An English teacher whose taste I generally respected despised this film. As a word person, she was no doubt bothered by the compression and elimination of so much of Poe's carefully wrought language.
But she overlooked one thing, in my estimation. Poe said everything in a short story should be toward one effect, and certainly, there has been no better attempt on film to achieve the kind of formal and emotional control Poe suggested was the story teller's goal than this animated short. She should have appreciated that.
The control of tone, light and color palette here is complete; the actors are hand-crafted; the voices and music are expertly orchestrated as in great radio drama; best of all, nothing extraneous or distracting seeps through at any point. (We clearly see only one face during this short. We never see the narrator, but see all that happens through a subjective camera.) While there is a ton of ham bone melodrama and story padding in Corman's Poe films, this film achieves just the right pitch, delicate and disturbing, maintains it, and then finishes simply. In today's context, UPA's Tell-Tale seems slightly dry, if not downright academic; Corman's films evoke not only Hollywood, with all that means, but low budget film making and drive-in culture as well.
I believe Poe would have appreciated UPA's effort and encouraged them to try others, like Cask of Amontillado and Masque. Given the chance, I think he'd have liked to tell Corman to just quit it.
10 stars. One of the great cartoons, ever.
But she overlooked one thing, in my estimation. Poe said everything in a short story should be toward one effect, and certainly, there has been no better attempt on film to achieve the kind of formal and emotional control Poe suggested was the story teller's goal than this animated short. She should have appreciated that.
The control of tone, light and color palette here is complete; the actors are hand-crafted; the voices and music are expertly orchestrated as in great radio drama; best of all, nothing extraneous or distracting seeps through at any point. (We clearly see only one face during this short. We never see the narrator, but see all that happens through a subjective camera.) While there is a ton of ham bone melodrama and story padding in Corman's Poe films, this film achieves just the right pitch, delicate and disturbing, maintains it, and then finishes simply. In today's context, UPA's Tell-Tale seems slightly dry, if not downright academic; Corman's films evoke not only Hollywood, with all that means, but low budget film making and drive-in culture as well.
I believe Poe would have appreciated UPA's effort and encouraged them to try others, like Cask of Amontillado and Masque. Given the chance, I think he'd have liked to tell Corman to just quit it.
10 stars. One of the great cartoons, ever.