WHITE HEAT is the ultimate gangster melodrama with the great James Cagney at the peak of his powers. No one else in the cast is a slouch either--Virginia Mayo convinces me that Bette Davis was right when she suggested Mayo should have played Rosa Moline in BEYOND THE FOREST.
Edmond O'Brien as a doggedly determined cop pretending to be a prisoner to get close to Cagney, is excellent, as he always is in these kind of roles. Steve Cochran's dirty lowdown heel is a standout as the darkly handsome actor makes the most of every line, especially in his scenes opposite Virginia Mayo.
Director Raoul Walsh keeps the film spinning along at a fast clip, never once letting the rather uncomplicated plot lose any of its tension as he underscores the pathology of Cody Jarrett's character, a man obsessed by his conniving mother (Margaret Wycherly). Cagney's prison breakup scene is masterfully handled by the actor and staged for maximum effect. A rousing score by Max Steiner underlines all of the suspenseful action and there's an electrifying climax with Cagney's famous "Top of the world, ma!" before he meets his end.
James Cagney has never had a better gangster role and he's given brilliant support by an outstanding cast. By all means, worth viewing as one of the great Warner crime melodramas of the late '40s.
Edmond O'Brien as a doggedly determined cop pretending to be a prisoner to get close to Cagney, is excellent, as he always is in these kind of roles. Steve Cochran's dirty lowdown heel is a standout as the darkly handsome actor makes the most of every line, especially in his scenes opposite Virginia Mayo.
Director Raoul Walsh keeps the film spinning along at a fast clip, never once letting the rather uncomplicated plot lose any of its tension as he underscores the pathology of Cody Jarrett's character, a man obsessed by his conniving mother (Margaret Wycherly). Cagney's prison breakup scene is masterfully handled by the actor and staged for maximum effect. A rousing score by Max Steiner underlines all of the suspenseful action and there's an electrifying climax with Cagney's famous "Top of the world, ma!" before he meets his end.
James Cagney has never had a better gangster role and he's given brilliant support by an outstanding cast. By all means, worth viewing as one of the great Warner crime melodramas of the late '40s.