I loved the fact that the producers of Hi-Life used real Upper West Side locations in this film, including the Hi-Life itself. It tugged at the heartstrings of this former UWS resident, now exiled to Atlanta. The movie itself was tolerable -- mainly because Peter Riegert was in it. Can't have enough Peter Riegert in a movie, as far as I'm concerned. The rest of the cast was amiable, if not very energetic. The story -- which could have been quite clever, with various folks chasing the same $900 for a variety of unethical reasons -- floundered in the face of lackadaisical pacing and cramped, dark cinematography.
