The Cineverse psychedelic documentary feature “Atlantide”, written and directed by Yuri Ancarani, features Daniele Barison, Maila Dabalà, Bianka Berényi and Alberto Tedesco, streaming Summer 2024 on Fandor:
“…a man from Sant’Erasmo, an island on the edges of the Venice Lagoon, lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat).
“In a vibrant document of people and place, the picturesque lagoons of Venice come to life in this alluring sensorial experience that offers plenty of style and substance, with a bold, transfixing vision that defies typical genre conventions…”
Click the images to enlarge…...
“…a man from Sant’Erasmo, an island on the edges of the Venice Lagoon, lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat).
“In a vibrant document of people and place, the picturesque lagoons of Venice come to life in this alluring sensorial experience that offers plenty of style and substance, with a bold, transfixing vision that defies typical genre conventions…”
Click the images to enlarge…...
- 3/14/2024
- by Unknown
- SneakPeek
Isabelle Huppert Drama, Peter Sarsgaard Spanish Flu Satire, Celine Sciamma Short Set for Venice Days
The Giornate Degli Autori — the independently run event that takes place alongside the Venice Film Festival and is often referred to simply as Venice Days — has unveiled the lineup for its 2023 edition (also it’s 20th).
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
- 7/27/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Venice parallel section Giornate degli Autori (GdA) has unveiled the selection for its 20th edition running from August 30 to September 9, featuring a surprise short by Céline Sciamma, a new feature by Teona Strugar Mitevska as well as a tribute to late Canadian director Jean-Marc Vallée.
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
- 7/27/2023
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
In a region of the world — central and eastern Europe — that hasn’t had much to celebrate recently, the news that the Karlovy Vary International Film Festival is returning in full force this year (the 56th Kviff runs July 1-9) is truly a reason to party.
“We had a physical event last year but it was still a bit under the cloud of Covid,” says Kviff artistic director Karel Och. “This time around, everyone is really in the mood, you can feel the atmosphere that makes Karlovy Vary so special. It’s going to be as close to [the last pre-pandemic festival] 2019 as possible.”
Karlovy Vary holds a unique position in the festival calendar. Coming after the craziness of Cannes and before the awards-season ramp-up that begins with Venice and Toronto, the Czech fest offers an oasis of calm. Located in the postcard-perfect spa town in western...
In a region of the world — central and eastern Europe — that hasn’t had much to celebrate recently, the news that the Karlovy Vary International Film Festival is returning in full force this year (the 56th Kviff runs July 1-9) is truly a reason to party.
“We had a physical event last year but it was still a bit under the cloud of Covid,” says Kviff artistic director Karel Och. “This time around, everyone is really in the mood, you can feel the atmosphere that makes Karlovy Vary so special. It’s going to be as close to [the last pre-pandemic festival] 2019 as possible.”
Karlovy Vary holds a unique position in the festival calendar. Coming after the craziness of Cannes and before the awards-season ramp-up that begins with Venice and Toronto, the Czech fest offers an oasis of calm. Located in the postcard-perfect spa town in western...
- 6/28/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Alejandro Loayza Grisi’s “Utama,” which won the grand jury prize in the World Cinema Dramatic competition at Sundance this year, took home top honors at the closing ceremony of the Transilvania Film Festival on Saturday night.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
- 6/26/2022
- by Christopher Vourlias
- Variety Film + TV
Kino Lorber has acquired the North American distribution rights to “Bloom Up: A Swinger Couple Story,” an intimate and romantic documentary about the life of sex-positive swingers, TheWrap has learned exclusively. Kino Lorber also released the colorful, stylish and sexy first trailer for the film, which you can watch above.
Filmmaker Mauro Russo Rouge’s “Bloom Up” made its world premiere at the 2021 Hot Docs Documentary Film Festival, and Kino Lorber is planning a theatrical release just head of International Swingers Day on Aug. 13.
While shooting and directing “Bloom Up,” Russo Rouge spent a year immersed in the swinger lifestyle of his subjects. He follows an Italian couple of Hermes and Betta who are pet shop owners by day and swingers by night. Rouge was even allowed access inside the couple’s bedroom; the film also explores the fascinating but strange logistics of organizing sex parties, making for a complex...
Filmmaker Mauro Russo Rouge’s “Bloom Up” made its world premiere at the 2021 Hot Docs Documentary Film Festival, and Kino Lorber is planning a theatrical release just head of International Swingers Day on Aug. 13.
While shooting and directing “Bloom Up,” Russo Rouge spent a year immersed in the swinger lifestyle of his subjects. He follows an Italian couple of Hermes and Betta who are pet shop owners by day and swingers by night. Rouge was even allowed access inside the couple’s bedroom; the film also explores the fascinating but strange logistics of organizing sex parties, making for a complex...
- 6/23/2022
- by Brian Welk
- The Wrap
Titles include Sundance Jury prize winner ‘Utama’
Transilvania International Film Festival has unveiled the 12 films that will screen in its official competition.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 21st edition of the festival, which is set to take place in the city of Cluj-Napoca.
The line-up features Alejandro Loayza Grisi’s Utama, a Bolivian drama about an indigenous couple trying to survive a drought, which took home the Jury prize at Sundance Film Festival early this year.
Other titles include the directorial debut by French filmmaker Vincent Maël Cardona - Magentic Beats.
Transilvania International Film Festival has unveiled the 12 films that will screen in its official competition.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 21st edition of the festival, which is set to take place in the city of Cluj-Napoca.
The line-up features Alejandro Loayza Grisi’s Utama, a Bolivian drama about an indigenous couple trying to survive a drought, which took home the Jury prize at Sundance Film Festival early this year.
Other titles include the directorial debut by French filmmaker Vincent Maël Cardona - Magentic Beats.
- 5/19/2022
- by Ellie Calnan
- ScreenDaily
Paolo Sorrentino’s “The Hand of God” and Gabriele Mainetti’s “Freaks Out” lead the pack at the David di Donatello Awards this year with 16 nominations each.
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
- 4/30/2022
- by Nick Vivarelli
- Variety Film + TV
“Atlantide” is the Italian name for Atlantis, the fictional island utopia imagined by Plato, supposedly cursed by the gods and swallowed by the sea. It’s a pointed legend to evoke in a film about Venice, the sinking city that, real as it is, feels like a place we collectively dreamed into being, that could somehow be taken from us at any moment. The crumbling fragility of this impossible city and the defiant ennui of its native sons are both richly illustrated in Italian video artist Yuri Ancarani’s dazzling hybrid documentary, which navigates Venice’s various secondary islands and the waterways that separate them through the heavy-lidded eyes of young men who live for rollicking motorboat action and, it seems, not much else. All life here is made to feel as beautiful and vulnerable as the city itself.
Since premiering at (where else?) Venice last year, “Atlantide” has made...
Since premiering at (where else?) Venice last year, “Atlantide” has made...
- 4/11/2022
- by Guy Lodge
- Variety Film + TV
The films by audiovisual artist Yuri Ancarani have often emerged from the interstices of documentary and fiction, but nowhere has that divide felt more porous than in his latest, Atlantide. A close-up study of teenage life on Sant’Erasmo, an island on the edges of the Venice lagoon, the film follows a smattering of teens as they fritter away their adolescence chasing each other aboard modified barchini (speedboats) in a quest to become the fastest rider this side of the Adriatic. Among them is Daniele (Daniele Barison), the closest Atlantide comes to a protagonist. A sullen teen with high cheekbones and a sorrowful gaze, his barchino races and tumultuous relationship with girlfriend Maila (Maila Dabalà) offer something of a narrative backbone Ancarani returns to in between all the film’s meanderings. But Atlantide, much like its predecessors, doesn’t unspool as a linear three-act drama so much as a succession of images and vignettes.
- 3/14/2022
- MUBI
The Swiss documentary festival has unveiled the line-ups for its Grand Angle and Latitudes sections.
Swiss documentary festival Visions du Réel has unveiled the line-ups for its Grand Angle and Latitudes sections, ahead of the full programme’s announcement on March 15, which includes A House Made Of Splinters, set in a children’s home in Eastern Ukraine.
A statement from the festival said: “Visions du Réel is joining the international movement of solidarity with the Ukrainian people, who are fighting for their freedom. We express our support for Ukrainian artists and filmmakers, and for all those whose lives are threatened and upended by the war.
Swiss documentary festival Visions du Réel has unveiled the line-ups for its Grand Angle and Latitudes sections, ahead of the full programme’s announcement on March 15, which includes A House Made Of Splinters, set in a children’s home in Eastern Ukraine.
A statement from the festival said: “Visions du Réel is joining the international movement of solidarity with the Ukrainian people, who are fighting for their freedom. We express our support for Ukrainian artists and filmmakers, and for all those whose lives are threatened and upended by the war.
- 3/8/2022
- by Mona Tabbara
- ScreenDaily
“Woody Allen loves Venice. But Woody Allen’s Venice is not the real Venice. It’s the Las Vegas version of Venice, and it’s not only him,” says Italian director Yuri Ancarani, whose youth drama “Atlantide,” which makes its world premiere in Venice in the Horizons section, might be described as the ultimate Venice landscape film.
Think beautiful shot after shot of the lagoons, peppered with sun-tanned youths working out their interest in speed (the motoring kind) through boats whizzing across one of the world’s most painterly waterscapes.
The music has also been updated, along with Allen’s postcard vision of the city.
“Vivaldi is always the music you associate with Venice but they play Trap,” says Ancarani, who is an award-winning visual artist and filmmaker that had his first solo show in the U.S., featuring three shorts, at the Hammer Museum in 2014.
Using the Red Monstro...
Think beautiful shot after shot of the lagoons, peppered with sun-tanned youths working out their interest in speed (the motoring kind) through boats whizzing across one of the world’s most painterly waterscapes.
The music has also been updated, along with Allen’s postcard vision of the city.
“Vivaldi is always the music you associate with Venice but they play Trap,” says Ancarani, who is an award-winning visual artist and filmmaker that had his first solo show in the U.S., featuring three shorts, at the Hammer Museum in 2014.
Using the Red Monstro...
- 9/7/2021
- by Liza Foreman
- Variety Film + TV
If one digs deeper than the Dunes and Spencers of the Venice International Film Festival lineup, a number of promising gems await. One that certainly has our eye is the latest work from Italian director Yuri Ancarani, whose previous film The Challenge was a formally vivid look inside the strange, opulent world of amateur falconry carried out by Qatari sheiks. He’s now returned with Atlantide, which is set on the edges of Venice as we follow the world of motorboat racing. Ahead of the festival, we’re pleased to debut the striking exclusive teaser. First up, see the synopsis below.
Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the...
Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the...
- 8/30/2021
- by Jordan Raup
- The Film Stage
The programme for the 2021 Venice Film Festival has been unveiled, and includes new films from Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Michelangelo Frammartino, Pablo Larraín, Paul Schrader, Ridley Scott, and more.Parallel MothersCOMPETITIONParallel Mothers (Pedro Almodóvar)Mona Lisa and the Blood Moon (Ana Lily Amirpour)Un Autre Monde (Stephane Brize)The Power of the Dog (Jane Campion)America LatinaL’Evenement (Audrey Diwan)Official CompetitionThe Hole (Michelangelo Frammartino)Sundown (Michel Franco)Lost Illusions (Xavier Giannoli)The Lost Daughter (Maggie Gyllenhaal)Spencer (Pablo Larrain)Freaks Out (Gabriele Mainetti)Qui Rido Io (Mario Martone)On The Job: The Missing 8 (Erik Matti)Leave No Traces (Jan P. Matuszyński)Captain Volkonogov EscapedThe Card Counter (Paul Schrader)The Hand of God (Paolo Sorrentino)Reflection (Valentyn Vasyanovych)The Box (Lorenzo Vigas)Out Of COMPETITIONFeaturesDune (Denis Villeneuve)Il Bambino Nascosto (Roberto Andò)Les Choses Humaines (Yvan Attal)Ariaferma (Leonardo Di Costanzo)Halloween Kills (David Gordon Green...
- 8/3/2021
- MUBI
Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection of Madres Paralelas by Pedro Almodovar and Denis Villeneuve’s Dune). Among the selections are Jane Campion’s The Power of a Dog, Paul Schrader’s The Card Counter, Pablo Larrain’s Spencer, Ana Lily Amirpour’s Mona Lisa and the Blood Moon.
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
The 2021 Cannes Film Festival brought the international film circuit back to life in roaring fashion earlier this month (French filmmaker Julia Ducournau became the second woman director to win the Palme d’Or thanks to Neon release “Titane”), and next up are the trio of major fall film festivals in September: the Venice Film Festival, Telluride Film Festival, and Toronto International Film Festival. Venice is first out of the gate by launching its 78th edition Wednesday, September 1. The lineup for Venice 2021 has now been revealed.
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
As previously announced, Pedro Almodóvar will kick off the 2021 Venice Film Festival with the world premiere of his new drama “Parallel Mothers.” The film will debut in competition and vie for the festival’s top prize, the Golden Lion. “Parallel Mothers” is written and directed by Almodóvar, and stars both regular and new collaborators, including Penélope Cruz, Milena Smit, Israel Elejalde, Aitana Sánchez-Gijón, Julieta Serrano,...
- 7/26/2021
- by Zack Sharf
- Indiewire
This year’s line-up includes five female directors in competition.
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
The line-up of the 78th Venice Film Festival (September 1-11) has been announced by festival president Roberto Cicutto and artistic director Alberto Barbera.
Scroll down for the full line-up
This year’s selection saw the festival take a backward step for gender balance, with five female directors selected in the main competition, down from last year’s eight. 26% of films in the overall line-up are directed by women, down from 28% in 2020.
The high-profile titles picked for competition this year include Pablo Larrain’s Spencer; Paolo Sorrentino’s The Hand Of God...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
The Venice film festival runs September 1-11.
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
The line-up for the 78th Venice Film Festival (September 1-11) is being unveiled this morning at around 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera.
The press conference will be live-streamed here below, and the story will be updated with the films as they are announced.
As previously announced, Pedro Almodóvar’s Parallel Mothers will open the festival in competition. Denis Villeneuve’s Dune will also have its world premiere at the festival out of competition on September 3.
Bong Joon Ho will preside over the competition jury that also includes Chloé Zhao,...
- 7/26/2021
- by Orlando Parfitt
- ScreenDaily
The Doha Film Institute has recruited a mix of prominent film directors comprising Claire Denis, James Gray and Jessica Hausner, as well as other top notch talents, to act as mentors during its upcoming Qumra Arab industry incubator, which will be held online.
Ace cinematographer Phedon Papamichael (“Ford v Ferrari”), and Oscar-winning sound designer Mark Mangini (“Mad Max: Fury Road”) will join the trio of auteurs for the creative workshop event. All are returning Qumra Masters.
Qumra, which is an Arab word believed to be the origin of the word “camera,” is dedicated to supporting and shepherding first and second works by Arab and international directors.
Qumra 2021, which is scheduled to run March 12-17, will present projects in various stages for 30 feature films, six TV series projects and 12 shorts coming from 21 countries.
The mentors will nurture the talent through one-on-one virtual meetings and master classes.
Director and producer teams will...
Ace cinematographer Phedon Papamichael (“Ford v Ferrari”), and Oscar-winning sound designer Mark Mangini (“Mad Max: Fury Road”) will join the trio of auteurs for the creative workshop event. All are returning Qumra Masters.
Qumra, which is an Arab word believed to be the origin of the word “camera,” is dedicated to supporting and shepherding first and second works by Arab and international directors.
Qumra 2021, which is scheduled to run March 12-17, will present projects in various stages for 30 feature films, six TV series projects and 12 shorts coming from 21 countries.
The mentors will nurture the talent through one-on-one virtual meetings and master classes.
Director and producer teams will...
- 2/22/2021
- by Nick Vivarelli
- Variety Film + TV
“Wild Roots,” a drama about a lonely, ex-con bouncer who is reunited with his wild child daughter, has won the Works in Progress Award at Eastern Promises, Karlovy Vary Film Festival‘s industry section.
In the debut feature from director Hajni Kis, the two outsiders bond, but the father’s vehement nature and a family secret stand between them. The Hungary-Slovak Republic coproduction will receive a cash prize of Euros 10,000.
The jury described the film, produced by Júlia Berkes and Balázs Zachar, as “visually compelling,” and displaying a “distinct directing style and promising talent.” It added the director displays a “skilful ability to engage both professional and nonprofessional actors,” and delivers a “profoundly moving and intriguing story.”
The jury included Gabor Greiner, COO of Films Boutique, Faruk Güven, head of co-productions at Turkish Radio and TV Corporation, and Vanja Kaludjerčić, festival director at Rotterdam Film Festival.
Works in Progress included...
In the debut feature from director Hajni Kis, the two outsiders bond, but the father’s vehement nature and a family secret stand between them. The Hungary-Slovak Republic coproduction will receive a cash prize of Euros 10,000.
The jury described the film, produced by Júlia Berkes and Balázs Zachar, as “visually compelling,” and displaying a “distinct directing style and promising talent.” It added the director displays a “skilful ability to engage both professional and nonprofessional actors,” and delivers a “profoundly moving and intriguing story.”
The jury included Gabor Greiner, COO of Films Boutique, Faruk Güven, head of co-productions at Turkish Radio and TV Corporation, and Vanja Kaludjerčić, festival director at Rotterdam Film Festival.
Works in Progress included...
- 7/10/2020
- by Leo Barraclough
- Variety Film + TV
Father-daughter drama ‘Wild Roots’ won the top prize at the Eastern Promises industry showcase.
Wild Roots, the feature debut of Hungarian director Hajni Kis, has won the Works In Progress award at Karlovy Vary International Film Festival’s industry showcase, Eastern Promises.
A cash prize of €10,000 was awarded to the Hungary-Slovak Republic co-production by Turkey’s Trt.
Wild Roots, which is in post-production, centres on an aggressive ex-con whose troubled 12-year-old daughter seeks him out following his release from prison. The cast includes Gusztáv Dietz, Zorka Horváth and Éva Füsti Molnár.
Co-written by Kis and Fanni Szántó, the producers are...
Wild Roots, the feature debut of Hungarian director Hajni Kis, has won the Works In Progress award at Karlovy Vary International Film Festival’s industry showcase, Eastern Promises.
A cash prize of €10,000 was awarded to the Hungary-Slovak Republic co-production by Turkey’s Trt.
Wild Roots, which is in post-production, centres on an aggressive ex-con whose troubled 12-year-old daughter seeks him out following his release from prison. The cast includes Gusztáv Dietz, Zorka Horváth and Éva Füsti Molnár.
Co-written by Kis and Fanni Szántó, the producers are...
- 7/9/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
“If you’re not picky, you can eat them on anything.” So says one of the elite group of experienced, elder Italian truffle hunters portrayed in Michael Dweck and Gregory Kershaw’s stately, charming new documentary, regarding their prized possessions. The only issue is these delicacies from the ground are impossible to find without knowledge, skill, and a trusted dog. And when they are miraculously discovered, they go for an incredible amount of money. The Truffle Hunters explores this age-old tradition of culinary treasure-hunting and the clash of passion and commerce around such a specific way of life. Executive produced by Luca Guadagnino, it’s also far from your standard documentary in terms of the picturesque approach in which we meticulously enter this Northern Italy milieu.
Rather than opting for talking-head interviews or an off-the-cuff, handheld journey into this insular community, we witness the intricacies of this hyper-specific world in a series of beautiful,...
Rather than opting for talking-head interviews or an off-the-cuff, handheld journey into this insular community, we witness the intricacies of this hyper-specific world in a series of beautiful,...
- 2/5/2020
- by Jordan Raup
- The Film Stage
Pictured: Louise Detlefsen and Louise Kjeldsen’s “Fat Front,” about a rebellious movement started by plus-sized women in Scandinavia, world premieres at Idfa.
Danish documentarian Jørgen Leth, whose 1967 short “The Perfect Human” inspired fellow countryman Lars Von Trier as a film student, will be awarded a Lifetime Achievement Award at Idfa this year. The prolific 82-year-old, based in Haiti, is just one of a number of non-fiction heavyweights to be celebrated at the Amsterdam festival, which will also offer posthumous tributes to Agnes Varda and D.A. Pennebaker, who passed away this year.
Under festival director Orwa Nyrabia, in his second year, Idfa continues to focus on directors from emerging territories as well as films dealing with pressing contemporary issues. In the Frontlight section, Claudia Sparrow’s “Maxima” deals with a Peruvian farmer forced to defend her land against the gold-mining industry; Jia Yuchuan’s “The Two Lives of Li Ermao...
Danish documentarian Jørgen Leth, whose 1967 short “The Perfect Human” inspired fellow countryman Lars Von Trier as a film student, will be awarded a Lifetime Achievement Award at Idfa this year. The prolific 82-year-old, based in Haiti, is just one of a number of non-fiction heavyweights to be celebrated at the Amsterdam festival, which will also offer posthumous tributes to Agnes Varda and D.A. Pennebaker, who passed away this year.
Under festival director Orwa Nyrabia, in his second year, Idfa continues to focus on directors from emerging territories as well as films dealing with pressing contemporary issues. In the Frontlight section, Claudia Sparrow’s “Maxima” deals with a Peruvian farmer forced to defend her land against the gold-mining industry; Jia Yuchuan’s “The Two Lives of Li Ermao...
- 10/8/2019
- by Damon Wise
- Variety Film + TV
Celebrating its 72nd edition this year, the Locarno Film Festival has been the birthplace for the finest in international arthouse cinema and this year’s lineup looks to continue the tradition. Ahead of the festival, running August 7-17, the full slate has been announced.
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
- 7/17/2019
- by Jordan Raup
- The Film Stage
Paris-based sales company Luxbox, which handled sales on the Martin Scorsese-backed “A Ciambra” and Berlinale hit “The Heiresses,” is driving into production, partnering with Dominga Sotomayor’s Chile-based Cinestación on “Penal Cordillera.”
Focusing on edgy or adventurous titles often with a high-profile festival presence, Luxbox will also handle world sales on “Penal Cordillera,” the feature debut of Chilean playwright-director Felipe Carmona.
Written by Carmona, with script consultancy from Alejandro Fadel, whose “Muere, Monstruo, Muere” plays Cannes’ Un Certain Regard this year, “Penal Cordillera” is based on a true story. It turns on the last stand made by five army generals of the Augusto Pinochet regime, the dictator’s most murderous torturers whose sentences for human rights violation totalled over 800 years in prison, to avoid at any cost their transfer from a luxury prison in the Andes foothills.
“Penal Cordillera” tips into horror as the former-torturers’ decision to fight oblivion...
Focusing on edgy or adventurous titles often with a high-profile festival presence, Luxbox will also handle world sales on “Penal Cordillera,” the feature debut of Chilean playwright-director Felipe Carmona.
Written by Carmona, with script consultancy from Alejandro Fadel, whose “Muere, Monstruo, Muere” plays Cannes’ Un Certain Regard this year, “Penal Cordillera” is based on a true story. It turns on the last stand made by five army generals of the Augusto Pinochet regime, the dictator’s most murderous torturers whose sentences for human rights violation totalled over 800 years in prison, to avoid at any cost their transfer from a luxury prison in the Andes foothills.
“Penal Cordillera” tips into horror as the former-torturers’ decision to fight oblivion...
- 5/8/2018
- by John Hopewell
- Variety Film + TV
Below is a strictly personal, unapologetically idiosyncratic list of the twenty films I'm most looking forward to in 2018 and which have so far yet to be seen by any paying audiences. Among those seriously considered but ultimately excluded on the basis that they're more likely to be ready next year are Ad Astra (James Gray), Blessed Virgin (Paul Verhoeven), The Fire Next Time (Mati Diop), Late Spring (Michelangelo Frammartino), the particularly-dynamite-on-paper Martin Eden (Pietro Marcello), Mektoub, My Love: Canto Due (Abdellatif Kechiche) and Motorboats (Yuri Ancarani). I also reluctantly discarded a couple of highly tantalising projects whose status, at the time of writing, was frustratingly unclear, namely Tijuana Bible (Jean-Charles Hue) and the worryingly long-in-gestation You Can't Win (Robinson Devor). Omitted because they're made primarily for TV rather than cinemas: Martin Scorsese's The Irishman (Netflix) and Bruno Dumont's Coincoin and the Extra-Humans (Arté). Finally, Joanna Hogg's The Souvenir: Part I...
- 1/16/2018
- MUBI
When host — and living documentary legend — Steve James took the stage on Thursday night to kick off the start of the 11th Annual Cinema Eye Honors Awards at Queens’ own Museum of the Moving Image, he might have enjoyed the benefit of being tipped off as to who would dominate the ceremony. For James, the night was all about a “new generation” of filmmakers, and bringing them further into a tight-knit community that could support them for the rest of their lives.
No surprise then that Yance Ford and his debut feature, the deeply personal and long-gestating “Strong Island,” emerged as the night’s biggest winner, pulling in wins for Outstanding Direction, Outstanding Debut, and Outstanding Nonfiction Feature Film. Ford’s win for Outstanding Direction was also a history-maker: the filmmaker is the first to ever win the award for a debut film.
Read More:Cinema Eye Honors Announces Nominees; ‘Strong Island,...
No surprise then that Yance Ford and his debut feature, the deeply personal and long-gestating “Strong Island,” emerged as the night’s biggest winner, pulling in wins for Outstanding Direction, Outstanding Debut, and Outstanding Nonfiction Feature Film. Ford’s win for Outstanding Direction was also a history-maker: the filmmaker is the first to ever win the award for a debut film.
Read More:Cinema Eye Honors Announces Nominees; ‘Strong Island,...
- 1/12/2018
- by Kate Erbland
- Indiewire
Healing from past trauma, film preservation, Isis, libraries, chimps, rats, and cats — these were just a few of the subjects and stories that this year’s documentary offerings brought us. With 2017 wrapping up, we’ve selected 21 features in the field that left us most impressed, so check out our list below and, in the comments, let us know your favorites.
Abacus: Small Enough to Jail (Steve James)
Steve James’ filmography has long been about finding entry into larger conversations through intimate portraits. The director’s landmark debut, Hoop Dreams, and latter-day efforts like 2014’s monument to critic Roger Ebert, Life Itself, don’t have much in common on the surface, but they both use their central characters to tell larger stories about big picture topics like structural dysfunction and the purpose of film criticism. That double purpose is the quiet genius of James’ latest documentary, Abacus: Small Enough to Jail.
Abacus: Small Enough to Jail (Steve James)
Steve James’ filmography has long been about finding entry into larger conversations through intimate portraits. The director’s landmark debut, Hoop Dreams, and latter-day efforts like 2014’s monument to critic Roger Ebert, Life Itself, don’t have much in common on the surface, but they both use their central characters to tell larger stories about big picture topics like structural dysfunction and the purpose of film criticism. That double purpose is the quiet genius of James’ latest documentary, Abacus: Small Enough to Jail.
- 12/19/2017
- by The Film Stage
- The Film Stage
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
The Adventures of Tintin (Steven Spielberg)
Leave it to Steven Spielberg to eke more thrills out of an animated feature than most directors could with every live-action tool at their disposal. The Adventures of Tintin is colored and paced like a child’s fantastical imagining of how Hergé’s comics might play in motion, and the extent to which viewers buy it depends largely on their willingness to give...
The Adventures of Tintin (Steven Spielberg)
Leave it to Steven Spielberg to eke more thrills out of an animated feature than most directors could with every live-action tool at their disposal. The Adventures of Tintin is colored and paced like a child’s fantastical imagining of how Hergé’s comics might play in motion, and the extent to which viewers buy it depends largely on their willingness to give...
- 12/8/2017
- by Jordan Raup
- The Film Stage
From Cineuropa.org by Tina Poglajen
The Ji.hlava International Documentary Film Festival (October 24–29, 2017) is the largest event of its kind in Central and Eastern Europe. The festival retains a distinctive and progressive programming approach and has built a remarkable Industry section, featuring projects such as Emerging Producers and Inspiration Forum. The festival is also famous for its informal atmosphere, discussion character and full screening venues.
On 26 October, the flagship industry project of the Ji.hlava Idff publicly presented 18 talented producers from 16 European countries plus Morocco.
Bringing together talented European documentary film producers, Emerging Producers, the promotional and educational project of the Ji.hlava International Documentary Film Festival, is becoming more highly acclaimed and well known each year. In its six years of existence, it has enrolled over 100 alumni, many of whom have subsequently become successful producers.
Divided into three main parts — promotion, networking and navigation — the aim of the...
The Ji.hlava International Documentary Film Festival (October 24–29, 2017) is the largest event of its kind in Central and Eastern Europe. The festival retains a distinctive and progressive programming approach and has built a remarkable Industry section, featuring projects such as Emerging Producers and Inspiration Forum. The festival is also famous for its informal atmosphere, discussion character and full screening venues.
On 26 October, the flagship industry project of the Ji.hlava Idff publicly presented 18 talented producers from 16 European countries plus Morocco.
Bringing together talented European documentary film producers, Emerging Producers, the promotional and educational project of the Ji.hlava International Documentary Film Festival, is becoming more highly acclaimed and well known each year. In its six years of existence, it has enrolled over 100 alumni, many of whom have subsequently become successful producers.
Divided into three main parts — promotion, networking and navigation — the aim of the...
- 10/27/2017
- by Sydney Levine
- Sydney's Buzz
It’s been an interesting run-up to the Toronto International Film Festival, and in terms of the survival of the species, the good ol’ U.S.A. has been something of a race to the bottom. What would do us in first: violent neo-Nazis whose activities are almost explicitly condoned by the Klansman In Chief? Or a 1,000-year weather event on the Gulf Coast whose magnitude surely owes something to global climate change, and whose aftermath of collapsing dams and exploding chemical factories has everything to do with systematic neglect?Given the state of things down here, who wouldn’t want to repair to Canada for some challenging cinema? As always, the Toronto International Film Festival (Tiff) is the place to be in September, and Wavelengths once again features the best of the fest. This is because the films selected for Wavelengths are the opposite of escapism. Whether they tackle...
- 9/7/2017
- MUBI
As summer cools down, we’re entering perhaps the best time of year for cinephiles, with a variety of festivals — some of which will hold premieres of our most-anticipated 2017 features — gearing up. As we do each year, after highlighting the best films offered thus far, we’ve set out to provide a comprehensive preview of the fall titles that should be on your radar, and we’ll first take a look at selections whose quality we can attest to. These acclaimed 25 films from Sundance, Cannes, Berlinale and more will arrive between September and December (in the U.S.) and are all well worth seeking out.
Kill Me Please (Anita Rocha da Silveira; Sept. 1)
Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is the latest art-horror film that’s concerned with the internal repercussions of trauma.
Kill Me Please (Anita Rocha da Silveira; Sept. 1)
Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is the latest art-horror film that’s concerned with the internal repercussions of trauma.
- 8/23/2017
- by The Film Stage
- The Film Stage
Lack of diversity in Hollywood has been well documented thanks to #OscarSoWhite, but lack of diversity in the documentary world is less talked about. While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories. All too often, white documentary filmmakers are the ones telling the stories of people of color.
Full Frame has taken this topic on in a big way with their #DocSoWhite Speakeasy panels. But they are not just citing the problem; they are coming up with solutions. One of these solutions is a high school program called “School of Doc,” which is helping to build a diverse community of filmmakers by reaching them early.
As in most public schools across the country,...
Full Frame has taken this topic on in a big way with their #DocSoWhite Speakeasy panels. But they are not just citing the problem; they are coming up with solutions. One of these solutions is a high school program called “School of Doc,” which is helping to build a diverse community of filmmakers by reaching them early.
As in most public schools across the country,...
- 8/14/2017
- by Roger Ross Williams
- Indiewire
Dave McCary and Kyle Mooney’s Sundance charmer “Brigsby Bear” chronicles the kind of nostalgia for a long-forgotten era of television that plenty of viewers can relate to, culminating in a final sequence that sees its stars translating their love into one big, beautiful creative act. It’s basically the perfect film for kids who grew up on Saturday morning TV and wish that they were able to turn that affection into something more tangible in their older years. It’s also heartbreakingly funny.
Read More:‘Brigsby Bear’: How Two Childhood Best Friends Sold Their Love Letter to Cinema to Sony Pictures Classics
When we first meet Mooney’s character James, he’s defined by his adoration for the long-running children’s show “Brigsby Bear,” a mash-up of kiddo TV classics that’s part detective show, part life lesson-delivery service, and just quirky enough to feel like something you...
Read More:‘Brigsby Bear’: How Two Childhood Best Friends Sold Their Love Letter to Cinema to Sony Pictures Classics
When we first meet Mooney’s character James, he’s defined by his adoration for the long-running children’s show “Brigsby Bear,” a mash-up of kiddo TV classics that’s part detective show, part life lesson-delivery service, and just quirky enough to feel like something you...
- 8/10/2017
- by Kate Erbland
- Indiewire
"Luxuriously alluring." Kino Lorber has debuted an official trailer for a stunning documentary called The Challenge, which has been playing at film festivals all over the world picking up all kinds of prizes. The film examines the world of wealthy Qatari sheikhs with a passion for amateur falconry, who collect and train their prized pet falcons, flying them in private jets around the world, and taking them for rides in their fancy cars. If, like me, your first thought is wait I've never heard of this before and it sounds totally amazing and I want to learn more about this, then this doc is for you. There's some really stunning footage in this, and it looks like it's more of a visual essay than just a simple doc, which makes me even more intrigued to see this. Here's the official trailer (+ poster) for Yuri Ancarani's documentary The Challenge, from...
- 8/10/2017
- by Alex Billington
- firstshowing.net
The only thing 13-year-old Bea wants in this world is a best friend, and when her lazy summer is interrupted by the introduction of the outspoken Kate, it appears as if she is finally getting her wish. But in lauded Canadian filmmaker Ingrid Veninger’s newest Tiff premiere, “Porcupine Lake,” what initially seems like a fast-moving friendship takes on a new dimension as the pair grow even closer together over the course of one fateful summer.
Read More:tiff Reveals Full Canadian Lineup, Including ‘Alias Grace’ Series Premiere and Restored Classics
Born in Bratislava and raised in Canada, Veninger formed pUNK Films in 2003 with a “nothing is impossible” manifesto. In 2014, she initiated the pUNK Films Femmes Lab to foster feature films written and directed by Canadian women, sponsored by Academy Award winner Melissa Leo. “Porcupine Lake” is her sixth feature as writer/director/producer, following her 2015 feature “He Hated Pigeons” and...
Read More:tiff Reveals Full Canadian Lineup, Including ‘Alias Grace’ Series Premiere and Restored Classics
Born in Bratislava and raised in Canada, Veninger formed pUNK Films in 2003 with a “nothing is impossible” manifesto. In 2014, she initiated the pUNK Films Femmes Lab to foster feature films written and directed by Canadian women, sponsored by Academy Award winner Melissa Leo. “Porcupine Lake” is her sixth feature as writer/director/producer, following her 2015 feature “He Hated Pigeons” and...
- 8/9/2017
- by Kate Erbland
- Indiewire
For his second feature film, refugee-turned-filmmaker Tarique Qayumi is looking to shed a different sort of a light on a changing Afghanistan. “Black Kite” follows Arian, who adores kites, but whose talent is curtailed when the Taliban take power and ban kite flying. As his young daughter Seema’s childhood seems to be coming to an end, Arian risks it all to find and fly kites alongside her.
Read More:tiff Reveals Full Canadian Lineup, Including ‘Alias Grace’ Series Premiere and Restored Classics
The Tiff premiere is a historical drama that blends mediums — including animation, documentary, and live action — to weave a stirring narrative about a man’s love of kite flying (and his child) as he yearns for freedom that seems so very far away.
“Black Kite” stars two of Afghanistan’s biggest stars, Haji Gul and Leena Alam, along with non-actors Zahra Nasim and Hamid Noorzay.
Read More:tiff’s...
Read More:tiff Reveals Full Canadian Lineup, Including ‘Alias Grace’ Series Premiere and Restored Classics
The Tiff premiere is a historical drama that blends mediums — including animation, documentary, and live action — to weave a stirring narrative about a man’s love of kite flying (and his child) as he yearns for freedom that seems so very far away.
“Black Kite” stars two of Afghanistan’s biggest stars, Haji Gul and Leena Alam, along with non-actors Zahra Nasim and Hamid Noorzay.
Read More:tiff’s...
- 8/9/2017
- by Kate Erbland
- Indiewire
There’s no shortage of sports for the upper class, but few are as absurd as falconry, especially when it comes to wealthy Qatari sheikhs. The Challenge, a winner at last year’s Locarno International Film Festival, finds director Yuri Ancarani capturing this extracurricular activity in a surreal fashion, unfolding in visually extravagant tableau fit for a museum projection. That’s not to take away from the cinematic quality of the film, however, which is one of the more transporting experiences one can have at a theater this year.
Ahead of a release this September, the first trailer has now landed courtesy of Kino Lorber. “While The Challenge is about high-class falconry in Qatar, this holds true for any sport indulged primarily by the rich, like the British fox hunt,” we said in our review. “This is a sports documentary concerned not at all with the competition at hand, but...
Ahead of a release this September, the first trailer has now landed courtesy of Kino Lorber. “While The Challenge is about high-class falconry in Qatar, this holds true for any sport indulged primarily by the rich, like the British fox hunt,” we said in our review. “This is a sports documentary concerned not at all with the competition at hand, but...
- 8/9/2017
- by Jordan Raup
- The Film Stage
It’s an overplayed trope, but here it is: Yuri Ancarani’s feature documentary debut has everything. Wealthy Qatari sheikhs, secret falconry competitions, souped-up Ferraris, cheetahs driving in those same Ferarris, private jets, sand dunes, and more money than you can believe exists in one place at one time.
Ancarani’s ambitious “The Challenge” follows a group of rich sheikhs who share a passion for the finer things in life: not just money, or cars, or big cats, but also amateur falconry. The film debuted at last year’s Locarno Film Festival, and went on to play a number of festival around the world, including Torino, Dubai, SXSW, Sarasota, and Edinburgh.
Read More‘Trophy’ Trailer: Sundance Documentary Traverses the Dark World of Big-Game Hunting — Watch
Per its official synopsis: “Italian visual artist Yuri Ancarani’s exquisite documentary enters the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry.
Ancarani’s ambitious “The Challenge” follows a group of rich sheikhs who share a passion for the finer things in life: not just money, or cars, or big cats, but also amateur falconry. The film debuted at last year’s Locarno Film Festival, and went on to play a number of festival around the world, including Torino, Dubai, SXSW, Sarasota, and Edinburgh.
Read More‘Trophy’ Trailer: Sundance Documentary Traverses the Dark World of Big-Game Hunting — Watch
Per its official synopsis: “Italian visual artist Yuri Ancarani’s exquisite documentary enters the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry.
- 8/8/2017
- by Kate Erbland
- Indiewire
Just start planting the pot jokes now. Weed out all the bad ones. Hash it out with your friends.
You could make these jokes all day and apparently, so can “Disjointed,” the latest Netflix multicam comedy premiering later this month. Kathy Bates stars as the proprietor of “Ruth’s Alternative Caring,” an L.A.-area pot dispensary, a woman who runs the store along with a handful of ragtag employees. She partakes in her own supply, as do most of the other characters on the show, from the looks of the first full trailer.
Read More7 New Netflix Shows to Binge in August 2017, and The Best Episodes of Each
Even after stints on ‘The Office” and as the ghost of Charlie Sheen’s character on “Two and a Half Men,” this is Bates’ first starring role in a TV comedy. In addition to her film work, she’s also a...
You could make these jokes all day and apparently, so can “Disjointed,” the latest Netflix multicam comedy premiering later this month. Kathy Bates stars as the proprietor of “Ruth’s Alternative Caring,” an L.A.-area pot dispensary, a woman who runs the store along with a handful of ragtag employees. She partakes in her own supply, as do most of the other characters on the show, from the looks of the first full trailer.
Read More7 New Netflix Shows to Binge in August 2017, and The Best Episodes of Each
Even after stints on ‘The Office” and as the ghost of Charlie Sheen’s character on “Two and a Half Men,” this is Bates’ first starring role in a TV comedy. In addition to her film work, she’s also a...
- 8/8/2017
- by Steve Greene
- Indiewire
For the twenty-first summer in a row, Rooftop Films will be screening some of the best in independent and documentary film in unique outdoor setting all across the New York City. In that time, they have been the first to identify some of the best filmmaking talent in the world, and through their Filmmakers Fund they’ve backed these filmmakers breakout projects.
Past grantees have included Ana Lily Amirpour’s “The Bad Batch,” David Lowery’s “Ain’t Them Bodies Saints,” Benh Zeitlin’s “Glory at Sea,” Lucy Walker’s “The Tsunami” and many more.
Rooftop digs up gems and shorts that haven’t been getting a ton of word of mouth and shares them – along with popular festival titles like “The Big Sick”– with their dedicated and artistically curious audience who have come to trust their curation.
IndieWire recently checked in with Rooftop program director Dan Nuxoll to find out what films and filmmakers we should have on our radar for 2017.
What film has fallen through the festival cracks this year?
Certainly “The Genius and the Opera Singer” hasn’t yet gotten nearly the love it deserves, but I hope that changes soon. It’s a powerful dark comic documentary that certainly goes to some emotionally difficult places, but watching it is an undeniably unique experience. We showed it this past Saturday and the audience reaction was even more positive than I anticipated. The crowd loved it, despite some heavy moments. It’s a very well-crafted and expertly-edited film and it’s much more entertaining than one might expect. It’s Vanessa Stockley’s first film and it’s a revelation.
I’m also a big fan of Jeff Unay’s “The Cage Fighter,” which is a beautifully shot and very intimate and personal film that premiered at San Francisco a couple of months ago – it’s a gorgeous doc. Plus Morten Traavik and Ugis Olte’s “Liberation Day” is a boisterous and fascinating film about Laibach, who are a very strange strange but wonderful cult Slovenian band who have a very fascist aesthetic and who somehow convince the North Korean government to allow them to perform there. It’s a very enjoyable provocation.
You were the first one to tip me off to Ana Lily Amirpour and Jonas Carpignano. What up and coming filmmaker should we paying to, but we aren’t?
Dave McCary. His film “Brigsby Bear” premiered at Sundance and got very strong reviews but I don’t think it has yet gotten nearly the attention it deserves. McCary and star Kyle Mooney had a successful sketch comedy group and later joined SNL, so going into the premiere I assumed the film would be funny, but I will admit I didn’t have particularly high expectations otherwise. But I definitely underestimate them–it’s strikingly well executed and the comic and emotional components of the film are expertly balanced.
And beyond that, McCary has a unique touch that you rarely see in comedy films–an ability to dance around the character arcs and emotional trajectory of the characters without ever slipping into maudlin sentimentality and never losing the absurd comic energy. Whenever it seems that the film is about to head someplace conventional, McCary injects a perfectly timed comic turnabout that propels the film forward, but never quite in the direction you expect.
There have been a lot of really good dark indie comedies this year, but “Brigsby” is as funny as any of them while also being full of light and warmth and emotional generosity. It’s a special film and I hope that enough people see it so that it becomes a classic and not just a cult classic.
What’s one film in your lineup that does something new and exciting with the medium?
I was blown away by Amman Abbassi’s “Dayveon.” There have been a lot of independent coming of age films over the years, but few of them manage to balance realism and lyrical artistry quite as wonderfully as this debut feature. Capturing the warmth of an Arkansas summer and the emotional confusion of a thirteen year old struggling after the murder of his older brother, Abbassi establishes himself as a sensitive filmmaker with the ability to evoke a delicate subjective experience.
And on the doc side?
I knew the filmmaker Maple Rasza back in college but hadn’t caught up with him in a while and a few months back a mutual friend tipped me off to his latest project, a really exceptional interactive film he has made with Milton Guillen called “The Maribor Uprising: A Live Participatory Film.” He and Milton shot footage from a series of massive protests in Slovenia following some incidents involving comically flagrant government corruption, and instead of turning it into a traditional documentary they created an interactive project in which Maple leads the audience through the footage. The audience can choose to follow different protestors, decide whether to follow the law or follow the less peaceful demonstrators, and much more. We have long been a champion of live cinema events, like those created by Brent and Sam Green, but this film is an interesting variation on the form. Plus it just happens to be a very timely project. I’m really excited for that show.
Also, Dmitri Kalashnikov’s “The Road Movie” is a very fun comic documentary composed entirely of wild footage captured by hundreds of Russian automobile dash cams. It’s a very weird way to experience the Russian road. I loved every minute of it.
What film introduced you to a world you didn’t know anything about?
We showed Yuri Ancarani’s stunning short film “il Capo” a few years back and ever since I have been excited to see what he would do with a feature film. Sure enough, his new documentary “The Challenge” did not disappoint. He somehow managed to convince secretive Qatari sheikhs to let him film their bizarre and decadent lives as they prepare for the massive falconry competitions they hold deep in the desert. The footage he captured is arresting, hilarious and profound. There is barely a word spoken in the entire film but you will never want to look away. I have never seen anything like it.
You always put shorts front and center at Rooftop and dig into the best international short films. I remember two years ago you talking about how there was an inordinate amount of great shorts coming out of Sweden, what you find this year?
Yeah, a lot of those great Swedish short filmmakers are now doing pretty well. Ruben Ostlund just won Cannes after all, and he was one of the talented Swedes I was talking about back then. And there are some truly wonderful new Swedish shorts this year as well – I am particularly fond of “I Will Always Love You Conny,” by Amanda Kernell. It’s a heartbreaking short.
But my favorite short of the year is a Swedish animation that we gave a grant to called “The Burden” by Niki LIndroth Von Behr. It won Gothenburg, and it’s part of a trend that I have noticed lately of a surge in very, very talented young female animators. Ten years ago an animated shorts program would be packed with films by men, and that is definitely not the case anymore. It’s exciting to see women animators from all over the world coming to the fore. We opened the summer with an animated film by a woman and we will end the summer with one, too, and that isn’t a coincidence.
Rooftop Films Summer Festival runs through August 19th. You can find more information here.
Related stories'Brigsby Bear' Teaser Trailer: Kyle Mooney Introduces You to A Highly Original Summer Indie'The Big Sick,' 'The Bad Batch' and More Announced for Rooftop Films' 2017 Summer Series2017 Cannes Critics' Week Announces Lineup, Including 'Brigsby Bear' and Animation From Iran...
Past grantees have included Ana Lily Amirpour’s “The Bad Batch,” David Lowery’s “Ain’t Them Bodies Saints,” Benh Zeitlin’s “Glory at Sea,” Lucy Walker’s “The Tsunami” and many more.
Rooftop digs up gems and shorts that haven’t been getting a ton of word of mouth and shares them – along with popular festival titles like “The Big Sick”– with their dedicated and artistically curious audience who have come to trust their curation.
IndieWire recently checked in with Rooftop program director Dan Nuxoll to find out what films and filmmakers we should have on our radar for 2017.
What film has fallen through the festival cracks this year?
Certainly “The Genius and the Opera Singer” hasn’t yet gotten nearly the love it deserves, but I hope that changes soon. It’s a powerful dark comic documentary that certainly goes to some emotionally difficult places, but watching it is an undeniably unique experience. We showed it this past Saturday and the audience reaction was even more positive than I anticipated. The crowd loved it, despite some heavy moments. It’s a very well-crafted and expertly-edited film and it’s much more entertaining than one might expect. It’s Vanessa Stockley’s first film and it’s a revelation.
I’m also a big fan of Jeff Unay’s “The Cage Fighter,” which is a beautifully shot and very intimate and personal film that premiered at San Francisco a couple of months ago – it’s a gorgeous doc. Plus Morten Traavik and Ugis Olte’s “Liberation Day” is a boisterous and fascinating film about Laibach, who are a very strange strange but wonderful cult Slovenian band who have a very fascist aesthetic and who somehow convince the North Korean government to allow them to perform there. It’s a very enjoyable provocation.
You were the first one to tip me off to Ana Lily Amirpour and Jonas Carpignano. What up and coming filmmaker should we paying to, but we aren’t?
Dave McCary. His film “Brigsby Bear” premiered at Sundance and got very strong reviews but I don’t think it has yet gotten nearly the attention it deserves. McCary and star Kyle Mooney had a successful sketch comedy group and later joined SNL, so going into the premiere I assumed the film would be funny, but I will admit I didn’t have particularly high expectations otherwise. But I definitely underestimate them–it’s strikingly well executed and the comic and emotional components of the film are expertly balanced.
And beyond that, McCary has a unique touch that you rarely see in comedy films–an ability to dance around the character arcs and emotional trajectory of the characters without ever slipping into maudlin sentimentality and never losing the absurd comic energy. Whenever it seems that the film is about to head someplace conventional, McCary injects a perfectly timed comic turnabout that propels the film forward, but never quite in the direction you expect.
There have been a lot of really good dark indie comedies this year, but “Brigsby” is as funny as any of them while also being full of light and warmth and emotional generosity. It’s a special film and I hope that enough people see it so that it becomes a classic and not just a cult classic.
What’s one film in your lineup that does something new and exciting with the medium?
I was blown away by Amman Abbassi’s “Dayveon.” There have been a lot of independent coming of age films over the years, but few of them manage to balance realism and lyrical artistry quite as wonderfully as this debut feature. Capturing the warmth of an Arkansas summer and the emotional confusion of a thirteen year old struggling after the murder of his older brother, Abbassi establishes himself as a sensitive filmmaker with the ability to evoke a delicate subjective experience.
And on the doc side?
I knew the filmmaker Maple Rasza back in college but hadn’t caught up with him in a while and a few months back a mutual friend tipped me off to his latest project, a really exceptional interactive film he has made with Milton Guillen called “The Maribor Uprising: A Live Participatory Film.” He and Milton shot footage from a series of massive protests in Slovenia following some incidents involving comically flagrant government corruption, and instead of turning it into a traditional documentary they created an interactive project in which Maple leads the audience through the footage. The audience can choose to follow different protestors, decide whether to follow the law or follow the less peaceful demonstrators, and much more. We have long been a champion of live cinema events, like those created by Brent and Sam Green, but this film is an interesting variation on the form. Plus it just happens to be a very timely project. I’m really excited for that show.
Also, Dmitri Kalashnikov’s “The Road Movie” is a very fun comic documentary composed entirely of wild footage captured by hundreds of Russian automobile dash cams. It’s a very weird way to experience the Russian road. I loved every minute of it.
What film introduced you to a world you didn’t know anything about?
We showed Yuri Ancarani’s stunning short film “il Capo” a few years back and ever since I have been excited to see what he would do with a feature film. Sure enough, his new documentary “The Challenge” did not disappoint. He somehow managed to convince secretive Qatari sheikhs to let him film their bizarre and decadent lives as they prepare for the massive falconry competitions they hold deep in the desert. The footage he captured is arresting, hilarious and profound. There is barely a word spoken in the entire film but you will never want to look away. I have never seen anything like it.
You always put shorts front and center at Rooftop and dig into the best international short films. I remember two years ago you talking about how there was an inordinate amount of great shorts coming out of Sweden, what you find this year?
Yeah, a lot of those great Swedish short filmmakers are now doing pretty well. Ruben Ostlund just won Cannes after all, and he was one of the talented Swedes I was talking about back then. And there are some truly wonderful new Swedish shorts this year as well – I am particularly fond of “I Will Always Love You Conny,” by Amanda Kernell. It’s a heartbreaking short.
But my favorite short of the year is a Swedish animation that we gave a grant to called “The Burden” by Niki LIndroth Von Behr. It won Gothenburg, and it’s part of a trend that I have noticed lately of a surge in very, very talented young female animators. Ten years ago an animated shorts program would be packed with films by men, and that is definitely not the case anymore. It’s exciting to see women animators from all over the world coming to the fore. We opened the summer with an animated film by a woman and we will end the summer with one, too, and that isn’t a coincidence.
Rooftop Films Summer Festival runs through August 19th. You can find more information here.
Related stories'Brigsby Bear' Teaser Trailer: Kyle Mooney Introduces You to A Highly Original Summer Indie'The Big Sick,' 'The Bad Batch' and More Announced for Rooftop Films' 2017 Summer Series2017 Cannes Critics' Week Announces Lineup, Including 'Brigsby Bear' and Animation From Iran...
- 6/23/2017
- by Chris O'Falt
- Indiewire
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Focus Features has acquired the North American and select international rights to Jason Reitman’s “Tully.” Written by Diablo Cody, the comedy stars Charlize Theron, Mackenzie Davis, Mark Duplass and Ron Livingston.
“Tully” tells the story of Marlo (Theron), a mother of three who is gifted a night nanny by her brother (Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Davis). The film will premiere in U.S. theaters on April 20, 2018.
Read More: Film Acquisition Rundown: Oscilloscope Picks Up ‘November,’ The Orchard Buys ‘Flower’ and More
– Electric Entertainment has acquired the U.S. and Canadian rights to Rob Reiner’s “Lbj,...
– Focus Features has acquired the North American and select international rights to Jason Reitman’s “Tully.” Written by Diablo Cody, the comedy stars Charlize Theron, Mackenzie Davis, Mark Duplass and Ron Livingston.
“Tully” tells the story of Marlo (Theron), a mother of three who is gifted a night nanny by her brother (Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Davis). The film will premiere in U.S. theaters on April 20, 2018.
Read More: Film Acquisition Rundown: Oscilloscope Picks Up ‘November,’ The Orchard Buys ‘Flower’ and More
– Electric Entertainment has acquired the U.S. and Canadian rights to Rob Reiner’s “Lbj,...
- 5/5/2017
- by Graham Winfrey
- Indiewire
Rooftop Films has announced its lineup for the 2017 Summer Series. This year’s series will feature more than 45 outdoor screenings in more than 10 venues, including films like Michael Showalter’s Sundance hit “The Big Sick” Ana Lily Amirpour’s “The Bad Batch,” (dates still Tbd).
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
- 5/5/2017
- by Graham Winfrey
- Indiewire
Documentary premiered in Locarno and screened at True/False and SXSW.
Kino Lorber has acquired all North American rights to The Challenge, Yuri Ancarani’s documentary focused on a group of super-wealthy, Qatari sheikhs who moonlight as amateur falconers.
The Challenge offers a rare window into a group of ultra-privileged men who spare no expense in the pursuit of their idiosyncratic wishes.
The film will screen in New York on September 8, followed by a nationwide roll-out in the autumn. VOD and home video releases are scheduled for 2018.
“Yuri Ancarani is the type of visionary and ambitious filmmaker that we love to introduce to American audiences,” Kino Lorber CEO Richard Lorber said. “And his feature debut The Challenge is an unforgettable cinematic experience that’s going to both charm and astound audiences everywhere.”
“We are excited to work with Kino Lorber on the North American release of The Challenge,” Slingshot Films’ Manuela Buono said. “We always...
Kino Lorber has acquired all North American rights to The Challenge, Yuri Ancarani’s documentary focused on a group of super-wealthy, Qatari sheikhs who moonlight as amateur falconers.
The Challenge offers a rare window into a group of ultra-privileged men who spare no expense in the pursuit of their idiosyncratic wishes.
The film will screen in New York on September 8, followed by a nationwide roll-out in the autumn. VOD and home video releases are scheduled for 2018.
“Yuri Ancarani is the type of visionary and ambitious filmmaker that we love to introduce to American audiences,” Kino Lorber CEO Richard Lorber said. “And his feature debut The Challenge is an unforgettable cinematic experience that’s going to both charm and astound audiences everywhere.”
“We are excited to work with Kino Lorber on the North American release of The Challenge,” Slingshot Films’ Manuela Buono said. “We always...
- 5/5/2017
- ScreenDaily
April 21 to 23 will see an unprecedented collaboration between Acropolis Cinema, the Locarno Festival, and the Swiss Consulate General of Los Angeles at the Downtown Independent cinema. Curated by Acropolis founder Jordan Cronk and co-artistic director Robert Koehler, the festival’s main program is comprised of a hand-selected group of films from the 69th Locarno Festival’s Competition, Signs of Life, and Filmmakers of the Present programs, with ten features, all Los Angeles premieres, representing no less than nine different countries.Locarno in Los Angeles
Co-organized with the Swiss Consulate General in Los Angeles, the festival will also host two daytime panel discussions featuring a variety of local critics, programmers, and representatives from Acropolis and the Locarno Festival. Along with three evening receptions featuring a selection of Ticino wine and beer, the first Locarno in Los Angeles promises to bring a tantalizing taste of one of the world’s best film...
Co-organized with the Swiss Consulate General in Los Angeles, the festival will also host two daytime panel discussions featuring a variety of local critics, programmers, and representatives from Acropolis and the Locarno Festival. Along with three evening receptions featuring a selection of Ticino wine and beer, the first Locarno in Los Angeles promises to bring a tantalizing taste of one of the world’s best film...
- 4/20/2017
- by Sydney Levine
- Sydney's Buzz
All the Cities of the NorthSundance has the clout, Cannes the razzle-dazzle. Toronto’s epic film selection is world class. But ask any serious cinephile which of the world’s grand festival institutions deserves your undivided attention, their answer more often than not would be Locarno. Since its inception in 1946, the annual Swiss film festival is a haven for innovative new works by veteran and freshman auteurs alike. The Golden Leopard, Locarno’s equivalent of the Palme D’or, has gone to a diverse group of winners that includes both Otto Preminger’s Carmen Jones and Hong Sang-soo’s Right Now, Wrong Then. Sensing an egregious lack of this progressive programing spirit in their Southern California megalopolis, film critics Jordan Cronk and Robert Koehler have masterminded a curatorial anecdote: Locarno in Los Angeles. Running April 21 through April 23, the event will showcase 10 features and a number of shorts that screened at...
- 4/17/2017
- MUBI
Now in its 46th iteration, Film Society Of Lincoln Center and The Museum Of Modern Art’s annual New Directors/New Films series has routinely introduced the film world to some of the most interesting and singular young voices within cinema. Be it their first lineup in 1972 which included Wim Wenders’ The Goalie’s Anxiety At The Penalty Kick or last year’s selection that included this writer’s favorite film of 2016, Neon Bull, Nd/Nf has become one of the great film series on any year’s calendar.
And 2017 is no different.
Three films lead the way for this year’s slate, all of which are Sundance-approved entries into the greater American Independent Cinema canon. Opening the festival is Geremy Jasper’s Patti Cake$, with Eliza Hittman’s latest Beach Rats and Dustin Guy Defa’s New York-set Person to Person, all of which garnered solid notices out of Park City this January,...
And 2017 is no different.
Three films lead the way for this year’s slate, all of which are Sundance-approved entries into the greater American Independent Cinema canon. Opening the festival is Geremy Jasper’s Patti Cake$, with Eliza Hittman’s latest Beach Rats and Dustin Guy Defa’s New York-set Person to Person, all of which garnered solid notices out of Park City this January,...
- 3/15/2017
- by Joshua Brunsting
- CriterionCast
The Summer Is GoneOne of the greater pleasures of New Directors/New Films, the yearly collaboration in New York between the Film Society of Lincoln Center and Museum of Modern Art, is reveling in the mystery of emerging directors. Of course, many and most festivals have offerings from first (and second and third time) directors, but at none is this explicitly the point. When a minimum of information is offered, save for a brief bio, relinquished is the burden of pre-viewing research and any expectations that may arise from it. More prominent titles have been covered by the Notebook already, but here are highlights from around the globe, from directors not-yet-known, though hopefully for not much longer. The Summer Is Gone echoes the ghosts of Edward Yang by locating drama in a particular moment in history, wedding personal histories to political ones. Set in inner Mongolia, the film throws back to the ever-receding 90s,...
- 3/14/2017
- MUBI
One of the best festivals during the first half of the year is The Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films, which kicks off its 46th year this March, running from the 15th to the 26th. With last year’s line-up including some of the year’s best films, including Cameraperson, The Fits, Kaili Blues, Neon Bull, Weiner, and more, we can expect many more discoveries this year.
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
- 2/15/2017
- by Jordan Raup
- The Film Stage
The Museum of Modern Art and the Film Society of Lincoln Center has today announces their complete lineup for the 46th annual New Directors/New Films (Nd/Nf), running March 15 – 26. Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
- 2/15/2017
- by Kate Erbland
- Indiewire
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