and the Oscars snub.
One of the biggest and most disappointing surprises from this morning’s Academy Award nominations announcement is the snubbing of Greta Gerwig in the Best Director category. Despite the Oscars recognizing Little Women with six nominations, including Best Picture and Best Adapted Screenplay for Gerwig, her direction was noticeably omitted among the five Best Director nominees. The five who were selected though were, once again, all male.
This is not a total surprise, however, given that the Academy has only nominated five women for Best Director in its 92-year history, and only one has won. Gerwig is one of those women, as she was nominated in 2018 for Lady Bird. To date, no woman has been nominated twice. Yet the growing media and viewership discord with...
Friends of Greta Gerwig, including Saoirse Ronan and Florence Pugh, draw a line between Little Women's themes and the Oscars snub.
One of the biggest and most disappointing surprises from this morning’s Academy Award nominations announcement is the snubbing of Greta Gerwig in the Best Director category. Despite the Oscars recognizing Little Women with six nominations, including Best Picture and Best Adapted Screenplay for Gerwig, her direction was noticeably omitted among the five Best Director nominees. The five who were selected though were, once again, all male.
This is not a total surprise, however, given that the Academy has only nominated five women for Best Director in its 92-year history, and only one has won. Gerwig is one of those women, as she was nominated in 2018 for Lady Bird. To date, no woman has been nominated twice. Yet the growing media and viewership discord with...
- 1/13/2020
- Den of Geek
By Lynn Lee
Did we need another one?
That question hangs over any movie based on a novel that’s already been adapted multiple times – even moreso if there’s a previous adaptation that’s particularly beloved. It may not, however, be the right question. As potential movie material, perhaps great books should be treated more like great plays are for the stage, in the sense that if the work has enduring appeal, every new era deserves its own adaptation. So perhaps the better question is whether this adaptation speaks to us, the viewers of today?
As applied to Greta Gerwig’s Little Women, the answer is yes…with a few caveats. Full disclosure: I came to the movie as someone who read Louisa May Alcott’s coming-of-age classic so many times that my copy literally fell apart at the seams, and my devotion to Gillian Armstrong’s near-perfect 1994 adaptation...
Did we need another one?
That question hangs over any movie based on a novel that’s already been adapted multiple times – even moreso if there’s a previous adaptation that’s particularly beloved. It may not, however, be the right question. As potential movie material, perhaps great books should be treated more like great plays are for the stage, in the sense that if the work has enduring appeal, every new era deserves its own adaptation. So perhaps the better question is whether this adaptation speaks to us, the viewers of today?
As applied to Greta Gerwig’s Little Women, the answer is yes…with a few caveats. Full disclosure: I came to the movie as someone who read Louisa May Alcott’s coming-of-age classic so many times that my copy literally fell apart at the seams, and my devotion to Gillian Armstrong’s near-perfect 1994 adaptation...
- 12/27/2019
- by Lynn Lee
- FilmExperience
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.