Welcome to our weekly rundown of the best new music — featuring big singles, key tracks from our favorite albums, and more. This week, Bad Bunny classes up the joint, Offset enlists Travis Scott for a standout track from his new solo LP, and Tomorrow x Together slide into some smooth Eighties synths. Plus, new music from Ice Spice and Rema), Pink Pantheress, Boygenius, and more.
Bad Bunny, “Monaco” (YouTube)
Offset feat. Travis Scott, “Say My Grace” (YouTube)
Tomorrow x Together, “Chasing That Feeling” (YouTube)
Ice Spice feat. Rema, “Pretty Girl” (YouTube)
Pink Pantheress,...
Bad Bunny, “Monaco” (YouTube)
Offset feat. Travis Scott, “Say My Grace” (YouTube)
Tomorrow x Together, “Chasing That Feeling” (YouTube)
Ice Spice feat. Rema, “Pretty Girl” (YouTube)
Pink Pantheress,...
- 10/13/2023
- by Rolling Stone
- Rollingstone.com
Beirut is back with “The Tern,” a new look at his upcoming album Hadsel. Listen to the track below.
Thanks to a buzzing synth line and Zach Condon’s operatic vocals, “The Tern” feels like a new age hymn of sorts. The artist explained how he wrote the song in a statement, from its electronic instrumental to its “It’s not so easy” refrain.
“The base of this song comes from an old Roland synthesizer and drum machine part which I had lying around from a previous Berlin session,” Condon shared. “The lyrics I improvised on the spot and finished the song off by adding layers of church organs and hand percussion. I stacked the parts high despite always being afraid of overdoing it. In the end I was confused how I had written such a seemingly positive and even hopeful song, but once I took a closer look at the lyrics,...
Thanks to a buzzing synth line and Zach Condon’s operatic vocals, “The Tern” feels like a new age hymn of sorts. The artist explained how he wrote the song in a statement, from its electronic instrumental to its “It’s not so easy” refrain.
“The base of this song comes from an old Roland synthesizer and drum machine part which I had lying around from a previous Berlin session,” Condon shared. “The lyrics I improvised on the spot and finished the song off by adding layers of church organs and hand percussion. I stacked the parts high despite always being afraid of overdoing it. In the end I was confused how I had written such a seemingly positive and even hopeful song, but once I took a closer look at the lyrics,...
- 10/11/2023
- by Carys Anderson
- Consequence - Music
Beirut brought a taste of their new album, Gallipoli, to the Late Show on Thursday, performing the LP’s title track. The exotic song is named for the Italian city it was written in, while musically, the band returns to its horns-laden roots.
Their performance tapped into that original sound, with singer Zach Condon leading a trio of horns players over a jolly, pulsating organ and percussion tune. The result is an indie-fanfare sound that resembles both the band’s original music, as well as the rural Italian town the new work was conceptualized in.
Their performance tapped into that original sound, with singer Zach Condon leading a trio of horns players over a jolly, pulsating organ and percussion tune. The result is an indie-fanfare sound that resembles both the band’s original music, as well as the rural Italian town the new work was conceptualized in.
- 2/8/2019
- by Brandon Kahn
- Rollingstone.com
We’re still waiting for the role that will prove that Jon Hamm has a future after Mad Men. This middling hostage negotiation drama doesn’t insult our intelligence yet is still not that much more impressive than an average ‘let’s go to a war zone!’ episode of NCIS. Rosamund Pike plays an intrepid diplomat/agent who chooses to go rogue with Hamm’s character because (surprise) the system is so corrupt.
Beirut
Blu-ray + DVD + Digital
Universal Pictures Home Entertainment/Bleeker Street
2018 / Color / 2:40 widescreen / 110 min. / Street Date July 3, 2018 / 34.98
Starring: Jon Hamm, Rosamund Pike, Mark Pellegrino, Dean Norris, Shea Whigham, Douglas Hodge, Leila Bekhti, Kate Fleetwood.
Cinematography: Björn Charpentier
Film Editor: Andrew Hafitz
Original Music: John Debney
Written by Tony Gilroy
Produced by Ted Field, Tony Gilroy, Monica Levinson, Shivani Rawat, Mike Weber
Directed by Brad Anderson
Back in 1981 United Artists briefly distributed an amazing French- produced movie by...
Beirut
Blu-ray + DVD + Digital
Universal Pictures Home Entertainment/Bleeker Street
2018 / Color / 2:40 widescreen / 110 min. / Street Date July 3, 2018 / 34.98
Starring: Jon Hamm, Rosamund Pike, Mark Pellegrino, Dean Norris, Shea Whigham, Douglas Hodge, Leila Bekhti, Kate Fleetwood.
Cinematography: Björn Charpentier
Film Editor: Andrew Hafitz
Original Music: John Debney
Written by Tony Gilroy
Produced by Ted Field, Tony Gilroy, Monica Levinson, Shivani Rawat, Mike Weber
Directed by Brad Anderson
Back in 1981 United Artists briefly distributed an amazing French- produced movie by...
- 7/3/2018
- by Glenn Erickson
- Trailers from Hell
Espionage thrillers have it rough these days, what with contemporary headlines beating anything Hollywood can cook up. Still, Beirut has an undeniable retro appeal: It's 1982 in Lebanon, the eve of Israel's invasion. A hostage situation is pulling Mason Skiles (Jon Hamm), a former U.S. diplomat in Beirut, back into a spycraft shitstorm he'd practically kill to avoid. He's been mediating low-level labor disputes in Boston, spending his spare time in bars using booze to blast away memories of what happened to him on the job a decade before.
Flashback...
Flashback...
- 4/11/2018
- Rollingstone.com
Going Hamm in Beirut: Sharply Written, Compelling, Old school Hostage Drama
Set in guess-where, Beirut is a snappy foreign diplomacy thriller so smart and steeped in detail that it that warrants multiple viewings. Scribed by Tony Gilroy, directed by Brad Anderson, this Argo meets Bourne Legacy is not your typical hostage-drama, nor is it action-packed. In the style of John Le Carré, much of the film’s conflict is internal—more psychological than physical. Jon Hamm stars, likable as ever, playing Mason Skiles (the requisite American Bond-style diplomat). However: instead of kung-fu or sharpshooting, Hamm’s power is peacemaking by way of his…...
Set in guess-where, Beirut is a snappy foreign diplomacy thriller so smart and steeped in detail that it that warrants multiple viewings. Scribed by Tony Gilroy, directed by Brad Anderson, this Argo meets Bourne Legacy is not your typical hostage-drama, nor is it action-packed. In the style of John Le Carré, much of the film’s conflict is internal—more psychological than physical. Jon Hamm stars, likable as ever, playing Mason Skiles (the requisite American Bond-style diplomat). However: instead of kung-fu or sharpshooting, Hamm’s power is peacemaking by way of his…...
- 4/11/2018
- by Dylan Kai Dempsey
- IONCINEMA.com
Sneak Peek footage, plus images from the spy thriller "Beirut", directed by Brad Anderson, starring Jon Hamm ("Mad Men"), Rosamund Pike ("Gone Girl"), Dean Norris ("Breaking Bad"), Shea Whigham, Larry Pine and Mark Pellegrino:
"...in 1980s' Beirut, Lebanon, 'Mason Skiles' (Hamm), a former U.S. diplomat returns to service to save a colleague from the group responsible for the death of his family.
"'Sandy Crowder' (Pike) is the 'CIA' field agent working undercover at the American embassy tasked with keeping Mason alive and ensuring the mission is successful..."
Click the images to enlarge and Sneak Peek "Beirut"...
"...in 1980s' Beirut, Lebanon, 'Mason Skiles' (Hamm), a former U.S. diplomat returns to service to save a colleague from the group responsible for the death of his family.
"'Sandy Crowder' (Pike) is the 'CIA' field agent working undercover at the American embassy tasked with keeping Mason alive and ensuring the mission is successful..."
Click the images to enlarge and Sneak Peek "Beirut"...
- 4/11/2018
- by Michael Stevens
- SneakPeek
“Beirut” is a complicated movie about complicated people in a complicated situation. (Bear with me.) Its narrative complexity is nothing if not constant. If screenwriter Tony Gilroy’s objective was to encourage audiences to pay attention to the details, then he’s probably succeeded.
In short: “Beirut” revolves around former U.S. diplomat Mason Skiles (Jon Hamm), a drunk and wayward “expert negotiator” who was booted out of government work at the tail-end of 1972. During the intervening decade, Cal (Mark Pellegrino, “Supernatural”), an ex-colleague of Mason’s, has been taken hostage in Lebanon. The hostages have requested that Mason be the CIA’s point person to forge a deal. The CIA operatives, namely Sandy Crowder (Rosamund Pike) and Gary Ruzak (Shea Whigham), reluctantly agree to their terms. Back in Lebanon, Mason is forced to confront his sordid past while also attempting to rescue his best friend.
There are more complications. In “Beirut” and Beirut, there always seems to be more complications. Under the direction of Brad Anderson (“The Machinist”), Gilroy’s screenplay takes the antithetical approach to “less is more.” Scene after scene, we’re given more names and organizations (and then acronyms for those organizations) than is probably necessary.
Also Read: Yes, That Was Jon Hamm's Voice in the 'Legion' Season 2 Premiere
To fully map out the inner workings of this movie, you’d need to give each audience member photos, pins, and yarn to connect the dots throughout. You’d also need a flashlight, so that people could make amendments as “Beirut’s” plot breathlessly twists and turns. Anderson’s breakneck delivery of new information will either be thrilling or exhausting for prospective viewers.
Gilroy has a tendency to offer stories that take more than a single viewing to fully process. “Michael Clayton.” “Duplicity” and “State of Play” are all examples of films that can dazzle just as easily as they enervate. Mileage may vary. Although what’s lacking in “Beirut” is a solid through-line to keep people invested — “Clayton” had the cool calmness of George Clooney, “Duplicity” had the sexual chemistry of Clive Owen and Julia Roberts, and “State of Play” had, y’know, Helen Mirren.
At the forefront of “Beirut” is Hamm, who is now entering a new chapter in his career post-“Mad Men.” He’s a curious case: On one hand a tremendous talent, and on the other, a tremendous talent who has routinely appeared in inconsistent fare since putting Don Draper to rest. He does what he can in “Beirut”; Hamm is charming, quick-witted, can turn dramatic on a dime.
Also Read: Jon Hamm Says Social Media Is 'the Visual Equivalent of Masturbating'
But the film has a tendency to undercut Mason’s livelihood, or lack thereof. He’s a man whose been stripped of both his partner and career, left now to work on middling low-level deals in middle America. Even when Mason is given the opportunity to return to the big leagues of the CIA, there’s a sadness to him.
He can hardly believe he’s been granted a second opportunity. He’s more confounded than grateful, though. The resurgence is a reminder of a former life he messed up; as a result he turns to the bottle. Mason’s drinking is not played for laughs, but it’s also not seriously examined. Gilroy bypasses the psychology of his central character, the how and why of Mason’s internal dilemma. There’s another film in “Beirut” where one could investigate how talented (and good) people make bad decisions, how people like Mason subconsciously self-sabotage themselves, preventing any sort of progress or growth.
Also Read: AMC to Open Saudi Arabia's First Movie Theater
Instead Anderson leans into the action-thriller of it all There are shootouts and explosions, city-wide chases and impressive stunt work. “Beirut” contains all the elements of a fun, snappy, pre-summer jaunt. And yet the film is actively in competition with itself. The tone is grim and honest when it wants to be, but not necessarily when it needs to be.
There’s a level of specificity to some aspects (the archival footage that bookends the film), and laziness in others (Mason’s familial ties to Lebanon). Mason may very well be saving his best friend, but we’re given nothing more than sunset flashbacks of a joyous dinner to inform that friendship. The characters’ consequences are more spoken than felt.
And the consequences of this movie are similarly sparse. Brad Anderson has three upcoming films in the next couple of years, and Gilroy (who originally penned this script in 1991) has rarely been without employment. Jon Hamm is Jon Hamm, and eventually a film will better utilize his abilities. All will be well for everyone involved. Sometimes gifted people make not-so gifted art.
Read original story ‘Beirut’ Film Review: Jon Hamm Mired in Muddled Middle-East Tale At TheWrap...
In short: “Beirut” revolves around former U.S. diplomat Mason Skiles (Jon Hamm), a drunk and wayward “expert negotiator” who was booted out of government work at the tail-end of 1972. During the intervening decade, Cal (Mark Pellegrino, “Supernatural”), an ex-colleague of Mason’s, has been taken hostage in Lebanon. The hostages have requested that Mason be the CIA’s point person to forge a deal. The CIA operatives, namely Sandy Crowder (Rosamund Pike) and Gary Ruzak (Shea Whigham), reluctantly agree to their terms. Back in Lebanon, Mason is forced to confront his sordid past while also attempting to rescue his best friend.
There are more complications. In “Beirut” and Beirut, there always seems to be more complications. Under the direction of Brad Anderson (“The Machinist”), Gilroy’s screenplay takes the antithetical approach to “less is more.” Scene after scene, we’re given more names and organizations (and then acronyms for those organizations) than is probably necessary.
Also Read: Yes, That Was Jon Hamm's Voice in the 'Legion' Season 2 Premiere
To fully map out the inner workings of this movie, you’d need to give each audience member photos, pins, and yarn to connect the dots throughout. You’d also need a flashlight, so that people could make amendments as “Beirut’s” plot breathlessly twists and turns. Anderson’s breakneck delivery of new information will either be thrilling or exhausting for prospective viewers.
Gilroy has a tendency to offer stories that take more than a single viewing to fully process. “Michael Clayton.” “Duplicity” and “State of Play” are all examples of films that can dazzle just as easily as they enervate. Mileage may vary. Although what’s lacking in “Beirut” is a solid through-line to keep people invested — “Clayton” had the cool calmness of George Clooney, “Duplicity” had the sexual chemistry of Clive Owen and Julia Roberts, and “State of Play” had, y’know, Helen Mirren.
At the forefront of “Beirut” is Hamm, who is now entering a new chapter in his career post-“Mad Men.” He’s a curious case: On one hand a tremendous talent, and on the other, a tremendous talent who has routinely appeared in inconsistent fare since putting Don Draper to rest. He does what he can in “Beirut”; Hamm is charming, quick-witted, can turn dramatic on a dime.
Also Read: Jon Hamm Says Social Media Is 'the Visual Equivalent of Masturbating'
But the film has a tendency to undercut Mason’s livelihood, or lack thereof. He’s a man whose been stripped of both his partner and career, left now to work on middling low-level deals in middle America. Even when Mason is given the opportunity to return to the big leagues of the CIA, there’s a sadness to him.
He can hardly believe he’s been granted a second opportunity. He’s more confounded than grateful, though. The resurgence is a reminder of a former life he messed up; as a result he turns to the bottle. Mason’s drinking is not played for laughs, but it’s also not seriously examined. Gilroy bypasses the psychology of his central character, the how and why of Mason’s internal dilemma. There’s another film in “Beirut” where one could investigate how talented (and good) people make bad decisions, how people like Mason subconsciously self-sabotage themselves, preventing any sort of progress or growth.
Also Read: AMC to Open Saudi Arabia's First Movie Theater
Instead Anderson leans into the action-thriller of it all There are shootouts and explosions, city-wide chases and impressive stunt work. “Beirut” contains all the elements of a fun, snappy, pre-summer jaunt. And yet the film is actively in competition with itself. The tone is grim and honest when it wants to be, but not necessarily when it needs to be.
There’s a level of specificity to some aspects (the archival footage that bookends the film), and laziness in others (Mason’s familial ties to Lebanon). Mason may very well be saving his best friend, but we’re given nothing more than sunset flashbacks of a joyous dinner to inform that friendship. The characters’ consequences are more spoken than felt.
And the consequences of this movie are similarly sparse. Brad Anderson has three upcoming films in the next couple of years, and Gilroy (who originally penned this script in 1991) has rarely been without employment. Jon Hamm is Jon Hamm, and eventually a film will better utilize his abilities. All will be well for everyone involved. Sometimes gifted people make not-so gifted art.
Read original story ‘Beirut’ Film Review: Jon Hamm Mired in Muddled Middle-East Tale At TheWrap...
- 4/10/2018
- by Sam Fragoso
- The Wrap
Well, better late than never. It has taken screenwriter Tony Gilroy’s script of Beirut only 27 years to reach the screen, but it was well worth the wait especially in that it gives its leading man Jon Hamm a movie role worthy of his talents. So why did it take so long for the script Gilroy wrote near the beginning of his career in 1991 to get made? Chalk it up to the mysteries of the movie industry, or perhaps just bad timing. Whatever the reasons, Beirut, which details a fictional hostage crisis in war-torn 1982 Lebanon, is a period film that also resonates today, perhaps showing that communication and diplomacy might be worth trying before rashly dropping bombs.
Under Brad Anderson’s tight and precise direction, the script from Gilroy (who went on to write and direct Michael Clayton, along with the Jason Bourne films) is almost a throwback to the...
Under Brad Anderson’s tight and precise direction, the script from Gilroy (who went on to write and direct Michael Clayton, along with the Jason Bourne films) is almost a throwback to the...
- 4/9/2018
- by Pete Hammond
- Deadline Film + TV
UK distributor Signature Entertainment has finalized deals for three movies, including Jon Hamm and Rosamund Pike thriller Beirut and Steve Coogan and Paul Rudd comedy Ideal Home, I can reveal.
In Beirut, which Signature picked up from Trumbo and Captain Fantastic production outfit ShivHans Pictures, a U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by a CIA operative to negotiate for the life of a friend he left behind. Brad Anderson (The Machinist) directs the spy-thriller starring Baby Driver actor Hamm and Gone Girl star Pike. Script comes from Bourne scribe Tony Gilroy. Good Universe handles international sales on the Sundance 2018 title which was picked up by Bleecker Street for the U.S.
Separately, Signature has struck a deal with Fortitude International for comedy Ideal Home in which Philomena and Alan Partridge star Steve Coogan...
In Beirut, which Signature picked up from Trumbo and Captain Fantastic production outfit ShivHans Pictures, a U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by a CIA operative to negotiate for the life of a friend he left behind. Brad Anderson (The Machinist) directs the spy-thriller starring Baby Driver actor Hamm and Gone Girl star Pike. Script comes from Bourne scribe Tony Gilroy. Good Universe handles international sales on the Sundance 2018 title which was picked up by Bleecker Street for the U.S.
Separately, Signature has struck a deal with Fortitude International for comedy Ideal Home in which Philomena and Alan Partridge star Steve Coogan...
- 4/9/2018
- by Andreas Wiseman
- Deadline Film + TV
Bleecker Street has announced a cluster of 2018 release dates including Sundance hits Colette starring Keira Knightley, and Debra Granik’s Leave No Trace.
Bleecker Street has announced a cluster of 2018 release dates including Sundance hits Colette starring Keira Knightley, and Debra Granik’s Leave No Trace.
Bleecker Street and 30West acquired Colette shortly after its world premiere in Sundance last month and the period drama about the pioneering Parisian writer Sidonie-Gabrielle Colette gets a prime awards season slot in limited release on September 21. Wash Westmoreland he co-wrote with his late partner Richard Glatzer, and Rebecca Lenkiewicz.
Leave No Trace, Debra Granik’s follow-up to Jennifer Lawrence breakout Winter’s Bone, will open in limited release on June 29 and stars Ben Foster and newcomer Thomasin Harcourt McKenzie as a father and daughter living off the grid who set out to return to their idyllic life after they are placed into social services. Bleecker Street pounced...
Bleecker Street has announced a cluster of 2018 release dates including Sundance hits Colette starring Keira Knightley, and Debra Granik’s Leave No Trace.
Bleecker Street and 30West acquired Colette shortly after its world premiere in Sundance last month and the period drama about the pioneering Parisian writer Sidonie-Gabrielle Colette gets a prime awards season slot in limited release on September 21. Wash Westmoreland he co-wrote with his late partner Richard Glatzer, and Rebecca Lenkiewicz.
Leave No Trace, Debra Granik’s follow-up to Jennifer Lawrence breakout Winter’s Bone, will open in limited release on June 29 and stars Ben Foster and newcomer Thomasin Harcourt McKenzie as a father and daughter living off the grid who set out to return to their idyllic life after they are placed into social services. Bleecker Street pounced...
- 2/16/2018
- by Jeremy Kay
- ScreenDaily
If ever you needed a reminder as to how much Hollywood still really, really hates Muslims, look no further than the opening of Beirut, in which Jon Hamm delivers a jaw-droppingly reductive “summation” of the situation in Lebanon circa the 1970s in which millennia of rich history are written off as nothing but a chain of ethnic groups backstabbing one another. If you need further reminders, you can watch… the rest of the film, which could have been written by Jack Shaheen’s most curdled rage nightmares.
Actual Lebanese people have almost zero representation in the story, which is an excuse for serious Americans doing their serious statecraft and doing their best to dance with the savage Arabs. Ignore anyone who claims Tony Gilroy’s script is good – references to Mason Skiles (Hamm’s character) as a onetime protégé of Henry Kissinger as meant to demonstrate how damn good he is at diplomating,...
Actual Lebanese people have almost zero representation in the story, which is an excuse for serious Americans doing their serious statecraft and doing their best to dance with the savage Arabs. Ignore anyone who claims Tony Gilroy’s script is good – references to Mason Skiles (Hamm’s character) as a onetime protégé of Henry Kissinger as meant to demonstrate how damn good he is at diplomating,...
- 1/24/2018
- by Daniel Schindel
- The Film Stage
Starting this week, the 2018 Sundance Film Festival gives us a first glimpse at the year in cinema, but even if you won’t be at Park City, we’re rounding up an initial glimpse at the premieres. After highlighting our most-anticipated films, bookmark this page for a continually-updated round-up of trailers and clips, kicking off with the Jon Hamm-led Beirut, World Cinema offerings Pity and Loveling, the documentaries Seeing Allred and Genesis 2.0 (pictured above), and more.
Check out the trailers (and clips) below thus far in alphabetical order and we’ll be posting reviews from Park City soon, so follow along here.
Beirut (Brad Anderson)
A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind.
A Boy, A Girl, A Dream.
Check out the trailers (and clips) below thus far in alphabetical order and we’ll be posting reviews from Park City soon, so follow along here.
Beirut (Brad Anderson)
A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind.
A Boy, A Girl, A Dream.
- 1/15/2018
- by Jordan Raup
- The Film Stage
Beirut Trailer Brad Anderson‘s Beirut (2018) movie trailer stars Jon Hamm, Rosamund Pike, Shea Whigham, Douglas Hodge, and Dean Norris. Beirut‘s plot synopsis: “A U.S. diplomat (Hamm) flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn [...]
Continue reading: Beruit (2018) Movie Trailer: Jon Hamm Returns to War-torrn Beruit on a Rescue Mission...
Continue reading: Beruit (2018) Movie Trailer: Jon Hamm Returns to War-torrn Beruit on a Rescue Mission...
- 1/15/2018
- by Rollo Tomasi
- Film-Book
The first trailer to the Jon Hamm thriller Beirut is out, the initial stage of the campaign for the Bleecker Street film set for an April 13 theatrical release. In the film, a U.S. diplomat (Hamm) flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by a CIA operative (Rosamund Pike) to negotiate for the life of a friend he left behind. The film also stars Dean Norris, Larry Pine and Shea Whigham. Beirut is…...
- 1/12/2018
- Deadline
New York-based distributor picks up thriller written by Tony Gilroy.
Bleecker Street has secured Us rights to director Brad Anderson’s High Wire Act starring Jon Hamm and Rosamund Pike.
The political thriller centres on a top Us diplomat who leaves Lebanon in the 1970s after his wife is killed. Ten years later, he gets called back to a war-torn Beirut by CIA operatives with a mission only he can accomplish.
The film also stars Dean Norris, Mark Pellegrino, Larry Pine, Shea Whigham, Alon Moni Aboutboul, Idir Chender, and Jonny Coyne.
Mike Weber of Radar Pictures, Gilroy, and Shivani Rawat and Monica Levinson of ShivHans Pictures produced the film. Ted Field and Steve Saeta served as executive producers.
Bleecker Street collaborated with ShivHans Pictures on the release of Captain Fantastic, Trumbo, and Danny Collins..
“Brad’s film is the kind of adult thriller a smarthouse audience craves,” Andrew Karpen, CEO of Bleecker Street, said. “It’s...
Bleecker Street has secured Us rights to director Brad Anderson’s High Wire Act starring Jon Hamm and Rosamund Pike.
The political thriller centres on a top Us diplomat who leaves Lebanon in the 1970s after his wife is killed. Ten years later, he gets called back to a war-torn Beirut by CIA operatives with a mission only he can accomplish.
The film also stars Dean Norris, Mark Pellegrino, Larry Pine, Shea Whigham, Alon Moni Aboutboul, Idir Chender, and Jonny Coyne.
Mike Weber of Radar Pictures, Gilroy, and Shivani Rawat and Monica Levinson of ShivHans Pictures produced the film. Ted Field and Steve Saeta served as executive producers.
Bleecker Street collaborated with ShivHans Pictures on the release of Captain Fantastic, Trumbo, and Danny Collins..
“Brad’s film is the kind of adult thriller a smarthouse audience craves,” Andrew Karpen, CEO of Bleecker Street, said. “It’s...
- 7/27/2017
- ScreenDaily
"Veep" star Julia Louis-Dreyfus took home her fourth career win, and her second for her HBO comedy, at the 2013 Primetime Emmy Awards on Sunday (Sept. 22), while "Breaking Bad" actress Anna Gunn earned her first award ever for her final season as Skylar White.
The complete winners list below:
Outstanding DRAMABreaking BadDownton Abbey Game of Thrones Homeland House of Cards Mad Men
Outstanding Actress In A Drama Connie Britton, Nashville Claire Danes, Homeland Michelle Dockery, Downton Abbey Vera Farmiga, Bates Motel Elisabeth Moss, Mad Men Kerry Washington, Scandal Robin Wright, House of Cards
Outstanding Actor In A Drama Hugh Bonneville, Downton Abbey Bryan Cranston, Breaking Bad Jeff Daniels, The Newsroom Jon Hamm, Mad Men Damian Lewis, Homeland Kevin Spacey, House of Cards
Outstanding Supporting Actress In A Drama Anna Gunn, Breaking Bad Maggie Smith, Downton Abbey Emilia Clarke, Game of Thrones Christine Baranski, The Good Wife Morena Baccarin, Homeland Christina Hendricks,...
The complete winners list below:
Outstanding DRAMABreaking BadDownton Abbey Game of Thrones Homeland House of Cards Mad Men
Outstanding Actress In A Drama Connie Britton, Nashville Claire Danes, Homeland Michelle Dockery, Downton Abbey Vera Farmiga, Bates Motel Elisabeth Moss, Mad Men Kerry Washington, Scandal Robin Wright, House of Cards
Outstanding Actor In A Drama Hugh Bonneville, Downton Abbey Bryan Cranston, Breaking Bad Jeff Daniels, The Newsroom Jon Hamm, Mad Men Damian Lewis, Homeland Kevin Spacey, House of Cards
Outstanding Supporting Actress In A Drama Anna Gunn, Breaking Bad Maggie Smith, Downton Abbey Emilia Clarke, Game of Thrones Christine Baranski, The Good Wife Morena Baccarin, Homeland Christina Hendricks,...
- 9/23/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.