Exclusive: Plan B Entertainment has started a new micro budget film finance initiative to produce and finance lower cost films which will be led by newly hired Caddy Vanasirikul. The veteran film producer and acquisition and production executive will manage Plan B’s forthcoming slate in this sector.
The first film under this new initiative is Mexican filmmaker Fernando Eimbcke’s Olmo, which recently completed shooting in New Mexico under an interim agreement. Co-written with Vanesa Garnica and directed by Eimbcke, and produced with Erendira Nunez LariosEréndira Núñez Larios and Michel Franco’s Teorema, the bilingual story is about 14 year-old Olmo, who must take care of his bedridden father who has Multiple Sclerosis. But when Olmo’s goddess neighbor Nina Sandoval invites him to a party, his world is turned upside down.
Eimbcke’s feature directorial debut Temporada de patos (Duck Season) premiered at the Cannes Film Festival and won...
The first film under this new initiative is Mexican filmmaker Fernando Eimbcke’s Olmo, which recently completed shooting in New Mexico under an interim agreement. Co-written with Vanesa Garnica and directed by Eimbcke, and produced with Erendira Nunez LariosEréndira Núñez Larios and Michel Franco’s Teorema, the bilingual story is about 14 year-old Olmo, who must take care of his bedridden father who has Multiple Sclerosis. But when Olmo’s goddess neighbor Nina Sandoval invites him to a party, his world is turned upside down.
Eimbcke’s feature directorial debut Temporada de patos (Duck Season) premiered at the Cannes Film Festival and won...
- 12/1/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Duck Season (2004), Lake Tahoe (2008) and Club Sandwich (2013) Mexican filmmaker Fernando Eimbcke is set to move further up the border with his return to feature fiction filmmaking. Eimbcke has mounted a coming-of-age film that is set in 80’s New Jersey and goes by the titular Olmo. Vanesa Garnica is a co-writer.
Plan B Entertainment’s Academy Award winning producers Dede Gardner and Jeremy Kleiner teamed up with Eréndira Núñez Larios (who we just mentioned might be working on a new Michel Franco project) to produce the mount the project which was originally being eyed for a July shoot but instead will focus on September (possibly further delayed by the strike).…...
Plan B Entertainment’s Academy Award winning producers Dede Gardner and Jeremy Kleiner teamed up with Eréndira Núñez Larios (who we just mentioned might be working on a new Michel Franco project) to produce the mount the project which was originally being eyed for a July shoot but instead will focus on September (possibly further delayed by the strike).…...
- 7/18/2023
- by Eric Lavallée
- IONCINEMA.com
Ben Sharrock's Limbo is exclusively showing on Mubi in the United Kingdom and Ireland starting September 23, 2021 in the series The New Auteurs.An urgent yet deliberately quirky film, Ben Sharrock’s brilliant Limbo is superficially another fish out of water story. Set in a remote part of Scotland, it resembles the old Ealing Comedies, like Whisky Galore!, but with incredibly dark social realism running through it. The fish is Syrian asylum-seeker Omar who, along with fellow refugees from different countries, has been sent to a place so unwelcoming and bleak—a local place for local people—that desperation quickly sets in. Omar has his trusty instrument, his grandfather’s oud, for company and a determination and outlook that sustains him, but it’s definitely not a rose-tinted story. The cherry on the top of this drama is casting Sidse Babett Knudsen (Borgen) as the woman helping them learn customs and language.
- 10/8/2021
- MUBI
Mexico’s Cuevas de Altamira and Avanti Cinema and Argentina’s Gualicho Cine and Isla Bonita have joined forces to co-produce “Ángeles,” the latest feature from director-producer-writer Paula Markovitch, whose feature film debut, coming-of-age drama “The Prize,” won two Berlin Silver Bears in 2011.
Cuevas de Altamira is Markovitch’s label. A tough drama, its main characters are a poor kid who sells candies in the street and a fifty-something man sunk in despair, said the director.
First directing 1999’s “Perriférico,” a short starring Diego Luna, Markovitch has developed into an influential Latin American cineaste, co-wroting Fernando Eimbcke’s “Duck Season” which swept Guadalajara in 2004 snagging eight awards, and Lorenzo’s Vigas’ 2021 Venice hit, “The Box.”
“Ángeles” will be Markovitch’s fourth feature as director. It explores the unexpected and raw story of David and Ángeles. “One afternoon, David confesses to Ángeles that he’s going to jump off a building and kill himself.
Cuevas de Altamira is Markovitch’s label. A tough drama, its main characters are a poor kid who sells candies in the street and a fifty-something man sunk in despair, said the director.
First directing 1999’s “Perriférico,” a short starring Diego Luna, Markovitch has developed into an influential Latin American cineaste, co-wroting Fernando Eimbcke’s “Duck Season” which swept Guadalajara in 2004 snagging eight awards, and Lorenzo’s Vigas’ 2021 Venice hit, “The Box.”
“Ángeles” will be Markovitch’s fourth feature as director. It explores the unexpected and raw story of David and Ángeles. “One afternoon, David confesses to Ángeles that he’s going to jump off a building and kill himself.
- 10/1/2021
- by Emilio Mayorga
- Variety Film + TV
As the global film industry faced dire circumstances in recent months, Mexican filmmakers contended with a more specific threat. In early April, the country’s president attempted to eliminate critical funding that has supported generations of acclaimed Mexican filmmakers. The pushback culminated in a dramatic confrontation, with filmmakers such as Guillermo del Toro, Alejandro G. Iñarritu, and Alfonso Cuarón taking a stand to salvage these resources. Their successful efforts — for now, at least — cast light on a community reliant on national support.
Mexico’s film industry has seen astounding growth over the last two decades, in quantity and quality. The defining catalyst remains the creation of two government funds, Forprocine and Fidecine, in the late ‘90s. For several decades prior to these funds, Mexican cinema stagnated, producing less than 10 films per year. Last year, 200 completed features set a new record.
The success of these financing mechanisms is undeniable. Not only...
Mexico’s film industry has seen astounding growth over the last two decades, in quantity and quality. The defining catalyst remains the creation of two government funds, Forprocine and Fidecine, in the late ‘90s. For several decades prior to these funds, Mexican cinema stagnated, producing less than 10 films per year. Last year, 200 completed features set a new record.
The success of these financing mechanisms is undeniable. Not only...
- 5/30/2020
- by Carlos Aguilar
- Indiewire
Perhaps the smallest scale franchise in the business is the “I Love You” anthology of films. Each installment in what’s called the “Cities of Love” franchise looks at romantic stories centered in one town. Paris, je t’aime started it off, with New York, I Love You and Rio, I Love You coming next in line. Now, this week brings Berlin, I Love You to screens. Unfortunately, while the first two efforts had lots of charm and offered more good segments than bad, the inverse is true here. Too much of the story is easy to dismiss and forgettable. For the first time, you don’t ever get a sense of why this is a place to love, or why someone might fall in love there. This movie is, as mentioned above, the latest installment of the Cities of Love / “I Love You” anthology series. Obviously, it’s centered in Berlin,...
- 2/9/2019
- by Joey Magidson
- Hollywoodnews.com
If you truly love Berlin, and belong to the film industry, chances are you’re there right now attending the Berlinale, where roughly 400 movies unspool over 11 days. The Berlin Film Festival takes place annually in early February, one of the least pleasant times of year to experience a city where, in the half dozen instances I’ve been, someone always apologizes for the weather — with its rain, sleet, and iced-over streets — and helpfully suggests, “You really should come back in summer.”
And so, this year, I have no regrets sitting out the festival, choosing instead to visit the city vicariously via “Berlin, I Love You,” the latest in the “Cities of Love” series that gave us “Paris, je t’aime” and similar stopovers in New York and Rio. If you’ve seen any of those movies, you know the drill: The producers pick a glamorous international metropolis and invite a...
And so, this year, I have no regrets sitting out the festival, choosing instead to visit the city vicariously via “Berlin, I Love You,” the latest in the “Cities of Love” series that gave us “Paris, je t’aime” and similar stopovers in New York and Rio. If you’ve seen any of those movies, you know the drill: The producers pick a glamorous international metropolis and invite a...
- 2/9/2019
- by Peter Debruge
- Variety Film + TV
Typical Berlin? “Nothing,” suggests one of the many characters in this new trailer for Berlin, I Love You, is typical in this city.
The fourth in the “Cities of Love” anthology series since the first – New York, I Love You in 2008, followed by Paris (2006) and Rio (2014) installments – Berlin, I Love You features 10 segments of love and romance in the German city.
Twelve directors contribute, including Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron. The film is produced by Claus Clausen and Edda Reiser.
The trailer gives glimpses of the various tales, including one in which Keira Knightley plays a woman trying to help an apparently homeless little boy (Liam Gross). Helen Mirren plays Knightley’s concerned mom. In another, Mickey Rourke puts his odds of a romantic hook-up at 50-50, and seems to beat the house.
Also in the cast: Luke Wilson,...
The fourth in the “Cities of Love” anthology series since the first – New York, I Love You in 2008, followed by Paris (2006) and Rio (2014) installments – Berlin, I Love You features 10 segments of love and romance in the German city.
Twelve directors contribute, including Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron. The film is produced by Claus Clausen and Edda Reiser.
The trailer gives glimpses of the various tales, including one in which Keira Knightley plays a woman trying to help an apparently homeless little boy (Liam Gross). Helen Mirren plays Knightley’s concerned mom. In another, Mickey Rourke puts his odds of a romantic hook-up at 50-50, and seems to beat the house.
Also in the cast: Luke Wilson,...
- 1/17/2019
- by Greg Evans
- Deadline Film + TV
The second installment of Infinite Fest, a monthly column by festival programmer and film critic Eric Allen Hatch, author of the recent “Why I Am Hopeful” article for Filmmaker Magazine, tackling the state of cinema as expressed by North American film festivalsPorfirioAs I prepare for my annual pilgrimage to Toronto, I’m thinking about all the great films I’ve seen at Tiff that have vanished.No, I’m not talking about Vincent Gallo’s Promises Written in Water, although we can go there for a minute. Thanks to Tiff 2010, I can count myself among the small number of folks who’ve actually seen it, and will happily verify that it not only exists but also happens to be a stark, deranged, and diabolically solipsistic masterpiece… as, in a way, was the derisive email Gallo wrote in response to my festival invite for the film in the spring of 2011, before...
- 9/5/2018
- MUBI
Saban Films is stamping its passport for Germany, as the distributor has acquired “Berlin, I Love You” out of the Cannes Film Festival.
Part of the indie franchise that includes “New York, I Love You” and “Paris, je t’aime,” the film focuses on short romantic vignettes and tapestry of character that populate the city.
Helen Mirren, Keira Knightley and Jim Sturgess are among the ensemble cast. The acquisition price is unknown.
Directors on the 10 shorts include Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron.
Also Read: Cannes Report, Day 5: Salma Hayek Sounds Off, Gaspar Noé Redeemed
The film was produced by Claus Clausen and Edda Reiser with Galleon Films’ Alice de Sousa and Skady Lis as co-producers. Emmanuel Benbihy is executive producer. The film was financed by VX119 Media Capital, on behalf of managing partners Jeff Geoffray and Jeff Konvitz.
Highland Film Group is handling worldwide sales together with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette. CAA Media Finance co-repping the deal with Highland and Disrupting Influence.
Bill Bromiley and Jonathan Saba negotiated on behalf of Saban Films, who are planning a theatrical release.
Read original story Helen Mirren’s ‘Berlin, I Love You’ Sells to Saban Films At TheWrap...
Part of the indie franchise that includes “New York, I Love You” and “Paris, je t’aime,” the film focuses on short romantic vignettes and tapestry of character that populate the city.
Helen Mirren, Keira Knightley and Jim Sturgess are among the ensemble cast. The acquisition price is unknown.
Directors on the 10 shorts include Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron.
Also Read: Cannes Report, Day 5: Salma Hayek Sounds Off, Gaspar Noé Redeemed
The film was produced by Claus Clausen and Edda Reiser with Galleon Films’ Alice de Sousa and Skady Lis as co-producers. Emmanuel Benbihy is executive producer. The film was financed by VX119 Media Capital, on behalf of managing partners Jeff Geoffray and Jeff Konvitz.
Highland Film Group is handling worldwide sales together with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette. CAA Media Finance co-repping the deal with Highland and Disrupting Influence.
Bill Bromiley and Jonathan Saba negotiated on behalf of Saban Films, who are planning a theatrical release.
Read original story Helen Mirren’s ‘Berlin, I Love You’ Sells to Saban Films At TheWrap...
- 5/13/2018
- by Matt Donnelly
- The Wrap
Highland Film Group handles worldwide sales.
Saban Films has acquired North American rights to Berlin, I Love You, its fourth acquisition announced in Cannes after Siberia, Keeper, and Viking Destiny.
Berlin, I Love You is the latest in the Cities Of Love portmanteau series and comprises 10 love stories set in the German capital. The cast includes Helen Mirren, Keira Knightley, Jim Sturgess.
Saban Films plans a theatrical release. Highland Film Group handles worldwide sales with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette, and jointly represents Us rights with CAA Media Finance.
The directors are Fernando Eimbcke, Dennis Gansel,...
Saban Films has acquired North American rights to Berlin, I Love You, its fourth acquisition announced in Cannes after Siberia, Keeper, and Viking Destiny.
Berlin, I Love You is the latest in the Cities Of Love portmanteau series and comprises 10 love stories set in the German capital. The cast includes Helen Mirren, Keira Knightley, Jim Sturgess.
Saban Films plans a theatrical release. Highland Film Group handles worldwide sales with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette, and jointly represents Us rights with CAA Media Finance.
The directors are Fernando Eimbcke, Dennis Gansel,...
- 5/13/2018
- by Jeremy Kay
- ScreenDaily
Saban Films has acquired the North American rights to “Berlin, I Love You,” whose cast includes Helen Mirren, Keira Knightley and Jim Sturgess. The movie is an anthology feature containing 10 romantic stories set in the German capital.
The deal marks Saban’s fourth acquisition out of the Cannes Film Festival, after it picked up Matthew Ross’ “Siberia,” starring Keanu Reeves, the Gerard Butler starrer “Keepers,” and David L.G. Hughes’ “Viking Destiny.”
Directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron will each helm different segments of “Berlin, I Love You,” with Josef Rusnak directing the transition sequence tying up all the episodes.
The film is produced by Claus Clausen and Edda Reiser of Walk on Water Films; Alice De Sousa of Galleon Films, and Skady Lis of Getaway Pictures are co-producers. Emmanuel Benbihy is executive producing, and the film was financed by VX119 Media Capital.
The deal marks Saban’s fourth acquisition out of the Cannes Film Festival, after it picked up Matthew Ross’ “Siberia,” starring Keanu Reeves, the Gerard Butler starrer “Keepers,” and David L.G. Hughes’ “Viking Destiny.”
Directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron will each helm different segments of “Berlin, I Love You,” with Josef Rusnak directing the transition sequence tying up all the episodes.
The film is produced by Claus Clausen and Edda Reiser of Walk on Water Films; Alice De Sousa of Galleon Films, and Skady Lis of Getaway Pictures are co-producers. Emmanuel Benbihy is executive producing, and the film was financed by VX119 Media Capital.
- 5/13/2018
- by Leo Barraclough
- Variety Film + TV
Helen Mirren and Keira Knightley’s Berlin, I Love You is heading to the U.S. after Saban Films has acquired the North American rights.
The anthology feature, which also stars Jim Sturgess, tells ten stories of romance set in the German capital with directors including Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron helming different segments with Josef Rusnak directing the transition sequences.
The film is produced by Claus Clausen and Edda Reiser (Walk on Water Films) alongside Alice De Sousa (Galleon Films) and Skady Lis (Getaway Pictures) as co-producers.
Emmanuel Benbihy is executive producing, and the film was financed by VX119 Media Capital, whose managing partners are Jeff Geoffray and Jeff Konvitz. Highland Film Group is handling worldwide sales together with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette, with CAA Media Finance co-repping the U.S. rights.
The anthology feature, which also stars Jim Sturgess, tells ten stories of romance set in the German capital with directors including Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron helming different segments with Josef Rusnak directing the transition sequences.
The film is produced by Claus Clausen and Edda Reiser (Walk on Water Films) alongside Alice De Sousa (Galleon Films) and Skady Lis (Getaway Pictures) as co-producers.
Emmanuel Benbihy is executive producing, and the film was financed by VX119 Media Capital, whose managing partners are Jeff Geoffray and Jeff Konvitz. Highland Film Group is handling worldwide sales together with Disrupting Influence’s Glenn Kendrick Ackermann and Jason Piette, with CAA Media Finance co-repping the U.S. rights.
- 5/13/2018
- by Peter White
- Deadline Film + TV
Marking its fourth acquisition of the Cannes market, Saban Films has acquired North American rights to Berlin, I Love You.
Told as an anthology of 10 romantic stories set in the German capital, directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron each helm different segments. Josef Rusnak directs the transition sequence tying up all the episodes. The cast includes Helen Mirren, Keira Knightley and Jim Sturgess.
Berlin, I Love You marks the latest chapter in the Cities of Love franchise, founded by Emmanuel Benbihy, following Paris Je T'aime in 2006...
Told as an anthology of 10 romantic stories set in the German capital, directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron each helm different segments. Josef Rusnak directs the transition sequence tying up all the episodes. The cast includes Helen Mirren, Keira Knightley and Jim Sturgess.
Berlin, I Love You marks the latest chapter in the Cities of Love franchise, founded by Emmanuel Benbihy, following Paris Je T'aime in 2006...
- 5/13/2018
- by Tatiana Siegel
- The Hollywood Reporter - Movie News
Marking its fourth acquisition of the Cannes market, Saban Films has acquired North American rights to <em>Berlin, I Love You</em>.
Directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron each helmed different segments of the film, which is an anthology of 10 romantic stories set in the German capital. Josef Rusnak directed the transition sequence tying up all the episodes. The cast includes Helen Mirren, Keira Knightley and Jim Sturgess.
<em>Berlin, I Love You</em> marks the latest chapter in the <em>Cities of Love</em> franchise, founded by Emmanuel Benbihy, following <em>Paris Je T'aime</em> in 2006 ...
Directors Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron each helmed different segments of the film, which is an anthology of 10 romantic stories set in the German capital. Josef Rusnak directed the transition sequence tying up all the episodes. The cast includes Helen Mirren, Keira Knightley and Jim Sturgess.
<em>Berlin, I Love You</em> marks the latest chapter in the <em>Cities of Love</em> franchise, founded by Emmanuel Benbihy, following <em>Paris Je T'aime</em> in 2006 ...
- 5/13/2018
- The Hollywood Reporter - Film + TV
Love is in the air for Helen Mirren, Keira Knightley and Jim Sturgess.
The trio have joined the cast of Berlin, I Love You, which marks the latest film in the Cities of Love anthology series launched by Emmanuel Benbihy that already has tackled tales of romance in Paris and New York.
Written by Neil La Bute and David Vernon, Berlin, I Love You segments are being directed by Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron. Josef Rusnak will helm the transition sequence that ties all the episodes together.
Mirren,...
The trio have joined the cast of Berlin, I Love You, which marks the latest film in the Cities of Love anthology series launched by Emmanuel Benbihy that already has tackled tales of romance in Paris and New York.
Written by Neil La Bute and David Vernon, Berlin, I Love You segments are being directed by Fernando Eimbcke, Dennis Gansel, Massy Tadjedin, Peter Chelsom, Til Schweiger, Justin Franklin, Dani Levy and Dianna Agron. Josef Rusnak will helm the transition sequence that ties all the episodes together.
Mirren,...
- 9/8/2017
- by Tatiana Siegel
- The Hollywood Reporter - Movie News
Mickey Rourke will star in anthology movie Berlin, I Love You, the latest in the Cities of Love series.
Rourke is the latest to join the A-list ensemble that already includes Diego Luna, Orlando Bloom, Sophie Turner, Jack Huston and Jared Leto. Patrick Dempsey and Renee Zellweger will also star, as well as make their directorial debuts as part of the film.
Other directors will include Massy Tadjedin, Chinese artist Ai Weiwei, Shekhar Kapur, Tom Van Avermaet and Fernando Eimbcke, along with German directors Til Schweiger, Dennis Gansel and Dani Levy.
Berlin, I Love You, which will begin production at the end...
Rourke is the latest to join the A-list ensemble that already includes Diego Luna, Orlando Bloom, Sophie Turner, Jack Huston and Jared Leto. Patrick Dempsey and Renee Zellweger will also star, as well as make their directorial debuts as part of the film.
Other directors will include Massy Tadjedin, Chinese artist Ai Weiwei, Shekhar Kapur, Tom Van Avermaet and Fernando Eimbcke, along with German directors Til Schweiger, Dennis Gansel and Dani Levy.
Berlin, I Love You, which will begin production at the end...
- 8/1/2017
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Diego Luna is looking for love, signing on to star in romance ensemble film Berlin, I Love You. Sources say Orlando Bloom and Gemma Arterton also are in negotiations to join the anthology film, which already has Jack Huston and Sophie Turner attached to star.
Several directors will each handle one story in the project, with Patrick Dempsey and Renee Zellweger attached to make their directorial debuts as part of the film. They also will star in their segments.
Other directors that will helm segments include Massy Tadjedin, Chinese artist Ai Weiwei, Shekhar Kapur, Tom Van Avermaet and Fernando Eimbcke,...
Several directors will each handle one story in the project, with Patrick Dempsey and Renee Zellweger attached to make their directorial debuts as part of the film. They also will star in their segments.
Other directors that will helm segments include Massy Tadjedin, Chinese artist Ai Weiwei, Shekhar Kapur, Tom Van Avermaet and Fernando Eimbcke,...
- 5/17/2017
- by Rebecca Ford
- The Hollywood Reporter - Movie News
Berlinale Co-Production Market matches 36 new feature film projects with international co-production partners .
The 13th edition of the Berlinale Co-Production Market (Feb 14-16) has unveiled the 36 feature film projects from 29 different countries that will look to forge international co-production and financing partnerships.
Among the directors of the selected projects are Ciro Guerra, whose Embrace of the Serpent was presented as a project at a past edition of the market and is nominated for this year’s Best Foreign Language Film at the Academy Awards.
Also included Jasmila Zbanic, winner of the Golden Bear in 2006; Irish director Mark Noonan, who presented his debut film You’re Ugly Too last year at the Berlinale in the Generation Kplus programme and is currently working on his second feature film; as well as a host of other acclaimed directors such as Diego Lerman, Oliver Schmitz, Brandon Cronenberg and Alvaro Brechner.
The latest feature from Roar Uthang, who directed...
The 13th edition of the Berlinale Co-Production Market (Feb 14-16) has unveiled the 36 feature film projects from 29 different countries that will look to forge international co-production and financing partnerships.
Among the directors of the selected projects are Ciro Guerra, whose Embrace of the Serpent was presented as a project at a past edition of the market and is nominated for this year’s Best Foreign Language Film at the Academy Awards.
Also included Jasmila Zbanic, winner of the Golden Bear in 2006; Irish director Mark Noonan, who presented his debut film You’re Ugly Too last year at the Berlinale in the Generation Kplus programme and is currently working on his second feature film; as well as a host of other acclaimed directors such as Diego Lerman, Oliver Schmitz, Brandon Cronenberg and Alvaro Brechner.
The latest feature from Roar Uthang, who directed...
- 1/14/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Countries around the world have slowly begun announcing their official submissions for the Best Foreign Language Film Academy Award or shortlists of films that are being considered for the distinction. In the case of Mexico there is no clear candidate for the Mexican Academy to select this year, which leaves an open field of diverse films from the art house and commercial realms.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.
Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.
After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.
"600 Millas" (600 Miles)
Dir. Gabriel Ripstein
Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.
"Alicia en el País de Maria" (Alice in Marialand)
Dir. Jesús Magaña Vázquez
Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.
"Carmín Tropical"
Dir. Rigoberto Pérezcano
A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.
"Club Sandwich"
Dir. Fernando Eimbcke
While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.
"Las Elegidas" (The Chosen Ones)
Dir. David Pablos
This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.
"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)
Dir. Manolo Caro
A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.
"Estrellas Solitarias" (Lonely Stars)
Dir. Fernando Urdapilleta
By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).
"Gloria"
Dir. Christian Keller
Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.
"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)
Dir. Diana Cardozo
Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.
"Hilda"
Dir. Andres Clariond
Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.
"Las Horas Contigo" (The Hours With You)
Dir. Catalina Aguilar Mastretta
This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.
"Manto Acuífero" ( The Well)
Dir. Michael Rowe
Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.
"El Más Buscasdo" (Mexican Gangster)
Dir. José Manuel Cravioto
By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.
"Las Oscuras Primaveras" (The Obscure Spring)
Dir. Ernesto Contreras
Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.
"La Tirisia" (Perpetual Sadness)
Dir. Jorge Pérez Solano
Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.
- 8/20/2015
- by Carlos Aguilar
- Sydney's Buzz
Fernando Eimbcke, Olga Kurylenko and Joshua Oppenheimer will make up the Best First Feature Award jury at this year's Berlinale. More announcements today: Forum Special Screenings will include Tatiana Brandrup's Cinema: A Public Affair, Alejandro Galindo's Cuatro contra el mundo (Four Against the World, 1950), Leo Hurwitz's Strange Victory (1948), Louis de Witt's Joe Bullet (1973) and three newly restored films by Kon Ichikawa. Generation Kplus has added "Sonthar Gyal’s touching story of a family," Gtsngbo (River), "set in the Tibetan steppe," to its lineup. Also added is Levan Akin's Cirkeln (The Circle). » - David Hudson...
- 1/22/2015
- Fandor: Keyframe
Fernando Eimbcke, Olga Kurylenko and Joshua Oppenheimer will make up the Best First Feature Award jury at this year's Berlinale. More announcements today: Forum Special Screenings will include Tatiana Brandrup's Cinema: A Public Affair, Alejandro Galindo's Cuatro contra el mundo (Four Against the World, 1950), Leo Hurwitz's Strange Victory (1948), Louis de Witt's Joe Bullet (1973) and three newly restored films by Kon Ichikawa. Generation Kplus has added "Sonthar Gyal’s touching story of a family," Gtsngbo (River), "set in the Tibetan steppe," to its lineup. Also added is Levan Akin's Cirkeln (The Circle). » - David Hudson...
- 1/22/2015
- Keyframe
The first Fénix Iberoamerican Film Awards, (Phoenix Awards) highlighting and celebrating cinema made in Latin America, Spain, and Portugal as well as applauding the professionals involved was inaugurated by Cinema 23 this October 30th, a couple days before Día de los Muertos, or Day of the Dead, one of the most important holidays in México. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and to their dedication. At the same time, the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
Aside from enumerating the awards here, we wish to show how the films' dissemination throughout the world is, in fact succeeding by showing sales agents and commercial distributors, some of many festivals the films played, and some of the awards won.
Nominees in twelve categories were chosen from a shortlist of 58 feature films and 16 documentaries in the region and awarded by a jury made up of - among others - Luis Tosar, Wagner Moura, Daniel Hendler, Selton Mello, José María Yazpik, Maria de Medeiros, Paulina García, Amat Escalante, Fernando Meirelles, Rodrigo García, Sebastián Lelio, Rodrigo Pla.
Feature Film category
Winner: "The Golden Cage" ("La Juala de oro") by Diego Quemada-díez, a coproduction of Guatemala, Spain and Mexico, since its debut at the Cannes Film Festival's Un Certain Regard in 2013 where Quemada-díez won A Certain Talent Award for his directing work and the ensemble cast has received a total of 67 awards, including 9 Ariel awards by the Mexican Film Academy: Best Picture, Best Original Screenplay, Best First Feature, Best Actor, Best Upcoming Actor, Best Editing, Best Cinematography, Best Sound, Best Music. It also won Best Picture, Best Editing and Best Sound at the Fenix Awards. Producers sold to Benelux - Wild Bunch Benelux, France - Pretty Pictures , Mexico - Canibal Networks,, Portugal - Legendmain Filmes, Spain - Golem Distribución, Taiwan - Maison Motion, U.K. - Peccadillo Pictures.
Other contenders:
"Club Sandwich" by Fernando Eimbcke, a Mexican production, screened in Toronto International Film Festival 2013, San Sebastian 2013 among many others. International sales agent (Isa) Funny Balloons sold the film to Benelux - ABC - Cinemien, Brazil--Esfera Filmes, Mexico--Cine Pantera, Poland--Art House, Turkey--Filma Ltd.
"Heli" by Amat Escalante, a Mexican production premiered at the Cannes Film Festival 2013. Isa Ndm sold to U.S.--Outsider Pictures, Belgium--Film Fest Gent, Brazil--Zeta Filmes, Canada--K Films Amerique and A-z Films, Denmark--Ost For Paradis, France--Le Pacte, Greece--Ama Films, Hungary--Cirko Film Kft., Netherlands--Amstelfilm, Norway--Filmhuset Gruppen As & Europafilm As, Poland--Spectator, Puerto Ric--Wiesner Distribution, Serbia--Mcf Megacom Film, Spain--Savor Ediciones, S.A., Sweden--Njutafilms and Maywin Films Ab, Taiwan--Pomi International, Turkey--Filmarti Film, U.K.--Network
"Jauja" by Lisandro Alonso, a coproduction of Argentina, Denmark, France and Mexico and winner of the Fipresci Award in Cannes' Un Certain Regard 2014 where it debuted. It also played in Toronto and Busan among many other festivals. Isa Ndm, sold to U.S. -- The Cinema Guild; Argentina--Distribution Company Sudamericana S.A.; Spain--Noucinemart- Festival Internacional De Cinema D'autor De Barcelona; U.K.--Soda Pictures
"Bad Hair" ("Pelo Malo") by Mariana Rondon, a coproduction of Venezuela, Peru, Germany and Argentina premiered in Toronto 2013. FiGa sold it to U.S. – Pragda, Argentina--Obra Cine, Brazil--Esfera Filmes, Bulgaria--Sofia International Film Festival - Art Fest Ltd., France--Pyramide Distribution, Hungary -- Cirko, Italy--Cineclub Internazionale, Latin America--Palmera International, Portugal -- Nitrato Filmes, Serbia--European Film Festival Palic, Switzerland --Look Now! Filmdistribution, U.K.--Axiom Films International, Venezuela--Centro Nacional Autonomo De Cinematografia
Documentary Feature category
Winner: "Sobre la Marxa: the Creator of the Jungle" by Jordi Morató from Spain debuted at the International Film Festival Rotterdam.
Other Contenders:
"Letter to a Father" of Edgardo Cozarinsky, a coproduction from France and Argentina screened at Mar del Plata, Cinema du reel 2014 (Competition), Vienna and Jerusalem among other festivals. Doc and FIlms has the international rights.
"Echo Mountain" ("Eco de la montaña") by Nicolás Echevarría, a coproduction of U.S. and Mexico, premiered at Guadalajara Film Festival and Cinema du Reel in 2014.
"And Now? Remember Me" ("E agora? Lembra-me") by Joaquim Pinto from Portugal premiered at Locarno Film Festival 2013, has won 16 awards and 3 nominations and is distributed in France by Epicentre and by Midas in Portugal.
"Watch & Listen" by José Luis Torres Leiva
Best Female Role:
Winner:
Leandra Leal ("A Wolf At the Door" from Brazil premiered at Toronto Ff 2013. Isa: Im Global/Mundial sold to U.S.--Film Movement and Outsider Pictures, Benelux—Cdc United Network, Canada--A-z Films, Israel--United King Video Ltd., Latin America--Palmera International, So. Korea --Korean Film Art Center Baekdu-Daegan Films Co., Ltd, Portugal--Vendetta Filmes, Spain--Betta Pictures, Turkey--Moviebox)
Other Contenders:
Marian Álvarez ("The Wound" aka "La Herida" - Isa: Imagina, premiered San Sebastian Ff where the Special jury prize / Silver Shell for best actress went to Marian Álvarez), Samantha Castillo ("Bad Hair")
Paulina García ("Illiterate" - Isa: Habanero, screened at Guadalajara Ficg 2014, Sanfic - Santiago International Film Festival - Best Picture Audience award , Venice Film Festival - Settimana della Critica - Closing Film, Chicago International Film Festival - New Directors Competition, Sao Paulo International Film Festival - New Directors Competition )
Karen Martinez ("The Golden Cage")
Best Male Role:
Winner:
Viggo Mortensen ("Cockaigne" aka "Jauja")
Other Contenders:
Fernando Bacilio ("Mute" aka "El Mudo" by Daniel Vega premiered at Toronto in 2013. Udi sold it to Encore for airlines)
Alex Brendemühl ("Stella cadente" aka "Falling Star" by Luis Miñarro from Spain screened in Bafici (Buenos Aires) 2014 Panorama, San Sebastian 2014 Made in Spain, Gent Iff 2014 Feature Films, Rotterdam Iffr 2014 (Tiger Competition). Isa: Ndm sold it to Germany--Salzgeber & Co. Medien Gmbh Puerto Rico--Wiesner Distribution, Spain--Vercine)
Brandon Lopez ("The Golden Cage")
Antonio de la Torre ("Cannibal" by Manuel Martin Cuenca, a coproduction of Spain, Romania, Russia, France premiered at Toronto and San Sebastian 2013. Isa Film Factory sold it to U.S. - Film Movement, Belgium--Film Fest Gent, Hong Kong--Encore Inflight Limited-, Japan--Broadmedia Studios Corporation, Latin America--Palmera International, Spain--Mod Producciones, Taiwan--Creative Century Entertainment Co., Ltd.)
Eight other awards (listed below) were granted in the photography category, costumes, art direction, sound, music, editing and screenplay.
Four special awards were also presented:
The Latin American Festival Award, decided by the Advisory Council Cinema23 went to the Havana Film Festival (Festival de Nuevo Cine Latinoamericano). On December 3, 1979, over five hundred film professionals, mainly from Latin America, met in Havana, Cuba, for the inaugural Festival of New Latin American Cinema, which in its own words, "sought to build a space to identify and disseminate films whose significance and artistic values enrich and reaffirm American and Caribbean cultural identity where rich dialogue between film professionals, students and the informed public and critics gather". For decades and through its multiple realities Havana has played a role in community building around film as an art form and as an incentive for social reflection.
The work of more than three decades by a team led today by Ivan Giroud and which survives the noble and generous spirit of its founder, Alfredo Guevara, and those like Santiago Alvarez and Gabriel García Márquez, who have accompanied him from his beginnings, deserves to be recognized by those who think that culture is a way that allows us to approach, meet, recognize and move away from violence towards a better world. "With this award go our admiration and our gratitude to the Festival of New Latin American Cinema of Havana."
The Critics' Award, selected by Fipresci (Federation International Film Critics) went to the Brazilian writer José Carlos Avellar for his critical work. An admired and appreciated writer, critic, teacher and programmer, Avellar worked for over twenty years for the newspaper Jornal do Brasil, and has published six books on Brazilian and Latin American cinema. The former vice-president of Fipresci is also Berlinale's delegate in Brazil. More information and examples of his work can be found in his website www.escrevercinema.com.
Recognition of the Exhibition Sector, awarded by the leading exhibitors in the region went to Mexican actor and producer, Eugenio Derbez, for "No se aceptan devoluciones" ("Instructions Not Included").
The resurgence of Mexican films which began in 2001 with the all-time hit "Amores Perros" by Alejandro González Iñárritu and which also introduced Gael Garcia Bernal to the public (U.S. box office $5,408,467, worldwide $20,908,467) and "El crimen del Padre Amaro" in 2002 (U.S. box office $5,717,044, worldwide: $26,996,738) up until the hits, "Nosotros los Nobles" and "No se aceptan devoluciones" had the highest number admissions than any other Mexican film. Twelve years later, in six weeks "No se aceptan devolucions" outgrossed both "Amores" and "El crimen" combined. México Televisa’s Videocine Mexican box office was Us $44,882,061 and U.S. box office was $44,143,000. This is truly an exhibitor's dream movie.
No sooner had "Los Nobles" swept the Mexican box-office off its feet than another Mexican movie, independently produced by Monica Lozano’s México City-based Alebrije Cine y Video, "Instructions Not Included" was released -- first in the U.S. by Pantelion on August 30, 2013, almost three weeks before its Mexican release on September 20, 2013. The two countries grossed an equal amount. Moreover, Videocine released the film on 1,500 prints similar to a major release of a film such as "Batman". Through the Cinepolis chain’s use of satellite, these 1,500 prints were able to show on 2,500 screens. This represents both a new release pattern and a new type of Mexican film.
Previously Mexican films which were meant for the Mexican and Mexican-American audience (as opposed to those targeted to the art house audiences) were perceived as too Mexican by their U.S. target and they were released in the U.S. only after the Mexican release, and by that time, piracy had done its work in the U.S. and the film lacked the prestige of an "American" film. This film and the previous film, "The Noble Family", are not typically Mexican. Their storyline could be transposed anywhere, and in fact "The Noble Family" remake rights have been sold to U.S. In addition, releasing the film first in the U.S. changes the perception of the film in México. Being such a success in U.S. paves the way for its success in México as if it were validated as a "good" film.
Added to these two elements is the third key to success, Eugenio Derbez, the director and star of "Instructions", is a major TV comedy star in México and is known by all Mexicans wherever they reside. Mexican TV is quite powerful, it has a duopoly made by Televisa and TV Azteca. Derbez comes from Televisa. The film was also shot in English and Spanish and takes place in the U.S. Finally, Derbez himself and former head of production at Pantelion, Ben Odell, have now established a production company, 3 Spas, pronounced "Tres Paz" which funnily enough sounds like "tripas" or "guts". Reese Witherspoon whose film "Wild" opened the festival said that she had approached Derbez for a film she was producing already, but he was busy. However, she hopes they will soon find a project to do together. How great that will be for the exhibitors, the distributors and the audiences around the world!
The Phoenix Lifetime Achievement Award, which is awarded by the different academies and film associations in all the differenct countries of the region and announced by the Mexican Academy of Arts and Cinematographic Sciences, went to Arturo Ripstein. Recognized as one of the great masters in the history of Mexican cinema, Ripstein said, "I'm glad to say that a lifetime achievement award is usually given when one is finished with everything. But I am pleased to say that I still need a bit of experience, because next week I start my new film. I've been practicing this craft half a century, and this (the Phoenix Award ) symbolizes what it has really cost me over the past 50 years."
List of all winners include:
Narrative Film: Diego Quemada-Diez ("La Jaula de Oro")
Documentary Film: Jordi Morato ("Sobre la Marxa")
Screenplay: Amat Escalante y Gabriel Reyes ("Heli")
Director: Amat Escalante ("Heli")
Photography: Julián Apezteguia ("El ardor")
Art Design: José Luis Arrizabalaga y Arturo García ("Las Brujas de Zugarramurdi")
Editing: Paloma López Carrillo y Felipe Gómez ("La Jaula de Oro")
Costume Design: Chris Garrido ("Tatuagem")
Sound Design: Matías Barberis, Raúl Locatelli y Jaime Baksht ("La Jaula de oro")
Music: Joan Valent ("Las brujas de Zugarramurdi")
Lead Actor: Viggo Mortensen ("Jauja")
Lead Actress: Leandra Leal ("A Wolf at the Door")
Diego Quemada-Diez Receives the Award for Best Narrative Film for "La Jaula de Oro"
Amat Escalante Receives the Award for Best Director for "Heli"
Viggo Mortensen Receives the Award for Best Lead Actor for "Jauja"
Leandra Leal Receives the Award for Best Lead Actress for "A Wolf at the Door"...
Aside from enumerating the awards here, we wish to show how the films' dissemination throughout the world is, in fact succeeding by showing sales agents and commercial distributors, some of many festivals the films played, and some of the awards won.
Nominees in twelve categories were chosen from a shortlist of 58 feature films and 16 documentaries in the region and awarded by a jury made up of - among others - Luis Tosar, Wagner Moura, Daniel Hendler, Selton Mello, José María Yazpik, Maria de Medeiros, Paulina García, Amat Escalante, Fernando Meirelles, Rodrigo García, Sebastián Lelio, Rodrigo Pla.
Feature Film category
Winner: "The Golden Cage" ("La Juala de oro") by Diego Quemada-díez, a coproduction of Guatemala, Spain and Mexico, since its debut at the Cannes Film Festival's Un Certain Regard in 2013 where Quemada-díez won A Certain Talent Award for his directing work and the ensemble cast has received a total of 67 awards, including 9 Ariel awards by the Mexican Film Academy: Best Picture, Best Original Screenplay, Best First Feature, Best Actor, Best Upcoming Actor, Best Editing, Best Cinematography, Best Sound, Best Music. It also won Best Picture, Best Editing and Best Sound at the Fenix Awards. Producers sold to Benelux - Wild Bunch Benelux, France - Pretty Pictures , Mexico - Canibal Networks,, Portugal - Legendmain Filmes, Spain - Golem Distribución, Taiwan - Maison Motion, U.K. - Peccadillo Pictures.
Other contenders:
"Club Sandwich" by Fernando Eimbcke, a Mexican production, screened in Toronto International Film Festival 2013, San Sebastian 2013 among many others. International sales agent (Isa) Funny Balloons sold the film to Benelux - ABC - Cinemien, Brazil--Esfera Filmes, Mexico--Cine Pantera, Poland--Art House, Turkey--Filma Ltd.
"Heli" by Amat Escalante, a Mexican production premiered at the Cannes Film Festival 2013. Isa Ndm sold to U.S.--Outsider Pictures, Belgium--Film Fest Gent, Brazil--Zeta Filmes, Canada--K Films Amerique and A-z Films, Denmark--Ost For Paradis, France--Le Pacte, Greece--Ama Films, Hungary--Cirko Film Kft., Netherlands--Amstelfilm, Norway--Filmhuset Gruppen As & Europafilm As, Poland--Spectator, Puerto Ric--Wiesner Distribution, Serbia--Mcf Megacom Film, Spain--Savor Ediciones, S.A., Sweden--Njutafilms and Maywin Films Ab, Taiwan--Pomi International, Turkey--Filmarti Film, U.K.--Network
"Jauja" by Lisandro Alonso, a coproduction of Argentina, Denmark, France and Mexico and winner of the Fipresci Award in Cannes' Un Certain Regard 2014 where it debuted. It also played in Toronto and Busan among many other festivals. Isa Ndm, sold to U.S. -- The Cinema Guild; Argentina--Distribution Company Sudamericana S.A.; Spain--Noucinemart- Festival Internacional De Cinema D'autor De Barcelona; U.K.--Soda Pictures
"Bad Hair" ("Pelo Malo") by Mariana Rondon, a coproduction of Venezuela, Peru, Germany and Argentina premiered in Toronto 2013. FiGa sold it to U.S. – Pragda, Argentina--Obra Cine, Brazil--Esfera Filmes, Bulgaria--Sofia International Film Festival - Art Fest Ltd., France--Pyramide Distribution, Hungary -- Cirko, Italy--Cineclub Internazionale, Latin America--Palmera International, Portugal -- Nitrato Filmes, Serbia--European Film Festival Palic, Switzerland --Look Now! Filmdistribution, U.K.--Axiom Films International, Venezuela--Centro Nacional Autonomo De Cinematografia
Documentary Feature category
Winner: "Sobre la Marxa: the Creator of the Jungle" by Jordi Morató from Spain debuted at the International Film Festival Rotterdam.
Other Contenders:
"Letter to a Father" of Edgardo Cozarinsky, a coproduction from France and Argentina screened at Mar del Plata, Cinema du reel 2014 (Competition), Vienna and Jerusalem among other festivals. Doc and FIlms has the international rights.
"Echo Mountain" ("Eco de la montaña") by Nicolás Echevarría, a coproduction of U.S. and Mexico, premiered at Guadalajara Film Festival and Cinema du Reel in 2014.
"And Now? Remember Me" ("E agora? Lembra-me") by Joaquim Pinto from Portugal premiered at Locarno Film Festival 2013, has won 16 awards and 3 nominations and is distributed in France by Epicentre and by Midas in Portugal.
"Watch & Listen" by José Luis Torres Leiva
Best Female Role:
Winner:
Leandra Leal ("A Wolf At the Door" from Brazil premiered at Toronto Ff 2013. Isa: Im Global/Mundial sold to U.S.--Film Movement and Outsider Pictures, Benelux—Cdc United Network, Canada--A-z Films, Israel--United King Video Ltd., Latin America--Palmera International, So. Korea --Korean Film Art Center Baekdu-Daegan Films Co., Ltd, Portugal--Vendetta Filmes, Spain--Betta Pictures, Turkey--Moviebox)
Other Contenders:
Marian Álvarez ("The Wound" aka "La Herida" - Isa: Imagina, premiered San Sebastian Ff where the Special jury prize / Silver Shell for best actress went to Marian Álvarez), Samantha Castillo ("Bad Hair")
Paulina García ("Illiterate" - Isa: Habanero, screened at Guadalajara Ficg 2014, Sanfic - Santiago International Film Festival - Best Picture Audience award , Venice Film Festival - Settimana della Critica - Closing Film, Chicago International Film Festival - New Directors Competition, Sao Paulo International Film Festival - New Directors Competition )
Karen Martinez ("The Golden Cage")
Best Male Role:
Winner:
Viggo Mortensen ("Cockaigne" aka "Jauja")
Other Contenders:
Fernando Bacilio ("Mute" aka "El Mudo" by Daniel Vega premiered at Toronto in 2013. Udi sold it to Encore for airlines)
Alex Brendemühl ("Stella cadente" aka "Falling Star" by Luis Miñarro from Spain screened in Bafici (Buenos Aires) 2014 Panorama, San Sebastian 2014 Made in Spain, Gent Iff 2014 Feature Films, Rotterdam Iffr 2014 (Tiger Competition). Isa: Ndm sold it to Germany--Salzgeber & Co. Medien Gmbh Puerto Rico--Wiesner Distribution, Spain--Vercine)
Brandon Lopez ("The Golden Cage")
Antonio de la Torre ("Cannibal" by Manuel Martin Cuenca, a coproduction of Spain, Romania, Russia, France premiered at Toronto and San Sebastian 2013. Isa Film Factory sold it to U.S. - Film Movement, Belgium--Film Fest Gent, Hong Kong--Encore Inflight Limited-, Japan--Broadmedia Studios Corporation, Latin America--Palmera International, Spain--Mod Producciones, Taiwan--Creative Century Entertainment Co., Ltd.)
Eight other awards (listed below) were granted in the photography category, costumes, art direction, sound, music, editing and screenplay.
Four special awards were also presented:
The Latin American Festival Award, decided by the Advisory Council Cinema23 went to the Havana Film Festival (Festival de Nuevo Cine Latinoamericano). On December 3, 1979, over five hundred film professionals, mainly from Latin America, met in Havana, Cuba, for the inaugural Festival of New Latin American Cinema, which in its own words, "sought to build a space to identify and disseminate films whose significance and artistic values enrich and reaffirm American and Caribbean cultural identity where rich dialogue between film professionals, students and the informed public and critics gather". For decades and through its multiple realities Havana has played a role in community building around film as an art form and as an incentive for social reflection.
The work of more than three decades by a team led today by Ivan Giroud and which survives the noble and generous spirit of its founder, Alfredo Guevara, and those like Santiago Alvarez and Gabriel García Márquez, who have accompanied him from his beginnings, deserves to be recognized by those who think that culture is a way that allows us to approach, meet, recognize and move away from violence towards a better world. "With this award go our admiration and our gratitude to the Festival of New Latin American Cinema of Havana."
The Critics' Award, selected by Fipresci (Federation International Film Critics) went to the Brazilian writer José Carlos Avellar for his critical work. An admired and appreciated writer, critic, teacher and programmer, Avellar worked for over twenty years for the newspaper Jornal do Brasil, and has published six books on Brazilian and Latin American cinema. The former vice-president of Fipresci is also Berlinale's delegate in Brazil. More information and examples of his work can be found in his website www.escrevercinema.com.
Recognition of the Exhibition Sector, awarded by the leading exhibitors in the region went to Mexican actor and producer, Eugenio Derbez, for "No se aceptan devoluciones" ("Instructions Not Included").
The resurgence of Mexican films which began in 2001 with the all-time hit "Amores Perros" by Alejandro González Iñárritu and which also introduced Gael Garcia Bernal to the public (U.S. box office $5,408,467, worldwide $20,908,467) and "El crimen del Padre Amaro" in 2002 (U.S. box office $5,717,044, worldwide: $26,996,738) up until the hits, "Nosotros los Nobles" and "No se aceptan devoluciones" had the highest number admissions than any other Mexican film. Twelve years later, in six weeks "No se aceptan devolucions" outgrossed both "Amores" and "El crimen" combined. México Televisa’s Videocine Mexican box office was Us $44,882,061 and U.S. box office was $44,143,000. This is truly an exhibitor's dream movie.
No sooner had "Los Nobles" swept the Mexican box-office off its feet than another Mexican movie, independently produced by Monica Lozano’s México City-based Alebrije Cine y Video, "Instructions Not Included" was released -- first in the U.S. by Pantelion on August 30, 2013, almost three weeks before its Mexican release on September 20, 2013. The two countries grossed an equal amount. Moreover, Videocine released the film on 1,500 prints similar to a major release of a film such as "Batman". Through the Cinepolis chain’s use of satellite, these 1,500 prints were able to show on 2,500 screens. This represents both a new release pattern and a new type of Mexican film.
Previously Mexican films which were meant for the Mexican and Mexican-American audience (as opposed to those targeted to the art house audiences) were perceived as too Mexican by their U.S. target and they were released in the U.S. only after the Mexican release, and by that time, piracy had done its work in the U.S. and the film lacked the prestige of an "American" film. This film and the previous film, "The Noble Family", are not typically Mexican. Their storyline could be transposed anywhere, and in fact "The Noble Family" remake rights have been sold to U.S. In addition, releasing the film first in the U.S. changes the perception of the film in México. Being such a success in U.S. paves the way for its success in México as if it were validated as a "good" film.
Added to these two elements is the third key to success, Eugenio Derbez, the director and star of "Instructions", is a major TV comedy star in México and is known by all Mexicans wherever they reside. Mexican TV is quite powerful, it has a duopoly made by Televisa and TV Azteca. Derbez comes from Televisa. The film was also shot in English and Spanish and takes place in the U.S. Finally, Derbez himself and former head of production at Pantelion, Ben Odell, have now established a production company, 3 Spas, pronounced "Tres Paz" which funnily enough sounds like "tripas" or "guts". Reese Witherspoon whose film "Wild" opened the festival said that she had approached Derbez for a film she was producing already, but he was busy. However, she hopes they will soon find a project to do together. How great that will be for the exhibitors, the distributors and the audiences around the world!
The Phoenix Lifetime Achievement Award, which is awarded by the different academies and film associations in all the differenct countries of the region and announced by the Mexican Academy of Arts and Cinematographic Sciences, went to Arturo Ripstein. Recognized as one of the great masters in the history of Mexican cinema, Ripstein said, "I'm glad to say that a lifetime achievement award is usually given when one is finished with everything. But I am pleased to say that I still need a bit of experience, because next week I start my new film. I've been practicing this craft half a century, and this (the Phoenix Award ) symbolizes what it has really cost me over the past 50 years."
List of all winners include:
Narrative Film: Diego Quemada-Diez ("La Jaula de Oro")
Documentary Film: Jordi Morato ("Sobre la Marxa")
Screenplay: Amat Escalante y Gabriel Reyes ("Heli")
Director: Amat Escalante ("Heli")
Photography: Julián Apezteguia ("El ardor")
Art Design: José Luis Arrizabalaga y Arturo García ("Las Brujas de Zugarramurdi")
Editing: Paloma López Carrillo y Felipe Gómez ("La Jaula de Oro")
Costume Design: Chris Garrido ("Tatuagem")
Sound Design: Matías Barberis, Raúl Locatelli y Jaime Baksht ("La Jaula de oro")
Music: Joan Valent ("Las brujas de Zugarramurdi")
Lead Actor: Viggo Mortensen ("Jauja")
Lead Actress: Leandra Leal ("A Wolf at the Door")
Diego Quemada-Diez Receives the Award for Best Narrative Film for "La Jaula de Oro"
Amat Escalante Receives the Award for Best Director for "Heli"
Viggo Mortensen Receives the Award for Best Lead Actor for "Jauja"
Leandra Leal Receives the Award for Best Lead Actress for "A Wolf at the Door"...
- 11/19/2014
- by Sydney Levine
- Sydney's Buzz
The first Fenix Iberoamerican Film Awards, highlighting and celebrating cinema made in Latin America, Spain, and Portugal as well as applauding the professionals involved was inaugurated by Cinema23 this October 30 and held its closing night party in México City's Jumex Museum, named after the Lopez family’s fruit juice empire, and commissioned by Eugenio Lopez, the dynastic scion whose intention is to leave an edifice to Mexico City that dignifies his family name. This 21st-century prince is the sole patron of the new Museo Jumex, Latin America’s largest contemporary art museum, designed by the British architect David Chipperfield and just across the street from hourglass-shaped Museo Soumaya, opened in 2011 by the Mexican billionaire Carlos Slim Helú to display his own collection. Worth a trip to Mexico alone just to view the private Jumex collection of Mexican art, to attend the spectacular closing night party topping off the new annual, independent award ceremony which took place at the iconic 1918 Teatro de la Ciudad was an experience of a lifetime.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
After an exclusive dinner for the nominees around 11 Pm, the great celebration began. Inspired by Día de los Muertos, or Day of the Dead, one of the most important holidays in Mexico, the party was decorated with elements inspired by this tradition such as "papel picado," and walls decorated with skulls. The vibrant orange color of hundreds of cempasúchil flowers (Marigolds) adorned the hall where more than a thousand guests, among them many film professional, singers and other important figures from across Iberoamerica, attended the celebration organized by Grupo Modelo the brewery in Mexico now owned by the Belgian-Brazilian company Anheuser-Busch InBev, which holds 63% of the Mexican beer market and exports beer to most countries of the world, whose export brands include my own favorite beers, Corona and Pacífico. I was proud to be invited to attend and to be part of the advisory council of Cinema23, founder of this annual Fenix Awards celebration of the art of cinema along with the comcomitant commercial success of Iberoamerican cinema.
Attending the awards and the post-award party were actors such as Alice Braga, Ana de la Reguera, Ana Claudia Talancón, Alfonso Herrera, Bárbara Mori, Brandon López, Camila Selser, Cecilia Suárez, Elena Anaya, Ernesto Alterio, Erick Elías, Ilse Salas, Irene Azuela, Johanna Murillo, José María Yazpik, José María and Pedro de Tavira, Juan Manuel Bernal, Karen Martínez, Luis Gerardo Méndez, Maribel Verdú, Martha Higareda, Maya Zapata and Ximena Ayala; filmmakers Fernando Eimbcke, Gary Alazraki, Jonás Cuarón, Lorenzo Hagerman, Manolo Caro, Natalia Beristáin and Rigoberto Perezcano; musicians Leo Heiblum, Kevin Johansen, León Larregui and Sergio Acosta from rock band Zoé and Leonor Watling, Jesús Navarro, vocalist of pop band Reik; socialites as Rafael Micha, Jorge Gorozpe, Memo Martínez and Max Villegas; fashion designer Oscar Madrazo and jewelry designer Mariana Villarea. They and the other attendees enjoyed a night in which cinema was the most important guest.
In the venue's lower level, Sonido Apokalitzin's beats enhanced the experience with cumbias, salsas and iconic songs from several Iberoamerican countries. Monterrey DJ Toy Selectah also entertained the guests with his musical selection. Upstairs, Sergio and Andres from famous rock band Zoé delighted everyone with their music just before they enjoyed Julian Placencia's DJ set.
With this event the first edition of the Fenix Iberoamerican Film Awards came to an end. The event brought together hundreds of figures from the Iberoamerican film community who celebrated the well-deserved recognition to their work and dedication. At the same time the event served to strengthen relationships among the diverse industries and will continuously help forge the region's identity.
- 11/17/2014
- by Sydney Levine
- Sydney's Buzz
Yes, it's been 10 years since Brazilian soccer player Ronaldo was part of the Real Madrid team, Xbox's Halo dominated the videogame world, and Fernando Eimbcke premiered his first feature length effort Duck Season (Temporada de Patos). It was on October 22, 2004 when this black-and-white comedy about a couple of teens without anything to do on a Sunday arrived to Mexican cinemas. And exactly 10 years later, on October 22, 2014, Morelia screened the new remastered version of this little film that introduced a new voice in Mexican cinema. Eimbcke, now close to turn 45 and with two other awarded films on his resume (2008's Lake Tahoe and 2013's Club Sandwich), returned to Morelia and immediately witnessed the influence of Duck Season. Curiously, hours before...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/29/2014
- Screen Anarchy
Top brass at the festival, set to run from September 24-October 8, have announced the selections in Focus Mexico.
The films are as follows:
Focus Mexico
The Obscure Spring (Las Oscuras Primaveras)
Ernesto Contreras
Manuela Jankovic’s War (La Guerra De Manuela Jankovic)
Diana Cardozo
González
Christian Díaz Pardo
Asteroide
Marcelo Tobar
The Absent (Los Ausentes)
Nicolás Pereda
Cumbres
Gabriel Nuncio
We Are Mari Pepa (Somos Mari Pepa)
Samuel Kishi
The Well (Manto Acuífero)
Michael Rowe
Güeros
Alonso Ruizpalacios
Cantinflas
Sebastian del Amo
Los Angeles
Damian John Harper
The Amazing Catfish (Los Insólitos Peces Gato)
Claudia Sainte-Luce
The Empty Hours (Las Horas Muertas)
Aaron Fernandez.
Panorama section
Words With Gods (Palabras Con Dioses)
Guillermo Arriaga, Héctor Babenco, Warwick Thornton, Mira Nair, Hideo Nakata, Amos Gitai, Álex de la Iglesia, Emir Kusturica, Bahman Ghobadi
Short Plays
Daniel Gruener, Carlos Reygadas, Fernando Eimbcke, Felipe Gómez, Alejandro Valle, Karim Aïnouz, Marcelo Gomes, Pablo Fendrik, Pablo Stoll, [link...
The films are as follows:
Focus Mexico
The Obscure Spring (Las Oscuras Primaveras)
Ernesto Contreras
Manuela Jankovic’s War (La Guerra De Manuela Jankovic)
Diana Cardozo
González
Christian Díaz Pardo
Asteroide
Marcelo Tobar
The Absent (Los Ausentes)
Nicolás Pereda
Cumbres
Gabriel Nuncio
We Are Mari Pepa (Somos Mari Pepa)
Samuel Kishi
The Well (Manto Acuífero)
Michael Rowe
Güeros
Alonso Ruizpalacios
Cantinflas
Sebastian del Amo
Los Angeles
Damian John Harper
The Amazing Catfish (Los Insólitos Peces Gato)
Claudia Sainte-Luce
The Empty Hours (Las Horas Muertas)
Aaron Fernandez.
Panorama section
Words With Gods (Palabras Con Dioses)
Guillermo Arriaga, Héctor Babenco, Warwick Thornton, Mira Nair, Hideo Nakata, Amos Gitai, Álex de la Iglesia, Emir Kusturica, Bahman Ghobadi
Short Plays
Daniel Gruener, Carlos Reygadas, Fernando Eimbcke, Felipe Gómez, Alejandro Valle, Karim Aïnouz, Marcelo Gomes, Pablo Fendrik, Pablo Stoll, [link...
- 9/14/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Kathryn Worth as Anna with Tom Hiddleston as Oakley in Unrelated: "What she really wants is to be part of a group."
When I met up with Joanna Hogg in New York at the Film Society of Lincoln Center she was preparing for the Us theatrical release of her latest film Exhibition, starring Viv Albertine and Liam Gillick with cameos from members of her Unrelated cast, Tom Hiddleston, Mary Roscoe and Harry Kershaw. Hiddleston also stars in her second film Archipelago with Lydia Leonard, Kate Fahy, Amy Lloyd and Christopher Baker.
Joanna was selected in 2013 to have her films screened in the Emerging Artists program along with Fernando Eimbcke at the 51st New York Film Festival.
In part 1 of our conversation we discussed D and H as not in Dh Lawrence, Stéphane Collonge's production design, turning absence into a character, how to begin and what an arranged marriage...
When I met up with Joanna Hogg in New York at the Film Society of Lincoln Center she was preparing for the Us theatrical release of her latest film Exhibition, starring Viv Albertine and Liam Gillick with cameos from members of her Unrelated cast, Tom Hiddleston, Mary Roscoe and Harry Kershaw. Hiddleston also stars in her second film Archipelago with Lydia Leonard, Kate Fahy, Amy Lloyd and Christopher Baker.
Joanna was selected in 2013 to have her films screened in the Emerging Artists program along with Fernando Eimbcke at the 51st New York Film Festival.
In part 1 of our conversation we discussed D and H as not in Dh Lawrence, Stéphane Collonge's production design, turning absence into a character, how to begin and what an arranged marriage...
- 6/19/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The 2014 Los Angeles Film Festival kicks off today June 11th at the Regal Cinemas in Downtown's L.A. Live. Among the the world class selection of films that includes several World Premiers and special screenings of highly-anticipated films such as "Snowpiercer" and "Jersey Boys", there are also several Latino-produced and Latino-theme features in the program.
Here is all the information you need to catch these Latino films at Laff running from June 11th-19th.
To purchase tickets visit Here
Club Sandwich by Fernando Eimbcke
(Mexico, 2013, 82 min)
International Showcase
Sat, Jun 14th 9:30pm
Wed, Jun 18th 4:00pm
On their summer vacation, single mom Paloma and her teenage son Hector’s unique friendship is tested when Jazmin, a young stranger, vies for Hector’s affections. In his hilarious and touching third feature, acclaimed Mexican filmmaker Fernando Eimbcke explores the growing pains of parenthood and adolescence.
La Bamba by Luis Valdez
(USA, 1987, 108 min)
Free Screenings
Fri, Jun 13th 7:30pm
Union Station
This musical biopic recounts the rise from nowhere of early rock and roll singer Ritchie Valens, who died at age 17 in a plane crash with Buddy Holly and the Big Bopper.
Lake Los Angeles by Mike Ott – World Premiere
(USA, 2014, 85 min)
Narrative Competition
Sat, Jun 14th 7:30pm
Thu, Jun 19th 4:30pm
Abandoned after crossing the U.S. border, young Cecilia’s only salvation is her vivid imagination and Francisco, a lonely Cuban immigrant. Writer/director Mike Ott returns to the Los Angeles Film Festival with a gorgeous tale of two strangers brought together in the barren Southern California desert.
The Liberator by Alberto Arvelo
(Venezuela, Spain, 2013, 119 min)
International Showcase
Sun, Jun 15th 7:30pm
Wed, Jun 18th 1:30pm
Édgar Ramírez plays the legendary South American liberator Simón Bolívar in this gorgeously produced epic that traces his transformation from dashing 19th century aristocrat to charismatic, embattled revolutionary.
Los Angeles by Damian John Harper - International Premiere
(Germany, Mexico, 2014, 97 min)
La Muse
Sat, Jun 14th 3:45pm
In a Zapotec village in southern Mexico, journeying north to the City of Angels is a rite of passage into manhood. But when 17-year old Mateo betrays a local gang leader, he risks his future on both sides of the border.
Man From Reno by Dave Boyle – World Premiere
(Japan, USA, 2014, 111 min)
Narrative Competition
Sun, Jun 15th 6:40pm
Wed, Jun 18th 9:00pm
A Japanese crime novelist and a small town sheriff are lured into the same strange murder mystery in this idiosyncratic and engrossing neo-noir. Unfolding on the backstreets and outskirts of San Francisco, "Man from Reno"is sinister and seductive by turns.
Natural Sciences by Matías Lucchesi
(Argentina, France, 2014, 71 min)
International Showcase
Sun, Jun 15th 11:00am
Tue, Jun 17th 9:00pm
In the dead of winter, 12-year-old Lila tries to escape from her remote Argentinian boarding school on horseback. Her teacher stops her, but Lila's determination wins her over, and together, they set out on a journey to track down the father Lila never knew.
Recommended By Enrique by Rania Attieh & Daniel Garcia – World Premiere
(USA, Argentina, France, 2014, 87 min)
Narrative Competition
Fri, Jun 13th 7:25pm
Tue, Jun 17th 4:10pm
An aspiring Hollywood actress and a mysterious cowboy find themselves trapped in a small Texas border town where time seems to stand still. Based on a bizarre true story that they delight in elaborating on, filmmakers Rania Attieh and Daniel Garcia weave a mesmerizing, witty fable about dreams and reality.
Stray Dog by Debra Granik - World Premiere
(USA, 2014, 105 min)
Documentary Competition
Fri, Jun 13th 7:00pm
Sun, Jun 15th 12:30pm
At first glance, Ron "Stray Dog" Hall seems like one scary biker, but "Winter's Bone" director Debra Granik's powerful, stereotype-shattering documentary debut reveals the big, wounded heart of this Vietnam vet in all its ragged glory.
Here is all the information you need to catch these Latino films at Laff running from June 11th-19th.
To purchase tickets visit Here
Club Sandwich by Fernando Eimbcke
(Mexico, 2013, 82 min)
International Showcase
Sat, Jun 14th 9:30pm
Wed, Jun 18th 4:00pm
On their summer vacation, single mom Paloma and her teenage son Hector’s unique friendship is tested when Jazmin, a young stranger, vies for Hector’s affections. In his hilarious and touching third feature, acclaimed Mexican filmmaker Fernando Eimbcke explores the growing pains of parenthood and adolescence.
La Bamba by Luis Valdez
(USA, 1987, 108 min)
Free Screenings
Fri, Jun 13th 7:30pm
Union Station
This musical biopic recounts the rise from nowhere of early rock and roll singer Ritchie Valens, who died at age 17 in a plane crash with Buddy Holly and the Big Bopper.
Lake Los Angeles by Mike Ott – World Premiere
(USA, 2014, 85 min)
Narrative Competition
Sat, Jun 14th 7:30pm
Thu, Jun 19th 4:30pm
Abandoned after crossing the U.S. border, young Cecilia’s only salvation is her vivid imagination and Francisco, a lonely Cuban immigrant. Writer/director Mike Ott returns to the Los Angeles Film Festival with a gorgeous tale of two strangers brought together in the barren Southern California desert.
The Liberator by Alberto Arvelo
(Venezuela, Spain, 2013, 119 min)
International Showcase
Sun, Jun 15th 7:30pm
Wed, Jun 18th 1:30pm
Édgar Ramírez plays the legendary South American liberator Simón Bolívar in this gorgeously produced epic that traces his transformation from dashing 19th century aristocrat to charismatic, embattled revolutionary.
Los Angeles by Damian John Harper - International Premiere
(Germany, Mexico, 2014, 97 min)
La Muse
Sat, Jun 14th 3:45pm
In a Zapotec village in southern Mexico, journeying north to the City of Angels is a rite of passage into manhood. But when 17-year old Mateo betrays a local gang leader, he risks his future on both sides of the border.
Man From Reno by Dave Boyle – World Premiere
(Japan, USA, 2014, 111 min)
Narrative Competition
Sun, Jun 15th 6:40pm
Wed, Jun 18th 9:00pm
A Japanese crime novelist and a small town sheriff are lured into the same strange murder mystery in this idiosyncratic and engrossing neo-noir. Unfolding on the backstreets and outskirts of San Francisco, "Man from Reno"is sinister and seductive by turns.
Natural Sciences by Matías Lucchesi
(Argentina, France, 2014, 71 min)
International Showcase
Sun, Jun 15th 11:00am
Tue, Jun 17th 9:00pm
In the dead of winter, 12-year-old Lila tries to escape from her remote Argentinian boarding school on horseback. Her teacher stops her, but Lila's determination wins her over, and together, they set out on a journey to track down the father Lila never knew.
Recommended By Enrique by Rania Attieh & Daniel Garcia – World Premiere
(USA, Argentina, France, 2014, 87 min)
Narrative Competition
Fri, Jun 13th 7:25pm
Tue, Jun 17th 4:10pm
An aspiring Hollywood actress and a mysterious cowboy find themselves trapped in a small Texas border town where time seems to stand still. Based on a bizarre true story that they delight in elaborating on, filmmakers Rania Attieh and Daniel Garcia weave a mesmerizing, witty fable about dreams and reality.
Stray Dog by Debra Granik - World Premiere
(USA, 2014, 105 min)
Documentary Competition
Fri, Jun 13th 7:00pm
Sun, Jun 15th 12:30pm
At first glance, Ron "Stray Dog" Hall seems like one scary biker, but "Winter's Bone" director Debra Granik's powerful, stereotype-shattering documentary debut reveals the big, wounded heart of this Vietnam vet in all its ragged glory.
- 6/11/2014
- by Sydney Levine
- Sydney's Buzz
Hyena
The full line-up has been announced for this year’s Edinburgh International Film Festival, which runs from Wednesday 18th to Sunday 29th June. In total, 156 features from 47 countries will be screened, with 11 world premieres, 7 European premieres and 95 UK premieres.
The festival opens with the world premiere of British drug trafficking thriller Hyena from writer-director Gerard Johnson, starring Peter Ferdinando, Stephen Graham, Neil Maskell, and MyAnna Buring. The closing night gala is the international premiere of romantic comedy We’ll Never Have Paris, directed by husband and wife team Jocelyn Towne and Simon Helberg (best known for The Big Bang Theory). Written by and also starring Helberg, it features Melanie Lynskey, Maggie Grace, Zachary Quinto, and Alfred Molina in its cast.
We’ll Never Have Paris
The American Dreams strand highlights cutting-edge new works from American independent cinema. Sofia Coppola’s The Bling Ring featured last year, and now Gia Coppola...
The full line-up has been announced for this year’s Edinburgh International Film Festival, which runs from Wednesday 18th to Sunday 29th June. In total, 156 features from 47 countries will be screened, with 11 world premieres, 7 European premieres and 95 UK premieres.
The festival opens with the world premiere of British drug trafficking thriller Hyena from writer-director Gerard Johnson, starring Peter Ferdinando, Stephen Graham, Neil Maskell, and MyAnna Buring. The closing night gala is the international premiere of romantic comedy We’ll Never Have Paris, directed by husband and wife team Jocelyn Towne and Simon Helberg (best known for The Big Bang Theory). Written by and also starring Helberg, it features Melanie Lynskey, Maggie Grace, Zachary Quinto, and Alfred Molina in its cast.
We’ll Never Have Paris
The American Dreams strand highlights cutting-edge new works from American independent cinema. Sofia Coppola’s The Bling Ring featured last year, and now Gia Coppola...
- 5/28/2014
- by Josh Slater-Williams
- SoundOnSight
Highlights include Anton Corbijn’s A Most Wanted Man, starring the late Philip Seymour Hoffman, and Abel Ferrara’s controversial Dsk feature Welcome To New York.
The full line-up of the 68th Edinburgh International Film Festival (Eiff) has been revealed this morning by artistic director Chris Fujiwara at Edinburgh’s Filmhouse.
This year’s festival, which runs from June 18-29, will comprise 156 features from 47 countries, including 11 world premieres, eight international premieres, seven European premieres and 95 UK premieres.
New titles announced today include Anton Corbijn’s A Most Wanted Man, starring the late Philip Seymour Hoffman in one of his final performances that was first shown at Sundance in January.
Straight from its lively premiere in Cannes is Abel Ferrara’s controversial title Welcome To New York, inspired by the case of former Imf managing director Dominique Strauss-Kahn, starring Gérard Depardieu, which will receive its UK premiere at Eiff.
Other new titles added to the line-up include [link=nm...
The full line-up of the 68th Edinburgh International Film Festival (Eiff) has been revealed this morning by artistic director Chris Fujiwara at Edinburgh’s Filmhouse.
This year’s festival, which runs from June 18-29, will comprise 156 features from 47 countries, including 11 world premieres, eight international premieres, seven European premieres and 95 UK premieres.
New titles announced today include Anton Corbijn’s A Most Wanted Man, starring the late Philip Seymour Hoffman in one of his final performances that was first shown at Sundance in January.
Straight from its lively premiere in Cannes is Abel Ferrara’s controversial title Welcome To New York, inspired by the case of former Imf managing director Dominique Strauss-Kahn, starring Gérard Depardieu, which will receive its UK premiere at Eiff.
Other new titles added to the line-up include [link=nm...
- 5/28/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
World premiere of Dermaphoria, starring The Vampire Diaries’ Joseph Morgan and Ron Perlman, to open 13th edition of the London festival.
The line-up for the East End Film Festival (June 13-25) has been revealed.
The 13th edition of the festival - which runs for 13 days - will open on Friday 13th June with the world premiere of Dermaphoria. The Us film is the second feature from Ross Clarke, the east London-based filmmaker and DJ who directed homeless documentary Skid Row in 2007 and co-founded music festival Lovebox.
Based on a novel by Craid Clevenger, Dermaphoria follows an experimental chemist who wakes up in a New Orleans jail with amnesia, accused of arson and links to a drug-manufacturing ring. The cast includes Joseph Morgan (The Vampire Diaries), Ron Perlman (Hellboy), Walton Goggins (The Shield), Anwan Glover (The Wire) and Kate Walsh (Grey’s Anatomy).
Football focus
The festival, which coincides with the World Cup in Brazil, will welcome...
The line-up for the East End Film Festival (June 13-25) has been revealed.
The 13th edition of the festival - which runs for 13 days - will open on Friday 13th June with the world premiere of Dermaphoria. The Us film is the second feature from Ross Clarke, the east London-based filmmaker and DJ who directed homeless documentary Skid Row in 2007 and co-founded music festival Lovebox.
Based on a novel by Craid Clevenger, Dermaphoria follows an experimental chemist who wakes up in a New Orleans jail with amnesia, accused of arson and links to a drug-manufacturing ring. The cast includes Joseph Morgan (The Vampire Diaries), Ron Perlman (Hellboy), Walton Goggins (The Shield), Anwan Glover (The Wire) and Kate Walsh (Grey’s Anatomy).
Football focus
The festival, which coincides with the World Cup in Brazil, will welcome...
- 5/7/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The East End Film Festival returns to the city of London this summer celebrating its thirteenth year, and running in the height of the World Cup, Director Alison Poltock says she’s determined to make it the festival’s best year ever.
Opening on Friday, 13th June, the festival will run in East London for thirteen days, playing host to over 100 feature narrative and documentary films, and close to 100 shorts, the majority of which will be either World, UK, or London premieres.
Ross Clarke’s sophomore feature, Dermaphormia, will kick events off as the Opening Night Gala selection. Clarke has lined up an impressive cast for his first narrative film, following his award-winning documentary Skid Row, led by Joseph Morgan (The Vampire Diaries), Nicole Badaan, Walton Goggins (Django Unchained), Lucius Falick, Ron Perlman (Hellboy), Anwan Glover (The Wire), and Kate Walsh (Grey’s Anatomy). The crime-thriller centres on an experimental...
Opening on Friday, 13th June, the festival will run in East London for thirteen days, playing host to over 100 feature narrative and documentary films, and close to 100 shorts, the majority of which will be either World, UK, or London premieres.
Ross Clarke’s sophomore feature, Dermaphormia, will kick events off as the Opening Night Gala selection. Clarke has lined up an impressive cast for his first narrative film, following his award-winning documentary Skid Row, led by Joseph Morgan (The Vampire Diaries), Nicole Badaan, Walton Goggins (Django Unchained), Lucius Falick, Ron Perlman (Hellboy), Anwan Glover (The Wire), and Kate Walsh (Grey’s Anatomy). The crime-thriller centres on an experimental...
- 5/7/2014
- by Kenji Lloyd
- HeyUGuys.co.uk
The Nashville Film Festival has announced the 45th Annual Competition winners, with the Gibson Music City/Music Films Award Grand Jury Prize going to the documentary "Glen Campbell...I'll Be Me," about the country music legend's battle with Alzheimer's (which recently sent him to a long-term care facility). An honorable mention went to "The Ballad of Shovels and Rope," about the folk duo, which also won the Ground Zero Tennessee Spirit Award for Best Feature. The Grand Jury Prize winner of the Bridgestone Narrative Competition was Mexican director Fernando Eimbcke's "Club Sandwich," the bittersweet tale of a young single mother and her teenage son dealing with his coming of age. "Little Brother" earned an honorable mention. In the Documentary Competition, the Grand Jury Prize went to "Besa: The Promise," about Nazi-occupied Albania and the protection of the Jews by the mostly Muslim population. An honorable mention went to the Joe Paterno documentary "Happy Valley,...
- 4/25/2014
- by Max O'Connell
- Indiewire
The 2014 Maryland Film Festival, now in its 16th year, announces its first lineup today. The festival, which is set to take place from May 7th-11th, has begun its unveiling with a list of 10 feature film titles. The festival includes an approximate total of 50 feature films and 10 short film programs from around the world. Among the films listed are Lawrence Michael Levine's star-studded "Wild Canaries," Michael Tully’s Maryland-set "Ping Pong Summer" starring Susan Sarandon, and the Lena Dunham/Anna Kendrick comedy "Happy Christmas," which recently premiered at Sundance. Lineup announcements will continue over the next two weeks. Below are the first 10 films announced for Mff 2014 (synopses courtesy of Maryland Film Festival): "Club Sandwich" (Fernando Eimbcke): Poignant drama, gentle comedy, and a hint of transgression mix brilliantly as we observe the coming of age of a 15-year-old teen vacationing with his single mother in a sleepy Mexican beachfront.
- 4/10/2014
- by Ziyad Saadi
- Indiewire
Brazil will host the World Cup this summer and football (or soccer for our American readers) fans the world over are marking down the days with as much excitement as fanboys have for the next tentpole or we have for the next Claire Denis film. In an effort to capitalize on this worldwide excitement, Variety reports Mexican director Daniel Gruener is shepherding a new omnibus film centered around the sport and he’s bringing along some interesting names. According to the trade, the 31 directors—spanning four continents—that will direct segments for “Short Plays” include Gasper Noe, enfant terrible Vincent Gallo, “Uncle Boonmee Who Can Recall His Past Lives” director Apichatpong Weerasethakul and “Post Tenebras Lux” filmmaker Carlos Reygadas, as well as Carlos Moreno, Fernando Eimbcke, Sebastian Cordero, Brit Duane Hopkins, Mascha Halberstad, Buthina Cannan Koury, Kiki Sugino,Dorris Dorrie, Yang Ik-june, Bobo Jelcic, Abner Benaim, Rune Denstad Langlo, Juan Carlos Valdivia,...
- 3/25/2014
- by Cain Rodriguez
- The Playlist
Miami - Let it never be said that the Miami Film Festival doesn't know its competition. I'm not talking about South By Southwest, running concurrently in Texas at a pace so comparatively frantic that they scarcely seem like equivalent events, but the glorious spring sunshine, currently bathing the city's Art Deco-staggered skyline in honey-clear warmth too delicious to ditch for even the comfiest movie theater. Fully aware of this, Miami is the festival that comes out at night, concentrating its screenings in the evenings and following them up with parties that shoot for Cannes levels of razzle -- all without the shadow of a 7am wake-up call. If there's a more coolly considerate festival on the circuit, I haven't been to it. Activity intensifies over the fest's opening and closing weekends. Arriving late on Sunday, I missed much of the former, including a glittery kickoff bash attended by Anne Hathaway,...
- 3/11/2014
- by Guy Lodge
- Hitfix
The 54th International Film Festival of Cartagena de Indias in Colombia has invited me to attend March 13 - 19, 2014.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
- 2/27/2014
- by Sydney Levine
- Sydney's Buzz
Now that a new year is upon us let's reflect back on 2013. Something like a year in Latino film. Latin American filmmakers continued to kill it on the international film festival circuit. Chile, in particular, has been conquering the world one film festival award at a time.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 1/1/2014
- by Vanessa Erazo
- Sydney's Buzz
Television Blend Baz Luhrmann may direct Napoleon as a miniseries for television
House Next Door on the Oscar prospects of August: Osage County. Yet another critic who thinks Julia is the Mvp. I'm mystified but congrats, Julia!
In Contention wonders if The Wolf of Wall Street is just what Oscar season ordered? We know that the SAG screening went sensationally well in Los Angeles. Our friend Paul, who we just featured in Reader Spotlight, thinks Leonardo DiCaprio is now the Best Actor frontrunner and tweeted this photo from the festivities:
And then they plied us with food, alcohol and music. Unnecessary, but yum. #howlingwolf @kristapley @nathanielr pic.twitter.com/QFXsU8nK0a
— Paul Outlaw (@poutlaw) December 1, 2013
Cinema Blend Jurassic World not a reboot (thank god) but a sequel set 22 years in future. Chris Pratt, suddenly in demand since slimming down and bulking up for Zdt, rumored for lead.
Variety Fernando Eimbcke...
House Next Door on the Oscar prospects of August: Osage County. Yet another critic who thinks Julia is the Mvp. I'm mystified but congrats, Julia!
In Contention wonders if The Wolf of Wall Street is just what Oscar season ordered? We know that the SAG screening went sensationally well in Los Angeles. Our friend Paul, who we just featured in Reader Spotlight, thinks Leonardo DiCaprio is now the Best Actor frontrunner and tweeted this photo from the festivities:
And then they plied us with food, alcohol and music. Unnecessary, but yum. #howlingwolf @kristapley @nathanielr pic.twitter.com/QFXsU8nK0a
— Paul Outlaw (@poutlaw) December 1, 2013
Cinema Blend Jurassic World not a reboot (thank god) but a sequel set 22 years in future. Chris Pratt, suddenly in demand since slimming down and bulking up for Zdt, rumored for lead.
Variety Fernando Eimbcke...
- 12/1/2013
- by NATHANIEL R
- FilmExperience
Alexander Payne’s Nebraska to close the 10-day festival in the Greek city.
The 54th Thessaloniki International Film Festival is set to kick off today with the gala presentation of Only Lovers Left Alive in the presence of director Jim Jarmusch.
Jarmusch will attend following several efforts to lure him to the festival in northern Greece.
Only Lovers Left Alive, which played in competition at Cannes, was executive produced by Greece’s Christos Konstantakopoulos of Faliro House Productions.
The festival will wrap on Nov 10 with Alexander Payne’s Nebraska, for which lead actor Bruce Dern won best actor at Cannes.
Greek-American Payne returns to the festival to present the film and will preside over the international jury.
A total of 14 titles make up the competition and the award for the Golden and Silver Alexander will be decided by a jury including Romanian producer Ada Solomon, Cannes Directors Fortnight head Edouard Weintrop, Variety chief critic...
The 54th Thessaloniki International Film Festival is set to kick off today with the gala presentation of Only Lovers Left Alive in the presence of director Jim Jarmusch.
Jarmusch will attend following several efforts to lure him to the festival in northern Greece.
Only Lovers Left Alive, which played in competition at Cannes, was executive produced by Greece’s Christos Konstantakopoulos of Faliro House Productions.
The festival will wrap on Nov 10 with Alexander Payne’s Nebraska, for which lead actor Bruce Dern won best actor at Cannes.
Greek-American Payne returns to the festival to present the film and will preside over the international jury.
A total of 14 titles make up the competition and the award for the Golden and Silver Alexander will be decided by a jury including Romanian producer Ada Solomon, Cannes Directors Fortnight head Edouard Weintrop, Variety chief critic...
- 11/1/2013
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Steve McQueen’s 12 Years A Slave to open festival; director Peter Greenaway to receive Visionary Award.Scroll down for full line-up
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
- 10/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The 18th edition of the International Film Festival of Kerala has announced its line-up of films in the International Competition Section, Indian Cinema Now and Malayalam Cinema Today sections.
Four Indian films will compete in the International Competition Section. The festival, to be held from December 6-13, 2013, is organised by the Kerala State Chalachitra Academy on behalf of the Cultural Affairs Department, Government of Kerala.
International Competition Section:
101 Questions (101 Chodyangal)
Dir.: Sidhartha Siva (India, 106min, 2012)
Arbani
Dir.: Adi Adwan (Israel, 84min, 2013)
Capturing Dad (Chihi o tori ni)
Dir.: Ryota Nakano (Japan, 74min, 2012)
Club Sandwich
Dir.: Fernando Eimbcke (Mexico, 82min, 2013)
Contructors (Stroiteli)
Dir.: Adilkhan Yerzhanov (Kazakhstan, 71min, 2013)
Errata
Dir.: Ivan Vescovo (Argentina, 76mins, 2012)
Inercia
Dir.: Isabel Munoz (Mexico, 70min, 2013)
Jonatha’s Forest
Dir.: Srgio Andrade (Brazil, 99min, 2012)
Meghe Dhaka Tara
Dir.: Kamaleswar Mukherjee (India, 152min, 2013)
Parviz
Dir.: Majid Barzegar (Iran,...
Four Indian films will compete in the International Competition Section. The festival, to be held from December 6-13, 2013, is organised by the Kerala State Chalachitra Academy on behalf of the Cultural Affairs Department, Government of Kerala.
International Competition Section:
101 Questions (101 Chodyangal)
Dir.: Sidhartha Siva (India, 106min, 2012)
Arbani
Dir.: Adi Adwan (Israel, 84min, 2013)
Capturing Dad (Chihi o tori ni)
Dir.: Ryota Nakano (Japan, 74min, 2012)
Club Sandwich
Dir.: Fernando Eimbcke (Mexico, 82min, 2013)
Contructors (Stroiteli)
Dir.: Adilkhan Yerzhanov (Kazakhstan, 71min, 2013)
Errata
Dir.: Ivan Vescovo (Argentina, 76mins, 2012)
Inercia
Dir.: Isabel Munoz (Mexico, 70min, 2013)
Jonatha’s Forest
Dir.: Srgio Andrade (Brazil, 99min, 2012)
Meghe Dhaka Tara
Dir.: Kamaleswar Mukherjee (India, 152min, 2013)
Parviz
Dir.: Majid Barzegar (Iran,...
- 10/14/2013
- by NewsDesk
- DearCinema.com
At the screening of his newest film, Club Sandwich, when asked about his aesthetic choices Mexican filmmaker, Fernando Eimbcke, rejected the notion that his films have a particular look. “It’s not a style. I don’t want to think too much about style.” His preference is to focus on the actors’ performances and the story. But even a lack of style, is a style. It’s a deliberate choice.
Eimbcke’s filmmaking is distinct; the camera stays still to capture intimate moments and conversations. His quiet, dialogue-driven films were selected to be part of the Emerging Artists sidebar at the Lincoln Center’s illustrious film event of the year, the New York Film Festival. The spotlight on directors in the beginning of their career is intended to showcase their entire body of work. For Eimbcke this includes screenings of his award-winning opera prima, Temporada de Patos (Duck Season), his second film Lake Tahoe, and his most recent project Club Sandwich.
The delicately balanced tone of Club Sandwich relies on a simple premise. Hector, a boy on the verge of manhood, is on vacation with his mother. She is young, has an eyebrow ring, and at first seems more like an older sister than his mom. They spend their days in lounge chairs sunbathing by the hotel pool, listening to their iPods. Hector’s mom, Paloma, is listening to Prince. “Why do you like Prince?” he asks her. “Because he’s a great musician and he is sexy,” she replies. “Am I sexy?” he asks. She responds just like a mom should, “Yes. You are. You are sexy in your own way.”
Hector’s budding sexuality and impending puberty come up against one obstacle. He has never met his father and his mother is his best friend. He has to learn how to be a man on his own. When he notices that he starts to smell bad, he has no choice but to use his mom’s flowery-scented deodorant. When he shaves his faint mustache for the first time he uses his mom’s pink disposable razor. Small moments like the pink razor gliding over his face elicit laughter from the audience. There are no jokes but there are laughs. They come from long awkward silences and short awkward conversations.
Teenaged Jazmin is staying at the hotel with her parents. She and Hector quickly become friends. Hector is slowly pulling away from his mom. The crux of the film is in this painful moment when Paloma must learn to let go, to let her little boy grow up. Emotions are understated, communicated mostly in glances and gestures. The interactions often banal, the hot, sticky weather a favorite topic of conversation. The faint buzzing of a powerful fan acts as the soundtrack. Paloma has confronted the inevitable, her son is becoming a man. But at night lying in bed with the lights out things remain the same. “I love you,” she tells him. He replies, “me too.”...
Eimbcke’s filmmaking is distinct; the camera stays still to capture intimate moments and conversations. His quiet, dialogue-driven films were selected to be part of the Emerging Artists sidebar at the Lincoln Center’s illustrious film event of the year, the New York Film Festival. The spotlight on directors in the beginning of their career is intended to showcase their entire body of work. For Eimbcke this includes screenings of his award-winning opera prima, Temporada de Patos (Duck Season), his second film Lake Tahoe, and his most recent project Club Sandwich.
The delicately balanced tone of Club Sandwich relies on a simple premise. Hector, a boy on the verge of manhood, is on vacation with his mother. She is young, has an eyebrow ring, and at first seems more like an older sister than his mom. They spend their days in lounge chairs sunbathing by the hotel pool, listening to their iPods. Hector’s mom, Paloma, is listening to Prince. “Why do you like Prince?” he asks her. “Because he’s a great musician and he is sexy,” she replies. “Am I sexy?” he asks. She responds just like a mom should, “Yes. You are. You are sexy in your own way.”
Hector’s budding sexuality and impending puberty come up against one obstacle. He has never met his father and his mother is his best friend. He has to learn how to be a man on his own. When he notices that he starts to smell bad, he has no choice but to use his mom’s flowery-scented deodorant. When he shaves his faint mustache for the first time he uses his mom’s pink disposable razor. Small moments like the pink razor gliding over his face elicit laughter from the audience. There are no jokes but there are laughs. They come from long awkward silences and short awkward conversations.
Teenaged Jazmin is staying at the hotel with her parents. She and Hector quickly become friends. Hector is slowly pulling away from his mom. The crux of the film is in this painful moment when Paloma must learn to let go, to let her little boy grow up. Emotions are understated, communicated mostly in glances and gestures. The interactions often banal, the hot, sticky weather a favorite topic of conversation. The faint buzzing of a powerful fan acts as the soundtrack. Paloma has confronted the inevitable, her son is becoming a man. But at night lying in bed with the lights out things remain the same. “I love you,” she tells him. He replies, “me too.”...
- 10/9/2013
- by Vanessa Erazo
- Sydney's Buzz
British filmmaker Joanna Hogg, along with Mexico's Fernando Eimbcke, has been chosen for Fslc's The Emerging Artists Program, part of this year's New York Film Festival. They are playing all three feature films by her, the latest being Exhibition. Having recently discovered her films and impressed by her talent in portraying human (dis)connections related to specific environments, I was eagerly awaiting her new film. Complex yet subtle, innovative yet basic, it's absolutely one of the best films I've seen at the festival.A three-story modern house is just as much a character in Joanna Hogg's Exhibition as a married artist couple (played by non actors - Viv Albertine of the punk rock band Slits and artist Liam Gillick) who inhibit it. Equipped with floor to ceiling...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/6/2013
- Screen Anarchy
Dánae ReynaudThe 51st New York Film Festival continues with Jose's interview with Dánae Reynaud, co-star of Club Sandwich
In a relatively short time, the young director Fernando Eimbcke has become one of the most original voices in Latin American cinema. With a mere three movies to his name, he's one of the few auteurs working outside the standard subjects of drug trafficking, crime and magical realism. His movies tend to focus on young people living ordinary lives and coming to terms with impending adulthood. To call them coming-of-age films wouldn't do justice to the larger truths they carry. His latest, Club Sandwich, is no exception; it deals with a single mother (María Renée Prudencio) who takes her son Hector (Lucio Giménez Cacho) to a resort during the low season.
The first part of the movie finds them bonding over sunscreen application, discussing Prince's sexiness and ordering the title meal. Things change...
In a relatively short time, the young director Fernando Eimbcke has become one of the most original voices in Latin American cinema. With a mere three movies to his name, he's one of the few auteurs working outside the standard subjects of drug trafficking, crime and magical realism. His movies tend to focus on young people living ordinary lives and coming to terms with impending adulthood. To call them coming-of-age films wouldn't do justice to the larger truths they carry. His latest, Club Sandwich, is no exception; it deals with a single mother (María Renée Prudencio) who takes her son Hector (Lucio Giménez Cacho) to a resort during the low season.
The first part of the movie finds them bonding over sunscreen application, discussing Prince's sexiness and ordering the title meal. Things change...
- 9/30/2013
- by Jose
- FilmExperience
Bad Hair (Pelo Malo) wins Golden Shell at San Sebastian Mariana Rondón's Bad Hair (Pelo Malo) has won the Golden Shell at the 61st San Sebastian Film Festival.
The film, which recounts the story of a mum who suspects her young son might be gay is a Venezuela/Peru/Germany co-production. The film was one of the frontrunners to receive the prize after it screened early in the festival, although Living Is Easy With Eyes Closed (Vivir Es Fácil Con Los Ojos Cerrados) was also receiving lots of critical love.
The best director Silver Shell went to Fernando Eimbcke for Mexican film Club Sandwich, which also focuses on a mother and son dynamic - this time sent into disarray after the boy embarks on a holiday romance.
The Special Jury Prize went to the directorial debut of Fernando Franco (whose previous editing credits include Blancanieves) for Wounded (La Herida). The film,...
The film, which recounts the story of a mum who suspects her young son might be gay is a Venezuela/Peru/Germany co-production. The film was one of the frontrunners to receive the prize after it screened early in the festival, although Living Is Easy With Eyes Closed (Vivir Es Fácil Con Los Ojos Cerrados) was also receiving lots of critical love.
The best director Silver Shell went to Fernando Eimbcke for Mexican film Club Sandwich, which also focuses on a mother and son dynamic - this time sent into disarray after the boy embarks on a holiday romance.
The Special Jury Prize went to the directorial debut of Fernando Franco (whose previous editing credits include Blancanieves) for Wounded (La Herida). The film,...
- 9/29/2013
- by Amber Wilkinson
- eyeforfilm.co.uk
Bad Hair (Pelo malo) wins San Sebastian’s top prize.Scroll down for full list of winners
The Golden Shell of the 61st San Sebastian Film Festival has been awarded to Bad Hair (Pelo malo), from Venezuelan director Mariana Rondón.
The low budget film received a positive reception from its first screening at the start of the festival.
Set in the poor areas of Caracas, Bad Hair tells the story of the relationship between a mother and her nine-year-old boy, who loves to dance and sing and is obsessed with his curly hair. The mother begins to suspect the boy is gay and the film develops into a social drama told with humor and does not shy from the melodramatic consequences.
Film-maker Todd Haynes presided over the jury, which comprises actor Diego Luna, actresses Valeria Bruni-tedeschi and Paulina García, producer Mariela Bessuievsky and director Cesc Gay.
Fernando Eimbcke picked up the Best Director prize for his Mexican...
The Golden Shell of the 61st San Sebastian Film Festival has been awarded to Bad Hair (Pelo malo), from Venezuelan director Mariana Rondón.
The low budget film received a positive reception from its first screening at the start of the festival.
Set in the poor areas of Caracas, Bad Hair tells the story of the relationship between a mother and her nine-year-old boy, who loves to dance and sing and is obsessed with his curly hair. The mother begins to suspect the boy is gay and the film develops into a social drama told with humor and does not shy from the melodramatic consequences.
Film-maker Todd Haynes presided over the jury, which comprises actor Diego Luna, actresses Valeria Bruni-tedeschi and Paulina García, producer Mariela Bessuievsky and director Cesc Gay.
Fernando Eimbcke picked up the Best Director prize for his Mexican...
- 9/29/2013
- by jsardafr@hotmail.com (Juan Sarda)
- ScreenDaily
Bad Hair (Pelo malo) wins San Sebastian’s top prize.Scroll down for full list of winners
The Golden Shell of the 61st San Sebastian Film Festival has been awarded to Bad Hair (Pelo malo), from Venezuelan director Mariana Rondón.
The low budget film received a positive reception from its first screening at the start of the festival.
Set in the poor areas of Caracas, Bad Hair tells the story of the relationship between a mother and her nine-year-old boy, who loves to dance and sing and is obsessed with his curly hair. The mother begins to suspect the boy is gay and the film develops into a social drama told with humor and does not shy from the melodramatic consequences.
Film-maker Todd Haynes presided over the jury, which comprises actor Diego Luna, actresses Valeria Bruni-tedeschi and Paulina García, producer Mariela Bessuievsky and director Cesc Gay.
Fernando Eimbcke picked up the Best Director prize for his Mexican...
The Golden Shell of the 61st San Sebastian Film Festival has been awarded to Bad Hair (Pelo malo), from Venezuelan director Mariana Rondón.
The low budget film received a positive reception from its first screening at the start of the festival.
Set in the poor areas of Caracas, Bad Hair tells the story of the relationship between a mother and her nine-year-old boy, who loves to dance and sing and is obsessed with his curly hair. The mother begins to suspect the boy is gay and the film develops into a social drama told with humor and does not shy from the melodramatic consequences.
Film-maker Todd Haynes presided over the jury, which comprises actor Diego Luna, actresses Valeria Bruni-tedeschi and Paulina García, producer Mariela Bessuievsky and director Cesc Gay.
Fernando Eimbcke picked up the Best Director prize for his Mexican...
- 9/29/2013
- by jsardafr@hotmail.com (Juan Sarda)
- ScreenDaily
‘Bad Hair’ day at San Sebastian Film Festival: Venezuelan film wins Golden Shell (photo: Samuel Lange Zambrano in ‘Bad Hair’) Mariana Rondón’s Bad Hair / Pelo malo won the Golden Shell at the 2013 San Sebastian Film Festival, which wrapped up today, September 28, in northern Spain’s coastal city also known as Donostia (in Basque). The Venezuelan / Peruvian / German co-production tells the story of a nine-year-old boy (Samuel Lange Zambrano) with "bad hair," who decides to have his unruly curls molded pop-singer style (Justin Bieber’s?) for his yearbook picture. His mother (Samantha Castillo), however, is against it — the boy’s new hairdo is just not manly enough. Family conflicts ensue. The San Sebastian Film Festival’s Special Jury Prize went to newcomer Fernando Franco’s Wounded / La herida, a Spanish drama about a 30-year-old ambulance driver whose life falls to pieces as a consequence of her undiagnosed Borderline Personality Disorder.
- 9/28/2013
- by Andre Soares
- Alt Film Guide
Tfe’s coverage of the 51st New York Film Festival (Sep 27-Oct 14) continues with Glenn discussing Exhibition.
I’ve seen a lot of weird stuff go on in cinemas in the last five years or so. As more and more people stop going to the movies as often and instead rely on home entertainment for their flick fix, so too has the home entertainment has found its way into the cinema. Texting, talking, obnoxiously loud eating practices… they’re all so common place these days that it’s no wonder people are staying home. This, of course, is nothing new. However, today at a the New York Film Festival screening of the education documentary American Promise a man pulled out his laptop. His Laptop! I’d seen an iPad illuminate a cinema before, but never a laptop. The man had it charging at an electrical outlet no less and early...
I’ve seen a lot of weird stuff go on in cinemas in the last five years or so. As more and more people stop going to the movies as often and instead rely on home entertainment for their flick fix, so too has the home entertainment has found its way into the cinema. Texting, talking, obnoxiously loud eating practices… they’re all so common place these days that it’s no wonder people are staying home. This, of course, is nothing new. However, today at a the New York Film Festival screening of the education documentary American Promise a man pulled out his laptop. His Laptop! I’d seen an iPad illuminate a cinema before, but never a laptop. The man had it charging at an electrical outlet no less and early...
- 9/28/2013
- by Glenn Dunks
- FilmExperience
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