The David di Donatello Awards were held in Rome on Tuesday evening, the first time Italy’s equivalent to the Oscar has had a fully in-person ceremony in the pandemic era. Taking top honors was Paolo Sorrentino’s The Hand Of God which scooped Best Film and Director as well as Best Supporting Actress for Teresa Saponangelo and a tie for Best Cinematography. In the latter category, The Hand Of God shared the win with Freaks Out, a fantasy drama that likewise debuted in Venice.
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
- 5/4/2022
- by Nancy Tartaglione
- Deadline Film + TV
Paolo Sorrentino’s “The Hand of God” and Gabriele Mainetti’s “Freaks Out” lead the pack at the David di Donatello Awards this year with 16 nominations each.
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
- 4/30/2022
- by Nick Vivarelli
- Variety Film + TV
In the pantheon of notoriously unavailable films, Jerry Lewis’ “The Day the Clown Cried” occupies a special plinth: Its outline — a circus clown is imprisoned in a Nazi concentration camp where he cheers up Jewish children before being forced to lead them to their doom — makes it one of the few movies to have been suppressed purely on the grounds of “yikes.” It is perhaps unfair to compare it with “Freaks Out,” the second film from Italian director Gabriele Mainetti (“They Call Me Jeeg”), though given that Mainetti’s film also involves circus performers, Nazis and a train full of Jewish people being transported to the camps, quite which film the comparison is unfair to is up for debate. After all, Lewis’ boondoggle didn’t have in it a psychotic, ether-addicted, six-fingered, “Sieg Heil!”-ing pianist who can see into the future, and a whole host of references to, of all things,...
- 9/9/2021
- by Jessica Kiang
- Variety Film + TV
It’s been exactly 20 years since Nanni Moretti won the Palme d’Or at Cannes with “The Son’s Room,” a graceful, humane and often surprisingly witty drama about a family regathering itself in the wake of shattering tragedy. That’s a long time ago, and it feels longer by the minute as you watch the Italian writer-director’s latest, “Three Floors,” a film clearly conceived to hit the same bittersweet notes as his 2001 triumph, but scarcely recognizable as the work of the same filmmaker.
Dramatically stilted, cinematically drab and morally dubious at multiple turns, this soapy lather of assorted crises concerning the residents of a single Roman apartment block may come as a crashing disappointment to fans who have been waiting six years for a new Moretti feature. Pedigree alone has secured this misfire a Cannes competition slot and healthy international sales, though we certainly won’t be thinking about it in two decades’ time.
Dramatically stilted, cinematically drab and morally dubious at multiple turns, this soapy lather of assorted crises concerning the residents of a single Roman apartment block may come as a crashing disappointment to fans who have been waiting six years for a new Moretti feature. Pedigree alone has secured this misfire a Cannes competition slot and healthy international sales, though we certainly won’t be thinking about it in two decades’ time.
- 7/11/2021
- by Guy Lodge
- Variety Film + TV
Caravaggio’s Shadow
For his 14th feature, Italy’s Michele Placido embarks on a project four years in the making with Caravaggio’s Shadow, shot during the Covid-19 pandemic across Naples, Rome, Viterbo, Ariccia, Frascati and Malta. Penned with Sandra Petraglia and Fidel Signorile, the Italian-French co-production features a stellar cast, including Riccardo Scamarcio in the lead, supported by Louis Garrel, Micaela Ramazzotti, Vinicio Marchioni, Lolita Chammah, Alessandro Haber, Moni Ovadia, Lorenzo Lavia, Brenno Placido and Isabelle Huppert. Produced by Federica Vincenti (who also produced his 2016 film 7 Minutes), the project was lensed by Michele D’Attanasio.…...
For his 14th feature, Italy’s Michele Placido embarks on a project four years in the making with Caravaggio’s Shadow, shot during the Covid-19 pandemic across Naples, Rome, Viterbo, Ariccia, Frascati and Malta. Penned with Sandra Petraglia and Fidel Signorile, the Italian-French co-production features a stellar cast, including Riccardo Scamarcio in the lead, supported by Louis Garrel, Micaela Ramazzotti, Vinicio Marchioni, Lolita Chammah, Alessandro Haber, Moni Ovadia, Lorenzo Lavia, Brenno Placido and Isabelle Huppert. Produced by Federica Vincenti (who also produced his 2016 film 7 Minutes), the project was lensed by Michele D’Attanasio.…...
- 1/2/2021
- by Nicholas Bell
- IONCINEMA.com
Tre Piani
Italian auteur Nanni Moretti should be set to unveil his thirteenth narrative feature in 2021, Tre Piani, co-written by Federica Pontremoli and Valia Santella. As usual, Moretti is part of the cast, joined by a formidable ensemble including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno and Stefano Dionisi. The project is lensed by Dp Michele D’Attanasio.
Moretti won the Palme d’Or in 2001 for The Son’s Room. He competed in 1978 with Ecco Bombo, 1994 with Dear Diary (winning Best Director), 1998 with Aprile, 2006 with The Caiman, 2011 with We Have a Pope and in 2015 with Mia Madre (winning the Ecumenical Jury Prize).…...
Italian auteur Nanni Moretti should be set to unveil his thirteenth narrative feature in 2021, Tre Piani, co-written by Federica Pontremoli and Valia Santella. As usual, Moretti is part of the cast, joined by a formidable ensemble including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno and Stefano Dionisi. The project is lensed by Dp Michele D’Attanasio.
Moretti won the Palme d’Or in 2001 for The Son’s Room. He competed in 1978 with Ecco Bombo, 1994 with Dear Diary (winning Best Director), 1998 with Aprile, 2006 with The Caiman, 2011 with We Have a Pope and in 2015 with Mia Madre (winning the Ecumenical Jury Prize).…...
- 1/1/2021
- by Nicholas Bell
- IONCINEMA.com
Exclusive: Principal photography has wrapped in Naples on writer-director Michele Placido’s fourteenth film as a director, Caravaggio’s Shadow (L’Ombra Di Caravaggio), about the enigmatic and genius Renaissance painter.
Today we can reveal three striking production stills from the Italian-language movie, which stars Riccardo Scamarcio (John Wick Chapter 2) as Caravaggio, Louis Garrel (Little Women) as the mysterious Shadow, Isabelle Huppert (Elle) as the Marquise Costanza Colonna, Micaela Ramazzotti (Like Crazy) as Lena and Placido in the role of Cardinal del Monte. French star Huppert will be dubbed for the film.
Veteran Italian filmmaker Placido, who also directed Scamarcio in hit 2005 crime drama Romanzo Criminale, has spent four years working and preparing for the film, which will focus on the adventurous and controversial life of the great painter from the 1600s. The movie will show the artist as a rebel without a cause, a man of huge talent but...
Today we can reveal three striking production stills from the Italian-language movie, which stars Riccardo Scamarcio (John Wick Chapter 2) as Caravaggio, Louis Garrel (Little Women) as the mysterious Shadow, Isabelle Huppert (Elle) as the Marquise Costanza Colonna, Micaela Ramazzotti (Like Crazy) as Lena and Placido in the role of Cardinal del Monte. French star Huppert will be dubbed for the film.
Veteran Italian filmmaker Placido, who also directed Scamarcio in hit 2005 crime drama Romanzo Criminale, has spent four years working and preparing for the film, which will focus on the adventurous and controversial life of the great painter from the 1600s. The movie will show the artist as a rebel without a cause, a man of huge talent but...
- 12/10/2020
- by Andreas Wiseman
- Deadline Film + TV
Tre piani
Italy’s Nanni Moretti breaks a five-year hiatus (from feature films) with his thirteenth narrative, Tre piani, which is also the director’s first adaptation. Moretti assembles a high profile cast including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno, Stefano Dionisi and himself. Cinematographer Michele D’Attanasio lensed the feature, produced through Sacher Film, Fandando, Rai Cinema and Le Pacte. Moretti has competed seven times in Cannes, with 1978’s Ecco Bombo, 1994’s Dear Diary (winning Best Director), 1998’s Aprile, 2001’s The Son’s Room (which won the Palme d’Or), 2006’s The Caiman, 2011’s We Have a Pope and 2015’s Mia Madre (winning the Ecumenical Jury Prize).…...
Italy’s Nanni Moretti breaks a five-year hiatus (from feature films) with his thirteenth narrative, Tre piani, which is also the director’s first adaptation. Moretti assembles a high profile cast including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno, Stefano Dionisi and himself. Cinematographer Michele D’Attanasio lensed the feature, produced through Sacher Film, Fandando, Rai Cinema and Le Pacte. Moretti has competed seven times in Cannes, with 1978’s Ecco Bombo, 1994’s Dear Diary (winning Best Director), 1998’s Aprile, 2001’s The Son’s Room (which won the Palme d’Or), 2006’s The Caiman, 2011’s We Have a Pope and 2015’s Mia Madre (winning the Ecumenical Jury Prize).…...
- 12/30/2019
- by Nicholas Bell
- IONCINEMA.com
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