British `dark comedy' was possibly as its zenith with this rich Peter O'Toole offering by director Peter Medak. O'Toole is Jack Gurney, the youngest and `somewhat eccentric' heir to the House of Gurney. He suddenly finds himself being forced by his late father's will into taking up his role in British society - assuming the family seat in the House of Lords. The biggest problem is not that the late Earl of Gurney has just accidentally hung himself wearing a cocked hat and a ballet skirt, or that Jack has just released himself from `hospital' where the doctors were treating his `nerves.' No the biggest problem is that, on a good day, the new 14th Earl of Gurney thinks he's Jesus Christ and, on a bad day, he thinks he's Jack the Ripper!
And if that mix of the macabre doesn't make you chuckle, try this unexpected twist. At several poignant moments throughout the film, the cast will suddenly break from straight-faced dialogue into a full-blown, song and dance numbers, some of which would make Busby Berkley proud. In one case, the tune of `Connect 'dem Bones' is ushered up to punctuate a scene with O'Toole lecturing the local gentry about the need for capital punishment. Herein lies one of the big reasons why this film is so off-the-wall and refreshingly funny.
For my money, this is one of the most original, thought-provoking and honest critiques of the British class system ever to be put on film. O'Toole is simply mesmerizing as he juggles Jack's multiple personalities, the funniest of which is Christ or, as he prefers it, `J.C.' It's hysterical to watch the cumulative effect of J.C.'s `touched' outlook on the members in his stuffy, conspiring family who are out to get Jack committed permanently.
A true `Must See Film' for anyone who enjoys a juicy, sardonic, intelligent black comedy, especially when the topic focuses on the silly pomposity of the British upper classes.
And if that mix of the macabre doesn't make you chuckle, try this unexpected twist. At several poignant moments throughout the film, the cast will suddenly break from straight-faced dialogue into a full-blown, song and dance numbers, some of which would make Busby Berkley proud. In one case, the tune of `Connect 'dem Bones' is ushered up to punctuate a scene with O'Toole lecturing the local gentry about the need for capital punishment. Herein lies one of the big reasons why this film is so off-the-wall and refreshingly funny.
For my money, this is one of the most original, thought-provoking and honest critiques of the British class system ever to be put on film. O'Toole is simply mesmerizing as he juggles Jack's multiple personalities, the funniest of which is Christ or, as he prefers it, `J.C.' It's hysterical to watch the cumulative effect of J.C.'s `touched' outlook on the members in his stuffy, conspiring family who are out to get Jack committed permanently.
A true `Must See Film' for anyone who enjoys a juicy, sardonic, intelligent black comedy, especially when the topic focuses on the silly pomposity of the British upper classes.