It’s been one year since Columbia Pictures / Screen Gems brought The Pope’s Exorcist (read our review Here), a supernatural thriller starring Russell Crowe, to theatres. Just two weeks after the film was released, our friends at Bloody Disgusting heard that a sequel was in development… but then things went quiet for a while. Crowe recently said that The Pope’s Exorcist was meant to kick off a trilogy, but the franchise’s progress had been slowed down by “a change of studio heads.” Things have apparently been worked out, though, because producer Jeff Katz of Worldwide Katz has just taken to social media to announce that the Pope’s Exorcist sequel has been given the greenlight!
Katz wrote, “Amorth Nation — I just got the call. It’S Officially Happening!!! “È un seguito, amici miei.”* Thank you to the amazing #ThePopesExorcist fans. You made this happen. Gas up your Lambretta – and get ready to ride.
Katz wrote, “Amorth Nation — I just got the call. It’S Officially Happening!!! “È un seguito, amici miei.”* Thank you to the amazing #ThePopesExorcist fans. You made this happen. Gas up your Lambretta – and get ready to ride.
- 5/2/2024
- by Cody Hamman
- JoBlo.com
Russell Crowe will save souls and ride Lambrettas again: "The Pope's Exorcist" is officially getting a sequel! Producer Jeff Katz took to Twitter on Wednesday evening to announce the news, posting, "Amorth Nation -- I just got the call...It's Officially Happening!!!" Katz followed up with an Italian phrase, "È un seguito, amici miei," which translates to "It's a sequel, my friends."
Never one to miss a chance to reference Crowe's character's motorized scooter (aren't we all?), Katz also wrote, "Thank you to the amazing #ThePopesExorcist fans. You made this happen. Gas up your Lambretta - and get ready to ride."
"The Pope's Exorcist" was both a slightly campy novelty and a surprise box office success when it dropped in April 2023, earning nearly $77 million worldwide against a comparatively slim budget of just $18 million (per Variety). The film blew past initial expectations -- the Variety article cited above guessed it would earn $10 million in U.
Never one to miss a chance to reference Crowe's character's motorized scooter (aren't we all?), Katz also wrote, "Thank you to the amazing #ThePopesExorcist fans. You made this happen. Gas up your Lambretta - and get ready to ride."
"The Pope's Exorcist" was both a slightly campy novelty and a surprise box office success when it dropped in April 2023, earning nearly $77 million worldwide against a comparatively slim budget of just $18 million (per Variety). The film blew past initial expectations -- the Variety article cited above guessed it would earn $10 million in U.
- 5/2/2024
- by Valerie Ettenhofer
- Slash Film
He pitched slave-ship dramas to Ingmar Bergman, cast Marlon Brando as a bisexual man and wrote a Malcolm X screenplay that horrified the FBI. Why was this cinephile spurned by Hollywood?
It’s fair to say James Baldwin wasn’t a fan of The Exorcist. “It has absolutely nothing going for it,” he wrote in his 1976 memoir-meets-criticism collection The Devil Finds Work. “Except Satan, who is certainly the star.” William Friedkin’s 1973 horror hit about a possessed schoolgirl might have caused havoc in theatres, but for the African American literary giant it was a garish dud that missed the real target. “For, I have seen the devil, by day and by night, and have seen him in you and in me,” he went on. “He does not levitate beds, or fool around with little girls: we do.”
Baldwin wasn’t an opportunist critic bashing a big commercial hit – he was...
It’s fair to say James Baldwin wasn’t a fan of The Exorcist. “It has absolutely nothing going for it,” he wrote in his 1976 memoir-meets-criticism collection The Devil Finds Work. “Except Satan, who is certainly the star.” William Friedkin’s 1973 horror hit about a possessed schoolgirl might have caused havoc in theatres, but for the African American literary giant it was a garish dud that missed the real target. “For, I have seen the devil, by day and by night, and have seen him in you and in me,” he went on. “He does not levitate beds, or fool around with little girls: we do.”
Baldwin wasn’t an opportunist critic bashing a big commercial hit – he was...
- 4/30/2024
- by Lanre Bakare
- The Guardian - Film News
Before I ever saw William Friedkin's classic horror film "The Exorcist," my mother gleefully shared with me all of the horrific urban legends and unexplained mysteries that surrounded the film's production. She believed, as do countless others, that "The Exorcist" was one of many cursed films. The face of a possessed Regan MacNeil was terrifying, to be sure, but movie magic meant to scare me couldn't hold a candle to the inexplicable dread that had me convinced filmmakers daring to tell this story made them a target for actual evil. While I'm old enough now to know better than to believe in cursed films, it's still a fascinating rabbit hole to fall into. Hell, the horror movie streaming app Shudder even has a two-season documentary series called, you guessed it, "Cursed Films" discussing cinema's most controversial and conspiracy-surrounded film sets. Now, a new narrative horror film is dabbling in the world of cursed films,...
- 4/26/2024
- by BJ Colangelo
- Slash Film
Synopsis: As an intimate portrait of William Shatner’s personal journey across nine decades of a boldly lived and fully realized life, William Shatner: You Can Call Me Bill strips away all the masks he has worn during his storied career to reveal the man behind it all.
Review: William Shatner is a legendary actor better known for his iconic performance as Captain James T. Kirk in the original Star Trek television series and films. He holds a unique place in Hollywood history. A fan favorite for over sixty years with a career on stage and screen as a writer and singer, and having traveled to space, Shatner’s legacy has built him a dedicated fanbase worldwide. Having written memoirs and shared his life story in many forms of media, You Can Call Me Bill is a unique documentary that does not follow the conventional format we have come to...
Review: William Shatner is a legendary actor better known for his iconic performance as Captain James T. Kirk in the original Star Trek television series and films. He holds a unique place in Hollywood history. A fan favorite for over sixty years with a career on stage and screen as a writer and singer, and having traveled to space, Shatner’s legacy has built him a dedicated fanbase worldwide. Having written memoirs and shared his life story in many forms of media, You Can Call Me Bill is a unique documentary that does not follow the conventional format we have come to...
- 4/25/2024
- by Alex Maidy
- JoBlo.com
It is impossible for us to stop talking about Al Pacino, the method actor, who has delivered a number of masterpieces, including Francis Ford Coppola’s The Godfather. The Oscar-winning actor, 83, has had an illustrious career spanning five decades and counting, earning him millions of dollars and making him one of Hollywood’s most recognizable stars.
Well, any actor would eventually encounter some level of controversy in the course of their career, and Pacino is by no means an exception. Even though the acclaimed actor has starred in some challenging roles in the past, nothing compares to the 1980 flick Cruising, since the entire movie was controversial.
Al Pacino in The Godfather II [Credit: Paramount Pictures]Famous for his work on The Exorcist, William Friedkin directed Cruising, which was loosely based on Gerald Walker’s novel of the same name. Despite working on the film, Pacino left such a negative impression on...
Well, any actor would eventually encounter some level of controversy in the course of their career, and Pacino is by no means an exception. Even though the acclaimed actor has starred in some challenging roles in the past, nothing compares to the 1980 flick Cruising, since the entire movie was controversial.
Al Pacino in The Godfather II [Credit: Paramount Pictures]Famous for his work on The Exorcist, William Friedkin directed Cruising, which was loosely based on Gerald Walker’s novel of the same name. Despite working on the film, Pacino left such a negative impression on...
- 4/24/2024
- by Siddhika Prajapati
- FandomWire
The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. Neon’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.
Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.
From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises...
Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.
From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises...
- 4/24/2024
- by Meagan Navarro
- bloody-disgusting.com
True lightning-in-a-bottle phenomena are immensely difficult to recapture. 60 years after "The Twilight Zone" completed its initial run in 1964, subsequent attempts to resuscitate the property -- either with an anthology film or reboot series -- have failed to match its cultural impact, even with vaunted directors Steven Spielberg, George Miller, Wes Craven, William Friedkin, Jonathan Frakes, Ana Lily Amirpour, Justin Benson & Aaron Moorhead, and Osgood Perkins lending their talents behind the camera. It's a testament to everything the late Rod Serling accomplished with his surreal amalgamation of genre storytelling and social commentary that we tend to overlook his many other significant contributions as an artist (which include co-penning the 1968 "Planet of the Apes" movie).
When the original "Twilight Zone" ended, however, its legacy seemed far from assured. Serling had burnt himself out after writing so many episodes for the series, with the consensus being that the show's final two seasons were...
When the original "Twilight Zone" ended, however, its legacy seemed far from assured. Serling had burnt himself out after writing so many episodes for the series, with the consensus being that the show's final two seasons were...
- 4/21/2024
- by Sandy Schaefer
- Slash Film
The passing of William Friedkin last August put a cloud over what ended up being his final film, The Caine Mutiny Court-Martial. At the same time, it predsented an opportunity to celebrate the legendary director, whether it’s from his fans or those he has worked with. Now, the star of the film, Keifer Sutherland, remembers just how special it was for him to collaborate with Friedkin.
Speaking at a recent panel, Keifer Sutherland spoke highly of the late William Friedkin, saying that seeing 1971’s The French Connection on the big screen as a teen had a tremendous influence on his appreciation for cinema and the craft of acting. “William Freakin was responsible for me…I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to.
Speaking at a recent panel, Keifer Sutherland spoke highly of the late William Friedkin, saying that seeing 1971’s The French Connection on the big screen as a teen had a tremendous influence on his appreciation for cinema and the craft of acting. “William Freakin was responsible for me…I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to.
- 4/14/2024
- by Mathew Plale
- JoBlo.com
When the late, legendary filmmaker William Friedkin called Kiefer Sutherland to gauge his interest in playing the lead in the Showtime and Paramount+ film The Caine Mutiny Court-Martial, the actor hung up almost immediately. But not because he wasn’t interested in working with the director he’d long revered, Sutherland explained. “I thought it was one of my friends making a joke.”
During Sutherland’s appearance at Deadline’s Contenders Television panel alongside producers Annabelle Dunne and Matt Parker, Sutherland revealed that Friedkin had exerted a powerful influence on his professional path from an early age.
“William Freakin was responsible for me,” Sutherland said of his desire to work in film. “I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to. That was...
During Sutherland’s appearance at Deadline’s Contenders Television panel alongside producers Annabelle Dunne and Matt Parker, Sutherland revealed that Friedkin had exerted a powerful influence on his professional path from an early age.
“William Freakin was responsible for me,” Sutherland said of his desire to work in film. “I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to. That was...
- 4/13/2024
- by Scott Huver
- Deadline Film + TV
Plot: A young novitiate in Rome (Nell Tiger Free) is warned by an ex-communicated priest (Ralph Ineson) that she’s at the center of a sinister conspiracy at her church dedicated to spawning the anti-Christ.
Review: I’ve always really enjoyed The Omen as a franchise. Even as a kid, I found something about the original trilogy centring around Damien Thorn especially gripping. However, I never had much use for the cheap TV movie sequel (Omen IV: The Awakening) or the scene-for-scene remake, which, despite a game cast, didn’t come close to recapturing the grisly spirit of Richard Donner’s original.
As such, I figured The First Omen would be just another would-be franchise starter, but I have to give 20th Century Studios and Disney credit – they made one hell of a cool horror flick (pun intended). In some ways, it’s a bit like Wonka (bear with...
Review: I’ve always really enjoyed The Omen as a franchise. Even as a kid, I found something about the original trilogy centring around Damien Thorn especially gripping. However, I never had much use for the cheap TV movie sequel (Omen IV: The Awakening) or the scene-for-scene remake, which, despite a game cast, didn’t come close to recapturing the grisly spirit of Richard Donner’s original.
As such, I figured The First Omen would be just another would-be franchise starter, but I have to give 20th Century Studios and Disney credit – they made one hell of a cool horror flick (pun intended). In some ways, it’s a bit like Wonka (bear with...
- 4/5/2024
- by Chris Bumbray
- JoBlo.com
The Omen was a blessed success upon its release, earning a spot among the top 10 highest-grossing films of 1976. One of those ticket buyers was Wes Craven, who had already made his debut with The Last House on the Left and was gearing up for his sophomore film, The Hills Have Eyes.
“I remember thinking, ‘Big studio, won’t have a cutting edge to it. Gregory Peck, how can he be scary? I like him, but.’ And it was. I was totally amazed,” the master of horror recalled in a 2006 DVD special feature in which he waxes poetic about The Omen for some 20 minutes.
“I think [Richard] Donner is just one of our primo filmmakers.” Craven had been watching the future Superman and The Goonies director’s work since his early days helming episodes of classic TV shows like The Twilight Zone and Gilligan’s Island. “Every so often, he just knocks something...
“I remember thinking, ‘Big studio, won’t have a cutting edge to it. Gregory Peck, how can he be scary? I like him, but.’ And it was. I was totally amazed,” the master of horror recalled in a 2006 DVD special feature in which he waxes poetic about The Omen for some 20 minutes.
“I think [Richard] Donner is just one of our primo filmmakers.” Craven had been watching the future Superman and The Goonies director’s work since his early days helming episodes of classic TV shows like The Twilight Zone and Gilligan’s Island. “Every so often, he just knocks something...
- 4/5/2024
- by Alex DiVincenzo
- bloody-disgusting.com
Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from the wrongheaded to the correct opinion.
Earlier this year, the Criterion Channel launched a series devoted to films that have won Golden Raspberry Awards, or “Razzies,” prizes ostensibly created to recognize the worst that cinema has to offer. The idea of streaming’s most respected curator of film art showcasing a selection of Razzie winners was one whose time was long overdue, given the Razzies’ astonishingly reliable tendency to be on the wrong side of history; the list of nominations from any given year is typically more useful as a guide for suggested viewing than as an indication of what to avoid.
Earlier this year, the Criterion Channel launched a series devoted to films that have won Golden Raspberry Awards, or “Razzies,” prizes ostensibly created to recognize the worst that cinema has to offer. The idea of streaming’s most respected curator of film art showcasing a selection of Razzie winners was one whose time was long overdue, given the Razzies’ astonishingly reliable tendency to be on the wrong side of history; the list of nominations from any given year is typically more useful as a guide for suggested viewing than as an indication of what to avoid.
- 4/4/2024
- by Jim Hemphill
- Indiewire
It’s been almost exactly one year since Columbia Pictures / Screen Gems brought The Pope’s Exorcist (read our review Here), a supernatural thriller starring Russell Crowe, to theatres. Just two weeks after the film was released, our friends at Bloody Disgusting heard that a sequel was in development… but everything has been quiet since then. During a recent interview with The Six O’Clock Show, Crowe confirmed that a sequel is in development – and that The Pope’s Exorcist was actually meant to be chapter one in a trilogy!
As it turns out, things have been quiet on the Pope’s Exorcist front because there was a behind-the-scenes shake-up with the studio executives, but it sounds like Crowe still has hopes that the trilogy is going to happen. He told The Six O’Clock Show (with thanks to MovieWeb for the transcription), “(A sequel) is in discussion at the moment. The...
As it turns out, things have been quiet on the Pope’s Exorcist front because there was a behind-the-scenes shake-up with the studio executives, but it sounds like Crowe still has hopes that the trilogy is going to happen. He told The Six O’Clock Show (with thanks to MovieWeb for the transcription), “(A sequel) is in discussion at the moment. The...
- 4/2/2024
- by Cody Hamman
- JoBlo.com
What the movie-streaming public wants depends on which top 10 chart you prefer. This week offered little consistency and some outright contradictions.
One thing is clear: Jake Gyllenhaal’s straight-to-streaming “Road House” remake is a massive hit. Amazon Prime reported over 50 million worldwide viewers through its second streaming weekend and gateway app Reelgood reported it as the week’s #1 movie for March 21-27 in the U.S.
“The Accountant,” a 2016 Warner Bros. drama starring Ben Affleck, is currently #1 at Netflix. On Easter weekend “The Passion of the Christ” led VOD at iTunes, while the just-released $19.99 “Imaginary” (Lionsgate) topped Fandango’s revenue-calculated list. (It was #20 at iTunes.) For a second week, Google Play did not update its list.
“Ordinary Angels” (also Lionsgate) is #2 at Fandango, but #14 at iTunes. Since Fandango calculates by revenue, that list favors PVODs — but this week, six of its top 10 rented for $5.99 or less; “The Passion of the Christ,...
One thing is clear: Jake Gyllenhaal’s straight-to-streaming “Road House” remake is a massive hit. Amazon Prime reported over 50 million worldwide viewers through its second streaming weekend and gateway app Reelgood reported it as the week’s #1 movie for March 21-27 in the U.S.
“The Accountant,” a 2016 Warner Bros. drama starring Ben Affleck, is currently #1 at Netflix. On Easter weekend “The Passion of the Christ” led VOD at iTunes, while the just-released $19.99 “Imaginary” (Lionsgate) topped Fandango’s revenue-calculated list. (It was #20 at iTunes.) For a second week, Google Play did not update its list.
“Ordinary Angels” (also Lionsgate) is #2 at Fandango, but #14 at iTunes. Since Fandango calculates by revenue, that list favors PVODs — but this week, six of its top 10 rented for $5.99 or less; “The Passion of the Christ,...
- 4/2/2024
- by Tom Brueggemann
- Indiewire
Movie, TV and music fans are already remembering notable figures who have died since the start of 2024. “An Officer and a Gentleman” Oscar winner Louis Gossett Jr., “Curb Your Enthusiasm” actor Richard Lewis, “Starsky and Hutch” star David Soul and “Honeymooners” star Joyce Randolph, who played Trixie, are among celebrities from the world of television who have died. In film, cinephiles are remembering “Moonstruck” director Norman Jewison and “Mary Poppins” actress Glynis Johns.
Last year, the entertainment community said goodbye to celebrities including musicians Jimmy Buffett, Shane McGowan, Robbie Robertson and David Crosby, actors Andre Braugher and Matthew Perry, writer-producer Norman Lear and director William Friedkin.
Last year, the entertainment community said goodbye to celebrities including musicians Jimmy Buffett, Shane McGowan, Robbie Robertson and David Crosby, actors Andre Braugher and Matthew Perry, writer-producer Norman Lear and director William Friedkin.
- 4/1/2024
- by Pat Saperstein
- Variety Film + TV
Throughout 2024, we will continue to update this In Memoriam photo gallery with notable celebrity deaths from film, television, theater and music. Major entertainment figures to be honored in the 2024 gallery are Oscar winner Louis Gossett, Jr., director/producer Norman Jewison, broadway legend Chita Rivera, country music superstar Toby Keith and actor Carl Weathers.
Featured in the 2023 gallery were Rock and Roll Hall of Fame members Tina Turner, Harry Belafonte, Jeff Beck, Robbie Robertson and David Crosby, Oscar and Tony winner Alan Arkin, Oscar/Emmy/Tony winner Glenda Jackson, Oscar and Grammy winner Burt Bacharach, Oscar winner William Friedkin, Grammy legend Tony Bennett, Emmy nominee Matthew Perry, Emmy winner Norman Lear, Emmy winner Andre Braugher, Emmy winner Ron Cephas Jones, along with rock legend Elvis Presley‘s daughter, Lisa Marie Presley, and actresses Melinda Dillon, Annie Wersching and Cindy Williams.
Featured in the 2023 gallery were Rock and Roll Hall of Fame members Tina Turner, Harry Belafonte, Jeff Beck, Robbie Robertson and David Crosby, Oscar and Tony winner Alan Arkin, Oscar/Emmy/Tony winner Glenda Jackson, Oscar and Grammy winner Burt Bacharach, Oscar winner William Friedkin, Grammy legend Tony Bennett, Emmy nominee Matthew Perry, Emmy winner Norman Lear, Emmy winner Andre Braugher, Emmy winner Ron Cephas Jones, along with rock legend Elvis Presley‘s daughter, Lisa Marie Presley, and actresses Melinda Dillon, Annie Wersching and Cindy Williams.
- 3/29/2024
- by Chris Beachum
- Gold Derby
Filmmaker Steven Spielberg has helmed one too many masterpieces throughout his five and a half decades old star-studded career. And for one who brought the dinosaurs from the Jurassic Park novel series from Michael Crichton to life in one of the most remarkable ways possible, he once intended to make a film on the superhero Superman as well.
Steven Spielberg. Credit: Elena Ternovaja | Wikimedia Commons.
This happened back in the late 1970s, when he was still one of the relatively unknown directors. But despite being one of the most brilliant up-and-coming masterminds of the time, his film on Clark Kent never came to be. And, well, thankfully so, for the brutally wild pitch for the fan-favorite character would’ve quite literally killed the Man of Steel forever!
Steven Spielberg Wanted to Helm 1978’s Superman
Superman (1978)
After Mario Puzo was done writing a 500-plus page script for Clark Kent in live-action,...
Steven Spielberg. Credit: Elena Ternovaja | Wikimedia Commons.
This happened back in the late 1970s, when he was still one of the relatively unknown directors. But despite being one of the most brilliant up-and-coming masterminds of the time, his film on Clark Kent never came to be. And, well, thankfully so, for the brutally wild pitch for the fan-favorite character would’ve quite literally killed the Man of Steel forever!
Steven Spielberg Wanted to Helm 1978’s Superman
Superman (1978)
After Mario Puzo was done writing a 500-plus page script for Clark Kent in live-action,...
- 3/27/2024
- by Mahin Sultan
- FandomWire
When you think of the great directors in cinema history – Martin Scorsese, Steven Spielberg, Alfred Hitchcock, etc. – chances are the first films that come to mind are Goodfellas, Jaws and Vertigo. But every brilliant filmmaker has their duds. Now, Rolling Stone – you know, the publication that doesn’t think Roseanne and Bill Cosby had historic shows just because of their wrongdoings – has put out a list of the 50 worst movies by some of the most renowned directors…And yes, they have missed the mark considerably.
In the list, titled “50 Terrible Movies by Great Directors”, there are plenty of bottom-barrel films, those that are absolutely anomalies in otherwise remarkable careers. We wouldn’t argue that man-child family comedy Jack (#1) isn’t Francis Ford Coppola’s worst movie or that Rob Reiner’s North (#2) wasn’t worthy of Roger Ebert’s famed “hated, hated, hated, hated, hated” review. Those guys didn’t...
In the list, titled “50 Terrible Movies by Great Directors”, there are plenty of bottom-barrel films, those that are absolutely anomalies in otherwise remarkable careers. We wouldn’t argue that man-child family comedy Jack (#1) isn’t Francis Ford Coppola’s worst movie or that Rob Reiner’s North (#2) wasn’t worthy of Roger Ebert’s famed “hated, hated, hated, hated, hated” review. Those guys didn’t...
- 3/27/2024
- by Mathew Plale
- JoBlo.com
Cannes is getting into the remake business.
The Cannes film market, the Marché du Film, is launching a one-day event focused entirely on remakes and local-language adaptations of existing titles.
Together with the Cnc, the French national film board, and with support from Spain’s Institute of Cinematography & Audiovisual Arts (Icaa), Italy’s Directorate General for Cinema and Audiovisual-Italian Ministry of Culture (Dgca-MiC) and Rome-based studio Cinecittà, the Cannes market will host Cannes Remakes, a one-day event on May 20 highlighting handpicked European IP ready for new film adaptations.
The inaugural program will include a pitching session presenting a curated selection of IP titles from France, Spain and Italy judged to have the most potential for film adaptation. This pitching will be followed by a series of pre-arranged one-on-one meetings between IP holders and producers capped by an invite-only networking cocktail on the Cnc Beach.
The remake market is undeniably booming,...
The Cannes film market, the Marché du Film, is launching a one-day event focused entirely on remakes and local-language adaptations of existing titles.
Together with the Cnc, the French national film board, and with support from Spain’s Institute of Cinematography & Audiovisual Arts (Icaa), Italy’s Directorate General for Cinema and Audiovisual-Italian Ministry of Culture (Dgca-MiC) and Rome-based studio Cinecittà, the Cannes market will host Cannes Remakes, a one-day event on May 20 highlighting handpicked European IP ready for new film adaptations.
The inaugural program will include a pitching session presenting a curated selection of IP titles from France, Spain and Italy judged to have the most potential for film adaptation. This pitching will be followed by a series of pre-arranged one-on-one meetings between IP holders and producers capped by an invite-only networking cocktail on the Cnc Beach.
The remake market is undeniably booming,...
- 3/27/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Well, this is a semi-dangerous decision. Yes, I’m starting with The Twilight Zone 80s. Niki, haven’t we been telling you to do Og Twilight Zone… why are you doing this? A couple of reasons, the first being that this has been on repeat for me the past 6 months or longer, with Tales from the Crypt never being too far behind it. The other being that I felt like it. You’re lucky I didn’t start with Night Gallery, or maybe that’s what you wanted. So let’s talk 80s Twilight Zone, or New Twilight Zone, or Twilight Zone reboot/revival, whatever you choose to call it.
The reason to give it another go was simple. Rod Serling, my personal hero, sold the rights to Twilight Zone after the show ended its run in 1964. The studio bought the rights even though they weren’t exactly ready to start it up again.
The reason to give it another go was simple. Rod Serling, my personal hero, sold the rights to Twilight Zone after the show ended its run in 1964. The studio bought the rights even though they weren’t exactly ready to start it up again.
- 3/20/2024
- by Niki Minter
- JoBlo.com
Cinephiles will have plenty to celebrate this April with the next slate of additions to the Criterion Channel. The boutique distributor, which recently announced its June 2024 Blu-ray releases, has unveiled its new streaming lineup highlighted by an eclectic mix of classic films and modern arthouse hits.
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
- 3/18/2024
- by Christian Zilko
- Indiewire
April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama for a two-film Bertrand Bonello retrospective, starting just four days before The Beast opens. Larger and rarer (but just as French) is the complete Jean Eustache series Janus toured last year. Meanwhile, five William Friedkin films and work from Makoto Shinkai, Lizzie Borden, and Rosine Mbakam are given a highlight.
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
- 3/18/2024
- by Nick Newman
- The Film Stage
If you were to find yourself on the corner of Prospect St and 36th St Nw in the Washington D. C. district of Georgetown in the 1950s or ’60s, a cursory glance down a perilous flight of stairs would have you thinking twice about continuing your merry little jaunt. The seventy-five steps would later be christened The Exorcist Steps, thanks to the dramatic finale of the late William Friedkin’s 1973 Horror classic. However in the decades pre-plunging priest, this vertiginous staircase was known locally as the Hitchcock Steps, so suspenseful would be your descent, and so ingrained in the public’s consciousness was the director.
The shadow of Alfred Hitchcock looms large over cinema. His fifty-three films serve as influential landmarks of the film industry and, over his six decades, drew a line in the Hollywood sand between innovators and imitators. Vanguarding his way across the silent era via the...
The shadow of Alfred Hitchcock looms large over cinema. His fifty-three films serve as influential landmarks of the film industry and, over his six decades, drew a line in the Hollywood sand between innovators and imitators. Vanguarding his way across the silent era via the...
- 3/18/2024
- by Jon Lyus
- HeyUGuys.co.uk
The Independent Iranian Filmmakers Association (Iifma) has written to AMPAS to protest the omission of murdered director Dariush Mehrjui from the In Memoriam segment of the Academy Award on Sunday night.
As per Oscar tradition, the Academy paid tribute to a select group of 51 film and entertainment figures who had died over the previous year, including actor Matthew Perry, director William Friedkin, actor-performer Jane Birkin and composer Ryuichi Sakamoto in a short In Memoriam segment.
Mehrjui was named instead on the Academy’s In Memoriam page on its website, alongside 279 recently deceased figures related to the film world, including the 51 people feted at the ceremony.
The director was stabbed to death alongside his screenwriter wife Vahideh Moahmmadifar in their home outside Tehran last October.
The unsolved killing came just months after he posted an online video blasting the Iranian government’s suppression of the film industry, raising suspicions that his...
As per Oscar tradition, the Academy paid tribute to a select group of 51 film and entertainment figures who had died over the previous year, including actor Matthew Perry, director William Friedkin, actor-performer Jane Birkin and composer Ryuichi Sakamoto in a short In Memoriam segment.
Mehrjui was named instead on the Academy’s In Memoriam page on its website, alongside 279 recently deceased figures related to the film world, including the 51 people feted at the ceremony.
The director was stabbed to death alongside his screenwriter wife Vahideh Moahmmadifar in their home outside Tehran last October.
The unsolved killing came just months after he posted an online video blasting the Iranian government’s suppression of the film industry, raising suspicions that his...
- 3/14/2024
- by Melanie Goodfellow
- Deadline Film + TV
Dig out your best tuxedo, or don your finest gown – it’s Oscars night! The 2024 Academy Awards are about to get underway, bringing the best of Hollywood together to celebrate cinema, and hand out all kinds of shiny gold statues in the process. As ever, it’s going to be a long haul and a late night, but Team Empire is here to follow with you every step of the way with our live blog, covering every single award, every single winner, and every single unmissable moment. There will be songs, there will be speeches, there will be snubs – though, there probably won’t be another slap.
Read below for the latest updates, be sure to stock up on caffeine and snacks, and we’ll be with you to the end of the line.
––––
2.30am That’s it! Thanks for following along with us. A strong Oscars year in all,...
Read below for the latest updates, be sure to stock up on caffeine and snacks, and we’ll be with you to the end of the line.
––––
2.30am That’s it! Thanks for following along with us. A strong Oscars year in all,...
- 3/11/2024
- by Ben Travis
- Empire - Movies
Andrea Bocelli performed a rendition of the song “Time to Say Goodbye” with his son Matteo Bocelli to accompany the Academy’s annual obituary section. Perhaps mindful of previous years, in which eagle-eyed viewers have jumped on omissions, this year’s “In Memoriam” — which began with footage of the recently deceased Russian opposition leader and subject of last year’s winning documentary Navalny — seemed comprehensive but at the same time not enough.
Related: ‘Oppenheimer’ Wins Best Picture Oscar & Six Others; Emma Stone & Cillian Murphy Take Lead Acting Prizes – Full List
Beloved actors Lance Reddick, Treat Williams, Apocalypse Now’s Frederic Forrest, Rocky’s Burt Young all relegated to a fine print reference at the end, along with such writers as Norman Lear and No Country for Old Men’s Cormac McCarthy. Also given afterthought treatment were Kenneth Anger, Terence Davies, Carl Davis, David McCallum, Sinead O’Connor and Paolo Taviani in...
Related: ‘Oppenheimer’ Wins Best Picture Oscar & Six Others; Emma Stone & Cillian Murphy Take Lead Acting Prizes – Full List
Beloved actors Lance Reddick, Treat Williams, Apocalypse Now’s Frederic Forrest, Rocky’s Burt Young all relegated to a fine print reference at the end, along with such writers as Norman Lear and No Country for Old Men’s Cormac McCarthy. Also given afterthought treatment were Kenneth Anger, Terence Davies, Carl Davis, David McCallum, Sinead O’Connor and Paolo Taviani in...
- 3/11/2024
- by Damon Wise
- Deadline Film + TV
Part of every awards show is the In Memoriam segment, which honors those who have died in the past year. And that also means that part of every awards show is taking note of who didn’t make the cut (as happens every time). The 2024 Oscars are no exception. Andrea Bocelli and his son Matteo performed “Time to Say Goodbye” for the 2024 Oscars In Memoriam segment. Among the names part of the segment—at the end, the broadcast directed viewers to a website for the “many other legends we lost”—were: Michael Gambon, Harry Belafonte, Alan Arkin, Julian Sands, Andre Braugher, Chita Rivera, Tom Wilkinson, Glynis Johns, Jane Birkin, Paul Reubens, Piper Laurie, Richard Roundtree, Ryan O’Neal, Matthew Perry, Richard Lewis, Lee Sun-Kyun, Carl Weathers, William Friedkin, Glenda Jackson, and Tina Turner. The In Memoriam segment, which you can watch above, did end with a long list of names on...
- 3/11/2024
- TV Insider
The In Memoriam section of the Academy Awards is always one of the most emotional moments of the show. This year was no exception, as the 96th Oscars celebrate the performers, filmmakers and artisan talents who died in the past year. The In Memoriam segment kicked off with a remembrance of Alexei Navalny, the political prisoner who died Feb. 16 and was profiled in last year’s documentary feature winner “Navalny.”
The names unfurled onscreen was Andrea Boccelli and his son, Matteo, sang “Time to Say Goodbye.”
Every year, the Academy leaves a few beloved names out of the montage, causing anger among some viewers. Though a much longer list is presented on the Oscars.org website, outrage over who makes it onscreen is part of the Oscar-watching tradition.
Read more: All the 2024 Oscar winners
This year several beloved late performers and filmmakers didn’t make the main segment, including Treat Williams,...
The names unfurled onscreen was Andrea Boccelli and his son, Matteo, sang “Time to Say Goodbye.”
Every year, the Academy leaves a few beloved names out of the montage, causing anger among some viewers. Though a much longer list is presented on the Oscars.org website, outrage over who makes it onscreen is part of the Oscar-watching tradition.
Read more: All the 2024 Oscar winners
This year several beloved late performers and filmmakers didn’t make the main segment, including Treat Williams,...
- 3/11/2024
- by Pat Saperstein
- Variety Film + TV
The Academy Awards paid tribute to Alan Arkin, Paul Reubens, Harry Belafonte, and directors William Friedkin and Norman Jewison during the In Memoriam portion of the 2024 Oscars.
Andrea Bocelli and his son Mateo Bocelli led the tribute with a moving delivery of “Time to Say Goodbye.” During the segment, dozens of dancers took the stage for a performance art piece, embracing and twirling around each other.
The 2024 #Oscars show their In Memoriam tribute pic.twitter.com/NmGBnrhxt3
— The Hollywood Reporter (@THR) March 11, 2024
The past year since the 2023 Academy Awards also...
Andrea Bocelli and his son Mateo Bocelli led the tribute with a moving delivery of “Time to Say Goodbye.” During the segment, dozens of dancers took the stage for a performance art piece, embracing and twirling around each other.
The 2024 #Oscars show their In Memoriam tribute pic.twitter.com/NmGBnrhxt3
— The Hollywood Reporter (@THR) March 11, 2024
The past year since the 2023 Academy Awards also...
- 3/11/2024
- by Daniel Kreps
- Rollingstone.com
Annual sequence devoted to recently deceased figures in the film industry also recognised Tom Wilkinson and William Friedkin
Oscars 2024 – live updates
Prominent figures from the Hollywood and global film industry were honoured in the Oscars’ traditional in memoriam segment at the 96th Academy Awards, currently taking place in Los Angeles.
The names and brief clips were soundtracked by Andrea and Matteo Bocelli singing It’s Time to Say Goodbye, and preceded by a short clip of Alexei Navalny, the Russian opposition leader, who died last month.
The 2024 Oscars ceremony – as it happened
The winners list in full: Cillian Murphy and Emma Stone took home best acting awards, while Christopher Nolan won his first ever Oscar for directing Oppenheimer.
Jimmy Kimmel’s opening Oscar monologue skewered Greta Gerwig’s snub and praised Messi the dog
Billie Eilish and Ramy Youssef were among stars wearing red Gaza ceasefire pins
Before the ceremony,...
Oscars 2024 – live updates
Prominent figures from the Hollywood and global film industry were honoured in the Oscars’ traditional in memoriam segment at the 96th Academy Awards, currently taking place in Los Angeles.
The names and brief clips were soundtracked by Andrea and Matteo Bocelli singing It’s Time to Say Goodbye, and preceded by a short clip of Alexei Navalny, the Russian opposition leader, who died last month.
The 2024 Oscars ceremony – as it happened
The winners list in full: Cillian Murphy and Emma Stone took home best acting awards, while Christopher Nolan won his first ever Oscar for directing Oppenheimer.
Jimmy Kimmel’s opening Oscar monologue skewered Greta Gerwig’s snub and praised Messi the dog
Billie Eilish and Ramy Youssef were among stars wearing red Gaza ceasefire pins
Before the ceremony,...
- 3/11/2024
- by Andrew Pulver and Catherine Shoard
- The Guardian - Film News
Exclusive: Chloë Grace Moretz (The Peripheral), Lewis Pullman (Top Gun: Maverick), and Academy Award winner Ariana DeBose (West Side Story) have signed on to star in Dutch & Razzlekhan, a heist film based on a true story that will go into production this summer under the direction of BAFTA nominee Jon S. Baird (Tetris).
Logan Miller and Noah Miller penned the script, with Andrew Lazar’s Mad Chance aboard to produce. CAA Media Finance will arrange financing for the film and represent its worldwide distribution rights.
Based on the 2022 Business Insider article “The $4.5 Billion Question” by Rob Price and Becky Peterson, Dutch & Razzlekhan is the explosive and unbelievably true story of the most expensive heist in history, with Heather “Razzlekhan” Morgan (Moretz) and Ilya “Dutch” Lichtenstein (Pullman) — lovers, hipsters, and aspiring rapper-entrepreneurs — at its center. After stealing over $4 billion worth of cryptocurrency, the millennial...
Logan Miller and Noah Miller penned the script, with Andrew Lazar’s Mad Chance aboard to produce. CAA Media Finance will arrange financing for the film and represent its worldwide distribution rights.
Based on the 2022 Business Insider article “The $4.5 Billion Question” by Rob Price and Becky Peterson, Dutch & Razzlekhan is the explosive and unbelievably true story of the most expensive heist in history, with Heather “Razzlekhan” Morgan (Moretz) and Ilya “Dutch” Lichtenstein (Pullman) — lovers, hipsters, and aspiring rapper-entrepreneurs — at its center. After stealing over $4 billion worth of cryptocurrency, the millennial...
- 3/7/2024
- by Matt Grobar
- Deadline Film + TV
You don’t have to go too far into the biographies of bad boy New Hollywood directors to find examples of impropriety. William Friedkin tossing around poor Linda Blair for The Exorcist. Francis Ford Coppola going full Kurtz for Apocalypse Now. Paul Schrader doing… well, Paul Schrader things. But there’s one guy who doesn’t fit the bill, despite palling around with the others: George Lucas.
For better or worse, the soft-spoken and intellectual Lucas doesn’t seem to push his actors to extremes. And yet, that’s exactly what had to happen for perhaps the most upsetting scene in Lucas’s oeuvre, the slaughter of the Jedi younglings in Star Wars: Revenge of the Sith.
For those who don’t recall, the slaughter of the Younglings signaled the final step in Anakin Skywalker’s fall to the dark side, the point where he committed himself to the path of Darth Vader,...
For better or worse, the soft-spoken and intellectual Lucas doesn’t seem to push his actors to extremes. And yet, that’s exactly what had to happen for perhaps the most upsetting scene in Lucas’s oeuvre, the slaughter of the Jedi younglings in Star Wars: Revenge of the Sith.
For those who don’t recall, the slaughter of the Younglings signaled the final step in Anakin Skywalker’s fall to the dark side, the point where he committed himself to the path of Darth Vader,...
- 2/29/2024
- by Joe George
- Den of Geek
In John Carpenter’s horror classic The Thing, R.J. MacReady (Kurt Russell) somberly explains to his tape recorder, “Nobody trusts anybody now, and we’re all very tired.” The now iconic quote summarizes the exhaustive state of sustained paranoia induced by the shape-shifting, extraterrestrial threat that has infiltrated the ranks of an isolated Antarctic research station, seamlessly assuming the identities of its inhabitants.
Isolation, mistrust, and intense paranoia drive Carpenter’s classic 1982 horror movie, heightening the effectiveness of the horror to a tangible degree; and it’s far from the only horror movie to effectively wield paranoia like a sharp blade. This week’s streaming picks highlight intense horror movies that unfurl their unrelenting tension, disorienting distrust, and discomfort through a heavy emphasis on paranoia, whether internal or external.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Bug – Fandor, Pluto TV,...
Isolation, mistrust, and intense paranoia drive Carpenter’s classic 1982 horror movie, heightening the effectiveness of the horror to a tangible degree; and it’s far from the only horror movie to effectively wield paranoia like a sharp blade. This week’s streaming picks highlight intense horror movies that unfurl their unrelenting tension, disorienting distrust, and discomfort through a heavy emphasis on paranoia, whether internal or external.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Bug – Fandor, Pluto TV,...
- 2/26/2024
- by Meagan Navarro
- bloody-disgusting.com
It’s not uncommon for directors to resort to extreme lengths to bring out the most authentic performance from the actors in horrors, with The Shining and The Exorcist being the most notable examples. Interestingly, similar was the case for The Blair Witch Project, arguably the most influential horror release in the last 25 years that extended beyond the genre’s confinements.
While it may not be the first of its kind, as the Cannibal Holocaust predated it by almost 2-decades, the impact of The Blair Witch Project can’t be overstated. And the two directors working on the Indie horror, went to great lengths to bring out the best from the actors involved in the film.
The Blair Witch
The Directing Duo Opted for an Unconventional Method to Film The Blair Witch Project
Eduardo Sánchez and Daniel Myrick took a page from William Friedkin’s notebook while directing The Blair Witch Project,...
While it may not be the first of its kind, as the Cannibal Holocaust predated it by almost 2-decades, the impact of The Blair Witch Project can’t be overstated. And the two directors working on the Indie horror, went to great lengths to bring out the best from the actors involved in the film.
The Blair Witch
The Directing Duo Opted for an Unconventional Method to Film The Blair Witch Project
Eduardo Sánchez and Daniel Myrick took a page from William Friedkin’s notebook while directing The Blair Witch Project,...
- 2/22/2024
- by Santanu Roy
- FandomWire
Russell Crowe’s The Pope’s Exorcist, inspired by the true story of the Chief Exorcist of the Vatican, Father Gabriele Amorth, landed crazy reviews following its release. While most fans found the movie extremely bizarre, and even the Golden Raspberry Awards, aka the Razzies, offered the worst actor nomination to Crowe, Japanese video game designer Hideo Kojima found the movie amusing.
Hideo Kojima | image: Instagram/@hideo_kojima
Initially regretting missing out on the movie when it was released in theatres, Hideo Kojima recently notified his fans via X that he is preparing to watch Russell Crowe’s The Pope’s Exorcist on Prime Video. Further, after completing his watch, the video game designer expressed his appreciation for the movie and even mentioned how people in Japan love it.
Hideo Kojima Expressed His Appreciation for The Pope’s Exorcist
Following the release of Russell Crowe’s big exorcist movie in theatres,...
Hideo Kojima | image: Instagram/@hideo_kojima
Initially regretting missing out on the movie when it was released in theatres, Hideo Kojima recently notified his fans via X that he is preparing to watch Russell Crowe’s The Pope’s Exorcist on Prime Video. Further, after completing his watch, the video game designer expressed his appreciation for the movie and even mentioned how people in Japan love it.
Hideo Kojima Expressed His Appreciation for The Pope’s Exorcist
Following the release of Russell Crowe’s big exorcist movie in theatres,...
- 2/19/2024
- by Krittika Mukherjee
- FandomWire
One of the greatest crime movies of all time, "The French Connection" is William Friedkin's gritty drama based on a true story. Gene Hackman stars as Detective Jimmy "Popeye" Doyle, a no-nonsense, rule-breaking cop who gets caught up investigating a case in which the Italian mob is bringing drugs into America with the help of a French heroin-smuggling syndicate. But this isn't an open-and-shut case. The lawmen are seemingly foiled at every turn, and things end on a shocking, bleak note. It's an amazing movie with one of the best chase sequences ever captured on film. "The French Connection" was released nearly 53 years ago, which means many of its cast members have left us, along with director Friedkin, who died last year. But a few are still around. So here are the only major actors still alive from "The French Connection."
Read more: The 20 Best Detective Movies Ranked
Gene...
Read more: The 20 Best Detective Movies Ranked
Gene...
- 2/17/2024
- by Chris Evangelista
- Slash Film
The New Hollywood revolution was raging in 1971, and studios were rapidly transitioning from old-school leadership to boat-rocking up-and-comers who seemed to have the pulse of the Baby Boomer-driven counterculture. The age of star-studded mega-musicals and old-fashioned oaters was over; movies didn't necessarily need a serrated edge to slash into the zeitgeist, but even a weepie like Arthur Hiller's "Love Story" boasted a lived-in verisimilitude. These films, shorn of backlot artifice, were happening in the real world.
Young moviegoers weren't the only ones craving authenticity. John Schlesinger's "Midnight Cowboy" couldn't have been voted Best Picture of 1969 without significant support from gray-haired Academy of Motion Picture Arts and Sciences members. This was a film that plunged viewers into the seamiest iteration of New York City ever captured by a studio movie, that dealt with issues of sex work and homosexuality so unflinchingly that the MPAA (now known as MPA) gave it an X-rating.
Young moviegoers weren't the only ones craving authenticity. John Schlesinger's "Midnight Cowboy" couldn't have been voted Best Picture of 1969 without significant support from gray-haired Academy of Motion Picture Arts and Sciences members. This was a film that plunged viewers into the seamiest iteration of New York City ever captured by a studio movie, that dealt with issues of sex work and homosexuality so unflinchingly that the MPAA (now known as MPA) gave it an X-rating.
- 2/16/2024
- by Jeremy Smith
- Slash Film
There is, a critic will argue, a great deal of value in finding and discussing the worst films of the year. All the films released in a given epoch are a reflection of the trends and ideas that produced them, and scoring the bottom of the barrel for the worst filmmaking, the worst ideas, and the most misguided thinking will provide a valuable analysis of where we are as a society. Worst-of lists are important and vital and should be written with enthusiasm. They also let critics blow off steam a little bit; we don't have the luxury to skip bad movies or avoid talking about the ones we hate. It's our job.
The Golden Raspberries, or the Razzies for short, however, lost sight of that value a while back. The annual Razzies announcement is usually a snarky affair that only serves to pick on the year's least popular blockbusters,...
The Golden Raspberries, or the Razzies for short, however, lost sight of that value a while back. The annual Razzies announcement is usually a snarky affair that only serves to pick on the year's least popular blockbusters,...
- 2/15/2024
- by Witney Seibold
- Slash Film
Some apotheosis of film culture has been reached with Freddy Got Fingered‘s addition to the Criterion Channel. Three years after we interviewed Tom Green about his consummate film maudit, it’s appearing on the service’s Razzie-centered program that also includes the now-admired likes of Cruising, Heaven’s Gate, Querelle, and Ishtar; the still-due likes of Under the Cherry Moon; and the more-contested Gigli, Swept Away, and Nicolas Cage-led Wicker Man. In all cases it’s an opportunity to reconsider one of the lamest, thin-gruel entities in modern culture.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
- 2/14/2024
- by Nick Newman
- The Film Stage
Late auteur Peter Bogdanovich is still just a handshake away per his posthumous podcast, “One Handshake Away.”
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
- 2/5/2024
- by Samantha Bergeson
- Indiewire
Get ready for your next marathon with Max! This February, the streamer is saying goodbye to major award winners, camp classics, and more. Most of the platform’s exits will take place on the final day of the month, including the genre and history-changing “The Exorcist,” the recent Oscar winner “Drive My Car,” and more, but Max will remove several other major TV and film titles throughout the month.
We at The Streamable have assembled our top picks for what’s leaving Max this month— continue below to find your next thing to watch and see the full list below to plan your next movie night before they’re gone!
7-Day Free Trial $9.99+ / month Max via amazon.com What are the 5 Best Shows and Movies Leaving Max in February 2024? “Drive My Car” | Thursday, Feb. 29
A recent Oscar winner for Best International Feature Film, the Japanese drama stars Hidetoshi Nishijima as Yūsuke Kafuku,...
We at The Streamable have assembled our top picks for what’s leaving Max this month— continue below to find your next thing to watch and see the full list below to plan your next movie night before they’re gone!
7-Day Free Trial $9.99+ / month Max via amazon.com What are the 5 Best Shows and Movies Leaving Max in February 2024? “Drive My Car” | Thursday, Feb. 29
A recent Oscar winner for Best International Feature Film, the Japanese drama stars Hidetoshi Nishijima as Yūsuke Kafuku,...
- 2/2/2024
- by Ashley Steves
- The Streamable
Another remake of classic – make that two classics – is headed to Netflix, as the streaming giant has just released the teaser for The Wages of Fear, first made in 1953 and later most notably remade by William Friedkin with 1977’s Sorcerer.
In the trailer, we see an explosion and the chaos of the aftermath, with a voice saying, “There is a gas pocket feeding the flames. To put it out, we need to blow it up.” This sets up the plot of The Wages of Fear, which finds a team driving to the location in trucks filled with nitro…and they’re on a timeline of just 24 hours.
Helmed by action director Julien Leclercq, The Wages of Fear looks to bring a lot more of his trademark action to the screen than its predecessors. Henri-Georges Clouzot’s original The Wages of Fear (Le Salaire de la peur) is, as far as I’m concerned,...
In the trailer, we see an explosion and the chaos of the aftermath, with a voice saying, “There is a gas pocket feeding the flames. To put it out, we need to blow it up.” This sets up the plot of The Wages of Fear, which finds a team driving to the location in trucks filled with nitro…and they’re on a timeline of just 24 hours.
Helmed by action director Julien Leclercq, The Wages of Fear looks to bring a lot more of his trademark action to the screen than its predecessors. Henri-Georges Clouzot’s original The Wages of Fear (Le Salaire de la peur) is, as far as I’m concerned,...
- 1/30/2024
- by Mathew Plale
- JoBlo.com
In 1950, French author Georges Arnaud wrote a novel with the translated title of "The Wages of Fear," and three years later, director Henri-Georges Clouzot adapted it into one of the most tense films ever made. When a gargantuan fire breaks out at an isolated oil derrick in the middle of nowhere, the only way to stop the problem is to literally blow up the entire site. The problem is, it will take a hell of a lot of nitroglycerin to do that. Naturally, that compound is highly combustible and incredibly sensitive. If you jostle it around, it explodes. It turns out the only way to transport it is to pack it into the back of trucks, physically drive it across incredibly rough terrain, and hope for the best. The drivers, broke and trapped in a dead-end town with no prospects, are offered astronomical sums of money to make the trek,...
- 1/30/2024
- by Ben Pearson
- Slash Film
Netflix fights fire with fire in its upcoming remake of a suspense classic. Here’s a trailer for The Wages Of Fear.
The Wages Of Fear, the 1953 classic suspense thriller directed by Henri-Georges Clouzot, has already had one remake: William Friedkin’s Sorcerer, released in 1977. Both are intense, immersive films with grime on their skin and dirt under their fingernails, which makes it all the more odd that Netflix’s upcoming remake – also called The Wages Of Fear – has that pristine, flatly-lit look of an Expendables sequel.
The plot remains the same; it’s about a quartet of misfits who – in exchange for a big chunk of cash – agree to ferry trucks of high explosives across a rugged landscape. Their mission: to set off a huge detonation in the hopes of extinguishing an oil well fire.
This latest version is directed by Julien Leclercq, whose previous work includes the action thrillers Braquers,...
The Wages Of Fear, the 1953 classic suspense thriller directed by Henri-Georges Clouzot, has already had one remake: William Friedkin’s Sorcerer, released in 1977. Both are intense, immersive films with grime on their skin and dirt under their fingernails, which makes it all the more odd that Netflix’s upcoming remake – also called The Wages Of Fear – has that pristine, flatly-lit look of an Expendables sequel.
The plot remains the same; it’s about a quartet of misfits who – in exchange for a big chunk of cash – agree to ferry trucks of high explosives across a rugged landscape. Their mission: to set off a huge detonation in the hopes of extinguishing an oil well fire.
This latest version is directed by Julien Leclercq, whose previous work includes the action thrillers Braquers,...
- 1/30/2024
- by Ryan Lambie
- Film Stories
"To put it out, we need to blow it up." Roll on! Netflix has unveiled the first look teaser trailer for a French action thriller titled The Wages of Fear, the latest from filmmaker Julien Leclercq. This is set to launch streaming only on Netflix at the end of March. "They have 24 hours to drive two trucks full of nitroglycerin and prevent a terrible catastrophe." Similar to William Friedkin's Sorcerer, but in the desert! That film was based on the same French novel that was also made into the original 1953 film. In order to prevent a deadly explosion, an illicit crack team has 24 hours to drive two truckloads of nitroglycerine across a desert laden with danger. This is a remake of the classic 1950s French thriller of the same name - Le Salaire de la Peur or The Wages of Fear. Thankfully they're not turning it into a series,...
- 1/29/2024
- by Alex Billington
- firstshowing.net
Eli Roth's 2023 slasher film "Thanksgiving" famously started its life back in 2007 in the form of a fake trailer sandwiched in between Robert Rodriguez's "Planet Terror" and Quentin Tarantino's "Death Proof," two movies released as a single mega-feature called "Grindhouse." The goal of "Grindhouse" was to recreate the experience of seeing a cheap exploitation double-feature in a run-down New York theater in the early 1980s, complete with film scratches, missing reels, and several previews for upcoming ultra-salacious genre movies. The trailers were all fake at the time, but since 2007, the trailers for "Machete," "Hobo with a Shotgun," and "Thanksgiving" have been made into real movies.
Roth, as the director's fans know, is a voracious cineaste, and has likely spent more time watching movies than most people. He also wears his influences on his sleeve; in the credits for Roth's 2013 cannibal film "The Green Inferno," he includes a list...
Roth, as the director's fans know, is a voracious cineaste, and has likely spent more time watching movies than most people. He also wears his influences on his sleeve; in the credits for Roth's 2013 cannibal film "The Green Inferno," he includes a list...
- 1/28/2024
- by Witney Seibold
- Slash Film
Those who follow the genre's roots are well aware of the ties Arabic lands have with the concepts of possession and exorcism genres, even if the pieces haven't been made obvious. With the fateful openings of William Friedkin's “The Exorcist” finding itself involving the unearthing of the cursed statue on Iraqi soil and Scott Derrickson's “Deliver Us from Evil” bringing itself up in the same area, the Middle East has been used as the spawning ground for eternal evil striking in the modern day, even if both films took the action back to the States. With “Three,” the first feature-length film from the first female director from the United Arab Emirates in Nayla Al Khaja, the genre heads to this fertile ground and stays there for its duration lending a distinct touch to this well-worn path.
Three review is part of the Submit Your Film Initiative
After a series of bizarre incidents,...
Three review is part of the Submit Your Film Initiative
After a series of bizarre incidents,...
- 1/26/2024
- by Don Anelli
- AsianMoviePulse
Keanu Reeves has been set to receive the inaugural Lance Reddick Legacy Award at the 51st annual Saturn Awards ceremony, which has itself been dedicated to the memory of Reddick, a friend and former host of the show, who could be seen opposite the John Wick star in the entire franchise, passing away in March at the age of 60.
Presenting the award to Reeves at the ceremony, streaming live via ElectricNOW at 4 p.m. Pst on February 4, with Joel McHale as host, is Bosch star Titus Welliver.
Saturn producers Bradley and Kevin Marcus joined Robert Holguin, President of award show presenter The Academy of Science Fiction, Fantasy, and Horror Films, in explaining that the new award in Reddick’s name “symbolizes and celebrates not only a performer’s talent, but their character; someone who’s a true goodwill ambassador in the industry.”
The trio underscored that “from Science Fiction (“The...
Presenting the award to Reeves at the ceremony, streaming live via ElectricNOW at 4 p.m. Pst on February 4, with Joel McHale as host, is Bosch star Titus Welliver.
Saturn producers Bradley and Kevin Marcus joined Robert Holguin, President of award show presenter The Academy of Science Fiction, Fantasy, and Horror Films, in explaining that the new award in Reddick’s name “symbolizes and celebrates not only a performer’s talent, but their character; someone who’s a true goodwill ambassador in the industry.”
The trio underscored that “from Science Fiction (“The...
- 1/26/2024
- by Matt Grobar
- Deadline Film + TV
Gene Hackman is one of the most versatile and accomplished character actors on film and is appreciated by critics and audiences for his clean, no-nonsense style of acting. In his film work, Hackman was famed for the every-man quality to his work with which audiences of all types could identify which he demonstrated in the more than 80 films in which he appeared.
Throughout his film career which lasted more than half a century, Hackman’s subtle work has been showered with honors. He has won two Academy Awards (for 1971’s “The French Connection” with William Friedkin and 1992’s “Unforgiven” with Clint Eastwood) from five nominations. He has been given an honorary Cecil B. DeMille Award at the Golden Globes, while winning three competitive Globes from eight total nominations and is a Screen Actors Guild Award winner from his two nominations.
After appearing in 2004’s “Welcome to Mooseport,” Hackman announced that...
Throughout his film career which lasted more than half a century, Hackman’s subtle work has been showered with honors. He has won two Academy Awards (for 1971’s “The French Connection” with William Friedkin and 1992’s “Unforgiven” with Clint Eastwood) from five nominations. He has been given an honorary Cecil B. DeMille Award at the Golden Globes, while winning three competitive Globes from eight total nominations and is a Screen Actors Guild Award winner from his two nominations.
After appearing in 2004’s “Welcome to Mooseport,” Hackman announced that...
- 1/26/2024
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
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