Participants will discuss environmentally sustainable practices in screen production.
TorinoFilmLab (Tfl) has selected six projects and 13 production execs for its final Green Film Lab workshop of the year.
The six projects consist of five feature films and one TV series. Among them are Lauren Marsden’s eco-fantasy thriller feature Mama D’Lo, in which an aspiring environmental manager is summoned to the jungle by supernatural forces after witnessing a bribery scheme that threatens a vulnerable river in Trinidad.
Scroll down for the full list of projects and professionals
The film is a Canada-Trinidad and Tobago-uk co-production, through Robert Maylor for Canadian-Trinidadian company Mamaguy Pictures,...
TorinoFilmLab (Tfl) has selected six projects and 13 production execs for its final Green Film Lab workshop of the year.
The six projects consist of five feature films and one TV series. Among them are Lauren Marsden’s eco-fantasy thriller feature Mama D’Lo, in which an aspiring environmental manager is summoned to the jungle by supernatural forces after witnessing a bribery scheme that threatens a vulnerable river in Trinidad.
Scroll down for the full list of projects and professionals
The film is a Canada-Trinidad and Tobago-uk co-production, through Robert Maylor for Canadian-Trinidadian company Mamaguy Pictures,...
- 10/10/2023
- by Ben Dalton
- ScreenDaily
Sound Unseen, the music documentary festival held in Minneapolis, is returning with a slew of rock docs including Alison Ellwood’s Cyndi Lauper film Let the Canary Sing and the North American premiere of Peter Doherty: Stranger In My Own Skin about the Libertines co-founder.
The 24th iteration of the festival runs between November 8-12.
Let The Canary Sing will open the festival on Wednesday November 8 and Katia de Vidas’s Doherty film closes the festival on Sunday November 12.
“We’re thrilled to be bringing some of the best and most buzzed about music documentaries and fiction films of the year to Minneapolis”, said Sound Unseen Festival Director Jim Brunzell. “The entire team has done an incredible job and after the success of last year’s festival, we hope the Twin Cities and greater Minnesota audiences will bring the same energy and excitement to Sound Unseen more than ever.”
Federation...
The 24th iteration of the festival runs between November 8-12.
Let The Canary Sing will open the festival on Wednesday November 8 and Katia de Vidas’s Doherty film closes the festival on Sunday November 12.
“We’re thrilled to be bringing some of the best and most buzzed about music documentaries and fiction films of the year to Minneapolis”, said Sound Unseen Festival Director Jim Brunzell. “The entire team has done an incredible job and after the success of last year’s festival, we hope the Twin Cities and greater Minnesota audiences will bring the same energy and excitement to Sound Unseen more than ever.”
Federation...
- 10/4/2023
- by Peter White
- Deadline Film + TV
Nicola Maccanico with Anne-Katrin Titze on current Cinecittà productions: “Joe Wright, Roland Emmerich and Luca Guadagnino.” Photo: Sally Fischer
I met with Nicola Maccanico to discuss the significant expansion of Cinecittà Studios under his leadership on the morning of the Open Roads: New Italian Cinema luncheon at The Leopard at des Artistes, attended by The Hummingbird (Il Colibrì) director Francesca Archibugi, Tommaso Ragno, Margherita Mazzucco (star of Susanna Nicchiarelli's Chiara and Saverio Costanzo’s My Brilliant Friend), directors Michele Vannucci (Delta), Niccolo Falsetti (Margins), Monica Dugo, and Fireworks (Stranizza d’Amuri)) director Giuseppe Fiorello with his stars Gabriele Pizzurro and Samuele Segreto.
Nicola Maccanico on Luca Guadagnino: “Bones and All! His last movie, I think is a masterpiece.” Photo: Anne-Katrin Titze
Inside Film at Lincoln Center’s Walter Reade Theater, Nicola joined me for a conversation on the robust state of Italian cinema and the current international productions going on at Cinecittà,...
I met with Nicola Maccanico to discuss the significant expansion of Cinecittà Studios under his leadership on the morning of the Open Roads: New Italian Cinema luncheon at The Leopard at des Artistes, attended by The Hummingbird (Il Colibrì) director Francesca Archibugi, Tommaso Ragno, Margherita Mazzucco (star of Susanna Nicchiarelli's Chiara and Saverio Costanzo’s My Brilliant Friend), directors Michele Vannucci (Delta), Niccolo Falsetti (Margins), Monica Dugo, and Fireworks (Stranizza d’Amuri)) director Giuseppe Fiorello with his stars Gabriele Pizzurro and Samuele Segreto.
Nicola Maccanico on Luca Guadagnino: “Bones and All! His last movie, I think is a masterpiece.” Photo: Anne-Katrin Titze
Inside Film at Lincoln Center’s Walter Reade Theater, Nicola joined me for a conversation on the robust state of Italian cinema and the current international productions going on at Cinecittà,...
- 6/24/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains and veteran Marco Bellocchio’s Exterior Night topped the 68th edition of Italy’s David di Donatello Awards on Wednesday evening.
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
The Eight Mountains won best film as well as best non-original screenplay, photography and sound.
Based on the novel of the same name by Paolo Cognetti, it stars Luca Marinelli and Alessandro Borghi as two men from different backgrounds who form a life-long bond during summers spent together as children in a remote mountain village.
The film world premiered in Competition at Cannes last year where it co-won the Jury Prize. Read the Deadline review here.
It is the second time in the history of the awards that a film by non-Italian directors has clinched the best film prize.
The last time was in 1971 when the Dino de Laurentiis-produced epic Waterloo by Russian director Sergei Bonderchuk,...
- 5/11/2023
- by Melanie Goodfellow
- Deadline Film + TV
As our 2022 Venice Film Festival coverage wraps up, the juries have now unveiled their picks, most notably featuring Julianne Moore’s competition jury. Leading the pack is Laura Poitras’ new documentary All the Beauty and the Bloodshed, which picked up the top prize of Golden Lion, while Alice Diop, Luca Guadagnino, Cate Blanchett, Jafar Panahi, Colin Farrell, and more also received awards.
See the list of winners, with a hat tip to Variety, along with links to our reviews––and check back soon for coverage of Saint Omer, No Bears, and more.
Competition
Golden Lion for Best Film: “All the Beauty and the Bloodshed,” Laura Poitras
Grand Jury Prize: “Saint Omer,” Alice Diop
Silver Lion for Best Director: “Bones and All,” Luca Guadagnino
Special Jury Prize: “No Bears,” Jafar Panahi
Best Screenplay: “The Banshees of Inisherin,” Martin McDonagh
Volpi Cup for Best Actress: “TÁR,” Cate Blanchett
Volpi Cup for Best Actor: “The Banshees of Inisherin,...
See the list of winners, with a hat tip to Variety, along with links to our reviews––and check back soon for coverage of Saint Omer, No Bears, and more.
Competition
Golden Lion for Best Film: “All the Beauty and the Bloodshed,” Laura Poitras
Grand Jury Prize: “Saint Omer,” Alice Diop
Silver Lion for Best Director: “Bones and All,” Luca Guadagnino
Special Jury Prize: “No Bears,” Jafar Panahi
Best Screenplay: “The Banshees of Inisherin,” Martin McDonagh
Volpi Cup for Best Actress: “TÁR,” Cate Blanchett
Volpi Cup for Best Actor: “The Banshees of Inisherin,...
- 9/10/2022
- by Jordan Raup
- The Film Stage
The Venice Film Festival draws to a close tonight with the awards ceremony, with Julianne Moore and her jury set to announce their standouts from the fest’s Competition selection. This post will be updated with winners as they’re announced.
Full List Of Winners
Horizons Extra
Audience Award: “Nezouh,” Soudade Kaadan
Venice Classics
Best Documentary of Cinema: “Fragments of Paradise,” K.D. Davison
Best Restored Film: “Branded to Kill,” Seijun Suzuki
Venice Immersive
Best Immersive Experience: “The Man Who Couldn’t Leave,” Chen Singing
Grand Jury Prize: “From the Main Square,” Pedro Harres
Special Jury Prize: “Eggscape,” German Heller
Venice Days (announced earlier)
Cinema of the Future Award: “The Maiden,” Graham Foy
Director’s Award: “Wolf and Dog,” Cláudia Varejão
People’s Choice Award: “Blue Jean,” Georgia Oakley
Critics’ Week (announced earlier)
Grand Prize: “Eismayer,” David Wagner
Special Mention: “Anhell69,” Theo Montoya
Audience Award: “Margini,” Niccolò Falsetti
Verona Film Club...
Full List Of Winners
Horizons Extra
Audience Award: “Nezouh,” Soudade Kaadan
Venice Classics
Best Documentary of Cinema: “Fragments of Paradise,” K.D. Davison
Best Restored Film: “Branded to Kill,” Seijun Suzuki
Venice Immersive
Best Immersive Experience: “The Man Who Couldn’t Leave,” Chen Singing
Grand Jury Prize: “From the Main Square,” Pedro Harres
Special Jury Prize: “Eggscape,” German Heller
Venice Days (announced earlier)
Cinema of the Future Award: “The Maiden,” Graham Foy
Director’s Award: “Wolf and Dog,” Cláudia Varejão
People’s Choice Award: “Blue Jean,” Georgia Oakley
Critics’ Week (announced earlier)
Grand Prize: “Eismayer,” David Wagner
Special Mention: “Anhell69,” Theo Montoya
Audience Award: “Margini,” Niccolò Falsetti
Verona Film Club...
- 9/10/2022
- by Guy Lodge
- Variety Film + TV
After nearly two weeks of lush red carpets, timed standing ovations, and viral “Don’t Worry Darling” drama, the 79th Venice Film Festival comes to a close on Saturday in the Sala Grande at the Palazzo del Cinema (Lido di Venezia). Julianne Moore chairs the festival’s jury alongside her fellow judges and elite film peers Mariano Cohn, Leonardo di Costanzo, Audrey Diwan, Leila Hatami, Kazuo Ishiguro, and Rodrigo Sorogoyen.
“I feel like so often the discussion around the future of cinema ends up being a discussion that’s more commercial, more business oriented,” Moore said in her opening remarks on August 31. “When we talk about the future of cinema it often degrades into what the future of the business is. That’s not the future of art.”
Established in 1932, Venice is the oldest ongoing cinematic awards celebration and is regarded among the world’s most esteemed international film festivals. 22 titles...
“I feel like so often the discussion around the future of cinema ends up being a discussion that’s more commercial, more business oriented,” Moore said in her opening remarks on August 31. “When we talk about the future of cinema it often degrades into what the future of the business is. That’s not the future of art.”
Established in 1932, Venice is the oldest ongoing cinematic awards celebration and is regarded among the world’s most esteemed international film festivals. 22 titles...
- 9/10/2022
- by Alison Foreman
- Indiewire
The Italian comedy-drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band.
Screen can exclusively reveal the first trailer Niccolò Falsetti’s debut feature Margins which is playing in Venice Film Festival’s Critics Week (August 31 - September 10).
The Italian comedy drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band and kickstart their careers.
Falsetti co-wrote the screenplay with Tommaso Renzoni and Francesco Turbanti who stars in the film alongside Emanuele Linfatti,...
Screen can exclusively reveal the first trailer Niccolò Falsetti’s debut feature Margins which is playing in Venice Film Festival’s Critics Week (August 31 - September 10).
The Italian comedy drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band and kickstart their careers.
Falsetti co-wrote the screenplay with Tommaso Renzoni and Francesco Turbanti who stars in the film alongside Emanuele Linfatti,...
- 9/6/2022
- by Ellie Calnan
- ScreenDaily
“Hey kids, let’s put on a show!” Mickey Rooney’s habitual clarion call to Judy Garland, the starting gun for so many toe-tapping, feel-good Saturday afternoon musicals when both were child stars in the 1930s, has bounced down the years and spread across continents, because who does not love a jolly film about kids putting on a show?
Toe-tapping has gone by the wayside by 2008 in the Tuscan city of Grosseto; the music of choice in Niccolo Falsetti’s Venice Film Festival Critics’ Week entry Margins is optimistically described as “street punk” by the fans and just “very loud” by their long-suffering neighbors. Never mind: essentially, the song remains the same.
Grosseto is the kind of town nobody visits. The kids — not that any of them is still a kid — are Edo, Miche and Iacopo, hardcore devotees with a handful of songs they play in a friend’s isolated barn.
Toe-tapping has gone by the wayside by 2008 in the Tuscan city of Grosseto; the music of choice in Niccolo Falsetti’s Venice Film Festival Critics’ Week entry Margins is optimistically described as “street punk” by the fans and just “very loud” by their long-suffering neighbors. Never mind: essentially, the song remains the same.
Grosseto is the kind of town nobody visits. The kids — not that any of them is still a kid — are Edo, Miche and Iacopo, hardcore devotees with a handful of songs they play in a friend’s isolated barn.
- 9/2/2022
- by Stephanie Bunbury
- Deadline Film + TV
Click here to read the full article.
The hardcore punk rock scene and a sleepy provincial town may seem like unlikely — and distinctly unfriendly — bedfellows. But the combination seems primed for a few comic movie moments, and it’s this that provides the satirical backbone behind Margins, the charming debut feature from writer/director Niccolò Falsetti.
Playing in Venice’s Critics’ Week (the only Italian title in the competition), the film follows three young members of an amateur streetpunk band in 2008 as they battle to achieve that classic music drama objective: to put on the biggest concert of their lives. Sadly for them, their lives are in Grosseto, a small city in Tuscany not known for creating much of a noise. In fact, according to Falsetti, who grew up there (like many, he’s since decamped to Rome), it’s just not known at all.
“You have to understand, nobody in the world,...
The hardcore punk rock scene and a sleepy provincial town may seem like unlikely — and distinctly unfriendly — bedfellows. But the combination seems primed for a few comic movie moments, and it’s this that provides the satirical backbone behind Margins, the charming debut feature from writer/director Niccolò Falsetti.
Playing in Venice’s Critics’ Week (the only Italian title in the competition), the film follows three young members of an amateur streetpunk band in 2008 as they battle to achieve that classic music drama objective: to put on the biggest concert of their lives. Sadly for them, their lives are in Grosseto, a small city in Tuscany not known for creating much of a noise. In fact, according to Falsetti, who grew up there (like many, he’s since decamped to Rome), it’s just not known at all.
“You have to understand, nobody in the world,...
- 9/1/2022
- by Alex Ritman
- The Hollywood Reporter - Movie News
Click here to read the full article.
For the 79th Venice Film Festival, artistic director Alberto Barbera has put together one of the most well-curated lineups of his career. Both studios and streamers are well represented.
Netflix scored an opening-night coup with Noah Baumbach’s White Noise, with buzz promising that it’ll wow the Lido, alongside Andrew Dominik’s Marilyn Monroe biopic, Blonde, with Ana de Armas; Alejandro G. Iñárritu’s Mexican epic Bardo, False Chronicle of a Handful of Truths; and Romain Gavras’ French action thriller Athena.
Studio fare is well represented by Warner Bros.’ Don’t Worry Darling from director Olivia Wilde; Focus has Todd Field’s Tár with Cate Blanchett and Mark Strong; MGM will debut Luca Guadagnino’s Timothée Chalamet-Taylor Russell starrer Bones and All; Searchlight presents The Banshees of Inisherin from Three Billboards Outside Ebbing, Missouri director Martin McDonagh; and Sony Pictures Classics will be...
For the 79th Venice Film Festival, artistic director Alberto Barbera has put together one of the most well-curated lineups of his career. Both studios and streamers are well represented.
Netflix scored an opening-night coup with Noah Baumbach’s White Noise, with buzz promising that it’ll wow the Lido, alongside Andrew Dominik’s Marilyn Monroe biopic, Blonde, with Ana de Armas; Alejandro G. Iñárritu’s Mexican epic Bardo, False Chronicle of a Handful of Truths; and Romain Gavras’ French action thriller Athena.
Studio fare is well represented by Warner Bros.’ Don’t Worry Darling from director Olivia Wilde; Focus has Todd Field’s Tár with Cate Blanchett and Mark Strong; MGM will debut Luca Guadagnino’s Timothée Chalamet-Taylor Russell starrer Bones and All; Searchlight presents The Banshees of Inisherin from Three Billboards Outside Ebbing, Missouri director Martin McDonagh; and Sony Pictures Classics will be...
- 8/30/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
White NoiseCOMPETITIONWhite Noise (Noah Baumbach)Il Signore Delle Formiche (Gianni Amelio)The Whale (Darren Aronofsky)L’Immensita (Emanuele Crialese)Saint Omer (Alice Diop)Blonde (Andrew Dominik)Tár (Todd Field)Love Life (Koji Fukada)Bardo, False Chronicle Of A Handful Of Truths (Alejandro G. Inarritu)Athena (Romain Gavras)Bones & All (Luca Guadagnino)The Eternal Daughter (Joanna Hogg)Beyond The Wall (Vahid Jalilvand)The Banshees Of Inisherin (Martin McDonagh)Argentina, 1985 (Santiago Mitre)Chiara (Susanna Nicchiarelli)Monica (Andrea Pallaoro)No Bears (Jafar Panahi)All The Beauty And The Bloodshed (Laura Poitras)A Couple (Frederick Wiseman)The Son (Florian Zeller)Our Ties (Roschdy Zem)Other People’s Children (Rebecca Zlotowski)Out Of COMPETITIONFictionThe Hanging Sun (Francesco Carrozzini)When The Waves Are Gone (Lav Diaz)Living (Oliver Hermanus)Dead For A Dollar (Walter Hill)Call Of God (Kim Ki-duk)Dreamin’ Wild (Bill Pohlad)Master Gardener (Paul Schrader)Siccità (Paolo Virzi)Pearl (Ti West)Don’t Worry Darling...
- 7/28/2022
- MUBI
Venice Critics’ Week Unveils 2022 Selection
The 37th edition of Venice Critics’ Week has unveiled its 2022 line-up. Films in competition comprise Theo Montoya’s Anhell69 (Colombia), Philippe Petit’s Beating Sun (France), Isabella Carbonell’s Dogborn (Sweden) and David Wagner’s Eismayer (Austria), Dušan Zorić and Matija Gluscevic’s Have You Seen This Woman (Serbia), Niccolò Falsetti’s Margins (Italy) and Alex Schaad’s Skin Deep (Germany). Out of Competition, French director Florent Gouëlou’s Three Nights A Week is the opening film and French-Moroccan director Yasmine Benkiran’s Queens will close the section. There will also be a special screening of established Portuguese director Pedro Costa’s Blood. The parallel Venice section devoted mainly to first and second films runs from August 31 to September 10.
Sky Greenlights Ricky Hatton Documentary
Sky is to tell the story of champion British boxer Ricky Hatton in a doc from 14 Peaks producer Noah Media Group.
The 37th edition of Venice Critics’ Week has unveiled its 2022 line-up. Films in competition comprise Theo Montoya’s Anhell69 (Colombia), Philippe Petit’s Beating Sun (France), Isabella Carbonell’s Dogborn (Sweden) and David Wagner’s Eismayer (Austria), Dušan Zorić and Matija Gluscevic’s Have You Seen This Woman (Serbia), Niccolò Falsetti’s Margins (Italy) and Alex Schaad’s Skin Deep (Germany). Out of Competition, French director Florent Gouëlou’s Three Nights A Week is the opening film and French-Moroccan director Yasmine Benkiran’s Queens will close the section. There will also be a special screening of established Portuguese director Pedro Costa’s Blood. The parallel Venice section devoted mainly to first and second films runs from August 31 to September 10.
Sky Greenlights Ricky Hatton Documentary
Sky is to tell the story of champion British boxer Ricky Hatton in a doc from 14 Peaks producer Noah Media Group.
- 7/25/2022
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
Venice Critics’ Week, a sidebar festival that runs alongside the Venice International Film Festival, unveiled its 2022 lineup Monday.
Three Nights a Week, a French romantic comedy set in the world of drag queens from director Florent Gouëlou, will open this year’s Critics’ Week, with Queens, a feminist road movie set in Morocco from director Yasmine Benkiran, about a three women trying to reach the Atlantic coast ahead of the police, will close out the event. Both will screen out of competition.
The 2022 competition lineup includes seven feature debuts, among them the ecological drama Beating Sun from French director Philippe Petit, about a landscape architect determined to create a wild garden in the heart of downtown Marseille; the German psychological thriller Skin Deep from director Alex Schaad, whose plot revolves around the concept of gender identity; the Italian comedy Margins from Niccolò Falsetti,...
Venice Critics’ Week, a sidebar festival that runs alongside the Venice International Film Festival, unveiled its 2022 lineup Monday.
Three Nights a Week, a French romantic comedy set in the world of drag queens from director Florent Gouëlou, will open this year’s Critics’ Week, with Queens, a feminist road movie set in Morocco from director Yasmine Benkiran, about a three women trying to reach the Atlantic coast ahead of the police, will close out the event. Both will screen out of competition.
The 2022 competition lineup includes seven feature debuts, among them the ecological drama Beating Sun from French director Philippe Petit, about a landscape architect determined to create a wild garden in the heart of downtown Marseille; the German psychological thriller Skin Deep from director Alex Schaad, whose plot revolves around the concept of gender identity; the Italian comedy Margins from Niccolò Falsetti,...
- 7/25/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Ten titles in the festival sidebar
Florent Gouelou’s French drama Three Nights A Week will open Venice International Film Critics’ Week, the sidebar of the Venice Film Festival, playing out-of-competition. Moroccan director Yasmine Benkiran’s Queens will close the selection, also out -of -competition.
The Critics’ Week competition is comprised of seven feature debuts, including including Niccolo Falsetti’s Margini from Italy and Theo Montoya’s Anhell69 from Colombia.
Dogborn by Swedish director Isabella Carbonell is the only film by a female director in the competition section.
The 10 titles were selected by a new committee from the Union of Italian Film Critics,...
Florent Gouelou’s French drama Three Nights A Week will open Venice International Film Critics’ Week, the sidebar of the Venice Film Festival, playing out-of-competition. Moroccan director Yasmine Benkiran’s Queens will close the selection, also out -of -competition.
The Critics’ Week competition is comprised of seven feature debuts, including including Niccolo Falsetti’s Margini from Italy and Theo Montoya’s Anhell69 from Colombia.
Dogborn by Swedish director Isabella Carbonell is the only film by a female director in the competition section.
The 10 titles were selected by a new committee from the Union of Italian Film Critics,...
- 7/25/2022
- by Ben Dalton
- ScreenDaily
Francesca Archibugi’s ’The Hummingbird’ stars Nanni Moretti, Berenice Bejo and Pierfrancesco Favino.
Italy’s Fandango Sales has signed a raft of deals on Francesca Archibugi’s upcoming film The Hummingbird and Paolo Taviani’s Leonora Addio, plus made six additions to its Marché line-up.
The Hummingbird has sold to Spain (Karma Films), Switzerland (Filmcoopi), Benelux (Cineart), Bulgaria (Cinelibri) and Former Yugoslavia (McF Megacom). The film stars Nanni Moretti, Berenice Bejo and Pierfrancesco Favino and was produced by Fandango with Les Films des Tournelles, Orange Studio and Rai Cinema.
Berlinale competition title Leonora Addio has been sold to Portugal (Leopardo...
Italy’s Fandango Sales has signed a raft of deals on Francesca Archibugi’s upcoming film The Hummingbird and Paolo Taviani’s Leonora Addio, plus made six additions to its Marché line-up.
The Hummingbird has sold to Spain (Karma Films), Switzerland (Filmcoopi), Benelux (Cineart), Bulgaria (Cinelibri) and Former Yugoslavia (McF Megacom). The film stars Nanni Moretti, Berenice Bejo and Pierfrancesco Favino and was produced by Fandango with Les Films des Tournelles, Orange Studio and Rai Cinema.
Berlinale competition title Leonora Addio has been sold to Portugal (Leopardo...
- 5/11/2022
- by Gabriele Niola
- ScreenDaily
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