10/10
Insanely brilliant and brilliantly insane.
29 June 2001
All hail Spike Jonze for he is a genius. Not content with being the undisputed king of music videos, he's set his sights on full-length-feature-films. One might imagine that the often surreal, always innovative humour of his short music promos might not transfer across to a much longer production – like hell. ‘Being John Malkovich' is a fresh exciting stroke of genius.

John Cusack is Craig Schwartz, an unemployed puppeteer looser guy. In order to earn a living he is forced to find himself a regular job, only it soon becomes apparent that regular it is not. Working as a filing clerk on floor seven and a half, Craig stumbles across a portal into John Malkovich's head. No, really, that's what happens. Anyway, he turns this into a business venture with help from the beautiful Maxine (Catherine Keener), whom he lusts after. Maxine is more interested, however, in his wife, Lotte (Diaz, like you've never seen her before) but only when she's being John Malkovich.

Don't worry if this all sounds a little strange to you, it should do, it's probably the most surreal film ever made. I obviously can't give all the credit for this to director Spike Jonze; Charlie Kaufman is the genius that wrote this insanity. He's the most acutely imaginative and ingenious man of our time.

With such a fantastic cast the acting is of course superb; everyone's brilliant, especially Malkovich himself. Well obviously, you say, he's playing himself – yes, but he's also playing himself being played by an increasingly psychotic puppeteer.

Monkey flash backs and a restaurant full of Malkoviches are highlights of the insanely brilliant and brilliantly insane movie. If you thought that Spike Jonez could never top the Daft Punk talking dog video, you have never been so wrong in your life.

10/10
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