The 77th Cannes Film Festival has come to a close. As with every year, the festival was host to its share of standing ovations, divisive screenings and debates over just which films and performances would take home awards at the end of the 12-day event, widely considered the most prestigious in the entire world. This year, Sean Baker’s Anora took the Palme d’Or while India’s All We Imagine as Light won the Grand Prix, generally considered the runner-up.
So, who else won out at this year’s Cannes Film Festival? While below is only a partial list of winners, you can check out the complete and extensive list here.
Palme d’Or: Anora, Sean Baker
Grand Prix: All We Imagine as Light, Payal Kapadia
Best Director: Miguel Gomes, Grand Tour
Best Actor: Jesse Plemons, Kinds of Kindness
Best Actress: Karla Sofía Gascón, Selena Gomez, and Zoe Saldaña,...
So, who else won out at this year’s Cannes Film Festival? While below is only a partial list of winners, you can check out the complete and extensive list here.
Palme d’Or: Anora, Sean Baker
Grand Prix: All We Imagine as Light, Payal Kapadia
Best Director: Miguel Gomes, Grand Tour
Best Actor: Jesse Plemons, Kinds of Kindness
Best Actress: Karla Sofía Gascón, Selena Gomez, and Zoe Saldaña,...
- 5/25/2024
- by Mathew Plale
- JoBlo.com
Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
- 5/25/2024
- by Steve Pond
- The Wrap
The 2024 Cannes Film Festival is finally coming to a close — but not without a big splash. Crossing the Croissette one last time, stars and filmmakers alike are about to find out who’s taking home this year’s prizes.
Guessing the Palme d’Or winner has become a beloved pastime for fans and critics alike, but the best part of any Cannes Awards ceremony are the surprises. This year’s jury, led by Greta Gerwig and including Lily Gladstone, Ebru Ceylan, Eva Green, Nadine Labaki, J.A. Bayona, Pierfrancesco Favino, Hirokazu Kore-eda, and Omar Sy, has been pretty tight-lipped about its preferences, but there are certainly a few standouts amongst the 22 films in competition.
“Megalopolis,” Francis Ford Coppola’s decades-in-the-making passion project saw him return to Cannes after many years, but was met with a mixed response despite IndieWire’s own appreciation for the film. One of the real standouts of...
Guessing the Palme d’Or winner has become a beloved pastime for fans and critics alike, but the best part of any Cannes Awards ceremony are the surprises. This year’s jury, led by Greta Gerwig and including Lily Gladstone, Ebru Ceylan, Eva Green, Nadine Labaki, J.A. Bayona, Pierfrancesco Favino, Hirokazu Kore-eda, and Omar Sy, has been pretty tight-lipped about its preferences, but there are certainly a few standouts amongst the 22 films in competition.
“Megalopolis,” Francis Ford Coppola’s decades-in-the-making passion project saw him return to Cannes after many years, but was met with a mixed response despite IndieWire’s own appreciation for the film. One of the real standouts of...
- 5/25/2024
- by Harrison Richlin
- Indiewire
by Cláudio Alves
Sean Baker's Anora looks like a top contender for the Palme d'Or.
After much divisiveness in the Main Competition, the Cannes critics finally have something to fawn over in collective uproar. Sean Baker's Anora was a hit with press and audiences alike, standing out in a selection of otherwise derided titles. Indeed, Christophe Honoré's Marcello Mio met critical rejection on the same day of Grand Tour's world premiere, while Paolo Sorrentino's Parthenope inspired another wave of dissenting opinions. Some love it, while many others decry the Neapolitan director's obsession with objectified female bodies, beauty above everything else, even cinematic meaning. Considering his last few projects, this shouldn't come as a surprise.
That shall be the theme of this Cannes at Home program—the beautiful people. Let's explore the siren calls of Baker's Tangerine, Honoré's The Beautiful Person, and Sorrentino's Oscar-winning The Great Beauty…...
Sean Baker's Anora looks like a top contender for the Palme d'Or.
After much divisiveness in the Main Competition, the Cannes critics finally have something to fawn over in collective uproar. Sean Baker's Anora was a hit with press and audiences alike, standing out in a selection of otherwise derided titles. Indeed, Christophe Honoré's Marcello Mio met critical rejection on the same day of Grand Tour's world premiere, while Paolo Sorrentino's Parthenope inspired another wave of dissenting opinions. Some love it, while many others decry the Neapolitan director's obsession with objectified female bodies, beauty above everything else, even cinematic meaning. Considering his last few projects, this shouldn't come as a surprise.
That shall be the theme of this Cannes at Home program—the beautiful people. Let's explore the siren calls of Baker's Tangerine, Honoré's The Beautiful Person, and Sorrentino's Oscar-winning The Great Beauty…...
- 5/24/2024
- by Cláudio Alves
- FilmExperience
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Although Oscar-winner Gary Oldman has had numerous memorable roles in his life, most fans will know him as either Sirius Black from the Harry Potter film series or as James Gordon from Nolan’s Batman trilogy. Oldman made both these roles his own, but Sirius Black is especially noteworthy here, as Oldman remains the only actor who portrayed the character to date, so most Harry Potter fans actually have a tough time imagining anyone else in the role besides Oldman. Still, from some recent comments, it seems that Oldman himself wasn’t satisfied with the role, and that has sparked some controversy.
During a podcast talk in December 2023, Oldman said the following about his interpretation of the beloved character:
“I think my work is mediocre in. No, I do. Maybe if I had read the books like Alan [Rickman], if I had got ahead of the curve, if I had known what’s coming,...
During a podcast talk in December 2023, Oldman said the following about his interpretation of the beloved character:
“I think my work is mediocre in. No, I do. Maybe if I had read the books like Alan [Rickman], if I had got ahead of the curve, if I had known what’s coming,...
- 5/23/2024
- by Arthur S. Poe
- Fiction Horizon
The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced like ‘Penelope’) as Paolo Sorrentino, utilizing the myth of the failed siren as subtext for a bildungsroman about a beautiful young woman in 1970s Naples. Having borrowed (or rather plundered) the narrative aesthetics of Fellini over the past decade, perhaps no where more successfully than with his 2013 success The Great Beauty, Sorrentino turns to mythology to bolster the rise of a Napolitano goddess amongst the angsty social scene whose denizens have grown numbly accustomed to the languid paradise around them.…...
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced like ‘Penelope’) as Paolo Sorrentino, utilizing the myth of the failed siren as subtext for a bildungsroman about a beautiful young woman in 1970s Naples. Having borrowed (or rather plundered) the narrative aesthetics of Fellini over the past decade, perhaps no where more successfully than with his 2013 success The Great Beauty, Sorrentino turns to mythology to bolster the rise of a Napolitano goddess amongst the angsty social scene whose denizens have grown numbly accustomed to the languid paradise around them.…...
- 5/22/2024
- by Nicholas Bell
- IONCINEMA.com
If he has the option between the Croisette or the Lido, Paolo Sorrentino is going to… France. His Cannes journey began with 2004’s The Consequences of Love, followed by 2006’s Friend of the Family, his masterwork Il Divo, his misstep of 2011’s This Must Be the Place, 2015’s Youth and the two-piecer Loro He returns with a piece of cinema that we could equate to the sweet summer breezy demeanor and while Parthenope lays it on thick with its pristine-looking flair, but how did our critics think about it’s center? Celeste Dalla Porta toplines in what will be a complete early career boost.…...
- 5/22/2024
- by Eric Lavallée
- IONCINEMA.com
Sean Baker’s Anora has stormed to the top of Screen’s Cannes jury while Paolo Sorrentino’s Parthenope divided critics and Christophe Honoré’s Marcello Mio scored the lowest of this year’s festival so far.
Baker’s latest feature received a solid 3.3 - the first film this year to score an average above three stars, overtaking last year’s jury grid winner, Aki Kaurismäki’s Fallen Leaves (3.2).
The US comedy-drama about a sex worker received six scores of four stars (excellent) and four marks of three stars (good). Critics Katja Nicodemus (Germany’s Die Zeit) and Anton Dolin (Meduza) were less convinced,...
Baker’s latest feature received a solid 3.3 - the first film this year to score an average above three stars, overtaking last year’s jury grid winner, Aki Kaurismäki’s Fallen Leaves (3.2).
The US comedy-drama about a sex worker received six scores of four stars (excellent) and four marks of three stars (good). Critics Katja Nicodemus (Germany’s Die Zeit) and Anton Dolin (Meduza) were less convinced,...
- 5/22/2024
- ScreenDaily
Gary Oldman has addressed some previous comments on the Harry Potter franchise whereby he called his performance as fan-favorite character Sirius Black “mediocre.”
Oldman spoke while at the Cannes press conference for Paolo Sorrentino’s Parthenope on Wednesday and wanted to ensure no fans of J.K. Rowling’s wizarding world adaptations were offended by his words.
“Not to disparage anyone out there who are fans of the Harry Potter films and the character who I think is much beloved … What I meant by that is I think as any artist, actor, painter, you are always hypercritical of your own work.
“If you’re not and you’re satisfied with what you’re doing, that would be death to me. If I had watched a performance of myself and thought: ‘My God, I’m fantastic in this,’ that would be a sad day. My best work is next year.” He attempted to clarify what he meant.
Oldman spoke while at the Cannes press conference for Paolo Sorrentino’s Parthenope on Wednesday and wanted to ensure no fans of J.K. Rowling’s wizarding world adaptations were offended by his words.
“Not to disparage anyone out there who are fans of the Harry Potter films and the character who I think is much beloved … What I meant by that is I think as any artist, actor, painter, you are always hypercritical of your own work.
“If you’re not and you’re satisfied with what you’re doing, that would be death to me. If I had watched a performance of myself and thought: ‘My God, I’m fantastic in this,’ that would be a sad day. My best work is next year.” He attempted to clarify what he meant.
- 5/22/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Cannes film festival
The heroine is a victim of her own beauty in this exercise in languorous image-making that is too conceited to allow any emotional investment
Paolo Sorrentino, for over 20 years one of the most vibrant and distinctive film-makers, is coming close to self-parody with this new film, which conceitedly announces its own beauty at every moment and finally drifts into an unearned elegiac torpor. It’s an exercise in style, with much bikini-clad gorgeousness and languorous image-making. There are some very exotic touches and though the camera movements are less hyperactive and angular than in his early work, this does not necessarily signal a new maturity; the lessening of flourishes might simply expose something rather facile.
We are in permanently sunny Naples and Parthenope, played by Celeste Dalla Porta with an unchanging Mona Lisa smile, is a young woman from a well-off Neapolitan background who is haunted by...
The heroine is a victim of her own beauty in this exercise in languorous image-making that is too conceited to allow any emotional investment
Paolo Sorrentino, for over 20 years one of the most vibrant and distinctive film-makers, is coming close to self-parody with this new film, which conceitedly announces its own beauty at every moment and finally drifts into an unearned elegiac torpor. It’s an exercise in style, with much bikini-clad gorgeousness and languorous image-making. There are some very exotic touches and though the camera movements are less hyperactive and angular than in his early work, this does not necessarily signal a new maturity; the lessening of flourishes might simply expose something rather facile.
We are in permanently sunny Naples and Parthenope, played by Celeste Dalla Porta with an unchanging Mona Lisa smile, is a young woman from a well-off Neapolitan background who is haunted by...
- 5/22/2024
- by Peter Bradshaw
- The Guardian - Film News
Veteran actor Gary Oldman has touched on his own relationship with aging, as well as his path to sobriety while commenting on the evocative themes in Paolo Sorrentino’s Parthenope.
Sorrentino’s love letter to Naples, Parthenope follows a physically and intellectually captivating young woman, played by breakout star Celeste Dalla Porta, across decades as the film balances youth, freedom, and yearning against a backdrop of enchanting Neapolitans.
At the Cannes Film Festival‘s press conference for the film, Oldman was asked about his character, an aging American writer called John Cheever. “If there are any similarities and there are a few between me and Mr Cheever, to connect it directly to the movie… I have a stepson (in Italy) who is 16 and I’m sure he longs to be 18 and 21. You’re always wishing when you’re young, you actually wish away your youth to be older,” Oldman said.
Sorrentino’s love letter to Naples, Parthenope follows a physically and intellectually captivating young woman, played by breakout star Celeste Dalla Porta, across decades as the film balances youth, freedom, and yearning against a backdrop of enchanting Neapolitans.
At the Cannes Film Festival‘s press conference for the film, Oldman was asked about his character, an aging American writer called John Cheever. “If there are any similarities and there are a few between me and Mr Cheever, to connect it directly to the movie… I have a stepson (in Italy) who is 16 and I’m sure he longs to be 18 and 21. You’re always wishing when you’re young, you actually wish away your youth to be older,” Oldman said.
- 5/22/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
On Wednesday at the Cannes press conference for Parthenope, actor Gary Oldman was asked about throwing his performance as Sirius Black in Harry Potter and the Prisoner of Azkaban under the bus.
Toward the end of last year, Oldman told Happy Sad Confused podcast host Josh Horowitz that he thought his work as Black was “mediocre.”
The Oscar winner said at the time, “Maybe if I had read the books like Alan [Rickman], if I had got ahead of the curve, if I had known what’s coming, I honestly think I would have played it differently.”
Oldman had a word for Potter fans today: He means no harm.
Oldman said he didn’t mean to “disparage anyone out there who are fans of Harry Potter and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter,...
Toward the end of last year, Oldman told Happy Sad Confused podcast host Josh Horowitz that he thought his work as Black was “mediocre.”
The Oscar winner said at the time, “Maybe if I had read the books like Alan [Rickman], if I had got ahead of the curve, if I had known what’s coming, I honestly think I would have played it differently.”
Oldman had a word for Potter fans today: He means no harm.
Oldman said he didn’t mean to “disparage anyone out there who are fans of Harry Potter and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter,...
- 5/22/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday.
When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
He continued, “There was such secrecy that was shrouded around the novels,...
When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
He continued, “There was such secrecy that was shrouded around the novels,...
- 5/22/2024
- by Ellise Shafer
- Variety Film + TV
Oscar winner Paolo Sorrentino ascended the red carpet here this evening for his latest Cannes competition entry, Parthenope, which was welcomed by a nine-minute standing ovation.
“This movie is a celebration of the journey of my life,” the humbled filmmaker told the crowd.
“The movie is a celebration of the journey of my life” : Paolo Sorrentino says in a speech after the ‘Parthenope’ premiere at #Cannes2024 pic.twitter.com/Z6PhssUcFL
— Deadline Hollywood (@Deadline) May 21, 2024
The movie follows Parthenope, a woman born in the sea of Naples in 1950 who searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. Sorrentino shot the Italian-French co-production between Naples and Capri.
The pic’s breakout star Celeste Dalla Porta was enthralled by the audience reaction, welling up as they applauded.
The cast also includes Dario Aita, Celeste Dalla Porta, Silvia Degrandi,...
“This movie is a celebration of the journey of my life,” the humbled filmmaker told the crowd.
“The movie is a celebration of the journey of my life” : Paolo Sorrentino says in a speech after the ‘Parthenope’ premiere at #Cannes2024 pic.twitter.com/Z6PhssUcFL
— Deadline Hollywood (@Deadline) May 21, 2024
The movie follows Parthenope, a woman born in the sea of Naples in 1950 who searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. Sorrentino shot the Italian-French co-production between Naples and Capri.
The pic’s breakout star Celeste Dalla Porta was enthralled by the audience reaction, welling up as they applauded.
The cast also includes Dario Aita, Celeste Dalla Porta, Silvia Degrandi,...
- 5/21/2024
- by Nancy Tartaglione, Anthony D'Alessandro and Baz Bamigboye
- Deadline Film + TV
Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
- 5/21/2024
- by Nick Vivarelli and Ellise Shafer
- Variety Film + TV
What a world Paolo Sorrentino creates. The Italian director called one of his movies – the one that won the Oscar for Best International Film – “The Great Beauty,” but that could have been the title of lots of them, definitely including “Parthenope,” which premiered on Tuesday in the Main Competition section of the Cannes Film Festival.
In this case, the great beauty could be the film’s title character, a stunning young woman named after a mythological siren inextricably linked with the city of Naples. It could also be the world she inhabits, a sun-drenched coastal city on the Tyrrhenian Sea in the Mediterranean. And it could just as well be the aura that Sorrentino’s movies create, languorous and exquisite and, much of the time, gloriously sad.
“Parthenope” isn’t a Sorrentino breakthrough by any means, but a recapitulation of many of his obsessions. His last film, 2021’s “The Hand of God,...
In this case, the great beauty could be the film’s title character, a stunning young woman named after a mythological siren inextricably linked with the city of Naples. It could also be the world she inhabits, a sun-drenched coastal city on the Tyrrhenian Sea in the Mediterranean. And it could just as well be the aura that Sorrentino’s movies create, languorous and exquisite and, much of the time, gloriously sad.
“Parthenope” isn’t a Sorrentino breakthrough by any means, but a recapitulation of many of his obsessions. His last film, 2021’s “The Hand of God,...
- 5/21/2024
- by Steve Pond
- The Wrap
A decades-spanning drama about a young woman born in Naples — the hometown of writer-director Paolo Sorrentino — “Parthenope” is an exquisite treatise on cinematic beauty. Chronicling her birth, her youthful teenage summers and the years she spends adrift as a young adult, the film is an intoxicating reflection on the way people and places are seen, and the way they see themselves.
Celeste Dalla Porta delivers a beguiling performance as the film’s eponymous subject, a woman of such stunning beauty that people stop and stare. Her allure is practically disruptive, an idea the camera embodies by introducing her through pristine, symmetrical vistas that appear suddenly, as though they were demanding the edit skip past its dramatic connective tissue. She is named, after all, for the founder of Naples, and one of the six sirens of Green mythology, but Sorrentino maintains a consistent awareness of the ogling idealism he applies to Parthenope.
Celeste Dalla Porta delivers a beguiling performance as the film’s eponymous subject, a woman of such stunning beauty that people stop and stare. Her allure is practically disruptive, an idea the camera embodies by introducing her through pristine, symmetrical vistas that appear suddenly, as though they were demanding the edit skip past its dramatic connective tissue. She is named, after all, for the founder of Naples, and one of the six sirens of Green mythology, but Sorrentino maintains a consistent awareness of the ogling idealism he applies to Parthenope.
- 5/21/2024
- by Siddhant Adlakha
- Variety Film + TV
It’s no secret that Paolo Sorrentino is profoundly obsessed with the topics of youth and great beauty. Such preoccupations — and several more! — are self-evident in films like “Youth” and “The Great Beauty,” two unbridled displays of Italian maximalism that are every bit as subtle as their titles suggest.
Following 2021’s achingly personal “The Hand of God,” in which the Neapolitan director filtered the agony and the ecstasy of his formative years through the same veil of Fellini-esque sacrilege that he’d previously cast over movies about Silvio Berlusconi and the fading splendor of Roman history, Sorrentino is back on his proverbial bullshit with another sprawling flesh parade that’s more consumed with abstract ideals than it is with the stuff of life itself. Once again, he returns with a rapturously sumptuous film that blurs the line between the sacred and the profane until sex feels like religion and religion feels like sex,...
Following 2021’s achingly personal “The Hand of God,” in which the Neapolitan director filtered the agony and the ecstasy of his formative years through the same veil of Fellini-esque sacrilege that he’d previously cast over movies about Silvio Berlusconi and the fading splendor of Roman history, Sorrentino is back on his proverbial bullshit with another sprawling flesh parade that’s more consumed with abstract ideals than it is with the stuff of life itself. Once again, he returns with a rapturously sumptuous film that blurs the line between the sacred and the profane until sex feels like religion and religion feels like sex,...
- 5/21/2024
- by David Ehrlich
- Indiewire
Paolo Sorrentino has done a wide range of films but until his most personal, The Hand of God two years ago (a prize winner in Venice), he had not returned to Naples, the land of his youth, except for the very first feature he made, 2001’s One Man Up. Since then though, he has been to Cannes with his films six times, and his impressive list of movies have included The Consequences of Love, Il Divo, Loro and his Oscar-winning The Great Beauty. There have been more mixed reactions for his starry English-language films like Youth and This Must Be the Place, but Italy seems to drive his creative mojo and may be closest to his heart in the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in Hand of God which closely reflected his own coming of age in Naples,...
- 5/21/2024
- by Pete Hammond
- Deadline Film + TV
Cannes – If we know anything about Paolo Sorrentino, it’s that he adores his hometown of Naples, Italy. His last directorial effort, “The Hand of God,” was a love letter to the port city, and, in something of a surprise, he taps that well once again for “Parthenope,” a title in competition at this year’s Cannes Film Festival. A movie that chronicles a woman’s long and unexpected journey from a captivating young goddess to a respected academic.
Continue reading ‘Parthenope’ Review: Paolo Sorrentino’s Portrait Of An Italian Diva Coming Of Age [Cannes] at The Playlist.
Continue reading ‘Parthenope’ Review: Paolo Sorrentino’s Portrait Of An Italian Diva Coming Of Age [Cannes] at The Playlist.
- 5/21/2024
- by Gregory Ellwood
- The Playlist
Mike Figgis has been shooting a behind-the-scenes documentary for the past 18 months about the making of Francis Ford Coppola’s Megalopolis. It’s called Megadoc.
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
- 5/21/2024
- by Baz Bamigboye
- Deadline Film + TV
Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7.
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
- 5/21/2024
- ScreenDaily
Exclusive: Paolo Sorrentino’s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.
We broke news of the A24 domestic deal coming into the festival and now deals have closed this past week in UK (Picture House), Germany (Wildbunch – Alamode), Spain (Bteam), Cis (Pasatiempo Pictures), Latin America (Pasatiempo Pictures), Scandinavia (Triart) and South Korea (Aud).
The in-demand project is also heading to Poland (Monolith), Benelux (Cineart), Baltics (Aone Films), Bulgaria (Cinelibri), Czech Republic & Slovakia (Aero), Ex-Yugoslavia (McF), Portugal (Nos), Romania (Independenta), Hungary (Mozinet), Turkey (Bir Film) and Israel (Lev Cinemas).
Pathé will handle distribution in France and Switzerland. Piper Films will release in Italy. The movie debuts today in Cannes. Negotiations are ongoing in the handful of remaining territories.
Plot details have been kept under wraps but the production says the movie will be an “exploration of the relentless pursuit of freedom,...
We broke news of the A24 domestic deal coming into the festival and now deals have closed this past week in UK (Picture House), Germany (Wildbunch – Alamode), Spain (Bteam), Cis (Pasatiempo Pictures), Latin America (Pasatiempo Pictures), Scandinavia (Triart) and South Korea (Aud).
The in-demand project is also heading to Poland (Monolith), Benelux (Cineart), Baltics (Aone Films), Bulgaria (Cinelibri), Czech Republic & Slovakia (Aero), Ex-Yugoslavia (McF), Portugal (Nos), Romania (Independenta), Hungary (Mozinet), Turkey (Bir Film) and Israel (Lev Cinemas).
Pathé will handle distribution in France and Switzerland. Piper Films will release in Italy. The movie debuts today in Cannes. Negotiations are ongoing in the handful of remaining territories.
Plot details have been kept under wraps but the production says the movie will be an “exploration of the relentless pursuit of freedom,...
- 5/21/2024
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
A new Italian distribution and international sales company called PiperFilm is launching in Cannes, having scored rights for Italy to Paolo Sorrentino’s Cannes competition title “Parthenope.”
Former Vision Distribution managing director Massimiliano Orfei is president of PiperFilm, while Luisa Borella, who is also a former top-level Vision Distribution executive, serves as the new media company’s COO.
PiperFilm is adopting an innovative distribution model by striking an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros. Entertainment Italia will handle the operational distribution of their lineup of movies in Italian theatres.
“This procedure will ensure that films branded PiperFilm will reach Italian film audiences in their entirety,” the company said in a statement, which noted that they are “building a new business model thanks to a partnership with the largest players on the Italian and international market.
Former Vision Distribution managing director Massimiliano Orfei is president of PiperFilm, while Luisa Borella, who is also a former top-level Vision Distribution executive, serves as the new media company’s COO.
PiperFilm is adopting an innovative distribution model by striking an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros. Entertainment Italia will handle the operational distribution of their lineup of movies in Italian theatres.
“This procedure will ensure that films branded PiperFilm will reach Italian film audiences in their entirety,” the company said in a statement, which noted that they are “building a new business model thanks to a partnership with the largest players on the Italian and international market.
- 5/20/2024
- by Nick Vivarelli
- Variety Film + TV
Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps more significantly, “Parthenope” – an epic spanning several decades – is Sorrentino’s first female-centric film. Why? “In thinking of a modern hero, it came naturally to me that it would be a heroine, not a man,” he tells Variety.
Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold.
It’s a bit more complex, actually, not necessarily just linked to Naples. “Parthenope” was born from a series of long-simmering thoughts and emotional changes.
Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold.
It’s a bit more complex, actually, not necessarily just linked to Naples. “Parthenope” was born from a series of long-simmering thoughts and emotional changes.
- 5/19/2024
- by Nick Vivarelli
- Variety Film + TV
Logical Pictures is launching a new Africa venture that will see the production, financing and distribution outfit expand its global footprint into the fast-growing African market.
According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.
“Logical Pictures has now established in Europe a uniquely positioned group that can finance, distribute and produce content internationally with outstanding talents,” said Fiore. “With Logical Pictures Africa, we want to emulate a similar ecosystem in one of the most creative places in the world, dovetailing our approach to the specificities of each part of the world.”
Launched in 2016, the Logical Pictures Group has become a leading player in film and TV equity, producing, financing and distributing a range of content in France and internationally through...
According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.
“Logical Pictures has now established in Europe a uniquely positioned group that can finance, distribute and produce content internationally with outstanding talents,” said Fiore. “With Logical Pictures Africa, we want to emulate a similar ecosystem in one of the most creative places in the world, dovetailing our approach to the specificities of each part of the world.”
Launched in 2016, the Logical Pictures Group has become a leading player in film and TV equity, producing, financing and distributing a range of content in France and internationally through...
- 5/17/2024
- by Christopher Vourlias
- Variety Film + TV
Pim Herrmeling, head of Benelux- based September Films has warned the territory’s buyers are becoming more cautious due to high asking prices.
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
- 5/17/2024
- ScreenDaily
Andrea Scrosati, Fremantle’s group COO and CEO for continental Europe, is understandably proud that the company has landed five titles in the Cannes official selection, three of which – “Kinds of Kindness,” by Yorgos Lanthimos, Paolo Sorrentino’s “Parthenope” and Russian director Kirill Serebrennikov’s “Limonov” — are in competition.
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
- 5/16/2024
- by Nick Vivarelli
- Variety Film + TV
Sophomore slump? Not for Saint Laurent Productions.
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Sitting at a capacious round table filled with half-a-dozen entertainment reporters, Gary Oldman describes himself as a fan of television. “Some of the best stuff you see is on your television screen,” he said. “I love long-form.”
Frankly, this isn’t the first time a movie star who’s new to television has praised the medium printing his paychecks. But Oldman — in a winding, hourlong conversation pegged to “Slow Horses,” his first TV role as a series regular — really does seem to love the visual art of serialized narratives. During the December luncheon (hosted by Apple in New York’s Tribeca neighborhood), he brought up a dozen shows, often unprompted, and even quoted his favorite line from “Succession” off the cuff.
“God, [Brian] Cox had one of the greatest lines when he said, ‘What is that smell in here? It’s like a cheesemonger died and left his cock in the brie,...
Frankly, this isn’t the first time a movie star who’s new to television has praised the medium printing his paychecks. But Oldman — in a winding, hourlong conversation pegged to “Slow Horses,” his first TV role as a series regular — really does seem to love the visual art of serialized narratives. During the December luncheon (hosted by Apple in New York’s Tribeca neighborhood), he brought up a dozen shows, often unprompted, and even quoted his favorite line from “Succession” off the cuff.
“God, [Brian] Cox had one of the greatest lines when he said, ‘What is that smell in here? It’s like a cheesemonger died and left his cock in the brie,...
- 5/15/2024
- by Ben Travers
- Indiewire
One of the pleasures of the Cannes Film Festival is seeing what films and what directors break out. Sure, in the current crop of films premiering at the 77th festival this May, there are some big names everybody knows; you don’t need an explainer to know that Francis Ford Coppola and “Megalopolis” are a big deal. But Cannes is also where filmmakers such as Julia Ducournau and Justine Triet gained wide exposure and became international known quantities, thanks to the prestige granted by nabbing the festival’s top prize, the Palme d’Or.
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
- 5/15/2024
- by Wilson Chapman
- Indiewire
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
The 77th Cannes Film Festival is poised to serve up a feast for film lovers, including new movies from celebrated directors such as Yorgos Lanthimos and Paolo Sorrentino, as well as living legends like Francis Ford Coppola, David Cronenberg and George Miller.
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
- 5/14/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Italian producers Mario Gianani and Lorenzo Mieli are entering the Mediawan fold after recently exiting Fremantle to jointly form a new independent outfit.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
- 5/14/2024
- by Nick Vivarelli and Elsa Keslassy
- Variety Film + TV
The Mediapro Studio is opening a new US/Canada headquarters office in Los Angeles and has appointed Juan ‘Jc’ Acosta as its head of operations for the market.
The new office is part of a push to increase the production and distribution of English-language content – including scripted series, reality and entertainment programming, documentaries and features – by the company, the production division of Spain’s Mediapro communications group.
The Los Angeles office will act as the centre of US operations for The Mediapro Studio, which already has staff working at the Miami and New York offices of Grup Mediapro (which also...
The new office is part of a push to increase the production and distribution of English-language content – including scripted series, reality and entertainment programming, documentaries and features – by the company, the production division of Spain’s Mediapro communications group.
The Los Angeles office will act as the centre of US operations for The Mediapro Studio, which already has staff working at the Miami and New York offices of Grup Mediapro (which also...
- 5/13/2024
- ScreenDaily
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Fremantle revenues dropped 9.2% in the first quarter of 2024 to €395m, with parent company Rtl blaming ‘timing effects’ of show deliveries in the UK, Italy and Germany for the fall.
Rtl said it was confident Fremantle will make up the shortfall in the second quarter, citing the delivery of productions such as the second season of The Responder and new thriller series Nightsleeper for the BBC in the UK as well as season 19 of America’s Got Talent for NBC in the US.
The first quarter drop comes after Fremantle’s full-year 2023 turnover fell by 3.5%, leading Rtl to delay by up to...
Rtl said it was confident Fremantle will make up the shortfall in the second quarter, citing the delivery of productions such as the second season of The Responder and new thriller series Nightsleeper for the BBC in the UK as well as season 19 of America’s Got Talent for NBC in the US.
The first quarter drop comes after Fremantle’s full-year 2023 turnover fell by 3.5%, leading Rtl to delay by up to...
- 5/8/2024
- ScreenDaily
If there’s one thing the French love more than rich desserts, it’s going on strike. A labor action is brewing on the Riviera this week, and it just so happens to be during the most high-profile event of the season: the 77th annual Cannes Film Festival.
The Festival workers—the fine folks that ensure no one dares bring une petite bouteille d’eau into the Palais de Festivals, a building that seems immune to air conditioning—are mounting a strike action, as per a report in Deadline.
The Collectif des précaires des festivals de cinéma, which includes those connected to the principal Cannes slate as well as sidebars like Director’s Fortnight, are demanding higher pay due to “arduous overtime hours” and for employment benefits following the short-term gig. “Due to unique regulations, many workers at French film festivals are excluded from the unemployment benefit. Instead, they are...
The Festival workers—the fine folks that ensure no one dares bring une petite bouteille d’eau into the Palais de Festivals, a building that seems immune to air conditioning—are mounting a strike action, as per a report in Deadline.
The Collectif des précaires des festivals de cinéma, which includes those connected to the principal Cannes slate as well as sidebars like Director’s Fortnight, are demanding higher pay due to “arduous overtime hours” and for employment benefits following the short-term gig. “Due to unique regulations, many workers at French film festivals are excluded from the unemployment benefit. Instead, they are...
- 5/6/2024
- by Jordan Hoffman
- Gold Derby
A24 has acquired domestic North American rights to “Parthenope,” the new film by Academy Award winner director Paolo Sorrentino, which will premiere in official competition at 77th Festival de Cannes, the company announced on Friday morning.
The official logline is as follows: “Parthenope,” born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Academy Award-winning filmmaker Paolo Sorrentino comes a monumental and deeply romantic story of a lifetime.
The film stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo, Marlon Joubert, Peppe Lanzetta, Nello Mascia, Gary Oldman, Silvio Orlando, Luisa Ranieri, Daniele Rienzo, Stefania Sandrelli and Alfonso Santagata.
The film, shot between Naples and Capri, is an Italian-French co-production written and directed by Paolo Sorrentino.
“Parthenope” is a Fremantle film produced by The Apartment Pictures,...
The official logline is as follows: “Parthenope,” born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Academy Award-winning filmmaker Paolo Sorrentino comes a monumental and deeply romantic story of a lifetime.
The film stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo, Marlon Joubert, Peppe Lanzetta, Nello Mascia, Gary Oldman, Silvio Orlando, Luisa Ranieri, Daniele Rienzo, Stefania Sandrelli and Alfonso Santagata.
The film, shot between Naples and Capri, is an Italian-French co-production written and directed by Paolo Sorrentino.
“Parthenope” is a Fremantle film produced by The Apartment Pictures,...
- 5/3/2024
- by Umberto Gonzalez
- The Wrap
In the first major sale ahead of the Cannes Film Festival, A24 has acquired the North American rights to the competition title “Parthenope” from director Paolo Sorrentino, the distributor announced Friday, May 3.
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
- 5/3/2024
- by Brian Welk
- Indiewire
A24 has acquired North American rights to Paolo Sorrentino’s Cannes Competition entry Parthenope.
Pathé handles international sales and will also distribute in France and Switzerland.
Inspired by the Greek myth of the siren who threw herself to her death in the sea after she failed to seduce Ulysses with her voice, Parthenope marks the Italian auteur’s seventh Competition selection after Youth most recently in 2015, and titles like eventual best foreign language Oscar winner The Great Beauty in 2013, and Il Divo in 2008.
The story centres on the titular character, born in the sea of Naples in 1950, who searches for...
Pathé handles international sales and will also distribute in France and Switzerland.
Inspired by the Greek myth of the siren who threw herself to her death in the sea after she failed to seduce Ulysses with her voice, Parthenope marks the Italian auteur’s seventh Competition selection after Youth most recently in 2015, and titles like eventual best foreign language Oscar winner The Great Beauty in 2013, and Il Divo in 2008.
The story centres on the titular character, born in the sea of Naples in 1950, who searches for...
- 5/3/2024
- ScreenDaily
Exclusive: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes.
Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.
Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.
Pathe is handling foreign sales and is releasing the movie in France and Switzerland.
The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness...
Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.
Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.
Pathe is handling foreign sales and is releasing the movie in France and Switzerland.
The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness...
- 5/3/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Meryl Streep is set to receive the highest honor at the Cannes 2024 ceremony.
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
The 2024 Cannes Film Festival has announced its all-star lineup of jurors to decide this year’s Palme d’Or.
As previously announced, “Barbie” director Greta Gerwig will serve as jury president. Fellow recent Oscar nominee Lily Gladstone is part of the jury, as well as writer/director J.A. Bayona, Eva Green, Omar Sy, Pierfrancisco Favino, director Kore-eda Hirokazu, screenwriter Nadine Labaki, and screenwriter and photographer Ebru Ceylan.
The 2024 Cannes Film Festival will take place May 14-25. The jury will have the honor of awarding the Palme d’Or to one of the 22 films in competition, with contenders including Francis Ford Coppola’s “Megalopolis,” Sean Baker’s “Anora,” David Cronenberg’s “The Shrouds,” Yorgos Lanthimos’ “Kinds of Kindness,” and Paul Schrader’s “Oh, Canada.”
New films from Paolo Sorrentino (“Parthenope”), Mohammad Rasoulof (“The Seed of the Sacred Fig”), Karim Aïnouz (“Motel Destino”), and Andrea Arnold (“Bird”) are also debuting in competition.
As previously announced, “Barbie” director Greta Gerwig will serve as jury president. Fellow recent Oscar nominee Lily Gladstone is part of the jury, as well as writer/director J.A. Bayona, Eva Green, Omar Sy, Pierfrancisco Favino, director Kore-eda Hirokazu, screenwriter Nadine Labaki, and screenwriter and photographer Ebru Ceylan.
The 2024 Cannes Film Festival will take place May 14-25. The jury will have the honor of awarding the Palme d’Or to one of the 22 films in competition, with contenders including Francis Ford Coppola’s “Megalopolis,” Sean Baker’s “Anora,” David Cronenberg’s “The Shrouds,” Yorgos Lanthimos’ “Kinds of Kindness,” and Paul Schrader’s “Oh, Canada.”
New films from Paolo Sorrentino (“Parthenope”), Mohammad Rasoulof (“The Seed of the Sacred Fig”), Karim Aïnouz (“Motel Destino”), and Andrea Arnold (“Bird”) are also debuting in competition.
- 4/29/2024
- by Samantha Bergeson
- Indiewire
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
Oliver Stone is unveiling his long-awaited documentary “Lula” at the 2024 Cannes Film Festival.
Stone filmed the documentary about thrice-elected Brazilian President Luiz Inácio Lula da Silva that encompasses the ruler’s incarceration between 2018 and 2019 and his return to power. Stone was in production on the feature in 2021 during which time Lula da Silva contracted Covid while filming in Cuba.
“Lula” is the latest addition to the star-studded Cannes lineup, which also includes new films from Paul Schrader, Francis Ford Coppola, Yorgos Lanthimos, Andrea Arnold, David Cronenberg, Ali Abbasi, Sean Baker, Jia Zhangke, and Paolo Sorrentino.
Stone teased “Lula” to Jacobin earlier this year, saying that the film would be released “hopefully before the end of the year.”
“As you know, I had him in the other films with Hugo Chávez. And of course, he’s gotten a very dramatic story, with his going to jail after his second term. Now...
Stone filmed the documentary about thrice-elected Brazilian President Luiz Inácio Lula da Silva that encompasses the ruler’s incarceration between 2018 and 2019 and his return to power. Stone was in production on the feature in 2021 during which time Lula da Silva contracted Covid while filming in Cuba.
“Lula” is the latest addition to the star-studded Cannes lineup, which also includes new films from Paul Schrader, Francis Ford Coppola, Yorgos Lanthimos, Andrea Arnold, David Cronenberg, Ali Abbasi, Sean Baker, Jia Zhangke, and Paolo Sorrentino.
Stone teased “Lula” to Jacobin earlier this year, saying that the film would be released “hopefully before the end of the year.”
“As you know, I had him in the other films with Hugo Chávez. And of course, he’s gotten a very dramatic story, with his going to jail after his second term. Now...
- 4/22/2024
- by Samantha Bergeson
- Indiewire
After reaping the rewards of a protracted growth spurt, Italy’s film industry is facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s now stalled tax incentives for film and TV production.
At a packed protest event held earlier this month in Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the government to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business. Some are also concerned that their projects might end up not complying with still murky new eligibility criteria.
“We are waiting for the new regulatory framework, and more importantly we need to know how much money the government will grant,...
At a packed protest event held earlier this month in Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the government to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business. Some are also concerned that their projects might end up not complying with still murky new eligibility criteria.
“We are waiting for the new regulatory framework, and more importantly we need to know how much money the government will grant,...
- 4/17/2024
- by Nick Vivarelli
- Variety Film + TV
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