8/10
The best minor classic?
27 December 2003
A stunning low budget film that seems to transend it's limited budget. For once, Price doesn't ham it up and Ogilvy gets to go deeper with his old Etonian dashing hero persona. There is genuine horror from the first scene of a woman being burned, Hopkins' sidekick performing emergency surgery on himself and the feeling of a people opressed and cornered on all sides by war and religious panic. A special mention must go to a man who I think is the most underrated cinematographer in the movies: John Coquillon, who makes the scenery haunting yet beautiful like a Constable painting.
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