Weird sisters have been spinning their witchy webs in stories dating back to Greek mythology, which included a macabre trio of sisters who passed a single eye between them. There is something of that sense of a closed circle of unknowable femininity between the two teenage girls in September Says, the first film to be directed by Greek Weird Wave actor Ariane Labed, based on the 2020 novel Sisters by Daisy Johnson and set between England and Ireland.
July (Mia Tharia) is timid, a new girl at the high school where her sister September (Pascale Kann) already is marked as unruly, aggressive and peculiar, inclined to bullying; she will appoint herself as her sister’s protector. July is relieved to hang back, even when there is a hint that her sister’s control-freakery might include commanding the weather. There is a whiff of the witch about her, too.
The two girls are of Indian extraction,...
July (Mia Tharia) is timid, a new girl at the high school where her sister September (Pascale Kann) already is marked as unruly, aggressive and peculiar, inclined to bullying; she will appoint herself as her sister’s protector. July is relieved to hang back, even when there is a hint that her sister’s control-freakery might include commanding the weather. There is a whiff of the witch about her, too.
The two girls are of Indian extraction,...
- 5/23/2024
- by Stephanie Bunbury
- Deadline Film + TV
There is a subgenre that basks in the creaturely natures of girls and women. Forget the ethereal sisters of “The Virgin Suicides” for here are some hot messes. Found in the literature of Shirley Jackson, Angela Carter and Deborah Levy and in films by Josephine Decker and Luna Carmoon, this is a mode of characterisation that delights in stripping away the illusion of a “fairer sex” in order to marinate in the feminine grotesque.
Ariane Labed’s entry to this canon, her directorial feature debut “September Says,” is infused with her own history as a Greek New Wave actress. There are shades of her break-out role in Yorgos Lanthimos’ claustrophobic family drama “Dogtooth” and a callback to her animal impressions in Athina Rachel Tsangari’s sublime, underrated “Attenberg.” Otherwise, Labed follows the sketchy map laid out by Daisy Johnson’s source novel, “Sisters.”
September (Pascale Kann) is older than her...
Ariane Labed’s entry to this canon, her directorial feature debut “September Says,” is infused with her own history as a Greek New Wave actress. There are shades of her break-out role in Yorgos Lanthimos’ claustrophobic family drama “Dogtooth” and a callback to her animal impressions in Athina Rachel Tsangari’s sublime, underrated “Attenberg.” Otherwise, Labed follows the sketchy map laid out by Daisy Johnson’s source novel, “Sisters.”
September (Pascale Kann) is older than her...
- 5/21/2024
- by Sophie Monks Kaufman
- Indiewire
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